Cello SKU: HL.50490865 Cello and Piano. Composed by Ludwig van Bee...(+)
Cello
SKU:
HL.50490865
Cello
and Piano. Composed
by Ludwig van Beethoven.
String. Classical.
Softcover. 50 pages. Hal
Leonard #ZN337022.
Published by Hal Leonard
(HL.50490865).
Level
2. Composed by John
M. Feierabend. Choral.
Conversational Solfege.
Music Education. Octavo.
GIA Publications #527.
Published by GIA
Publications (GI.G-527).
Text by Noel
Goemanne.
Conversat
ional Solfege is a
dynamic and captivating
first-through-eighth
grade general music
program that enables
students to become
independent musical
thinkers with the help of
a rich variety of folk
and classical
music. It is organized
around increasingly
complex rhythmic and
melodic content. Each new
rhythmic or melodic
element is discovered
first in patterns and
then reinforced with folk
songs, rhymes, and
classical examples.
Central to the
Conversational Solfege
program is the use of
music harvested from our
rich and diverse American
musical history. This
variety of music serves
as a common thread that
spans and bonds
generations. Each book
contains varied song
material so the teacher
can select appropriate
music for the lower
grades or older
beginners. This 12-step
teaching method carefully
brings students from
readiness to, ultimately,
creating music through
inner hearing and then
transferring their
musical thoughts into
notation—in other
words, to compose music!
This CD provides
14Â classical
selections referenced in
Conversational Solfege
Level 2. These examples
provide reinforcement for
emerging literacy skills,
and they also enable
students to listen to
wonderful classical
examples with greater
attention. Listening to
classical music can be
challenging for
elementary students. With
nothing to hang onto, the
many notes can be too
much to comprehend and
attention soon wanes. But
with minimal literacy
skills, students will
have enough musical
information to discover
that classical music can
be accessible and
appealing. In the
included booklet, timings
are given for each
selection and the
portions of the music
that are readable by the
students are reproduced.
Whether using this CD
with Conversational
Solfege instructional
materials or simply as a
resource of classical
music with simple to read
rhythmic and melodic
material, both teachers
and students will delight
in discovering this
wonderful music through
literacy. This series is
a complete, innovative
approach to teaching
music that will stay
fresh year after year.
CONTENTS Conversational
Solfege Unit 5:Â 1.
Antonin Dvorak •
New World Theme
Conversational Solfege
Unit 6:Â 2. Franz
Joseph Haydn •
Theme from  the
Surprise Symphony, 3.
Camille
Saint-Sans •
Turtles from Carnival of
the Animals, 4. Ludwig
van Beethoven •
Symphony No. 7, 2nd
Movement, 5. Josef
Strauss •
Feuerfest (Fireproof)
Polka, Op. 269
Conversational Solfege
Unit 7:Â 6. Jacques
Offenbach •
Can-Can, 7. Dmitry
Kabalevsky •
Pantomime from the
Comedians, 8. Edvard
Grieg • In the
Hall of the Mountain King
Conversational Solfege
Unit 9 and Unit 11:Â 9.
Jacques
Offenbach •
Barcarolle Conversational
Solfege Unit 10:Â 10.
Edvard Grieg •
Morning Conversational
Solfege Unit 11:Â 11.
Ottorino
Respighi •
Ground in G
Conversational Solfege
Unit 12:Â 12. Johann
Sebastian Bach •
Jesu, Joy of Men's
Desiring, 13. Jean
Sibelius •
Finlandia Conversational
Solfege Unit 13:Â 14.
Ludwig Van
Beethoven •
Symphony No. 6, Movement
5Â John M. Feierabend
is Professor Emeritus and
former Director of Music
Education at The Hartt
School of Music,
University of Hartford,
Connecticut.
Celtic / Irish, Perfect binding, World. Sacred. Book and online audio. 108 pag...(+)
Celtic / Irish, Perfect
binding, World. Sacred.
Book
and online audio. 108
pages.
Mel Bay Publications, Inc
#31036M. Published by Mel
Bay
Publications, Inc
Orchestra violin 2
(picc.2.2.2.2 - 2.2.2.0 -
timp - str)
SKU:
BR.OB-14616-16
Pastoral Symphony -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Jens
Dufner. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G. Henle
Verlag
Symphony;
Classical. Part. 20
pages. Duration 40'.
Breitkopf and Haertel #OB
14616-16. Published by
Breitkopf and Haertel
(BR.OB-14616-16).
ISBN
9790004344484. 10 x 12.5
inches.
It was only
shortly after the 5th
Symphony that Beethoven
completed the Pastoral
Symphony. The two formed
a complementary work
pair, consigned together
to a patron in June 1808,
publicly premiered in
Vienna in December 1808,
and published by
Breitkopf & Hartel in the
spring of 1809. During
this period, Beethoven
revised the symphony
several times. Only in
the course of preparing
for publication did
Beethoven send Breitkopf
& Hartel a letter,
together with a list of
corrections, disclosing
the title that he
desired, Pastoral
Symphony or recollections
of country life. More an
expression of feeling
than painting. The
Pastoral with its
tone-painting elements
gives evidence of
Beethoven's closeness to
nature, characterizing in
five movements his
various experiences and
images of nature. Based
on the music text of the
Beethoven Complete
Edition, the new
performance material of
this recently published
edition presents the
current, authoritative
status of Beethoven
research for this
work.
The study
score (,,Studien-Edition)
is available at G. Henle
Verlag.
Orchestra viola
(picc.2.2.2.2 - 2.2.2.0 -
timp - str)
SKU:
BR.OB-14616-19
Pastoral Symphony -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Jens
Dufner. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G. Henle
Verlag
Symphony;
Classical. Part. 16
pages. Duration 40'.
Breitkopf and Haertel #OB
14616-19. Published by
Breitkopf and Haertel
(BR.OB-14616-19).
ISBN
9790004344491. 10 x 12.5
inches.
It was only
shortly after the 5th
Symphony that Beethoven
completed the Pastoral
Symphony. The two formed
a complementary work
pair, consigned together
to a patron in June 1808,
publicly premiered in
Vienna in December 1808,
and published by
Breitkopf & Hartel in the
spring of 1809. During
this period, Beethoven
revised the symphony
several times. Only in
the course of preparing
for publication did
Beethoven send Breitkopf
& Hartel a letter,
together with a list of
corrections, disclosing
the title that he
desired, Pastoral
Symphony or recollections
of country life. More an
expression of feeling
than painting. The
Pastoral with its
tone-painting elements
gives evidence of
Beethoven's closeness to
nature, characterizing in
five movements his
various experiences and
images of nature. Based
on the music text of the
Beethoven Complete
Edition, the new
performance material of
this recently published
edition presents the
current, authoritative
status of Beethoven
research for this
work.
The study
score (,,Studien-Edition)
is available at G. Henle
Verlag.
Orchestra woodwinds
(picc.2.2.2.2 - 2.2.2.0 -
timp - str)
SKU:
BR.OB-14616-30
Pastoral Symphony -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Jens
Dufner. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G. Henle
Verlag
Symphony;
Classical. Set of parts.
128 pages. Duration 40'.
Breitkopf and Haertel #OB
14616-30. Published by
Breitkopf and Haertel
(BR.OB-14616-30).
ISBN
9790004344521. 10 x 12.5
inches.
It was only
shortly after the 5th
Symphony that Beethoven
completed the Pastoral
Symphony. The two formed
a complementary work
pair, consigned together
to a patron in June 1808,
publicly premiered in
Vienna in December 1808,
and published by
Breitkopf & Hartel in the
spring of 1809. During
this period, Beethoven
revised the symphony
several times. Only in
the course of preparing
for publication did
Beethoven send Breitkopf
& Hartel a letter,
together with a list of
corrections, disclosing
the title that he
desired, Pastoral
Symphony or recollections
of country life. More an
expression of feeling
than painting. The
Pastoral with its
tone-painting elements
gives evidence of
Beethoven's closeness to
nature, characterizing in
five movements his
various experiences and
images of nature. Based
on the music text of the
Beethoven Complete
Edition, the new
performance material of
this recently published
edition presents the
current, authoritative
status of Beethoven
research for this
work.
The study
score (,,Studien-Edition)
is available at G. Henle
Verlag.
Motette. Composed
by Johann Ludwig Bach.
German title: Das Blut
Jesu Christi. Sacred,
Motets; Use during church
year: Lent and
Passiontide. Full score.
Carus Verlag #CV
30.007/00. Published by
Carus Verlag
(CA.3000700).
ISBN
9790007019747. Key: G
major. Language:
German.
The motets
of Johann Ludwig Bach
occupy an outstanding
position within this
genre. Though rooted
firmly in the shorter
motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all
choirs.
Flutes and Piano (Flute) SKU: HL.50511982 Composed by Ludwig Johann Krebs...(+)
Flutes and Piano (Flute)
SKU: HL.50511982
Composed by Ludwig Johann
Krebs. Baroque. EMB.
Volume 2. Book Only.
Editio Musica Budapest
#Z13924. Published by
Editio Musica Budapest
(HL.50511982).
ISBN
9790080139240. Bach (23 x
30,2 cm) inches. Johann
Ludwig Krebs; Eniko
Gyenge.
The present
edition of the trio
sonatas by Johann Ludwig
Krebs (1713-1780) is
based on pp. 113-158 of a
contemporary copy of the
trio sonata collection
which is held in the
Sachsische
Landesbibliothek,
Dresden, shelf-mark Mus.
1-Q-1. The common title
at the beginning of the
first trio reads: Sechs
Trio a 2 Flauti e Basso.
In spite of the
consistent indication of
instrument in the source
the music material of the
second flute part
suggests an alternative
use of instruments. Apart
from the characteristic
string turns occurring in
some places mention
should be made of the
range of voice up to g of
the first trio sonata if
the/in first place and
particulary of the
consistently applied
double stops of the
second melodic instrument
in the first movement of
piece No. 6. Territorial
restrictions may apply.
Please ask before
ordering.
Orchestra double bass
(picc.2.2.2.2 - 2.2.2.0 -
timp - str)
SKU:
BR.OB-14616-27
Pastoral Symphony -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Jens
Dufner. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G. Henle
Verlag
Symphony;
Classical. Part. 12
pages. Duration 40'.
Breitkopf and Haertel #OB
14616-27. Published by
Breitkopf and Haertel
(BR.OB-14616-27).
ISBN
9790004344514. 10 x 12.5
inches.
It was only
shortly after the 5th
Symphony that Beethoven
completed the Pastoral
Symphony. The two formed
a complementary work
pair, consigned together
to a patron in June 1808,
publicly premiered in
Vienna in December 1808,
and published by
Breitkopf & Hartel in the
spring of 1809. During
this period, Beethoven
revised the symphony
several times. Only in
the course of preparing
for publication did
Beethoven send Breitkopf
& Hartel a letter,
together with a list of
corrections, disclosing
the title that he
desired, Pastoral
Symphony or recollections
of country life. More an
expression of feeling
than painting. The
Pastoral with its
tone-painting elements
gives evidence of
Beethoven's closeness to
nature, characterizing in
five movements his
various experiences and
images of nature. Based
on the music text of the
Beethoven Complete
Edition, the new
performance material of
this recently published
edition presents the
current, authoritative
status of Beethoven
research for this
work.
Orchestra violoncello
(picc.2.2.2.2 - 2.2.2.0 -
timp - str)
SKU:
BR.OB-14616-23
Pastoral Symphony -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Jens
Dufner. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G. Henle
Verlag
Symphony;
Classical. Part. 24
pages. Duration 40'.
Breitkopf and Haertel #OB
14616-23. Published by
Breitkopf and Haertel
(BR.OB-14616-23).
ISBN
9790004344507. 10 x 12.5
inches.
It was only
shortly after the 5th
Symphony that Beethoven
completed the Pastoral
Symphony. The two formed
a complementary work
pair, consigned together
to a patron in June 1808,
publicly premiered in
Vienna in December 1808,
and published by
Breitkopf & Hartel in the
spring of 1809. During
this period, Beethoven
revised the symphony
several times. Only in
the course of preparing
for publication did
Beethoven send Breitkopf
& Hartel a letter,
together with a list of
corrections, disclosing
the title that he
desired, Pastoral
Symphony or recollections
of country life. More an
expression of feeling
than painting. The
Pastoral with its
tone-painting elements
gives evidence of
Beethoven's closeness to
nature, characterizing in
five movements his
various experiences and
images of nature. Based
on the music text of the
Beethoven Complete
Edition, the new
performance material of
this recently published
edition presents the
current, authoritative
status of Beethoven
research for this
work.
Pastoral Symphony -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Jens
Dufner. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
The
study score
(,,Studien-Edition) is
available at G. Henle
Verlag
Symphony;
Classical. Full score.
112 pages. Duration 40'.
Breitkopf and Haertel #PB
14616. Published by
Breitkopf and Haertel
(BR.PB-14616).
ISBN
9790004214916. 10 x 12.5
inches.
It was only
shortly after the 5th
Symphony that Beethoven
completed the Pastoral
Symphony. The two formed
a complementary work
pair, consigned together
to a patron in June 1808,
publicly premiered in
Vienna in December 1808,
and published by
Breitkopf & Hartel in the
spring of 1809. During
this period, Beethoven
revised the symphony
several times. Only in
the course of preparing
for publication did
Beethoven send Breitkopf
& Hartel a letter,
together with a list of
corrections, disclosing
the title that he
desired, Pastoral
Symphony or recollections
of country life. More an
expression of feeling
than painting. The
Pastoral with its
tone-painting elements
gives evidence of
Beethoven's closeness to
nature, characterizing in
five movements his
various experiences and
images of nature. Based
on the music text of the
Beethoven Complete
Edition, the new
performance material of
this recently published
edition presents the
current, authoritative
status of Beethoven
research for this
work.
Orchestra violin 1
(picc.2.2.2.2 - 2.2.2.0 -
timp - str)
SKU:
BR.OB-14616-15
Pastoral Symphony -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Jens
Dufner. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G. Henle
Verlag
Symphony;
Classical. Part. 20
pages. Duration 40'.
Breitkopf and Haertel #OB
14616-15. Published by
Breitkopf and Haertel
(BR.OB-14616-15).
ISBN
9790004344477. 10 x 12.5
inches.
It was only
shortly after the 5th
Symphony that Beethoven
completed the Pastoral
Symphony. The two formed
a complementary work
pair, consigned together
to a patron in June 1808,
publicly premiered in
Vienna in December 1808,
and published by
Breitkopf & Hartel in the
spring of 1809. During
this period, Beethoven
revised the symphony
several times. Only in
the course of preparing
for publication did
Beethoven send Breitkopf
& Hartel a letter,
together with a list of
corrections, disclosing
the title that he
desired, Pastoral
Symphony or recollections
of country life. More an
expression of feeling
than painting. The
Pastoral with its
tone-painting elements
gives evidence of
Beethoven's closeness to
nature, characterizing in
five movements his
various experiences and
images of nature. Based
on the music text of the
Beethoven Complete
Edition, the new
performance material of
this recently published
edition presents the
current, authoritative
status of Beethoven
research for this
work.
Flute Duet and Piano SKU: BT.EMBZ13924 Composed by Johann Ludwig Krebs. B...(+)
Flute Duet and Piano
SKU: BT.EMBZ13924
Composed by Johann Ludwig
Krebs. Book Only.
Composed 1991. 76 pages.
Editio Musica Budapest
#EMBZ13924. Published by
Editio Musica Budapest
(BT.EMBZ13924).
The present
edition of the trio
sonatas by Johann Ludwig
Krebs (1713-1780) is
based on pp. 113-158 of a
contemporary copy of the
trio sonata collection
which is held in the
Sächsische
Landesbibliothek,
Dresden, shelf-mark Mus.
1-Q-1. The common title
at the beginning of the
first trio reads: Sechs
Trio a 2 Flauti e Basso.
In spite of the
consistent indication of
instrument in the source
the music material of the
second flute part
suggests an alternative
use of instruments. Apart
from the characteristic
string turns occurring in
some places mention
should be made of the
range of voice up to g of
the first trio sonata if
the/in first place and
particulary of
theconsistently applied
double stops of the
second melodic instrument
in the first movement of
piece No. 6. Territorial
restrictions may apply.
Please ask before
ordering.
Flute Duet and Piano SKU: BT.EMBZ13923 Composed by Johann Ludwig Krebs. B...(+)
Flute Duet and Piano
SKU: BT.EMBZ13923
Composed by Johann Ludwig
Krebs. Book Only.
Composed 1991. 76 pages.
Editio Musica Budapest
#EMBZ13923. Published by
Editio Musica Budapest
(BT.EMBZ13923).
The present
edition of the trio
sonatas by Johann Ludwig
Krebs (1713-1780) is
based on pp. 113-158 of a
contemporary copy of the
trio sonata collection
which is held in the
Sächsische
Landesbibliothek,
Dresden, shelf-mark Mus.
1-Q-1. The common title
at the beginning of the
first trio reads: Sechs
Trio a 2 Flauti e Basso.
In spite of the
consistent indication of
instrument in the source
the music material of the
second flute part
suggests an alternative
use of instruments. Apart
from the characteristic
string turns occurring in
some places mention
should be made of the
range of voice up to g of
the first trio sonata if
the/in first place and
particulary of
theconsistently applied
double stops of the
second melodic instrument
in the first movement of
piece No. 6. Territorial
restrictions may apply.
Please ask before
ordering.
Chorus a cappella SKU: BR.CHB-5234-02 Composed by Fanny Cecile Mendelssoh...(+)
Chorus a cappella
SKU:
BR.CHB-5234-02
Composed by Fanny Cecile
Mendelssohn. Edited by
Gottfried Heinz and J.
Draheim. Choir; stapled.
Chor-Bibliothek (Choral
Library). Fanny Hensel's
choral works not only
stand up to comparison
with any of the rich and
varied choral works of
the Romantic era - they
also rank among the best.
Very likely to become
hits! (Musica). Song;
Romantic. Choral score. 4
pages. Breitkopf and
Haertel #ChB 5234-02.
Published by Breitkopf
and Haertel
(BR.CHB-5234-02).
ISBN
9790004411537. 7.5 x 10.5
inches.
German.
Madame
Hensel, Mendelssohn's
sister, whose eyes speak
intelligence and
profundity''. This diary
entry made by Robert
Schumann in June 1843
succinctly but fittingly
characterizes Fanny
Hensel, without a doubt
the most significant
woman composer of the
19th century. Born in
Hamburg on 14 November
1805, she was the eldest
sister of Felix
Mendelssohn Bartholdy and
the granddaughter of the
philosopher Moses
Mendelssohn. In 1829 she
married the Prussian
court painter and
occasional poet Wilhelm
Hensel (1794-1861). After
her sudden death in
Berlin on 14 May 1847 as
a result of a stroke, the
music journalist Ludwig
Rellstab poignantly wrote
that she shared the
brotherhood ef talent
with her famous
sibling.Fanny Hensel was
given the same excellent
and comprehensive musical
training as her
precocious brother,
including composition
lessons with Goethe's
friend Carl Friedrich
Zelter. Felix and Fanny
not only loved each other
tenderly, but they also
maintained an intensive,
life-long exchange of
ideas which proved
musically profitable to
both of them. However, it
was only in 1846 that
Mendelssohn gave up his
resistance to Fanny's
publication plans. And
so, just shortly before
her death, she was able
to publish a carefully
selected sample of her
songs and piano
pieces.Not only these
pieces, but also a few
orchestral and
chamber-music works (e.g.
the String Quartet in E
flat major, KM 2255) and,
in particular, choral
music occupy an important
position in her oeuvre.
Most of her choral works
were written in 1846, and
she was able to rehearse
them with the chorus she
conducted at the famous
Sunday Concerts in the
Mendelssohn home. She had
six of these choral songs
published in a revised
version under the title
Gartenlieder Op. 3 by the
Berlin music publisher
Bote & Bock. The title of
the Gartenlieder brings
to mind Mendelssohn's
well-known Lieder im
Freien zu singen (Opera
41, 48, 59; ChB
4763-4780), published
before 1846. But, as far
as the quality of their
melodic writing, the
compositional technique,
and the choice of texts
are concerned, as well as
the perfect balance
between folk-like
simplicity and polished
design, they are as
outstanding as the works
of her
brother.
Fanny
Hensel's choral works not
only stand up to
comparison with any of
the rich and varied
choral works of the
Romantic era - they also
rank among the best. Very
likely to become hits!
(Musica).
Motette. Composed
by Johann Ludwig Bach.
Edited by Uwe Wolf.
Organ. Sacred, Motets;
Use during church year:
Christmas. Single Part,
Organ. 8 pages. Carus
Verlag #CV 30.015/49.
Published by Carus Verlag
(CA.3001549).
ISBN
9790007204020. Key: G
major. Language:
German.
This motet
for double choir, based
on the well-known
Christmas text of Isaiah
9, 5-6, is a sample from
the motets by Johann
Ludwig Bach,
Kappellmeister of
Meiningen, which are
available from Carus as a
complete edition. After a
more homophonic first
part with many dialogs,
the second part follows
with an alla breve fugue
that expands to a double
fugue to close out the
work. Score and part
available separately -
see item CA.3001500.
Flute - Level 3-4 SKU: HF.FH-3381 Ein Flotenbuch fur Friedrich II....(+)
Flute - Level 3-4
SKU:
HF.FH-3381
Ein
Flotenbuch fur Friedrich
II.. Edited by
Liedtke. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 3381.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-3381).
ISBN
9790203433811. 9 x 12
inches.
1.
Solfeggio fur Flote
(Agnesens, Udo); 2.
Solfeggio fur Altflote in
G (Baader-Nobs, Heidi);
3. Joshua, fur Grosse
Flote (Brandt,
Christopher); 4. Solfege
Sous-si, sans-fa fur
Piccoloflote
(Brandmuller, Theo); 5.
Solfeggio fur
Altblockflote (Buchholz,
Thomas); 6. 5-7-9,
Solfeggio fur Flote
(Burkholz, Thomas); 7.
Solfeggio, fur Flote
(Eun-Hwa, Cho); 8. Etude
fur Friedrich den Grossen
fur Piccolo-Flote oder
Flote (Dinescu, Violeta);
9. Solfeggio fur Flote
solo (Eggert, Moritz);
10. geradlinig, fur Flote
(Elikowski-Winkler,
Sebastian); 11. Solfeggio
uber sol, fa und la fur
jede Stimme
(Emeliantseva, Irina);
12. Solfeggio fur
Sopranblockflote
(Gatzmaga, Johann Lukas);
13. Miniatur 9/61 fur
Querflote solo (Gerwin,
Thomas); 14. kattethym
fur Flote (Glandien,
Lutz); Solfeggio fur
Traversflote und
Sprechstimme (Gubler,
Rico); 15. Solfeggien fur
F. von seiner
ghostwriterin fur Flote
(Heller, Barbara); 16.
Sol-fedch-o fur Flote
(Hildebrandt, Johannes
K.); 17. 3 Farben fur
Piccoloflote (Hirsch,
Michael); 18. Ming II,
Solfeggio fur Flote
(Hoche, Hubert); 19.
Solfeggion fur Flote solo
(Hoyer, Ralf); 20.
Solfeggio fur Friedrich
II fur Alt- oder
Bassflote solo (Iranyi,
Gabriel); 21. approche II
fur Flote (Jann,
Matthias); 22. Petit
hommage a Frederic II fur
Flote (Katzer, Georg);
23. Solfeggio fur Flote
(Keller, Hermann); 24.
Solfeggio du roi et pour
le roi fur Flote (Keller,
Max E.); 25. Solfeggio
fur Flote oder Oboe in
G-Dur (Kirchner, Danny);
26. Solfeggio in F fur
Flote (Kobjela, Detlef);
27. Solfeggio Rosettafur
Friedrich II fur Flote
(Kram, Christian FP); 28.
Solfeggio fur Friedrich
fur Grosse Flote,
Piccoloflote, Altflote
und Kuckucksflote
(Kratzschmar, Wilfried);
29. Solfeggion (to his
brain) fur Querflote
(Krimitza, Vasiliki); 30.
Solfeggio fur Flote
(Levitskiy, Benjamin);
31. Je m' en fifre fur
Flote (Lienenkamper,
Stefan); 32. Solfeggio
fur Flote solo (Ludwig,
Marcus Botho); 33.
Hochtief - Tiefhoch / a
Solfeggio for Piccolo
(Mack, Dieter); 34.
Solfeggio nach einem
Cornet-Thema fur Piccolo
(Matthus, Siegfried); 35.
Solfeggion No. X fur
Altflote in G (Merkel,
Marcus); 36. Solfeggio
per flauto alto (Meyer,
Krzysztof); 37. ...und
Friedrich der Grosse, fur
Flote (MOller, Mathias
Monrad); 38. Die bunten
Vogel des Konigs fur
Floteninstrumente
(Muller, Alfred Thomas);
39. Solfeggio fur Flote
(Muller-Goldboom,
Gerhardt); 40.
Flotenspiel fur Floten
(Munch, Christian); 41.
Solfeggio 1, 2 fur Flote
(Nather, Gisbert); 42.
Solfeggio per Flauto
(Natschinski, Gerd); 43.
SOL fur Flote (oder
Bassflote) solo (Nemtsov,
Sarah); 44. 3 Solfeggien
Hommage a F. R.
(Fridericus Rex) fur
Flote (Neubert, Gunter);
45. Solfeggio fur Flote
(Oehring, Helmut); 46.
Solfeggio 1 fur
F-r-i-E-D-r-i-C-H &
Solfeggio 2 fur Friedrich
fur Flote (Pfundt,
Reinhard); 47. Solfeggio
... no words ... fur
Flote (Pinnock, Naomi);
48. Solfeggio fur Flote
(Pomorin, Sibylle); 49.
Divertimento (mit
kaputter Klappe) fur
Flote (Querfurth,
Kaspar); 50. Solfeggio
fur grosse Flote
(Reinhold, Gregor und
Steffen); 51. Abschied
fur Flote (Riehm, Rolf);
52. contrapunctum fur
Flote (Romero, Lula); 53.
Solfeggio fur grosse
Flote solo (Sanders,
Arne); 54. Solfeggio fur
Bassflote (Schafer,
Patrick); 55. Solfeggio
fur Flote solo
(Schellhase, Steffen);
56. Solfeggien fur Flote,
in Erinnerung an den
flotenden Friedrich II,
Konig von Preussen
(Schenker, Friedrich);
57. Solfeggio fur und mit
F. fur Flote
(Schleiermacher,
Steffen); 58. Seul avec
des ombres fur Altflote
in G oder grosse Flote
(Seither, Charlotte); 59.
Ithaka. Exzerpt fur
grosse Flote oder
Bassflote solo (Stabler,
Gerhard); 60. Ri - Ri,
Solfeggio fur Friedrich
II, fur Flote solo
(Stier, Sebastian); 61.
Solfeggio En bateau fur
Flote (Ternes, Tina); 62.
Solfeggio (Burleske) fur
Flote solo (Thiel,
Wolfgang); 63. Piccolino
solfeggio per Federico
per Flauto traverso
(Thiele, Siegfried); 64.
Solfeggio f. F. fur Flote
(Treibmann, Karl
Ottomar); 65. Solfeggio
fur Flote solo (Waschk,
Arno); 66. Solfeggio fur
Flote (Wiegand, Mario);
67. VI. for Carin Levine
(Williamson, Gordon); 68.
Solfeggio fur Flote
(Witte, Michael); 69.
articolazione e tempo fur
Flote (Zapf, Helmut).
Motette. Composed
by Johann Ludwig Bach.
German title: Wir wissen,
so unser irdisches Haus.
Sacred, Motets. Single
Part, Organ. 4 pages.
Carus Verlag #CV
30.016/49. Published by
Carus Verlag
(CA.3001649).
ISBN
9790007204037. Key: G
major. Language:
German.
The motets
of Johann Ludwig Bach
occupy an outstanding
position within this
genre. Though rooted
firmly in the shorter
motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all choirs.
Score and part available
separately - see item
CA.3001600.
SATB/SATB choir, [basso continuo] SKU: CA.3000200 Composed by Johann Ludw...(+)
SATB/SATB choir, [basso
continuo]
SKU:
CA.3000200
Composed
by Johann Ludwig Bach.
B-Dur (B-flat major).
German title: Das ist
meine Freude (G/E) mit
Bc. Sacred vocal music,
Psalms, German. Full
score. Duration 4
minutes. Carus Verlag #CV
30.002/00. Published by
Carus Verlag
(CA.3000200).
ISBN
9790007039424. Key: B
flat major. Language:
German/English.
The
motets of Johann Ludwig
Bach occupy an
outstanding position
within this genre. Though
rooted firmly in the
shorter motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all
choirs.
Motette. Composed
by Johann Ludwig Bach.
Sacred vocal music,
motets. German title: Wir
wissen, so unser
irdisches Haus. Sacred,
Motets. Full score. Carus
Verlag #CV 30.016/00.
Published by Carus Verlag
(CA.3001600).
ISBN
9790007020187. Key: G
major. Language:
German.
The motets
of Johann Ludwig Bach
occupy an outstanding
position within this
genre. Though rooted
firmly in the shorter
motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all
choirs.
Motette. Composed
by Johann Ludwig Bach.
German title: Das Ist
Meine Freude (G) Neu.
Motets. Single Part,
Organ. 4 pages. Duration
4 minutes. Carus Verlag
#CV 30.002/49. Published
by Carus Verlag
(CA.3000249).
ISBN
9790007203931. Key: B
flat major. Language:
German/English.
The
motets of Johann Ludwig
Bach occupy an
outstanding position
within this genre. Though
rooted firmly in the
shorter motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all choirs.
Score and part available
separately - see item
CA.3000200.
Orchestra SKU: BA.BA08833 Composed by Ludwig van Beethoven. Edited by Hel...(+)
Orchestra
SKU:
BA.BA08833
Composed
by Ludwig van Beethoven.
Edited by Helga
Lühning. This edition:
urtext edition. Stapled.
Score. Composed 1806. No.
3. Baerenreiter Verlag
#BA08833_00. Published by
Baerenreiter Verlag
(BA.BA08833).
ISBN
9790006566594. 31 x 24.3
cm inches. Preface:
Luhning, Helga.
Of
the four overtures that
Beethoven composed for
his only opera, the
“Leonore
Overture†No. 3 is
the most popular. The
first reviewer found
fault with it for its
“incessant
dissonances and overblown
fluttering of the
violins†(Wiener
Theater-Zeitung, 1806),
but it soon became famous
as “one of the most
imposing, difficult, yet
richest and strangest of
compositionsâ€
(Allgemeine Musikalische
Zeitung, 1810). This
version of the
“Leonore
Overture†quickly
established itself
independently of the
stage in the concert hall
and has found a lasting
place in the symphonic
repertoire.
The
editor has devoted
herself to the complex
genesis of the various
“Leonore
Overture†versions,
in particular the
question whether the
trumpet call in measures
272–277 and
294–299 should be
played by one or two
instruments. The edition
is based on the Complete
Edition of the
“Works of Ludwig
van Beethovenâ€
issued by the G. Henle
publishing
company.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Motette. Composed
by Johann Ludwig Bach.
German title: Ich habe
dich ein klein
Augenblick. Sacred,
Motets. Single Part,
Organ. 4 pages. Carus
Verlag #CV 30.011/49.
Published by Carus Verlag
(CA.3001149).
ISBN
9790007203986. Key: G
major. Language:
German.
The motets
of Johann Ludwig Bach
occupy an outstanding
position within this
genre. Though rooted
firmly in the shorter
motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all choirs.
Score and part available
separately - see item
CA.3001100.
Motette. Composed
by Johann Ludwig Bach.
German title: Ich habe
dich ein klein
Augenblick. Sacred,
Motets. Full score. Carus
Verlag #CV 30.011/00.
Published by Carus Verlag
(CA.3001100).
ISBN
9790007020040. Key: G
major. Language:
German.
The motets
of Johann Ludwig Bach
occupy an outstanding
position within this
genre. Though rooted
firmly in the shorter
motets from the
Thuringian tradition,
nonetheless they reach
dimensions which are
seldom observed in that
tradition. This is also
true with respect to
polychoral music, which
here is raised from the
exception to the rule -
on the other hand, it is
valid, when one bears in
mind the necessity of
representing the prestige
of a royal court. Varying
ensembles and
dialogue-like passages
contribute to these
richly expressive
compositions. Without a
doubt these motets by the
Meininger Bach, highly
regarded by J. S. Bach,
are a treasured
enrichment of the
repertoire of all
choirs.