Organ SKU: FZ.508 Edited by Jean Christophe Tosi. Instruments Historiques...(+)
Organ
SKU: FZ.508
Edited by Jean Christophe
Tosi. Instruments
Historiques: Monographies
d'Instruments, Facteurs
et Luthiers. Book and CD.
Published by Anne Fuzeau
Productions - France
(FZ.508).
ISBN
9782841690183. 21.00 x
21.00 cm
inches.
Old
instruments collection is
a new series of
monographs featuring
single instruments or
instrument markers. Each
booklet contains
chronological charts,
historical and technical
details, together with
photographs, as well as
considering the
instrument from ans
aesthetic point of view.
We have tried to make
this collection
thoroughly pratical one,
deliberately limiting the
format, and providing
texts in four language (
French, English, German
and Japenese ) aiming for
maximum clarity. These
individual studies should
be helpful to musicians,
musicologists,
historians, instrument
makers and enthusiasts.
The history. Description.
Tuning and temperament.
Aesthetic consideration.
The builders.
Bibliography. Archives.
Delve into the memory of
music with the Old
instruments monographies
collection from Anne
Fuzeau Classique.
Organ SKU: FZ.2633 Edited by Pierre Hardouin. Instruments Historiques: Mo...(+)
Organ
SKU: FZ.2633
Edited by Pierre
Hardouin. Instruments
Historiques: Monographies
d'Instruments, Facteurs
et Luthiers. Book and CD.
Published by Anne Fuzeau
Productions - France
(FZ.2633).
ISBN
9782841690619. 21.00 x
21.00 cm
inches.
Old
instruments collection is
a new series of
monographs featuring
single instruments or
instrument markers. Each
booklet contains
chronological charts,
historical and technical
details, together with
photographs, as well as
considering the
instrument from ans
aesthetic point of view.
We have tried to make
this collection
thoroughly pratical one,
deliberately limiting the
format, and providing
texts in four language (
French, English, German
and Japenese ) aiming for
maximum clarity. These
individual studies should
be helpful to musicians,
musicologists,
historians, instrument
makers and enthusiasts.
The history. Description.
Tuning and temperament.
Aesthetic consideration.
The builders.
Bibliography. Archives.
Delve into the memory of
music with the Old
instruments Monographies
collection from Anne
Fuzeau Classique.
Rafi flutes Flûte traversière Anne Fuzeau Productions
Flute SKU: FZ.5259 Edited by Philippe Allain-Dupre. Instruments Historiqu...(+)
Flute
SKU: FZ.5259
Edited by Philippe
Allain-Dupre. Instruments
Historiques: Monographies
d'Instruments, Facteurs
et Luthiers. Book and CD.
Published by Anne Fuzeau
Productions - France
(FZ.5259).
ISBN
9782841690954. 21.00 x
21.00 cm
inches.
Old
instruments collection is
a new series of
monographs featuring
single instruments or
instrument markers. Each
booklet contains
chronological charts,
historical and technical
details, together with
photographs, as well as
considering the
instrument from ans
aesthetic point of view.
We have tried to make
this collection
thoroughly pratical one,
deliberately limiting the
format, and providing
texts in four language (
French, English, German
and Japenese ) aiming for
maximum clarity. These
individual studies should
be helpful to musicians,
musicologists,
historians, instrument
makers and enthusiasts.
The 6-key clarinet:
Jean-Jacques Baumann's
instrument maker.
History. Description.
Measurements. Esthetics.
Delve into the memory of
music with the Old
instruments monographies
collection from Anne
Fuzeau Classique.
Score and Parts. Composed by Ferruccio Busoni (1866-1924). Arranged by Mark Ro...(+)
Score and Parts. Composed
by
Ferruccio Busoni
(1866-1924).
Arranged by Mark Rogers.
Southern Music.
Softcover.
Southern Music Company
#S953CB. Published by
Southern Music Company
Paperback SKU: HL.1155283 Five Decades in the Music Products Industry<...(+)
Paperback
SKU:
HL.1155283
Five
Decades in the Music
Products Industry.
Reference. Biography /
Music Bisac,
Biography/Composers &
Musicians, Drum
Reference. Softcover. 328
pages. Hal Leonard
#MLIPSC. Published by Hal
Leonard (HL.1155283).
ISBN 9781888408539.
UPC: 196288122562.
8.5x11.0x0.544
inches.
This memoir
by Karl Dustman details
his illustrious music
industry career. Dustman
began his professional
career in music retail,
leading to a sales
forecaster for IBM. This
opened the door to an
executive position with
Ludwig Drum Company where
he spent 11 years in the
marketing and educational
departments.
Executive-level stints
with Gretsch,
Hohner-Sonor-Sabian,
Pearl, and Sonor gave
Karl great insight into
the percussion industry
of the 1970's through the
'80s, '90s, and into the
current era, which he
shares here in intimate
detail. Striking out on
his own as a marketing
consultant, Karl worked
not only with numerous
music industry clients,
but other businesses
which further developed
his skill set. Along the
way, Karl authored
numerous articles to
share his percussion
marketing expertise; many
are included in the
book's appendix. Also
included are capsule
histories of the Ludwig
and Gretsch drum
companies, and a good
look at the inner
workings of the
Percussion Marketing
Council for the past
nineteen years. Pretty
much anyone who has
worked in the percussion
industry over the last
five decades has crossed
paths with Karl Dustman.
This book has been
painstakingly written to
provide insights and
details to a career that
spans over fifty-five
years and continues to
this day. The huge
assortment of photos,
internal documents,
examples of the many
different marketing,
sales, promotional
product launch materials,
and massive trade show
exhibits are included in
each of the nine
chapters. The personal
stories and memorable
moments illustrates an
ever-changing industry
filled with products,
people, company mergers,
brand acquisitions, and
personal uncertainty for
the future through five
decades of career
development. This could
also serve as an industry
textbook, illustrating
the vast differences in
the industry's retail,
wholesale distribution,
and manufacturing
environments and
workplaces. The journey
is not limited to
percussion but includes
direct experiences with
acoustic and digital
pianos, electric,
acoustic, and classical
guitars, and even sound
reinforcement.
(A Festival of Carols). Composed by Mark Hayes. For orchestra. Cantatas. Christm...(+)
(A Festival of Carols).
Composed by Mark Hayes.
For orchestra. Cantatas.
Christmas. Full orchestra
score, set of parts and
CD with printable parts.
Duration 35 minutes.
Lorenz Publishing Company
#30/2968L. Published by
Lorenz Publishing Company
(Vocal Score). Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For ...(+)
(Vocal Score). Composed
by Richard Wagner
(1813-1883). Edited by
Egon Voss. For Vocal,
Piano Accompaniment
(Vocal Score). This
edition: Urtext edition.
Vocal Score. Vocal score.
672 pages. Schott Music
#ED20410. Published by
Schott Music
Organ SKU: FZ.50530 Collegiale Saint-Hippolyte de Poligny (Jura-France...(+)
Organ
SKU:
FZ.50530
Collegiale
Saint-Hippolyte de
Poligny
(Jura-France). Edited
by Pierre Cheron.
Instruments Historiques:
Monographies
d'Instruments, Facteurs
et Luthiers. Book and CD.
Published by Anne Fuzeau
Productions - France
(FZ.50530).
ISBN
9782360950003. 21.00 x
21.00 cm
inches.
Old
instruments collection is
a new series of
monographs featuring
single instruments or
instrument markers. Each
booklet contains
chronological charts,
historical and technical
details, together with
photographs, as well as
considering the
instrument from an
aesthetic point of view.
These individual studies
should be helpful to
musician, musicologists,
historians, instrument
markers and enthusiasts.
Serie: LES ORGUES. by
Jean-Christophe TOSI. The
History. Description.
Archives. Only in French.
Delve into the memory of
music with the Old
instruments monographies
collection from Anne
Fuzeau Classique.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
SKU: WD.080689593178 Composed by David Wise. Choral, cantatas. Eastertide...(+)
SKU:
WD.080689593178
Composed by David Wise.
Choral, cantatas.
Eastertide. Book. Word
Music #080689593178.
Published by Word Music
(WD.080689593178).
UPC:
080689593178.
LET
ALL THE WORLD SING, the
new Easter musical from
Word Music & Church
Resources’
best-selling Very Simply
Word Series, is designed
to help your church do
its part to raise that
sound of praise, so that
the world will hear the
message as though one
mighty voice was
proclaiming it…HE
IS
ALIVE!
Eas
y-to-Learn,
Easy-to-Sing are
hallmarks of this popular
series. Each musical in
the Very Simply
Word Series is
built on a foundation of
great song selection and
arranged and orchestrated
by some of today’s
leading musicians, each
of the songs having been
expertly re-purposed into
a Unison Choir/Optional
2-Part format. Featuring
epic-sounding
accompaniment tracks
designed to make your
choir sound bigger than
life, Very Simply
Word musicals
also offer the option to
perform using the
high-quality DVD
Accompaniment Track,
giving your presentation
the kind of flair and
production quality
usually found in much
bigger, more elaborate
productions.
LET ALL THE
WORLD SING is sure to
help your choir stand out
in an exceptional way and
enhance your
choir’s outreach,
as you lead them in
presenting what could be
their most powerful
Easter program ever!
In
September of 2018,
guitarist, Toby
McWilliams commissioned
Cruz to write a
three-movement guitar
solo after hearing his
Five Pieces in C on the
internationally
syndicated radio show,
Classical Guitar Alive.
McWilliams requested the
first movement to be in
sonata-allegro form
followed by two other
pieces that reflect the
tempo choices of a
typical three-movement
sonatina. As is the case
with most of Cruzâs
music, this Sonatina was
completed as music
written for musicâs
sake. However, in his
quest to find titles
other than tempo
markings, Cruz plucked
three words from the
correspondence between
himself and McWilliams
that together, add a
personal touch to the
collection while
suggesting a progression
of an imaginary
dayâs
events.
A point of
interest in the first
movement, A theme: Cruz
begins on the IV chord
and intentionally avoids
using a proper I chord
throughout. While the B
section does begin in the
dominant key, it moves
quickly towards a D major
tonal
center.
Festival
(3rd movement) uses a
bitonal opening theme: E
major in the top voice
while the bass line uses
E minor.
Piano, Vocal and Guitar SKU: HL.14006779 Composed by Mark Golding. Music ...(+)
Piano, Vocal and Guitar
SKU: HL.14006779
Composed by Mark Golding.
Music Sales America.
Christmas. Cassette.
Composed 2016. Golden
Apple Productions
#GA10972. Published by
Golden Apple Productions
(HL.14006779).
English.
The
traditional Nativity
story, retold in
narration and song, for
performance by children
of mixed ages and
abilities. The music is
easy to learn and has an
up-to-date feel which
makes it instantly
appealing. If you need to
license a school/youth
theatre performance of
this product, please use
the online application
form.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Piano SKU: BT.EMBZ8162 Composed by Franz Liszt. EMB Liszt Works. Book Onl...(+)
Piano
SKU:
BT.EMBZ8162
Composed
by Franz Liszt. EMB Liszt
Works. Book Only.
Composed 1977. Editio
Musica Budapest
#EMBZ8162. Published by
Editio Musica Budapest
(BT.EMBZ8162).
English-German.
Though he grew up in
Vienna and Paris and
spoke German as his
native language, Ferenc
Liszt's Hungarian
patriotism was aroused by
a natural disaster. ''Oh
my wild and distant
country! Your cry of pain
has brought me back to
you. I bow my head,
ashamed that I have
forgotten you for so
long,'' he reacted to the
news of the 1838 Danube
floods that demolished
much of Pest, and he
announced a charity
concert for the benefit
of the victims. When he
visited Hungary the
following year, he was
embraced by his
compatriots with an
unexpected enthusiasm
that defied all
description. This highly
emotional encounter set
his entire career onto a
new track Hungarian
motifs began to appear
inhis music. This marked
the beginning of the
genesis of his 19
Hungarian Rhapsodies that
spanned many decades. The
opening theme of
Hungarian Rhapsody No. 2,
a piece that has acquired
extraordinary popularity,
was written down by Liszt
in his sketchbook in 1847
in Ia i, Romania. The
piece was published in
1851, later with separate
cadenzas and ad-libitum
variants added for two of
Liszt s pupils. This
revised (2020) edition,
based on the New Liszt
Edition, is distinguished
by the inclusion of
these, as well as a
preface summarizing the
latest findings of
research, facsimile
reproductions, and
critical notes.
Viola SKU: FZ.5794 Serie I - France 1600-1800. Edited by Philippe ...(+)
Viola
SKU: FZ.5794
Serie I - France
1600-1800. Edited by
Philippe Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5794).
ISBN
9790230657945. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in one book.
ANCELET - Jean Laurent de
BETHISY - C. R. BRIJON -
Michel CORRETTE -
Francois, le jeune CUPIS
- Encyclopedie - FRAMERY
N. E. et GINGUENE P. L. :
Encyclopedie methodique -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Marin MERSENNE - Michel
WOLDEMAR. Table of
contents: VIOLA. Mersenne
Marin: Harmonie
universelle - 1636.
Bethisy Jean Laurent de:
Exposition de la theorie
- 1754. Garsault
Francois-Alexandre-Pierre
de: Notionnaire ou
Memorial raisonne - 1761.
Corrette Michel: Methode
pour apprendre [. . . ]
de la quinte ou alto -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Framery N. E. et Ginguene
P. L. : Encyclopedie
methodique (reprend le
texte de l'Encyclopedie
de Diderot) - 1785. Cupis
Francois, Le jeune:
Methode d'alto - 1800
(ca). Woldemar Michel:
Methode d'alto -
1800/1805 (ca).
PAR-DESSUS DE VIOLE.
Corrette Michel: Methode
pour apprendre facilement
a jouer du par-dessus de
viole - 1748. Ancelet:
Observations sur la
musique - 1757. Garsault
Francois-Alexandre-Pierre
de: Notionnaire ou
Memorial raisonne - 1761.
Brijon C. R. : Methode
nouvelle et facile pour
apprendre a jouer du
par-dessus de viole -
1766. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - Bayerische
Staatsbibliothek of
Munich (Germany). -
National Library of Paris
(France). - British
Library of London
(England). - Det
Kongelike Bibliothek of
Copenhagen (Denmark). -
Gemeente Museum of The
Hague (Netherlands). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the viola and pardessus
de viole.