Chamber Music flute, piano SKU: CF.WF232 Composed by Antonin Dvorak. Edit...(+)
Chamber Music flute,
piano
SKU:
CF.WF232
Composed by
Antonin Dvorak. Edited by
Robert Stallman. Arranged
by Robert Stallman. Set
of Score and Parts. With
Standard notation. 28+16
pages. Carl Fischer Music
#WF232. Published by Carl
Fischer Music (CF.WF232).
ISBN 9781491153772.
UPC:
680160911271.
Known
internationally for
superior flute editions,
Robert Stallman continues
his considerable
expansion of the flute
repertoire with
re-creations, or
“new†works
for flute by Bach,
Mozart, Schubert,
Beethoven, Chopin,
Dvořák, and other
great composers.Conceived
originally as a work for
solo piano, this
arrangement of
Dvořák’s
Suite in A Major for
flute and piano is based
on both the piano and
orchestra versions. It is
one in a series of
Stallman’s
“new†works
for flute. Dvořák
composed the Suite in A
Major in 1894, inspired
by his happy and fruitful
stay in the “New
World†—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in E≤ Major, the
Violin Sonatina and this
A Major Suite are all cut
from the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty. PrefaceConceiv
ed originally as a work
for solo piano, the Suite
in A Major was composed
by Dvořák in 1894,
during his famous
two-year visit to the
United States. He wrote
the work in a mere ten
days, and a year later
made a full orchestration
of it. The Suite was
first performed in this
second version in 1910 in
Prague at the Rudolfinum.
Dvořák, who died
in 1904, never had a
chance to hear a
performance of this
stirring orchestral
realization.The Suite was
inspired by the
composer’s happy
and fruitful stay in the
“New Worldâ€,
especially by his
unforgettable summers
spent in the quiet
Czech-American village of
Spillville, Iowa—a
period that produced some
of his greatest works,
full of thematic
freshness, raw energy and
folk influences, both
American and Old World
Czech. The “New
World†Symphony,
Cello Concerto,
“Americanâ€
Quartet, String Quintet
in Eb Major, the Violin
Sonatina and this A Major
Suite are all cut from
the same musical
cloth—textured
with his personal
impressions of the Wild
West’s fascinating
Indian and Afro-American
music, its God-fearing
and friendly people, its
vast open spaces and its
awe-inspiring natural
beauty.Several of the
Suite’s affecting
melodies find echoes in
these other, better known
compositions of this
American period. Wistful
themes abound in all five
movements, reflecting
Dvořák’s
transformative American
experience as it found
resonance in his own
emotions. Contrasting
with deeply felt,
contemplative passages
are
Dvořák’s
joyous and tempestuous
expressions, which open
the second, third and
final movements.This
arrangement for flute and
piano is based on both
the piano and orchestra
versions. It is one in a
series of my
“new†works
for flute by some of our
greatest composers and I
am delighted to add it to
the collection. I predict
that the A Major Suite
will become a popular
addition to our Romantic
recital repertoire, much
like the Dvořák
Sonatina.—Robert
StallmanMarblehead,
Mass.June 1, 2018.
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9740
Composed by
Mark Burrows. 16 pages.
Duration 4 minutes, 22
seconds. Carl Fischer
Music #CM9740. Published
by Carl Fischer Music
(CF.CM9740).
ISBN
9781491161203. UPC:
680160919789. Key: Bb
major. English. Siegfried
Sasson.
Everyone
suddenly burst out
singing; And I was filled
with such delight As
prisoned birds must find
in freedom... These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the Great
War finally coming to an
end. And yet Sassoon
himself felt none of that
when he wrote this poem.
In his own words, he was
feeling dull-minded and
depressed. Perhaps his
time in the trenches was
still too recent. One of
the reasons the creative
arts are so powerful is
that a poet like Sassoon
(or a painter like Van
Gogh or a composer like
Mahler) can take their
own feelings of deep
sadness or pain and
transform them into
something beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The
poem itself has so much
rhythm and musicality.
The appearance of
suddenly in the first
line of each verse gives
those verses a rush of
energy. Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush. There are
expressive opportunities
with so many of the
poet's bold choices of
action words - burst,
winging, and shaken. Then
there's alliteration - a
poetic device that can be
overdone, but Sassoon
strikes a wonderful
balance. Suddenly/singing
(measures 6-7 and 10-11)
Find/freedom (measure
21-22) Winging/wildly
(measure 23) Setting/sun
(measures 47-49)
Was/wordless (measures
65-75) Give these
alliterations just a hint
of emphasis (without
overdoing) to bring out
the natural rhythm of the
text. And just as
O is set apart in the
poem by punctuation, I
wanted the musical
setting - in measure 57 -
to honor that feeling of
wonder - ...O, but
Everyone Was a bird; and
the song was wordless;
the singing will Never be
done. Friends, there is
so much good ahead, so
much to be excited about.
May the singing never be
done. Everyone
suddenly burst out
singingAnd I was filled
with such delightAs
prisoned birds must find
in freedom…These
opening lines to Everyone
Sang by the British war
poet Siegfried Sassoon
feel as relevant today as
they did when the poem
was first published in
1919. It was after the
end of World War I and
these words capture so
much of the collective
exhilaration, relief, and
pure joy about the
“Great Warâ€
finally coming to an end.
And yet Sassoon himself
felt none of that when he
wrote this poem. In his
own words, he “was
feeling dull-minded and
depressed.†Perhaps
his time in the trenches
was still too recent.One
of the reasons the
creative arts are so
powerful is that a poet
like Sassoon (or a
painter like Van Gogh or
a composer like Mahler)
can take their own
feelings of deep sadness
or pain and transform
them into something
beautiful, even
uplifting. Everyone Sang
is a celebration of the
promise that things can
get better, that there
are things worth looking
forward to. The poem
itself has so much rhythm
and musicality.The
appearance of
“suddenly†in
the first line of each
verse gives those verses
a rush of energy.
Attention to the
crescendo in measure 7,
and again in measure 37,
from mf to f will help
the listener experience
that rush.There are
expressive opportunities
with so many of the
poet’s bold
choices of action words
– burst, winging,
and shaken.Then
there’s
alliteration - a poetic
device that can be
overdone, but Sassoon
strikes a wonderful
balance.Suddenly/singing
(measures 6-7 and
10-11)Find/freedom
(measure
21-22)Winging/wildly
(measure 23)Setting/sun
(measures
47-49)Was/wordless
(measures 65-75)Give
these alliterations just
a hint of emphasis
(without overdoing) to
bring out the natural
rhythm of the
text. And just as
“O†is set
apart in the poem by
punctuation, I wanted the
musical setting –
in measure 57 - to honor
that feeling of wonder
–…O, but
EveryoneWas a bird; and
the song was wordless;
the singing willNever be
done. Friends, there
is so much good ahead, so
much to be excited
about.May the singing
never be done.
Composed by Yukiko
Nishimura. Sws. Carl
Fischer Young String
Orchestra Series. Full
score. 12 pages. Duration
3 minutes, 2 seconds.
Carl Fischer Music
#YAS192F. Published by
Carl Fischer Music
(CF.YAS192F).
ISBN
9781491154922. UPC:
680160913473. 9 x 12
inches. Key: G
major.
At night you
see the moon up in the
sky shining in silver
color. The radiance is
both beautiful and
tranquil. Although in
triple time, Silver Moon
sort of feels like it is
in duple time with the
combination of a half
note and a quarter note.
The third beat should be
lighter, like Baroque
dance music. It is more
about a feeling so that
the music sounds more
natural and smooth. The
work consists of three
sections. The first and
the third have a main
theme with a repeated
pattern of harmonic
progressions. During the
second part each melody
sings more like a
dialogue. The optional
piano part adds to the
special quality of the
song. At night you see
the moon up in the sky
shining in silver color.
The radiance is both
beautiful and tranquil.
Although in triple
time, Silver Moon sort
of feels like it is in
duple time with the
combination of a half
note and a quarter note.
The third beat should be
lighter, like Baroque
dance music. It is more
about a feeling so that
the music sounds more
natural and smooth. The
work consists of three
sections. The first and
the third have a main
theme with a repeated
pattern of harmonic
progressions. During the
second part each melody
sings more like a
dialogue. The optional
piano part adds to the
special quality of the
song.
Along Came a Spider Orchestre d'harmonie [Conducteur et Parties séparées] Curnow Music
Concert Band/Harmonie - easy SKU: BT.CMP-0809-04-010 Composed by Mike Han...(+)
Concert Band/Harmonie -
easy
SKU:
BT.CMP-0809-04-010
Composed by Mike
Hannickel. Beginning
Band. Original Light
Music. Set (Score &
Parts). Composed 2004.
Curnow Music #CMP
0809-04-010. Published by
Curnow Music
(BT.CMP-0809-04-010).
Sure. To the
kids it’s about
Little Miss Muffet and a
surprise visit from her
friendly local spider.But
to you, the director,
it’s REALLY about
the “newâ€
note called concert
E-natural. Whatever
method book you are
using, once concert
E-natural has been
introduced, the band will
be ready to play this
one. The students will
have fun with foot
stomping and Miss
Muffet’s scream,
while you enjoy watching
your students get better
and better at playing
concert E-natural and
concert E-flat at the
right
times.EEEEEEEEK!
V
oor (jonge) muzikanten en
hun publiek is dit een
grappig stuk over een
spin die een verschrikte
dame met een onverwacht
bezoekje vereert. Voor de
dirigent is dit een stuk
om met name de toon E met
het orkest te oefenen.
Terwijl despelers en
toehoorders veel plezier
beleven met originele
elementen zoals stampen
en gillen, weet de
dirigent dat de jonge
muzikanten steeds
zekerder worden in het
afwisselen van de E en de
Es. IEKS!
Als sich
die kleine Miss Muffet
zum Tee niederließ,
konnte sie nicht ahnen,
dass sie bald
Gesellschaft von einer
Spinne bekommen würde,
sonst hätte sie sicher
für sie mit gedeckt...
Mike Hannickel vertonte
ein bekanntes englisches
Kindergedicht über
eine Spinne zu einem
einfachen, aber
reizvollen Stück, das
Jung und Alt bezaubern
wird!
Along Came a Spider Orchestre d'harmonie [Conducteur et Parties séparées] Curnow Music
Concert Band - easy SKU: BT.CMP-0809-04-040 Composed by Mike Hannickel. B...(+)
Concert Band - easy
SKU:
BT.CMP-0809-04-040
Composed by Mike
Hannickel. Beginning
Band. Original Light
Music. Set (Score &
Parts). Composed 2004.
Curnow Music #CMP
0809-04-040. Published by
Curnow Music
(BT.CMP-0809-04-040).
Sure, to the
kids it's about Little
Miss Muffet and a
surprise visit from her
friendly local spider.
But to you, the director,
it's really about the new
note called concert
E-natural. Whatever
method book you are
using, onceconcert
E-natural has been
introduced, the band will
be ready to play this
one. The students will
have fun with foot
stomping and Miss
Muffet's scream, while
you enjoy watching your
students get better and
better at playingconcert
E-natural and concert
E-flat at the right
times. EEEEEEEEK!
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Randb and classic
soul. Series: Hal Leonard
Fake Books. 437 pages.
9x12 inches. Published by
Hal Leonard.
O Nata Lux Chorale SATB SATB A Cappella Boosey and Hawkes
Choral (SATB a cappella) SKU: HL.48024856 SATB a cappella. Compose...(+)
Choral (SATB a cappella)
SKU: HL.48024856
SATB a cappella.
Composed by Rhiannon
Randle. Boosey & Hawkes
Sacred Choral. Classical.
Octavo. 8 pages. Boosey &
Hawkes #M060136658.
Published by Boosey &
Hawkes (HL.48024856).
ISBN 9781784545598.
UPC: 840126910803.
7.5x10.25x0.03
inches.
From one of
the UK's bright, emerging
choral composers,
Rhiannon Randle, is this
sublime setting of the
familiar Latin text. O
nata lux is a personal
reflection on the
compelling and timeless
choral atmosphere
depicted by the famous
Thomas Tallis setting of
these words. Dedicated to
the memory of Randle's
late grandmother, the
work balances a sense of
intimate prayer and
meditation with a
spiritual declamation of
the “light born of
light.†To see hope
and new life in despair
and death - for in the
darkness we have seena
great light - chimes as
much with the season of
Advent as it does with
personal loss. The
lilting homophony of the
opening is characterised
by light tenuti, intended
to provide a sense of
gentle ebb and flow,
almost as if to
accentuate the natural
emphases of speech. This
then broadens into a
polyphonic cascade, which
hints at Bruckner as much
as paying homage to
Tallis's own setting. O
nata lux is an exciting
addition to the
Contemporary Choral
Series, suitable for
intermediate to advanced
choirs looking to support
and program new music by
outstanding young
composers.
SKU: HL.1117964 Lewitt Audio. Microphone. Hal Leonard #LCT140MP. Publishe...(+)
SKU: HL.1117964
Lewitt Audio. Microphone.
Hal Leonard #LCT140MP.
Published by Hal Leonard
(HL.1117964).
UPC:
847986002129.
7.0x10.25x4.25
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Two
switchable sound
characteristics, AIR and
FLAT. The 140 AIR has two
sound characteristics,
AIR and FLAT. AIR
delivers an open,
sparkling character which
is the right choice if
you need great sound
without spending time on
post-production. FLAT
provides a linear
frequency response for
âÂÂas-it-isâ
 reproduction of
drums, strings, acoustic
guitars, and choirs. It
is perfect if you aim for
realistic sonic images.
The best stereo matching
you can get. LEWITT has
one of the most precise
matching processes in the
industry. The difference
between the two mics of a
stereo pair is inaudible.
How come? The frequency
response and sensitivity
of every single
microphone is measured. A
measurement system
controls the polarization
voltage of the capsule to
adjust the sensitivity,
so it is the same for all
LCT 140 AIR. Then, an
algorithm compares the
measured frequency
response of each
microphone and finds the
perfect pairs. Excellent
transient response and
full flexibility on all
instruments Transients
are the DNA of your
instrument's sound. To
retain the natural
musicality of your
instruments, the LCT 140
AIR delivers an excellent
transient response. To be
prepared for all
eventualities, the LCT
140 AIR has a low-cut and
a PAD. You won't break a
sweat with loud sources,
nor will you have to deal
with low-frequency noise
when you don't want to.
The LCT 140 AIR is great
for: Acoustic Guitar
Drums Strings Choirs
Piano Ukulele Durable and
light aluminum housing
The LCT 140 AIR is very
durable yet lightweight
thanks to its CNC'ed
aluminum housing.
Positioning and setup
become easy tasks. What's
in the box? The 140 AIR
Stereo Pair comes with
two snap-in mic clips, a
transport bag with two
pockets, and two
windscreens.
Instruments en Mib [Fake Book] - Intermédiaire Hal Leonard
Eb Instruments - Difficulty: easy-medium to medium Sixth Edition. Composed by Va...(+)
Eb Instruments -
Difficulty: easy-medium
to medium
Sixth Edition. Composed
by Various. Hal Leonard
Instrumental Fake Books.
Jazz. Fakebook (spiral
bound). With melody,
standard notation and
chord names. 428 pages.
Published by Hal Leonar
Instruments en Do [Fake Book] - Intermédiaire Hal Leonard
(Sixth Edition) For C instrument. Format: fakebook (spiral bound). With melody, ...(+)
(Sixth Edition) For C
instrument. Format:
fakebook (spiral bound).
With melody, standard
notation and chord names.
Jazz. Series: Hal Leonard
Instrumental Fake Books.
512 pages. 8.5x11 inches.
Published by Hal Leonard.
(Sixth Edition) Fakebook (spiral bound) for bass clef instrument. With melody, s...(+)
(Sixth Edition) Fakebook
(spiral bound) for bass
clef instrument. With
melody, standard notation
and chord names. Series:
Hal Leonard Instrumental
Fake Books. 462 pages.
Published by Hal Leonard.
Cimarron Sunset Orchestre d'harmonie [Conducteur] - Facile FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1203S Score Only. Com...(+)
Concert Band Concert Band
- Grade 2
SKU:
FJ.B1203S
Score
Only. Composed by
Roland Barrett. Arranged
by Roland Barrett.
Concert Band. FJH Young
Band. Form: Chorale.
Score. Duration 3:42. The
FJH Music Company Inc
#98-B1203S. Published by
The FJH Music Company Inc
(FJ.B1203S).
English.
This
gorgeous new work
captures the quiet,
natural elegance of the
Cimarron Territory - the
present-day panhandle of
the state of Oklahoma.
After the melody is
presented in a light
orchestration, the rest
of the group joins as the
texture builds toward a
magnificent key change.
An ideal study in
phrasing, musicality, and
breath support, this easy
lyrical piece is a
peaceful change of pace
for your next
concert.
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5