Piano (P+KRB)

SKU: HL.49042462

No. 1-4. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. Op. 24+39+49+70. 372 pages. Schott Music #WGA1071. Published by Schott Music (HL.49042462).

ISBN 9783795794637. German - English.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

String Quartet (Parts)

SKU: HL.51481272

Set of Parts. Composed by Alexander Zemlinsky. Edited by Dominik Rahmer. Henle Music Folios. Classical. Softcover. G. Henle #HN1272. Published by G. Henle (HL.51481272).

UPC: 840126989250. 9.0x12.0x0.348 inches.

Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the “more progressive” Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg, he never did take the latter's radical step into dodecaphony. At the same time, he composed works that were no less original or fully fledged. Composed between 1913 and 1915, his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1,200 measures, this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited a critical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time, too, the metronome markings that survive only in one of Zemlinsky's letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.

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Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 4

SKU: CF.SAS1F

Composed by Ludwig van Beethoven. Arranged by Todd Parrish. Sws. Cas. Full score. 20 pages. Carl Fischer Music #SAS1F. Published by Carl Fischer Music (CF.SAS1F).

ISBN 9781491157510. UPC: 680160916092. 9 x 12 inches.

Written in 1814, the Fidelio Overture was the fourth and final version chosen to open Beethoven's only opera by the same name. Though not as lengthy or grand as its three predecessors (the Leonore Overtures 1 - 3), it served its purpose as an opening statement without overshadowing the music to come. This string arrangement transposes the original key of E Major into the much more playable key of D Major. It retains the original opening which alternates between powerful majestic bursts and lyrical harmonic progressions while finishing with the energetic presto to the end. Rhythms have been simplified but are very much in the spirit of Beethoven's writing. The optional timpani gives this arrangement a symphonic quality that closely resembles the original.
Written in 1814, the Fidelio Overture was the fourth and final version chosen to open Beethoven's only opera by the same name. Though not as lengthy or grand as its three predecessors (the Leonore Overtures 1 – 3), it served its purpose as an opening statement without overshadowing the music to come. This string arrangement transposes the original key of E Major into the much more playable key of D Major. It retains the original opening which alternates between powerful majestic bursts and lyrical harmonic progressions while finishing with the energetic presto to the end. Rhythms have been simplified but are very much in the spirit of Beethoven’s writing. The optional timpani gives this arrangement a symphonic quality that closely resembles the original.

Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 4

SKU: CF.SAS1

Composed by Ludwig van Beethoven. Arranged by Todd Parrish. Folio. Cas. Set of Score and Parts. 15+32+24+15+15+2+20 pages. Duration 4 minutes, 35 seconds. Carl Fischer Music #SAS1. Published by Carl Fischer Music (CF.SAS1).

ISBN 9781491157718. UPC: 680160916290. 9 x 12 inches.

Written in 1814, the Fidelio Overture was the fourth and final version chosen to open Beethoven's only opera by the same name. Though not as lengthy or grand as its three predecessors (the Leonore Overtures 1 - 3), it served its purpose as an opening statement without overshadowing the music to come. This string arrangement transposes the original key of E Major into the much more playable key of D Major. It retains the original opening which alternates between powerful majestic bursts and lyrical harmonic progressions while finishing with the energetic presto to the end. Rhythms have been simplified but are very much in the spirit of Beethoven's writing. The optional timpani gives this arrangement a symphonic quality that closely resembles the original.
Written in 1814, the Fidelio Overture was the fourth and final version chosen to open Beethoven's only opera by the same name. Though not as lengthy or grand as its three predecessors (the Leonore Overtures 1 – 3), it served its purpose as an opening statement without overshadowing the music to come. This string arrangement transposes the original key of E Major into the much more playable key of D Major. It retains the original opening which alternates between powerful majestic bursts and lyrical harmonic progressions while finishing with the energetic presto to the end. Rhythms have been simplified but are very much in the spirit of Beethoven’s writing. The optional timpani gives this arrangement a symphonic quality that closely resembles the original.

Composed by Georg Philipp Telemann (1681-1767). Performance score. TWV 40:14-25. 56 pages. Wiener Urtext/Vienna Urtext #UT50415. Published by Wiener Urtext/Vienna Urtext (PR.UT050415).

SKU: BR.BV-427

Complete Letters in 35 Volumes and Supplements. Composed by Richard Wagner. Edited by Martin Durrer. Linen. Buchverlag Breitkopf & Hartel (Music Books). Subscription of the complete edition. Romantic period. Book. 728 pages. Breitkopf and Haertel #BV 427. Published by Breitkopf and Haertel (BR.BV-427).

ISBN 9783765104275. 5.5 x 8.5 inches. German.

1875 is all about plans for the Bayreuth Festival. The first half of the year is devoted to completing the vocal ensemble and recruiting orchestral musicians. Wagner is forced to go on concert tours to finance the preliminary rehearsals. The financial situation remains strained despite a loan from Munich. - The new management of the Vienna Court Opera offers Wagner the chance to rehearse sample presentations of Tannhauser and Lohengrin. Late in the fall he moves with his family to the Danube metropolis for six weeks. Overshadowing the stay there is a legal dispute with the publisher Furstner about performance rights to the new Tannhauser scenes.The volume contains 372 letters, 98 of which are printed here for the first time, and 23 others published in their entirety for the first time.

Arrangement for Bayreuth.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0981213-010

Composed by Pietro Mascagni. The Great Classics. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981213-010. Published by De Haske Publications (BT.DHP-0981213-010).

When you say Mascagni you immediately think of Cavalleria rusticana. This work brought Mascagni overnight fame after his wife - without him knowing - entered the score in a composition contest and it won first prize. Cavalleria rusticana became an incredible success, overshadowing the premiere of his next opera, L’Amico Fritz. L’Amico Fritz can still be considered a successful opera, with its highlights being the ‘Cherry Duet’ and this intermezzo, arranged by the Japanese Kimura.

Cavalleria rusticana spricht die Sprache von Mascagni. Mit diesem Werk wurde Mascagni buchstäblich über Nacht berühmt, nachdem seine Frau ohne sein Wissen die Partitur zu einem Komponistenwettstreit eingeschickt und diese dort den ersten Preis gewonnen hatte. Cavalleria rusticana wurde zu einem unglaublichen Erfolg, der die Premiere der folgenden Oper, l'Amico Fritz überschattete. Dennoch ist l'Amico Fritz eine gelungene Oper; zu ihren Höhepunkten zählen das Kirschenduett und dieses, hier von dem Japaner Kimura arrangierte, Intermezzo.