Piano (Solo Piano) - Early Intermediate SKU: FJ.P2025 Composed by Julie A...(+)
Piano (Solo Piano) -
Early Intermediate
SKU: FJ.P2025
Composed by Julie Ann
Ballard. Piano Solo;
Piano Supplemental. FJH
Performance Solos. Score.
The FJH Music Company Inc
#98-P2025. Published by
The FJH Music Company Inc
(FJ.P2025).
UPC:
241444386668.
English.
This
coloristic, gentle piece
in G major has the R.H.
voicing a stepwise melody
with the L.H. playing
5ths with some easy
crossovers. Very
idiomatic writing for the
piano, this piece
requires legato pedaling
and appeals to students
of all ages.
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18).
ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major.
A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantas
y on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Pepper
Choplin. Arranged by
Brant Adams. Shawnee
Press. Print on demand -
publisher prints this
title after order is
received. Lent. Shawnee
Press #LB5677. Published
by Shawnee Press
(HL.35002167).
Excitement
and anticipation build
throughout this
triumphant Palm Sunday
anthem as the crowd waits
in charged expectation
for Jesus's arrival in
Jerusalem. “Look in
the distance!...What do
you see?...I heard
Messiah is
coming!...Could it be
he?” Questions and
speculations mount as the
long-awaited Christ
approaches. “I see
it clear...He is
here!” Harmony
bursts out of the unison
“wonderings”
to announce the arrival
of Messiah. Blessed Is
He is majestic, yet
dance-like, inviting all
to join the celebration.
From Pepper Choplin's
best-selling cantata,
Once Upon a Tree,
this electrifying
processional is a must
for Palm Sunday.
Echoes of Kindness Chorale 2 parties 2 parties, Piano [Octavo] Heritage Music Press
By Ruth Elaine Schram. Arranged by Linda Marcus. For 2-part choir voices and pia...(+)
By Ruth Elaine Schram.
Arranged by Linda Marcus.
For 2-part choir voices
and piano. New Horizons
Series. Concert. Octavo.
Published by Heritage
Music Press
Composed by Erica
Donahoe. Full score. 8
pages. Duration 2
minutes, 58 seconds. Carl
Fischer Music #CAS153F.
Published by Carl Fischer
Music (CF.CAS153F).
ISBN 9781491163191.
UPC: 680160921942. Key: E
minor.
This exiting
6/8 piece conveys the
daring adventures of
voyages during the Viking
Age, sailing aboard Norse
longships in the Baltic
Sea. This heavy, accented
melody uses frequent
doubling between sections
for a full hearty sound
that rings out like the
songs of the sailors and
Vikings as they navigated
the high seas. The
bowings and articulations
throughout this piece
create energy and drama,
with Violin I, Bass, and
Cello venturing briefly
out of first position.
Like the push and pull of
the rowers’ oars,
players will feel the
rhythmic pull of 3
against 2 in places,
driving the piece forward
with momentous energy,
exploring new worlds of
music!
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Erica
Donahoe. Set of Score and
Parts. Duration 2
minutes, 58 seconds. Carl
Fischer Music #CAS153.
Published by Carl Fischer
Music (CF.CAS153).
ISBN 9781491162859.
UPC: 680160921607. Key: E
minor.
This exiting
6/8 piece conveys the
daring adventures of
voyages during the Viking
Age, sailing aboard Norse
longships in the Baltic
Sea. This heavy, accented
melody uses frequent
doubling between sections
for a full hearty sound
that rings out like the
songs of the sailors and
Vikings as they navigated
the high seas. The
bowings and articulations
throughout this piece
create energy and drama,
with Violin I, Bass, and
Cello venturing briefly
out of first position.
Like the push and pull of
the rowers’ oars,
players will feel the
rhythmic pull of 3
against 2 in places,
driving the piece forward
with momentous energy,
exploring new worlds of
music!
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Bertold
Hummel. This edition:
Saddle stitching. Sheet
music. String. Seit 1965
arbeitete Hummel an
diesem Sextett, bis er es
1999 als vollendet
betrachtete. Es ist ein
leicht spielbares,
klangschones und
ergreifendes Stuck. Bei
der Urauffuhrung hat der
im Jahre 2002 verstorbene
Komponist noch selbst
mitgespielt. Score and
parts. Composed
1978/1999. Op. 75d. 40
pages. Duration 6'.
Schott Music #ED 20289.
Published by Schott Music
(HL.49017071).
ISBN
9790001149945.
9.25x12.0x0.128
inches.
Bertold
Hummel worked on his
Adagietto for many years.
Originally conceived as
an Elegy for Strings in
1965, it was transformed
into an Adagietto for
String Sextet in 1978 and
published for the first
time in 1993. Hummel
undertook a further
arrangement of the
composition in 1999 and
participated with musical
friends in its first
performance. In one of
the scores, the title is
supplemented by the term
“sacrale”, an
indication of the
religious background of
this composition. In a
time of increasing
secularisation, the
creative and no doubt
also the reproducing
artist have the task of
pointing out to their
contemporaries the
transcendental, the
inexplicable and the
unprovable. The language
of music - most effective
perhaps in reaching
across world frontiers -
has an especially
important role in this.
Representations of
suffering and horror
alone cannot be the
inherent constituent of a
work of art. A reference
to comfort and hope is
indispensable.
Furthermore, life,
nature, and, for the
believer, knowledge of
God give cause enough for
praise and thanks.”
This is how my father
once formulated his
artistic conception. A
favourite adopted term of
his, “musikalische
Klangrede” [musical
speech), appears to me to
be particularly well
implemented in the
Adagietto.
Composed by
George Gershwin. Arranged
by Carrie Lane Gruselle.
Series; String Orchestra.
FJH String Orchestra.
Great American Songbook;
Jazz; Masterwork
Arrangement. Score and
Part(s). The FJH Music
Company Inc #98-ST6545.
Published by The FJH
Music Company Inc
(FJ.ST6545).
English.
This
landmark arrangement
showcases Gershwin's
beloved piece that
validated the merging of
classical music and jazz
during the roaring 20s!
This setting for strings
presents a sampling of
the most memorable themes
in a dynamic and
well-constructed
arrangement. Ideal to
work on bow distribution,
weight, and speed; as
well as chromatics and
some basic position work
with ample fingerings
provided.
Exceptional!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
(Top Tenor Solos (and Ensembles) Ranging From Sick and Twisted to Insane). By Mu...(+)
(Top Tenor Solos (and
Ensembles) Ranging From
Sick and Twisted to
Insane). By Multiple.
Arranged by Matt Altmire,
Michael Apodaca, Bill
Bachman, Mark Campbell,
Murray Gusseck, Mike
Hodges, Colin McNutt,
Brian Perez, Matt Ramey,
Nick Werth. For Tenor
Drums (Marching Tenors).
This edition: Marching
Tenor Solo and Ensemble
Collection. Books. Top
tenor solos and ensembles
ranging from sick and
twisted to clinically
insane! Attention tenor
bangers and rudimental
quad choppers! Leave your
delicate sensibilities at
the door. This book here
is for crazy fools only!
Do the math... 6 tenor
solos by some. Insane.
Book. 76 pages. Duration
0:00
SKU: LO.99-2265H Composed by Alisa Bair. Choral. Concert. Performance/reh...(+)
SKU: LO.99-2265H
Composed by Alisa Bair.
Choral. Concert.
Performance/rehearsal CD.
Heritage Music Press
#99/2265H. Published by
Heritage Music Press
(LO.99-2265H).
UPC:
000308117028.
A
tender, intimate glimpse
into the most private
place of grief, this rich
and emotional original
expresses the universal
longing for one who has
passed on, while gently
questioning the mystery
of the world beyond. With
words written in memory
of the lyricist’s
father and music born out
of the resonant
experience of the
composer who lost her
daughter, “From
There†is a superb
choice for any school,
church or community
wanting to honor
someone’s memory
or simply acknowledge
that loss is part of
life.
Composed by William Owens (1963-). Print-instrumental Developing Strings. FJH De...(+)
Composed by William Owens
(1963-).
Print-instrumental
Developing Strings. FJH
Developing Stings.
Written with optional
drum set, this simple
swing chart provides a
wonderful opportunity for
students to explore jazz
without a great deal of
technical demands. No
solos in this one - just
straight ahead fun for
the entire ensemble!
Score and parts. Duration
2:00. Published by The
FJH Music Company Inc
Score Only. Composed by William Owens (1963-). Print-instrumental Developing Str...(+)
Score Only. Composed by
William Owens (1963-).
Print-instrumental
Developing Strings. FJH
Developing Stings.
Written with optional
drum set, this simple
swing chart provides a
wonderful opportunity for
students to explore jazz
without a great deal of
technical demands. No
solos in this one - just
straight ahead fun for
the entire ensemble!
Score. Duration 2:00.
Published by The FJH
Music Company Inc
Band concert band - Grade 4 SKU: KJ.WB249F Composed by Ralph Hultgren. Ba...(+)
Band concert band - Grade
4
SKU: KJ.WB249F
Composed by Ralph
Hultgren. Bandworks.
Score. Neil A. Kjos Music
Company #WB249F.
Published by Neil A. Kjos
Music Company
(KJ.WB249F).
Explore
Australia with this
breathtaking composition.
Simple aleatoric elements
along with singing and
chanting aboriginal words
provide a unique and
dramatic backdrop to the
modal melodies and
powerful chordal
harmonies. Hultgren
explores the many paths
of traditional Western
musical styles while
incorporating
non-traditional
sounds.
SKU: LO.99-2075H Composed by Earlene Rentz. Choral. Concert. Performance/...(+)
SKU: LO.99-2075H
Composed by Earlene
Rentz. Choral. Concert.
Performance/accompaniment
CD. Heritage Music Press
#99/2075H. Published by
Heritage Music Press
(LO.99-2075H).
UPC:
000308114263.
An
exuberant original
setting of the
traditional Latin text,
complemented by a softer,
contrasting middle
section. Captivating
syncopations propel the
excitement, and the
dynamic ending is fueled
by a well-paced key
change. Equally
appropriate for church
use.
SKU: LO.99-2777H Composed by Mark Patterson. Choral. Concert. Performance...(+)
SKU: LO.99-2777H
Composed by Mark
Patterson. Choral.
Concert.
Performance/accompaniment
CD. Heritage Music Press
#99/2777H. Published by
Heritage Music Press
(LO.99-2777H).
UPC:
000308127577.
Beaut
iful melodic lines convey
the traditional Latin
text in this artistic
setting by Mark
Patterson. The piece
opens with a mood of awe
and mystery created by
handbells, piano, and
layered vocals, and an
artistic accompaniment
supports the choral parts
throughout. An ethereal
descant complements the
melody before the work
draws to an ending of
quiet splendor. A
pronunciation and
translation guide is
included.
SATB choir, keyboard - Early Intermediate SKU: MN.50-5801 Composed by Car...(+)
SATB choir, keyboard -
Early Intermediate
SKU: MN.50-5801
Composed by Carolyn
Jennings. Year A Easter4;
Catholic Year A Easter4;
Year A Proper 23 (28);
Catholic Year A
Ordinary28. Easter
Season, Good Shepherd
Sunday. Octavo.
MorningStar Music
Publishers #50-5801.
Published by MorningStar
Music Publishers
(MN.50-5801).
UPC:
688670558016. Scripture:
Psalms 23.
This
setting of Psalm 23
retains the simplicity of
the beloved Irish melody
ST. COLUMBA and
complements it with a
gentle accompaniment. A
contrasting melody in the
third stanza leads to an
expansive final stanza,
fervent in trust and
praise.
Composed
by Nicholas Palmer.
Advent, Advent 4 Year C,
Advent 4 Year B, Advent 3
Year A, Advent 3 Year B.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#005871. Published by GIA
Publications
(GI.G-005871).
UPC:
641151058719.
Nick
Palmer has composed a
straightforward yet lush
four-part refrain
skillfully complemented
by harmonically inventive
verses. This setting
captures the essence of
the Advent season with
verses set in the
parallel minor. Cantors
will look forward to
singing and expressing
the elegant lines based
on Mary‚ hymn of
praise.
Song without Words Homage Intermezzo Folk Dance No. 2 Antique Dance. Comp...(+)
Song without Words
Homage Intermezzo Folk
Dance No. 2 Antique
Dance. Composed by
Bob Moore. Sacred. 28
pages. Published by GIA
Publications (GI.G-8538).
(For SATB Choir). By Jonathan Dove. Choir Sacred. For with Organ (SATB choir). ...(+)
(For SATB Choir). By
Jonathan Dove. Choir
Sacred. For with Organ
(SATB choir). Choral
(Sacred); Choral Octavo;
Worship Resources. Faber
Edition: Choral Signature
Series. Sacred. Published
by Faber Music
