Lieder (for high and medium voice and piano). By Felix Bartholdy Mendelssohn (18...(+)
Lieder (for high and
medium voice and piano).
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Eugene Asti.
For high voice/medium
voice/piano. This
edition: Paperback,
Urtext edition. Vocal
score, Anthology. 154
pages. Published by
Baerenreiter Verlag
Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International. ...(+)
Violin Part. Composed by
Dr.
Shinichi Suzuki. This
edition:
International.
Method/Instruction;
String -
Violin (Suzuki); Suzuki.
Suzuki Violin School. CD;
Book. 32 pages. Alfred
Music
#00-50114. Published by
Alfred
Music
'The idea for this set of pieces initially came from writing one as a sixtie...(+)
'The idea for this
set of pieces initially
came from writing one as
a sixtieth birthday
present (I shall not
mention which one!).
Having written one
Baroque-titled piece, I
gradually added more,
until a whole suite of
Baroque dances was
completed.
The
stimulus of writing a
modern set of piano
pieces based on Baroque
models (in my case a
mixture of the English
and French Suites of
Bach) is nothing new of
course. Many
twentieth-century
composers were inspired
by the rigours of
devising new ways of
looking at Baroque
dances, and in the
process brought new life
to the forms (in the case
of Schoenberg's Piano
Suite of 1925, actually
liberating his new method
of 12- notecomposition
from theory into
practice).
For my
part, the challenge was
to write a set of pieces
for the piano which would
be technically suitable
for both young and mature
pianists, whilst still
responding to the
compositional demands of
creating interesting
material, mainly
organised through
contrapuntal means (often
just two-part
counterpoint, as in
Bourree 1 or the
Gigue),but sometimes
through harmonic means
(as in the Sarabande or
Gavotte).
In
addition, the more
personal nature of the
genesis of the album
resulted in each piece,
or dance, being dedicated
to a particular friend.
Whilst their pianistic
skills might vary quite
considerably, they all
share a great love of
music - something which
unites us
all.'
Chamber Music Piano SKU: PR.140401250 Composed by Miguel Del Aguila. Scor...(+)
Chamber Music Piano
SKU: PR.140401250
Composed by Miguel Del
Aguila. Score. With
Standard notation. 8
pages. Duration 10
minutes. Theodore Presser
Company #140-40125.
Published by Theodore
Presser Company
(PR.140401250).
ISBN
9781491113639. UPC:
680160669011.
Traci
ng the journey of a
bottle carrying music,
Miguel del
Aguila’s MUSIC IN
A BOTTLE is exhilarating
and ravishing, yet
equally poignant with
sadness. The 10-minute
work draws inspiration
from post-minimalist
textures and rich
harmony. It is
technically within the
reach of intermediate to
advanced students, as
well as enticing for
professional
recitals. Music in a
Bottle portrays the
symbolic journey of a
bottle carrying a message
across the oceans and
finally sinking without
its message ever having
been delivered.The bottle
and its journey represent
to me our own selves and
our own lives’
journey, and how when we
die we take with us most
of the memories within
us, many of which were
undisclosed to everyone
else.The work is divided
in 3 sections:I. The
Bottle’s
JourneyII. The
MessageIII. The Bottle
SinksMusic in a Bottle
has been recorded by
James Miltenberger on the
Scotwood Music CD,
“20th Century
Dances and
Improvisations.â€â
” Miguel del
Aguila.
String Quartet SKU: HL.14017272 Composed by Jean Joubert. Music Sales Ame...(+)
String Quartet
SKU:
HL.14017272
Composed
by Jean Joubert. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV361050.
Published by Music Sales
(HL.14017272).
8.5x11.75x0.3
inches.
Composed
during the summer of
1986, Joubert's third
quartet is the second in
order of composition of
three works composed
specially for performance
this month as part of the
celebrations connected
with his sixtieth
birthday. The quartet is
dedicated to Howard
Ferguson who was my
composition teacher at
the Royal Academy of
Music from 1947 to
1950.
Descant recorder with differentn instrumentsn (S, A, T, B-recorders, piano, guit...(+)
Descant recorder with
differentn instrumentsn
(S, A, T, B-recorders,
piano, guitar, percussion
and bass ad libitum) (S)
- easy
SKU:
HL.49007513
Composed
by Gerhard Engel, Gudrun
Heyens, Hans-Martin
Linde, and Konrad
Huenteler. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Performance
Book. 55 pages. Schott
Music #ED 7773. Published
by Schott Music
(HL.49007513).
ISBN
9783795750695.
9.0x12.0x0.171 inches.
Christa
Estenfeld-Kropp.
Di
e beiden Spielbucher sind
vom Tonumfang und
Rhythmus jeweils auf die
Schulen abgestimmt. Sie
bieten erganzendes
Spielmaterial (Duos,
Trios, Quartette) in
unterschiedlichen
Blockflotenbesetzungen,
Musikstucke mit
Klavierbegleitungen
(Extrastimme eingelegt),
Akkordbezifferungen fur
Gitarrenbegleitung,
teilweise auch
rhythmische
Begleitfiguren fur
Schlagwerkad lib.
Umrisszeichnungen lockern
den Notentext auf und
konnen von den Kindern
bunt ausgemalt
werden.
International Edition. By Kuang-Hao Huang. This edition: Performance/Accompa...(+)
International Edition. By
Kuang-Hao Huang. This
edition:
Performance/Accompaniment
CD;
International.
Method/Instruction;
String -
Violin (Suzuki); Suzuki.
Suzuki Violin School. CD.
Alfred Music #00-50115.
Published by Alfred Music
Voice and Piano - intermediate SKU: HL.50603593 Ed. crit. R. Parker-R....(+)
Voice and Piano -
intermediate
SKU:
HL.50603593
Ed.
crit. R. Parker-R. Ward -
Riduzione per canto e
pianoforte. Composed
by Gaetano Donizetti.
Ricordi. Softcover.
Composed 2020. Ricordi
#CP14161600. Published by
Ricordi (HL.50603593).
ISBN 9788881920709.
UPC: 840126945102.
8.0x10.5x1.3 inches.
Italian-English.
Do
nizetti's Lucrezia Borgia
was premiered at Milan's
Teatro alla Scala on 26
December 1833 and is
considered one of the
composer's most important
and innovative operas of
the 1830s. Although,
because of censorship
issues, particularly in
the south of Italy, it
was initially slow to
become popular, by the
late 1830s it had become
one of the composer's
most popular operas, both
in Italy and abroad, and
remained an essential
part of the composer's
oeuvre until at least the
end of the nineteenth
century. Remarkable for
its daring subject matter
(with an unconventional,
forceful heroine), it is
also renowned for its
challenging mixture of
the comic and the tragic,
something very unusual at
the time and clearly an
important influence on
Giuseppe Verdi's middle
period masterpieces. The
present reduction for
voice and piano derives
from the critical edition
of the score, recently
published in this
catalog: is based on
Donizetti's autograph
manuscript (housed in the
Ricordi Archives in
Milan), on the libretto
for the premiere, on
several printed editions
of voice and piano, and
on numerous additional
scores of the period. It
presents for the first
time all the numerous
additions that the
composer made to the
score over the course of
ten years: a fascinating
record of his changing
music dramatic attitudes
during this period. There
is also a synthetic
historical reconstruction
of the genesis of the
opera and of the
description of the
Sources as well as a
selection of most
interest to singers of
Critical Commentary
Notes.
Rappresenta
ta per la prima volta al
Teatro alla Scala il 26
dicembre 1833, Lucrezia
Borgia e considerata una
fra le piu importanti e
innovative opere di
Donizetti. Sebbene le
resistenze della censura,
soprattutto nel sud
Italia, ne causarono
inizialmente una lenta
diffusione, dalla fine
degli anni '30
dell'Ottocento essa
divenne uno dei lavori
piu popolari e
significativi del
compositore e tale rimase
fino alla fine del XIX
secolo. Notevole per il
suo audace soggetto (con
un'eroina non
convenzionale e dalla
forte personalita) essa e
rinomata anche per
l'impegnativa commistione
di comico e tragico, un
tratto piuttosto inusuale
per l'epoca, che ebbe una
chiara influenza sui
capolavori verdiani di
meta secolo. La presente
riduzione per canto e
pianoforte e condotta
sull'edizione critica
della partitura, da poco
pubblicata in questo
stesso catalogo: si basa
sul manoscritto autografo
di Donizetti (conservato
presso l'Archivio Storico
Ricordi di Milano), sul
libretto della prima
rappresentazione, su
alcune riduzioni a stampa
per canto e pianoforte e
su varie altre fonti
dell'epoca. L'edizione
presenta per la prima
volta tutte le aggiunte
che il compositore
apporto alla partitura
nel corso di dieci anni,
costituendo
un'affascinante
testimonianza dei
mutevoli approcci di
Donizetti alla materia
drammatico musicale
durante questa fase della
sua carriera. Il volume
comprende una sintesi
della ricostruzione della
genesi storica dell'opera
e della descrizione delle
fonti e una selezione di
Note del Commento Critico
fra quelle piu funzionali
alle esigenze di cantanti
e pianisti
accompagnatori.
Concert Band (Score) - Grade 5 SKU: HL.44012906 For Concert Band (Scor...(+)
Concert Band (Score) -
Grade 5
SKU:
HL.44012906
For
Concert Band (Score
Only). Composed by
Philip Sparke. Anglo
Music Concert Band.
Opening Pieces.
Softcover. Composed 2017.
32 pages. Anglo Music
Press #AMP447140.
Published by Anglo Music
Press (HL.44012906).
A Bluegrass
Overture was
commissioned by Gabriel
Wooley and funded by a
grant from Leslie and
Cathy Anderson for the
Central Kentucky Concert
Band to celebrate their
40th anniversary in 2016.
This energetic overture
opens with an
introduction loosely
based on 'bluegrass'
chords before a slower,
legato chorale appears in
the clarinets and flutes.
This is short-lived and
soon a new mood is
introduced, based on a
repeated-note
accompaniment. This leads
to the main theme,
heavily syncopated with
bluesy inflections. A
central section features
a cantabile melody, which
changes key frequently,
before the main theme
reappears, leading to a
triumphal presentation of
the earlierchorale
melody.
A
Bluegrass Overture is
geschreven voor de
Central Kentucky Concert
Band ter gelegenheid van
hun veertigjarig bestaan
in 2016. De opdracht komt
van Gabriel Wooley en is
gefinancierd door een
gift van Leslie en Cathy
Anderson. Deze energieke
ouverture opent met
bluegrass-akkoorden,
waarna in de klarinetten
en fluiten een langzamer,
legato koraal naar voren
komt. Het wordt al snel
gevolgd door een nieuw
sfeerbeeld, dat is
gebaseerd op een
begeleiding van herhaalde
noten. Hier komt het
hoofdthema uit voort, dat
zwaar gesyncopeerd is en
bluesachtige invloeden
laat horen. In het
middengedeelte klinkt een
zangerige melodie met
frequente modulaties,
waarna hethoofdthema weer
opduikt en ons meevoert
naar een glorierijke
presentatie van de eerder
gespeelde koraalmelodie.
A Bluegrass
Overture wurde von
Gabriel Wooley anlasslich
des 40-jahrigen Jubilaums
der Central Kentucky
Concert Band im Jahre
2016 in Auftrag gegeben
und von Leslie und Cathy
Anderson finanziell
unterstutzt. Diese
energiegeladene Ouverture
beginnt mit einer
Einleitung mit lockeren
Bluegrass-Akkorden, bevor
ein langsamer Choral im
Legato in den Klarinetten
und Floten erklingt. Das
ist jedoch nur von kurzer
Dauer, denn schon bald
wird durch eine
Begleitung mit
repetierten Noten eine
neue Stimmung erzeugt.
Dies fuhrt schliesslich
zum Hauptthema mit
deutlichen Synkopen und
Blues-Modulationen. Die
zentrale Passage zeichnet
sich durch eine kantable
Melodie aus, die
haufigdie Tonart
wechselt, bevor das
Hauptthema wiederkehrt
und zu einer triumphalen
Prasentation der
vorherigen Choralmelodie
hinleitet.
A
Bluegrass Overture
fut commande par Gabriel
Wooley et finance par une
bourse de Leslie et Cathy
Anderson pour la
celebration du 40e
anniversaire du Central
Kentucky Concert Band en
2016. Cette ouverture
energique debute par une
introduction basee
vaguement sur les accords
de bluegrass, puis un
court choral plus lent et
plus legato apparait chez
les clarinettes et
flutes. Bientot un
changement d'atmosphere
se produit, base sur un
accompagnement de motifs
de notes repetees. Ceci
nous mene au theme
principal, tres syncope,
aux inflexions de blues.
La section du milieu
comprend une melodie
lyrique qui change de
tonalite frequemment,
avant que le retour du
theme principal nousmene
a une presentation
triomphale de la melodie
de choral entendue plus
tot.
Questa
ouverture energica si
apre con una introduzione
dal movimento ampio
caratterizzata da accordi
in stile bluegrass prima
di un corale lento e
legato affi dato ai
clarinetti e ai flauti,
di breve durata, e presto
sostituito da una nuova
atmosfera, scandita da un
accompagnamento con note
ribattute. Questo conduce
a un tema principale,
molto sincopato, con
inflessioni blues. Una
sezione centrale dalla
melodia cantabile che
cambia spesso tonalita
anticipa la ricomparsa
del tema principale, che
conduce a sua volta a una
trionfale riproposizione
della melodia corale.
Asian Edition. By piano accompaniment performed by Kuang-Hao Huang, violin ...(+)
Asian Edition. By piano
accompaniment performed
by
Kuang-Hao Huang, violin
performed by Augustin
Hadelich, and Dr.
Shinichi
Suzuki. This edition:
International. MakeMusic
Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School.
Book and CD. 32 pages.
Alfred
Music #00-50637.
Published by
Alfred Music
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135483-010 Great Classics. S...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135483-010
Great Classics. Set
(Score & Parts). Composed
2013. De Haske
Publications #DHP
1135483-010. Published by
De Haske Publications
(BT.DHP-1135483-010).
9x12 inches.
English-German-French-Dut
ch.
Geschichten
aus dem Wienerwald
(Tales from the Vienna
Woods) is an iconic
Viennese composition and
is regularly performed by
the Vienna Philharmonic
at the New Year’s
Concert. As with the
original, the arrangement
includes a zither part,
whichin this arrangement
can be played either by
double reeds or by
saxophones.
Ges
chichten aus dem
Wienerwald (Verhalen uit
het Weense woud) is
een icoon van de Weense
muziek, het werk wordt
geregeld uitgevoerd
tijdens de
nieuwjaarsconcerten van
de Wiener Philharmoniker.
In deze bewerking komt,
net als in het
origineel,de citer aan
bod, maar de citerpartij
kan ook worden gespeeld
door een dubbelriet- of
saxofoonensemble.
Geschichten aus dem
Wienerwald ist ein
Wahrzeichen Wiener Musik
und wird regelmäßig
beim Neujahrskonzert der
Wiener Philharmoniker
gespielt. Dem Original
entsprechend, enthält
das Set eine
Zitherstimme, die durch
Doppelrohrblasinstrumente
oder Saxophone ersetzt
werden
kann.
Ges
chichten aus dem
Wienerwald è
un’icona della
musica viennese e viene
eseguita regolarmente
durante il concerto di
capodanno dalla
Filarmonica di Vienna.
Seguendo
l’originale,
l’arrangiamento di
Tohru Takahashi presenta
anche una parte percetra
che può essere
sostituita da strumenti
ad ancia doppia o dai
sax.