Violoncello/Contrabass SKU: CA.2100415 Composed by Andre Campra. French S...(+)
Violoncello/Contrabass
SKU: CA.2100415
Composed by Andre Campra.
French Sacred Music.
Violoncello/double bass.
Sacred vocal music,
Requiem, Mourning, death.
Individual part. Composed
1695. 16 pages. Duration
50 minutes. Carus Verlag
#CV 21.004/15. Published
by Carus Verlag
(CA.2100415).
ISBN
9790007197728. Language:
Latin.
The Requiem
was composed during
Campra's tenure as the
director of music at the
cathedral of Notre Dame.
It was commissioned for a
service in memory of the
deceased Archbishop of
Paris. At the end of the
18th century it became a
tradition in southern
France to perform
movements of Campra's
Requiem during funerals
or at memorial services:
There is evidence from as
late as 1805 which
verifies this practice.
The scoring of this work
is remarkable, in that it
calls for four groups of
performers: a five-voice
Grand Choeur, a 2-3 voice
Petit Choeur, three vocal
soloists as well as an
instrumental group
designated as a
Symphonie.. Score and
part available separately
- see item
CA.2100400.
Detailed Instrumentation: Solo Piano SKU: AP.36-W706991 Composed by Cecil...(+)
Detailed Instrumentation:
Solo Piano
SKU:
AP.36-W706991
Composed by Cecile
Chaminade. Arranged by
William Scharfenberg.
Well Tempered Press.
Book. LudwigMasters
Publications #36-W706991.
Published by
LudwigMasters
Publications
(AP.36-W706991).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Viola. Warb E 14. 4
pages. Duration 5
minutes. Carus Verlag #CV
38.104/13. Published by
Carus Verlag
(CA.3810413).
ISBN
9790007215095. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
Composed by Bohuslav
Martinu. Edited by
Aleš Brezina. This
edition: complete
edition, urtext edition.
Linen. The Bohuslav
Martinu Complete Edition
IV/3/2. Complete edition,
Score, anthology.
Baerenreiter Verlag
#BA10576_01. Published by
Baerenreiter Verlag
(BA.BA10576-01).
ISBN
9790260108363. 33.3 x 26
cm inches. Language: CS,
Text Language: CZ.
Preface: Brezina,
Aleš.
ThePetite
Messe solennelleis the
finest work of Rossini's
late years. He composed
it between 1863 and 1864
at the age of 71 as a
commission for Countess
Louise Pillet -Will for
the consecration of her
private chapel, where the
work received its first
performance in March
1864. Together with
theStabat mater, the mass
is one of the composer's
mostimportant sacred
works.
The unusual
instrumentation with two
pianos and harmonium is
entirely in keeping with
the Neapolitan keyboard
tradition of the 18th
century which was
cultivated in France in
Rossini's day. It forms a
distinct contrast to the
style of large-scale
sacred compositions as
written by, for example,
Liszt and Bruckner.
Rossini explained that he
wrote the later
orchestral version of the
work dating from 1867 out
of concern that if he did
not do this, other
composers might
orchestrate the mass too
heavily in later
arrangements.
-
Choral score based on the
Urtext of the seriesWorks
of Gioachino Rossini -
Supplements the already
existing material
available to this
work
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Very little is known about the two sonatas which appear here in their origina...(+)
Very little is known
about the two sonatas
which appear here in
their original keys. They
were placed in the
library of the Music
School in Oxford at the
end of the seventeenth
century in a form
convenient for playing
(i.e.unbound). The
library was catalogued by
Hake between 1850 and
1855 and the sonatas were
eventually bound in 1855
with other instrumental
and vocal manuscripts of
the same period, some of
which are dated
1698.
Thesonatas
are both inscribed on the
title page Sonata
à Violone Solo.
Col Basso per l'Organo, o
Cembalo. A third sonata
bears the words Sonata
à Violino e
Violoncino … di
Giovannino del
Violone.Giovannino(=Littl
e, or Young John) must
have been a performer,
and although the third
sonata has been copied by
a different hand, it is
conceivable that
Giovannino is a
connecting link between
the three. He cannot,
however, beassumed to be
their
author.
The
Violone was a
six-stringed instrument
with frets, and there is
evidence to suggest that
the Contrabasso of the
same period was similar
but probably a little
larger; the
Violoncino(=Little
Violone, or Violoncello)
must have been smaller.
The word 'Violone' was
also used as a collective
term embracing all
members of the Viol
family, which means that
the sonatas might well
have been written for a
tenor or abass Viol, and
not necessarily a Violone
as such. Indeed, when
they are played on a
Violone, or Double Bass
the continuo bass line
must be played at a lower
pitch than the solo
instrument, to prevent
inversion of the
intendedharmony. (The use
of a Violone/Double Bass
continuo or 16' organ
tone would overcome this
problem.)
The
editor has added no
ornaments or
embellishments to the
solo part as it appears
in the original
manuscript. It isopen to
debate whether a Violone
player, owing to the very
nature of his instrument,
would have used any but
the simplest melodic
decorations.
Nevertheless, the
performer should acquaint
himself thoroughly with
those seventeenthcentury
traditions that
Mixed choir/orchestra (Mixed choir, Orch) SKU: BA.BA10558 Composed by Joh...(+)
Mixed choir/orchestra
(Mixed choir, Orch)
SKU: BA.BA10558
Composed by Johann
Pachelbel. Edited by
Thomas Röder. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 8. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10558_00.
Published by Baerenreiter
Verlag (BA.BA10558).
ISBN 9790006553075. 33
x 26 cm inches. Language:
German. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas.
The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach.
The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz.
Two
volumes per year are
planned.
As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Actus Tragicus. Sacred
vocal music, Cantatas,
Mourning, death. Single
Part, Organ. Composed
1707/1708. BWV 106. 12
pages. Duration 23
minutes. Carus Verlag #CV
31.106/49. Published by
Carus Verlag
(CA.3110649).
ISBN
9790007207052. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and part
available separately -
see item CA.3110600.
Composed by Antonio
Vivaldi. This edition:
urtext. Stuttgart Urtext
Edition: Vivaldi-Archiv.
German title: Dixit.
Sacred, Cantatas, Motets;
Stuttgart Urtext
editions; Occasions:
Daily hours; Use during
church year: Epiphany.
Single Part, Choir 1:
Basso cont. RV 594. 12
pages. Duration 25
minutes. Carus Verlag #CV
40.007/14. Published by
Carus Verlag
(CA.4000714).
ISBN
9790007057633. Language:
Latin/English.
Dixi
t Dominus (Ps 109), a
psalm setting for double
choir, is one of
Vivaldi's most
significant sacred works.
In it, he takes up the
old Venetian polychoral
tradition, combining its
compositional techniques
with those of the
instrumental concerto,
the cantata and the
opera. The broadly
conceived cycle of
movements, consisting of
eight psalm verses and
the doxology, is
characterized by an
expansive arch of
tonalities connecting the
two framing outer
movements in D major
(these are also
thematically related):
Dixit Dominus and Gloria
Patri. The contrasting
and varied inner
movements are perfect
examples of Vivaldi's
skill in vividly
portraying linguistic
figures in music. Score
and part available
separately - see item
CA.4000700.
Violin, Guitar SKU: UT.CH-335 Composed by Nicolo Paganini. Edited by Ital...(+)
Violin, Guitar
SKU:
UT.CH-335
Composed by
Nicolo Paganini. Edited
by Italo Vescovo. Saddle
stitching. Classical.
Score and Parts. Ut
Orpheus #CH 335.
Published by Ut Orpheus
(UT.CH-335).
Composed
by Antonio Vivaldi.
Stuttgart Urtext Edition:
Vivaldi-Archiv. Organ.
Sacred vocal music,
Cantatas, Motets,
Epiphany, Psalms, Daily
hours. Single Part,
Organ. RV 594. 36 pages.
Duration 25 minutes.
Carus Verlag #CV
40.007/49. Published by
Carus Verlag
(CA.4000749).
Language:
Latin/English.
Dixi
t Dominus (Ps 109), a
psalm setting for double
choir, is one of
Vivaldi's most
significant sacred works.
In it, he takes up the
old Venetian polychoral
tradition, combining its
compositional techniques
with those of the
instrumental concerto,
the cantata and the
opera. The broadly
conceived cycle of
movements, consisting of
eight psalm verses and
the doxology, is
characterized by an
expansive arch of
tonalities connecting the
two framing outer
movements in D major
(these are also
thematically related):
Dixit Dominus and Gloria
Patri. The contrasting
and varied inner
movements are perfect
examples of Vivaldi's
skill in vividly
portraying linguistic
figures in music. Score
and part available
separately - see item
CA.4000700.
Actus
tragicus.
Trauermusik. Composed
by Johann Sebastian Bach.
Edited by Peter
Thalheimer. Arranged by
Paul Horn. This edition:
urtext. 1x 31.106/21
recorder 1, 1x 31.106/22
recorder 2. Stuttgart
Urtext Edition: Bach
vocal. German title:
Actus Tragicus. Sacred
vocal music, Cantatas,
Mourning, death. Set of
Orchestra Parts. Composed
1707/1708. BWV 106. 8
pages. Duration 23
minutes. Carus Verlag #CV
31.106/09. Published by
Carus Verlag
(CA.3110609).
ISBN
9790007207014. Key: F
major. Language:
German/English.
The
Actus tragicus or Gottes
Zeit ist die allerbeste
Zeit BWV 106 remains one
of Bach's best-known and
most admired works, one
which continues to
resonate to this day - a
work of genius such as
even great masters seldom
achieve (Alfred Durr).
The cantata is one of the
earliest known vocal
works by Johann Sebastian
Bach. It was written
during his time at
Muhlhausen, probably in
1707, when Bach took up
the position of organist
at the Divi Blasii
Church. A possible
occasion for its
composition may have been
the funeral of the mayor
of Muhlhausen, Adolph
Strecker. The short, slow
Sonatina with two
recorders, two gambas and
continuo gets the
listener into the mood of
the character of the
cantata. This
instrumental combination
is unique in Bach's vocal
output, but could derive
from a central German
tradition. This new
edition is a
critical-practical
edition which combines
both the latest
discoveries in Bach
research with a detailed
Critical Report as well
as addressing current
questions on performance
practice. Score and parts
available separately -
see item CA.3110600.
Brass quintet - advanced SKU: CY.CC2845 Composed by Herbert L. Clarke. Ar...(+)
Brass quintet - advanced
SKU: CY.CC2845
Composed by Herbert L.
Clarke. Arranged by
Geoffrey Bergler.
American early 20th
Century. Score and parts.
Published by Cherry
Classics (CY.CC2845).
Cornet solos
are an important part of
the American Brass
tradition. The Southern
Cross is one of Clarke's
most well known Cornet
solos and was written in
1911, dedicated to the
Australians and first
recorded by the composer
with Orchestra the next
year for Victor
Records. During 1911,
Clarke was the solo
Cornetist of the Sousa
Band while the band was
on a world tour that
included visits to South
Africa, Tazmania and
Australia from March
through to
August. Below is a
photo of the Sousa band
from their 1911 tour.
Clarke is sitting in the
front row 5th in from the
right with his moustache
and his Cornet on his
lap. He assuredly
composed this solo to
perform on that tour. The
Southern Cross is a
constellation that is
only seen from the
southern hemisphere and
features the five stars
of the Cross from the
1901 design of the
Australian
flag.
This
5-minute virtuosic
arrangement by Geoffrey
Bergler features not only
the Cornet, but a bit of
all the other four
members of the Brass
Quintet. Instrumentat
ion is for: 2
Trumpets in B-flat
(Trumpet 1 solo, Trumpet
2 also plays
Piccolo) Horn, Tr
ombone Tuba/Bass
Trombone The sound
track below features Mr.
Bergler from his student
days as Cornet
soloist
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, basso continuo.
Warb E 14. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 38.104/14.
Published by Carus Verlag
(CA.3810414).
ISBN
9790007215101. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400.
By Joel Raney. (SATB). Jazz/SwingStyle, Ring and Sing, Contemporary and Sacred....(+)
By Joel Raney. (SATB).
Jazz/SwingStyle, Ring and
Sing, Contemporary and
Sacred. Print Music
Single (SATB). 12 pages.
Published by Hope
Publishing Company.
4 Saxophones AATBar SKU: AP.1-ADV7621 Folksongs from the Hebrides (for...(+)
4 Saxophones AATBar
SKU: AP.1-ADV7621
Folksongs from the
Hebrides (for AATB
Saxophone Quartet).
Arranged by Frank
Reinshagen. Quartet; Solo
Small Ensembles; Woodwind
- Saxophone Quartet.
Advance Music. Folk.
Score and Part(s).
Advance Music
#01-ADV7621. Published by
Advance Music
(AP.1-ADV7621).
UPC:
805095076219.
English.
Writing
these arrangements, Frank
Reinshagen has created
little masterpieces,
which broaden the
rhythmical and harmonic
context of the original
tunes in an interesting
manner without detracting
from their archaic and
melancholic character.
These original tunes
are---in a direct or
wider sense---of Celtic
origin, in other words,
they have been borrowed
from the Irish, Scottish
and Gaelic musical
tradition. These
through-composed
arrangements are rather
easy to perform from the
rhythmical and technical
point of view. Yet, they
are quite demanding in
respect of the key they
are written in, their
intonation and,
especially, their
interpretation. Their
different
instrumentations are
fully compatible with
each other and, due to
their overall structure,
they are also suitable to
be played with
multi-scored parts.
Annotation on
Aignish on the Machair.
The arrangement of
Aignish on the Machair
illustrates, above all,
the melancholic character
inherent in the harmonies
of the original tune. A
short rubato passage is
followed by several
variations over the
flowing melody in 3/4-
time. The short triplet
passages embedded in
these variations are
quite demanding from the
technical point of view;
considering the key they
are written in, however,
these passages are not
too difficult to
play.
Coro SMsA, 2 Vl, Va, Vc, Cb, Drumset SKU: CA.2800850 Version for upper...(+)
Coro SMsA, 2 Vl, Va, Vc,
Cb, Drumset
SKU:
CA.2800850
Version
for upper voices.
Composed by Damijan
Mocnik. CARUS
CONTEMPORARY. Sacred
vocal music, Masses,
Latin. Full Score.
Duration 27 minutes.
Carus Verlag #CV
28.008/50. Published by
Carus Verlag
(CA.2800850).
ISBN
M-007-18659-3.
Latin.
Francis of
Assisi, the famous
merchant's son and later
founder of a religious
order, has served as a
source of inspiration
from the most varied
perspectives, and Damijan
Mocnik has added to this
tradition. The Slovenian
composer and choral
director composed a
cantata in 2013 on the
25th anniversary of the D
iocesan Grammar School in
Ljubljana, based on the
text of the famous
Canticle of the Sun, and
later (2014-16) - using
the cantata's themes - a
complete setting of the
ordinary of the mass as
well. The instrumental
parts match both the
version for four-part
mixed chorus (Carus
28.008/00) and the
version for upper voices
(Carus 28.008/50).
Composed
by Ash Pournouri, Avicii,
Etta James, Leroy
Kirkland, and Pearl
Woods. Edited by Hans
Vainikainen. Arranged by
Hans Vainikainen.
Stapled. Choral score. 12
pages. Baerenreiter
Verlag #BA11397_00.
Published by Baerenreiter
Verlag (BA.BA11397).
ISBN 9790006568598.
39.7 x 21 cm inches. Text
Language: English. Text:
Bergling, Tim / James,
Etta / Woods, Pearl /
Kirkland, Leroy /
Pournouri,
Ash.
“Oh,
sometimes I get a good
feeling, yeah Get a
feeling that I never,
never, never, never had
before
…â€
In
its original form,
“Levels†is
more of an instrumental
number featuring a short
passage from a song by
soul-singer Etta James.
The energy of this
exhilarating electro-pop
piece with the inimitable
Avicii sound is an
ear-catching delight and
brings audiences to their
feet: a good time is
guaranteed!
Th
e editor:
Hans
Vainikainen (b. 1976)
hails from a new
generation of conductors
in the Swedish choral
tradition. His conducting
repertoire covers a wide
range of genres and eras,
from Mahler’s
Eighth Symphony to the
Swedish DJ Avicii. In
2005 he won the Swedish
Conductors’ Prize,
and two years later he
was appointed artistic
director of the Katarina
kyrka, the home of
Katarinakörerna, one
of Sweden’s
largest choral
societies.
Hans
Vainikainen heads
Stockholm’s
Katarinakörerna with
more than 500 singers in
various combinations.
Their programmes cover
both sacred and secular
music. In his search for
suitable arrangements,
his eye fell on one the
world’s best-known
pop artists, Tim
Bergling, known
professionally as Avicii.
He then arranged three of
Avicii’s best
songs for classical
choirs, intending them to
be encore
pieces.
“Hey
Brotherâ€,
“Levels†and
“Without youâ€
are now available for
six-part mixed or female
choir. The arrangements
offer a wide variety of
vocal and choral
possibilities and
attention has been paid
that all parts are of the
same musical standard.
Whether homophonic or
unisono, they artfully
intertwine from one
passage to the next.
However, for all their
sophistication the
arrangements remain
manageable and easy to
learn, displaying the
typical groove of each
Avicii song within a
multi-layered
texture.
Composed by Joel Raney.
Piano Accompaniment with
Optional Orchestra. Jazz
/ Swing, Christmas, Birth
of Jesus Christ. Octavo.
12 pages. Hope Publishing
Company #C6221. Published
by Hope Publishing
Company (HP.C6221).
UPC: 763628162214.
Joel
Raney.
Original
anthem In the
tradition of Joel Raney's
top-selling Christmas
anthems Christmas Is
Coming and Somebody Build
a Manger, this SATB
original is an up-tempo
seasonal celebration. The
optional handbell and
instrumental parts add
lots of sparkle to this
jazzy setting. Strains of
the familiar We Three
Kings are introduced as
the piece reaches a
rousing,
pull-out-all-the-stops
conclusion. The
Orchestration contains a
Conductor's Score and
parts for: Harp, Flute,
Trumpet, French Horn,
Violin, Cello, Bass,
Percussion, and
Handbells.
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Vocal
score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/03.
Published by Carus Verlag
(CA.3810403).
ISBN
9790007143978. Language:
Latin.
At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400.
Chamber Music Flute(s) SKU: PR.114423140 Composed by Adolphus Hailstork. ...(+)
Chamber Music Flute(s)
SKU: PR.114423140
Composed by Adolphus
Hailstork. 4 pages.
Duration 4 minutes.
Theodore Presser Company
#114-42314. Published by
Theodore Presser Company
(PR.114423140).
ISBN
9781491136362. UPC:
680160688906.
ST.
PAUL’S BLUES is
inspired by early jazz
and blues traditions, yet
with a fresh twist. This
5-minute recital work
begins with a slow, dark
melody full of
vocal-styled nuances,
leading to variations and
embellishments with the
freedom afforded by
unaccompanied
instrumental solos. ST.
PAUL’S BLUES was
commissioned by the St.
Paul Chamber Orchestra
for flutist Alicia
McQuerrey to premiere on
the SPCO’s website
during the 2020-21
pandemic season.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin
SKU:
AP.36-A213002
Composed by Richard
Strauss. Full Orchestra.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A213002.
Published by
LudwigMasters
Publications
(AP.36-A213002).
UPC:
659359873225.
English.
Richard
Strauss (1864-1949) wrote
his VIOLIN CONCERTO IN D
MINOR, Op. 8, between
1881 and 1882, and it
remained his only foray
in that genre. Composed
while a teenager and
still in school. While
still very much a product
of the Romantic era
tradition, the work is
not considered as
distinctive as the works
he would produce only a
few years later, and
Strauss himself later
ridiculed the work.
Still, with inventive and
bold writing in the solo
and hints of his mature
harmonic style to come,
there is much to enjoy in
the work, including its
warmth, youthful
sincerity, and lyrical
expression, so that it
should not be dismissed
as mere juvenilia, either
by contemporary audiences
or Strauss himself. The
chamber version of the
concerto was first
performed in Vienna on
December 5, 1882, with
the dedicatee Benno
Walter on the violin
while Strauss played his
own piano reduction. The
premiere for the
orchestral version would
take place seven years
later in Cologne on March
4, 1890, with Walter
again performing the solo
with an orchestra
conducted by Franz
Wüllner.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published ...(+)
Guitar and orchestra
SKU: BO.B.3610
Composed by Jaume
Torrent. Published by
Editorial de Musica
Boileau (BO.B.3610).
The concerto
establishes a dialogue
which alternates
constantly between the
guitar and the symphony
orchestra, with the two
sound worlds being
maintained in perfect
balance while also
exploring the unique
possibilities presented
by each: the guitar
develops a surprising
array of resources which
enhance its expressive
capacity to the utmost,
while the orchestra
envelops it in an
extensive range of
textures which at times
give rise to subtle
tones, and at others, all
the tonal vigour of the
tutti.
The
language I employ is
intended as a means of
achieving an efficient
symbiosis between
modernity and tradition,
continuing in the line of
my previous works as a
composer. It contains no
references to popular
music and at all times
veers away from the
expectations created by
the language of folklore
exploited in concertos of
this kind by the majority
of recognised composers.
In Concerto de Rialp,
modernity is reflected
through a search for
unique expressive forms,
experimentation with new
means of thematic
development and a unique
presentation of formal
solutions, all the while,
however, respecting
expressiveness and
lyricism as the
foundations of
communicating with the
audience.
The
concerto also explores
the guitar's new
technical resources.
Thanks to specific work
on left hand extensions,
mechanical formulas have
been developed which
allow certain scales to
be played at
unprecedented speeds. In
the cadenza of the first
movement, the guitar
develops the main theme
in the form of an
instrumental motif that
has never been used
before in guitar scores,
producing a polyphonic
effect of new
dimensions.
I have
worked to exploit the
distinctive sound
differences existing
between the guitar and
the orchestra -both from
the dynamic and the tonal
points of view- in order
to really develop the
dramatic effect that
their being brought
together affords. In the
second movement -calmo
assai- this dramatic
quality is expressed in a
way that is particularly
powerful by means of a
tension never before
achieved in a concerto
for guitar and
orchestra.
By Giacomo Puccini (1858-1924). Arranged by Giuseppe Frugatta. For Piano, 4 hand...(+)
By Giacomo Puccini
(1858-1924). Arranged by
Giuseppe Frugatta. For
Piano, 4 hands. This
edition: paperbound. SC
55. Piano/Vocal score.
Language: all languages.
32 pages. Duration 16 min
Suite for Piano based on the music for the comedy of the same nam. Composed ...(+)
Suite for Piano based on
the
music for the comedy of
the
same nam. Composed by
Nino
Rota (1911-1979). Piano.
Classical. Softcover. 20
pages. Duration 900
seconds.
Schott Music #ED22891.
Published by Schott Music
Viola and Piano SKU: BT.EMBZ627 Composed by Gyula David. Book Only. Compo...(+)
Viola and Piano
SKU:
BT.EMBZ627
Composed
by Gyula David. Book
Only. Composed 1952. 52
pages. Editio Musica
Budapest #EMBZ627.
Published by Editio
Musica Budapest
(BT.EMBZ627).
Gyula Dávid
(1913-1977) was one of
the most important
members of the generation
of Hungarian composers
who followed Bartók
and Kodály. His ?uvre
includes stage,
orchestral, oratorial,
chamber, and solo
instrumental works.
Although he rarely quoted
folk material directly in
his music, folksong,
popular music and the
spirit of the Hungarian
musical tradition
permeates his works. In
the last two decades of
his life he wrote atonal
and twelve-tone
compositions. With his
Wind Quintet (composed
1949) he created a genre
which plays an important
role in the new Hungarian
music. Gyula Dávid
studied composition with
Albert Siklós and
Zoltán Kodály at
the Academy of Music in
Budapest,graduating in
1938. Between 1938 and
1945 he worked in several
orchestras as viola
player. From 1945 to 1949
he was conductor at
Hungarian National
Theatre, than he became
leader of the Ensemble of
the Hungarian Army. From
1961 to his retirement he
was professor at the
Teacher Training Faculty
of the Academy of Music
in Budapest. Between 1951
and 1960 he taught wind
chamber music, music
theory and wind
orchestration at the
Academy of Music. He was
one of the founders of
the Hungarian Artists'
Union. He was awarded the
Erkel Prize (1952, 1955)
and the Kossuth Prize
(1957).
Composed by Antonio
Vivaldi. This edition:
urtext. Stuttgart Urtext
Edition: Vivaldi-Archiv.
German title: Dixit.
Sacred, Cantatas, Motets;
Stuttgart Urtext
editions; Occasions:
Daily hours; Use during
church year: Epiphany.
Single Part, Choir 1:
Violin 2. RV 594. 12
pages. Duration 25
minutes. Carus Verlag #CV
40.007/12. Published by
Carus Verlag
(CA.4000712).
ISBN
9790007057619. Language:
Latin/English.
Dixi
t Dominus (Ps 109), a
psalm setting for double
choir, is one of
Vivaldi's most
significant sacred works.
In it, he takes up the
old Venetian polychoral
tradition, combining its
compositional techniques
with those of the
instrumental concerto,
the cantata and the
opera. The broadly
conceived cycle of
movements, consisting of
eight psalm verses and
the doxology, is
characterized by an
expansive arch of
tonalities connecting the
two framing outer
movements in D major
(these are also
thematically related):
Dixit Dominus and Gloria
Patri. The contrasting
and varied inner
movements are perfect
examples of Vivaldi's
skill in vividly
portraying linguistic
figures in music. Score
and part available
separately - see item
CA.4000700.