Oboe

SKU: BT.9781408105283

Composed by Helen McKean. Abracadabra. Method. Book with CD. Collins Music Publishing #9781408105283. Published by Collins Music Publishing (BT.9781408105283).

ISBN 9781408105283. English.

The perfect book for pupil and teacher.

• Tunes you know and want to play.
• Technique carefully graded.
• Clear fingering diagrams.
• Concise theory explanations.
• New duets.
• Fresh new look.

I. Farfallina (Butterfly) 2. Lucciola (Firefly). Composed by Italian Folk Song and Tuscan Folk Song. Arranged by Christi Jones. Fold. Octavo. 8 pages. Duration 2 minutes, 35 seconds. BriLee Music #BL1123. Published by BriLee Music

Composed by Helen Marlais. For piano. All-In-One Approach to Succeeding at the Piano. Preparatory A. Method book and CD. Published by The FJH Music Company Inc

Composed by Helen Marlais. For piano. All-In-One Approach to Succeeding at the Piano. Preparatory B. Method book and CD. 51 pages. Published by The FJH Music Company Inc

By Brian Doerksen. Arranged by Arnold B. Sherman. (SATB). Scripture References: Psalm 29:2 -- Psalm 95:6,9 -- Psalm 100:2 -- Isaiah 55:1 -- Philippians 2:5-11. Call To Worship, Gathering, Jazz/SwingStyle, Praise and Worship, Worshiping, Contemporary and Sacred. Print Music Single (SATB with optional Handbells and Rhythm). 12 pages. Published by Hope Publishing Company.

Composed by Chilly Gonzales. Book Only. Composed 2018. Editions Bourges #EBR532. Published by Editions Bourges

A Handy Beginner's Guide!. Music Sales America. Theory. Softcover. 80 pages. Music Sales #AM1008436. Published by Music Sales

By Craig Courtney. For SATB choir, piano. Eastertide, General, Sacred Anthem. Octavo. Published by Crystal Sea Music Publishing

Guitar solo

SKU: DZ.DZ-4280

Composed by Francis Kleynjans. Score. Les Productions d'OZ #DZ 4280. Published by Les Productions d'OZ (DZ.DZ-4280).

ISBN 9782898521973.

Câ� �™est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.

La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.

La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).

J’espÃ� �re que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.

Francis Kleynjans

It’ s a beautiful journey through the tones that I offer you with these two pieces.

The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.

The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).

I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.

Francis Kleynjans.

(100 Songs Excerpted for Successful Auditions). Edited by Michael Dansicker. For mezzo-soprano voice solo and piano accompaniment. Vocal Collection. Broadway, Movies and Pop. Difficulty: medium. Songbook. Vocal melody, lyrics, piano accompaniment, chord names and introductory text. 188 pages. Published by Hal Leonard

The Definitive Guide to Jazz Improvisation for All Instruments. Jazz Instruction. Improvisation, Jazz Instruction. Softcover Audio Online. 144 pages. Published by Hal Leonard

Violin & Clarinet

SKU: SU.80111202

For Violin & Clarinet. Composed by Meyer Kupferman. Strings, Violin, Woodwinds, Clarinet. Performance Score. Subito Music Corporation #80111202. Published by Subito Music Corporation (SU.80111202).

Violin & Clarinet Duration: ' Composed: 1972 Published by: Soundspells Productions Includes set of 2 scores The Garden of My Father's House (1973) is a dramatic rhapsody for violin and clarinet duo. The composer wrote the following: I composed THE GARDEN OF MY FATHER'S HOUSE in 1972 in memory of my father, who was my first music teacher. Although he played many instruments and loved to sing, he could not read a note of music. When I was very young he would sing Gypsy songs, Yiddish folk-songs and Rumanian tunes to me and I would play them back on my clarinet, often with ornaments and variations. Sometimes he would accompany me on the piano; he had a few favorite chords which always seemed to pop up no matter what the tune. The piece is a musical ritual, based on a C-sharp drone, or pedal note, that is heard without interruption, across several ranges, throughout the piece. The violin's drone tremolos, often combined with perfect fifths and quarter-tone tunings, imply the key of Csharp minor. The violin part is always rubato — lyrical, expressive and frequently very passionate. But, most importantly, the violin is always tonal. The clarinet, on the other hand, is atonal, its pitches drawn from the twelve-tone row that I used to write my Cycles of Infinities. The style of the clarinet is contemporary, using wide-range intervals, biting accents and unusual instrumental effects, including fluttertonguing and quarter-tone trills. In combining the 'contrasting' roles of the two instruments, I sought to create a musical ritual-game that would draw energy and bits of information from the polarized instruments. The language of the piece calls the listener's attention to the cogent features of both instrumental personalities in a manner that is somewhat similar to the way in which Yiddish combines German and Hebrew. The drone becomes more and more magnetic and begins to join the parts together until they become one in the final C-sharp unison.

(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald. For voice solo. Sacred Vocal. Published by Lillenas Publishing Company

Composed by James Scott Skinner. Arranged by Ben Clinesmith. For string orchestra. Concert Work. Grade 3. Score and set of parts. Duration 1:38. Published by Wingert-Jones Publications

Lennie Niehaus Plays The Blues - C Edition by Lennie Niehaus. For any C instrument. Intermediate. Book and CD. 40 pages. Published by Jamey Aebersold Jazz

Lennie Niehaus Plays The Blues - Eb Edition by Lennie Niehaus. For any E-flat instrument. Intermediate. Book and CD. 40 pages. Published by Jamey Aebersold Jazz