Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112709

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. 1x 31.127/21 recorder 1, 1x 31.127/22 recorder 2, 1x 31.127/23 oboe 1, 1x 31.127/24 oboe 2, 1x 31.127/31 trumpet. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ 5. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Set of Orchestra Parts. Composed 1725. BWV 127. 30 pages. Duration 21 minutes. Carus Verlag #CV 31.127/09. Published by Carus Verlag (CA.3112709).

ISBN 9790007048853. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and parts available separately - see item CA.3112700.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114914

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, basso continuo. BWV 149. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.149/14. Published by Carus Verlag (CA.3114914).

ISBN 9790007208592. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114949

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, Organ. BWV 149. 16 pages. Duration 22 minutes. Carus Verlag #CV 31.149/49. Published by Carus Verlag (CA.3114949).

ISBN 9790007208608. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100314

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Cello/Double Bass. Composed 1725. BWV 3. 12 pages. Duration 27 minutes. Carus Verlag #CV 31.003/14. Published by Carus Verlag (CA.3100314).

ISBN 9790007041472. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.

SSATB vocal soli, SATB choir, 2 flutes (horn), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911505

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Sacred vocal music, Cantatas, Christmas. Choral Score. TVWV 1:1452. 4 pages. Duration 22 minutes. Carus Verlag #CV 39.115/05. Published by Carus Verlag (CA.3911505).

ISBN 9790007128784. Language: German.

Uns ist ein Kind geboren is one of Telemann's most beautiful Christmas cantatas, which features an opening duet for two sopranos based on Polish-Moravian folklore, as well as two substantial choral movements. The two horns allotted to the second choral movement to the text Ehre sei Gott in der Hohe can be replaced by two flutes. This is supported by a source from the Telemann tradition in Frankfurt, in which these parts are present. Score available separately - see item CA.3911500.

Vocal Duet, Key of C

SKU: HP.8999

Composed by Joseph M. Martin. Piano Accompaniment with Optional Orchestra. Vocal Score. 12 pages. Hope Publishing Company #8999. Published by Hope Publishing Company (HP.8999).

UPC: 763628189990. Joseph M. Martin.

Original anthem From Joseph Martin here is a gorgeous, lyrical expression of praise and thanksgiving. The memorable melody and personal text build to the familiar quote, If Christ is Lord of heaven and earth, how can I keep from singing? The orchestration, by Stan Pethel, heightens the impact of this deeply felt anthem of gratitude useful for Thanksgiving and general occasions. This top-seller has been newly re-voiced for SAB voices. The Rhythm packet contains parts for Drums and Electric Bass. The Orchestration includes a Conductor's Score and parts for: Electric Bass, Drums, Flute 1 & 2, Oboe, Clarinet 1 & 2, Bassoon, French Horn 1 & 2, Trumpets 1, 2 & 3, Trombones 1 & 2, Bass Trombone/Tuba, Timpani, Percussion 1 & 2, Harp, Violins 1 & 2, Viola, Cello, and Double Bass.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100319

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1725. BWV 3. Duration 27 minutes. Carus Verlag #CV 31.003/19. Published by Carus Verlag (CA.3100319).

ISBN 9790007135911. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and parts available separately - see item CA.3100300.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104414

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed circa 1724? BWV 44. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.044/14. Published by Carus Verlag (CA.3104414).

ISBN 9790007205997. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112705

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Choral Score. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/05. Published by Carus Verlag (CA.3112705).

ISBN 9790007048846. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score available separately - see item CA.3112700.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910949

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Organ. TVWV 1:1166. 12 pages. Duration 15 minutes. Carus Verlag #CV 39.109/49. Published by Carus Verlag (CA.3910949).

ISBN 9790007215477. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104400

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Sie werden euch in den Bann tun. Sacred vocal music, Cantatas. Full score. Composed circa 1724? BWV 44. 36 pages. Duration 22 minutes. Carus Verlag #CV 31.044/00. Published by Carus Verlag (CA.3104400).

ISBN 9790007091903. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo.

Orchestra STB vocal soli, SATB choir, 2 recorders f1, 2 oboes, trumpet, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3112713

Cantata for the Sunday of Estomihi. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Felix Loy. Stuttgart Urtext Edition: Bach vocal. German title: Herr Jesu Christ. Sacred vocal music, Cantatas, Special days, Lent and Passiontide, Holy Week, Mourning, death. Single Part, Viola. Composed 1725. BWV 127. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.127/13. Published by Carus Verlag (CA.3112713).

ISBN 9790007048884. Key: F major. Language: German/English. Text: Eber, Paul. Text: Paul Eber.

Cantata BWV 127 belongs to the cycle of chorale cantatas which Bach performed in 1724/25 in Leipzig. It bears close links to the St John Passion, which was performed on Good Friday 1725 in its second version. In formal terms and in the interpretation of the text and its orchestration, it is one of the most astonishing vocal works by Bach. The opening chorus, with its multi-layered construction, is nothing less than a preliminary version for the chorale fantasia O Mensch bewein dein Sunde gross. The aria Die Seele ruht in Jesu Handen is distinguished by its exquisite scoring: a solo oboe and the soprano form a duet, whilst the background comprises delicate chords on recorders and continuo, intended to symbolize funeral bells. A solo trumpet gives the following movement particular brilliance. The words Ich breche mit starker und helfender Hand unmistakably anticipate the chorus Sind Blitze, sind Donner in Wolken verschwunden from the St Matthew Passion. New revised edition. Score and part available separately - see item CA.3112700.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104409

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. 1x 31.044/21 oboe 1, 1x 31.044/22 oboe 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1724? BWV 44. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.044/09. Published by Carus Verlag (CA.3104409).

ISBN 9790007205959. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and parts available separately - see item CA.3104400.

For Piano. Popular, Classical. Sheet Music. 100 pages. Published by Wise Publications.

SSATB vocal soli, SATB choir, 2 flutes (horn), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911513

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Viola. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. TVWV 1:1452. 8 pages. Duration 22 minutes. Carus Verlag #CV 39.115/13. Published by Carus Verlag (CA.3911513).

ISBN 9790007215620. Language: German.

Uns ist ein Kind geboren is one of Telemann's most beautiful Christmas cantatas, which features an opening duet for two sopranos based on Polish-Moravian folklore, as well as two substantial choral movements. The two horns allotted to the second choral movement to the text Ehre sei Gott in der Hohe can be replaced by two flutes. This is supported by a source from the Telemann tradition in Frankfurt, in which these parts are present. Score and part available separately - see item CA.3911500.

SSATB vocal soli, SATB choir, 2 flutes (horn), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911549

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Organ. Sacred vocal music, Cantatas, Christmas. Single Part, Organ. Composed 1744. TVWV 1:1452. Duration 22 minutes. Carus Verlag #CV 39.115/49. Published by Carus Verlag (CA.3911549).

ISBN 9790007215644. Language: German.

Uns ist ein Kind geboren is one of Telemann's most beautiful Christmas cantatas, which features an opening duet for two sopranos based on Polish-Moravian folklore, as well as two substantial choral movements. The two horns allotted to the second choral movement to the text Ehre sei Gott in der Hohe can be replaced by two flutes. This is supported by a source from the Telemann tradition in Frankfurt, in which these parts are present. Score and part available separately - see item CA.3911500.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114905

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Choral Score. BWV 149. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.149/05. Published by Carus Verlag (CA.3114905).

ISBN 9790007161958. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104413

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas. Single Part, Viola. Composed circa 1724? BWV 44. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.044/13. Published by Carus Verlag (CA.3104413).

ISBN 9790007205980. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and part available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104419

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Sie werden euch in den Bann tun. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed circa 1724? BWV 44. Duration 22 minutes. Carus Verlag #CV 31.044/19. Published by Carus Verlag (CA.3104419).

ISBN 9790007136130. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score and parts available separately - see item CA.3104400.

SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3103213

Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Liebster Jesu. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1726. BWV 32. 4 pages. Duration 24 minutes. Carus Verlag #CV 31.032/13. Published by Carus Verlag (CA.3103213).

ISBN 9790007042523. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.

The text of the cantata Dearest Jesus, sore I need Thee for the 1st Epiphany Sunday 1726 was written by the Darmstadt poet Georg Christian Lehms. It is conceived as a dialog between Jesus and the Faithful Soul. Bach titled his cantata Concerto in Dialogo and accordingly, it is structured as a dialog between soprano and bass, set in the voice types that were - not only for Bach - typically used for the soul (soprano) and Jesus (bass). The cantata is based on the narrative of the twelve-year-old boy Jesus in the temple; however, in spite of closely following the gospel text, it is interpreted more widely here: it is through Jesus that the believer finds God's dwelling. Bach creates a great arch from the opening aria full of yearning and searching through to the joyful duet Nun verschwinden alle Plagen. He himself added the four-part closing chorale to the text model, thus communicating the sense of joyous certainty to the congregation of believers. Score and part available separately - see item CA.3103200.

SSATB vocal soli, SATB choir, 2 flutes (horn), 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911509

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. 2x 39.115/21 flute 1, 2x 39.115/22 flute 2, 1x 39.115/23 oboe 1, 1x 39.115/24 oboe 2. Stuttgart Urtext Edition: Telemann-Archiv. Harmony parts. Sacred vocal music, Cantatas, Christmas. Set of Orchestra Parts. TVWV 1:1452. 16 pages. Duration 22 minutes. Carus Verlag #CV 39.115/09. Published by Carus Verlag (CA.3911509).

ISBN 9790007215590. Language: German.

Uns ist ein Kind geboren is one of Telemann's most beautiful Christmas cantatas, which features an opening duet for two sopranos based on Polish-Moravian folklore, as well as two substantial choral movements. The two horns allotted to the second choral movement to the text Ehre sei Gott in der Hohe can be replaced by two flutes. This is supported by a source from the Telemann tradition in Frankfurt, in which these parts are present. Score and parts available separately - see item CA.3911500.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910919

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. TVWV 1:1166. Duration 15 minutes. Carus Verlag #CV 39.109/19. Published by Carus Verlag (CA.3910919).

ISBN 9790007139278. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and parts available separately - see item CA.3910900.

SAT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo - Level 3

SKU: CA.3118419

Cantata for the 3rd Sunday of Pentecost. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Erwunschtes Freudenlicht. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1724. BWV 184. Duration 25 minutes. Carus Verlag #CV 31.184/19. Published by Carus Verlag (CA.3118419).

ISBN 9790007134235. Key: G major / e minor. Language: German/English.

The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score and parts available separately - see item CA.3118400.

Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3104407

Cantata for Exaudi. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Study score. Composed circa 1724? BWV 44. 36 pages. Duration 22 minutes. Carus Verlag #CV 31.044/07. Published by Carus Verlag (CA.3104407).

ISBN 9790007092948. Language: German/English.

The cantata Sie werden euch in den Bann tun, part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all four ranges in solo capacities Bach creates the greatest possible variety. It opens, unusually, with a duet for tenor and bass, accompanied by two oboes and basso continuo. Score available separately - see item CA.3104400.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100305

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1725. BWV 3. 12 pages. Duration 27 minutes. Carus Verlag #CV 31.003/05. Published by Carus Verlag (CA.3100305).

ISBN 9790007041410. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score available separately - see item CA.3100300.

SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3910914

Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Cello. TVWV 1:1166. 8 pages. Duration 15 minutes. Carus Verlag #CV 39.109/14. Published by Carus Verlag (CA.3910914).

ISBN 9790007215460. Language: German/English.

Tel emann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and part available separately - see item CA.3910900.