22 Songs by the Creators of Kismet, Song of Norway and Grand Hotel. By George Forrest, Robert Wright. Piano/Vocal/Chords Composer Collection (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 104 pages. Published by Scheffel Music Corp.

By Mary Kay Beall, Camille Saint-Saens. Arranged by John Higgins, Ruth Artman. (preview CD). Expressive Art (Choral). Children's Musical. CD only. Size 5x5.5 inches. Published by Hal Leonard.

String Quartet (Parts)

SKU: HL.14037707

Parts. Composed by Kevin Volans. Music Sales America. Contemporary. Softcover. Composed 2010. 80 pages. Chester Music #CH7452501. Published by Chester Music (HL.14037707).

ISBN 9781849385916. UPC: 884088578626. 8.25x11.75x0.262 inches.

Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.

Kevin Volans (the composer) notes on the piece:
In the past I have been interested in trying to go beyond historicism (1970s), beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy', almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This, of course, has already been done by a numberof composers (many from New York - Phil Niblock and La Monte Young, to name but two), butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work,and fearing this would make the label stick, I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic, an aesthetic which,however, pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure - the ego - underfoot.You get theimpression He dances on the spot, not movingaround at all. I like that.
The piece is dedicated to Pablo Pascual Cilleruelo.

SKU: GI.G-CD-1043

GIA WindWorks Series. GIA WindWorks. Music Education. CD. GIA Publications #1043. Published by GIA Publications (GI.G-CD-1043).

Ford • McCarthy • Abe • Higdon • Goto Since the inception of the projects, composers, conductors, music critics, and connoisseurs worldwide have praised the recordings conducted by Eugene Migliaro Corporon for their innovation, excellence, and professional standards. These exceptional videos and compact discs identify and preserve the standard repertoire and globally encourage composers to contribute to the ever-growing legacy of great music that has the power of universality. The breadth and variety of the discs highlight the fact that the wind symphony, in its many forms throughout hundreds of years of music history, has been and continues to be a significant original medium for serious aesthetic expression. The projects have yielded more than 100 discs that showcase the creative energy of thousands of world-renowned composers and gifted musicians. Winds magazine offers the following regarding the body of work: “This series has immense historic value in documenting the best of the repertoire...as well as providing much sheer listening (and viewing) pleasure for the level of artistry in the performances. The acoustic quality of the recording is state-of-the- art...All of the works are superbly realized and worthy of exploration...these discs represent the standards to which all must aspire.”   This is a monumental recording that should be listened to and studied by every serious concert percussionist. The writing for percussion and winds is innovative and cutting edge, and there is much here for composers to learn about scoring for percussion and winds. The [University of North Texas] Wind Symphony performs these works fabulously and flawlessly, and the baton of Maestro Corporon is evident throughout. —Tom Morgan, Percussive Notes • Vol. 56, No. 3 • July 2018 Watch this video: Eugene Corporon and Mark Ford Discuss Contact Read Mark Ford's commentary on his project with Eugene Corporon: Contact Contents 1. Stubernic Fantasy (2012) • Mark Ford (b. 1958) • (13:04) Copyright © Innovative Percussion • Mark Ford, Paul Rennick, Sandi Rennick – Marimba Soloists Chamber Symphony No. 1 for Marimba (1993) • Daniel McCarthy (b. 1955) • (16:03) Copyright © C. Alan Publications 2. Deer Hunting in Michigan (4:07) 3. Harmonic Rhythms (4:33) 4. The Stuff of Adventure (7:23) Mark Ford – Marimba Soloist 5. Prism Rhapsody II (1996) • Keiko Abe (b. 1937) • (15:54) Copyright © Xebec Music • Mark Ford, Keiko Abe – Marimba Soloists 6. Percussion Concerto (2009) • Jennifer Higdon (b. 1962) • (25:21) Copyright © Lawson Press • Mark Ford – Percussion Soloist 7. Ruffles Call from Afar (2013) • Yo Goto (b. 1958) • (10:26) Copyright © C. Alan Publications • Mark Ford – Snare Drum Soloist Total Time (70:22)  .

SATB a cappella

SKU: SU.80209901

For SATB a cappella. Composed by Daniel E. Gawthrop. Vocal/Choral, Sacred Choral. A cappella. Choral Octavo. Subito Music Corporation #80209901. Published by Subito Music Corporation (SU.80209901).

For concert or worship; may be used separately 8 page octavo Duration: 7'02 1. Thou Didst Hear Me (George Herbert); 2. In What Torn Ship (John Donne) Published by: Dunstan House Minimum order quantity: 8 copies. Perusal copies are available by contacting office@DunstanHouse.com (include the organization name with your request). To order quantities fewer than 8.

Fanfare Band - Grade 3

SKU: BT.DHP-0950624-020

Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1995. De Haske Publications #DHP 0950624-020. Published by De Haske Publications (BT.DHP-0950624-020).

9x12 inches.

In Concerto d’Amore, a maestoso opening is followed by a quick and energetic movement that leads to a magnificent adagio. A motif from this adagio can be heard in a swinging movement, after which the piece comes to a close with the return of the adagio. This arrangement for concert band certainly brings this beautiful music to life.

In Concerto d’Amore worden drie verschillende stijlen gecombineerd: barok, pop en jazz. De maestoso introductie van de compositie klinkt als een barokouverture. Dan volgt een energiek gedeelte in popstijl, dat uitmondt in eenadagio. Een motief daaruit is daarna te horen in een swingende passage, waarna het werk besluit met de terugkeer van het adagio in een nieuw jasje.

Concerto d’Amore vereinigt drei unterschiedliche Stile: Barock, Pop und Jazz. Die Maestoso bezeichnete Einleitung der Komposition klingt wie eine barocke Ouvertüre. Es folgt ein energiereicher Abschnitt im Pop-Stil, der wiederum zu einem Adagio führt. Ein Motiv aus diesem Adagio ist in der darauf folgenden Swing-Passage zu hören. Dann kehrt Adagio in neuem Gewand zurück, um das Werk zu beenden.

Concerto d’Amore est composé de trois périodes thématiques aux caractéristiques de la musique baroque, pop et jazz. L’introduction majestueuse, aux allures d’ouverture baroque, chemine vers un passage vif et énergique écrit dans le style de la musique pop. L’adagio qui lui succède progresse vers un passage aux inflexions de swing. Concerto d’Amore se conclut par la reprise du motif de l’adagio dont la forme altérée offre une conclusion brillante cette œuvre richement colorée.

Con certo d’Amore si compone di tre periodi tematici con caratteristiche della musica barocca, pop e jazz. La maestosa introduzione, dagli accenti barocchi, accompagna ad un passaggio vivo ed energico scritto nello stile della musica pop. Segue l’adagio che sviluppa un passaggio dalle inflessioni swing. Concerto d’Amore si conclude con la ripresa del motivo dell’adagio la cui forma alterata offre una conclusione brillante.

Concert Band/Harmonie/Fanfare Band - Grade 3

SKU: BT.DHP-0950624-215

Composed by Jacob De Haan. Inspiration Series. Original Light Music. Score Only. Composed 1995. 28 pages. De Haske Publications #DHP 0950624-215. Published by De Haske Publications (BT.DHP-0950624-215).

9x12 inches.

In Concerto d’Amore, a maestoso opening is followed by a quick and energetic movement that leads to a magnificent adagio. A motif from this adagio can be heard in a swinging movement, after which the piece comes to a close with the return of the adagio. This arrangement for concert band certainly brings this beautiful music to life.

In Concerto d’Amore worden drie verschillende stijlen gecombineerd: barok, pop en jazz. De maestoso introductie van de compositie klinkt als een barokouverture. Dan volgt een energiek gedeelte in popstijl, dat uitmondt in eenadagio. Een motief daaruit is daarna te horen in een swingende passage, waarna het werk besluit met de terugkeer van het adagio in een nieuw jasje.

Concerto d’Amore vereinigt drei unterschiedliche Stile: Barock, Pop und Jazz. Die Maestoso bezeichnete Einleitung der Komposition klingt wie eine barocke Ouvertüre. Es folgt ein energiereicher Abschnitt im Pop-Stil, der wiederum zu einem Adagio führt. Ein Motiv aus diesem Adagio ist in der darauf folgenden Swing-Passage zu hören. Dann kehrt Adagio in neuem Gewand zurück, um das Werk zu beenden.

Concerto d’Amore est composé de trois périodes thématiques aux caractéristiques de la musique baroque, pop et jazz. L’introduction majestueuse, aux allures d’ouverture baroque, chemine vers un passage vif et énergique écrit dans le style de la musique pop. L’adagio qui lui succède progresse vers un passage aux inflexions de swing. Concerto d’Amore se conclut par la reprise du motif de l’adagio dont la forme altérée offre une conclusion brillante cette œuvre richement colorée.

Con certo d’Amore si compone di tre periodi tematici con caratteristiche della musica barocca, pop e jazz. La maestosa introduzione, dagli accenti barocchi, accompagna ad un passaggio vivo ed energico scritto nello stile della musica pop. Segue l’adagio che sviluppa un passaggio dalle inflessioni swing. Concerto d’Amore si conclude con la ripresa del motivo dell’adagio la cui forma alterata offre una conclusione brillante.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0950624-140

Composed by Jacob De Haan. Inspiration Series. Concert Piece. Score Only. Composed 2006. 36 pages. De Haske Publications #DHP 0950624-140. Published by De Haske Publications (BT.DHP-0950624-140).

9x12 inches. English-German-French-Dut ch.

In Concerto d’Amore, a maestoso opening is followed by a quick and energetic movement that leads to a magnificent adagio. A motif from this adagio can be heard in a swinging movement, after which the piece comes to a close with the return of the adagio. This arrangement for concert band certainly brings this beautiful music to life.

In Concerto d’Amore worden drie verschillende stijlen gecombineerd: barok, pop en jazz. De maestoso introductie van de compositie klinkt als een barokouverture. Dan volgt een energiek gedeelte in popstijl, dat uitmondt in eenadagio. Een motief daaruit is daarna te horen in een swingende passage, waarna het werk besluit met de terugkeer van het adagio in een nieuw jasje.

Concerto d’Amore vereinigt drei unterschiedliche Stile: Barock, Pop und Jazz. Die Maestoso bezeichnete Einleitung der Komposition klingt wie eine barocke Ouvertüre. Es folgt ein energiereicher Abschnitt im Pop-Stil, der wiederum zu einem Adagio führt. Ein Motiv aus diesem Adagio ist in der darauf folgenden Swing-Passage zu hören. Dann kehrt Adagio in neuem Gewand zurück, um das Werk zu beenden.

Concerto d’Amore est composé de trois périodes thématiques aux caractéristiques de la musique baroque, pop et jazz. L’introduc tion majestueuse, aux allures d’ouvertur e baroque, chemine vers un passage vif et énergique écrit dans le style de la musique pop. L’adagio qui lui succède progresse vers un passage aux inflexions de swing. Concerto d’Amore se conclut par la reprise du motif de l’adagio dont la forme altérée offre une conclusion brillante cette œuvre richement colorée.

Concerto d’Amore si compone di tre periodi tematici con caratteristiche della musica barocca, pop e jazz. La maestosa introduzione, dagli accenti barocchi, accompagna ad un passaggio vivo ed energico scritto nello stile della musica pop. Segue l’adagio che sviluppa un passaggio dalle inflessioni swing. Concerto d’Amore si conclude con la ripresa del motivo dell’adagi o la cui forma alterata offre una conclusione brillante.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1155605-140

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Score Only. Composed 2015. De Haske Publications #DHP 1155605-140. Published by De Haske Publications (BT.DHP-1155605-140).

English-German-French- Dutch.

The orchestration of NOBILITAS is full of warmth and sonority, illustrating the dignified character of the piece. it seems to emanate the solemnity and nobility of an ‘éminence grise’ such as Yoshihiro Kimura, on whom’s character the composer was inspired by.

De orkestratie van Nobilitas is vol warmte en sonoriteit, eigenschappen die de waardigheid van dit werk benadrukken. De componist lijkt hierbij ge nspireerd door het plechtige en adellijke voorkomen van een ‘éminance grise’ zoals Yoshihiro Kimura.

Das noble und feierliche Werk des berühmten belgischen Komponisten Jan Van der Roost ist ein ideales Erö­ nungsstück für jede Gelegenheit. Die Orchestrierung ist nicht so sehr auf Farbigkeit ausgerichtet, sondern vielmehr auf volltönende, warme Klänge, wodurch der würdevolle Charakter des Stückes insgesamt noch besser zur Geltung kommt.

L’orchestr ation de Nobilitas est pleine de chaleur et de sonorité, illustrant la dignité du caractère de ce morceau. On dirait qu’il émane la solennité et la noblesse d’une éminence grise telle que l’est Yoshihiro Kimura, dont le caractère inspira le compositeur.

L’orchestr azione di Nobilitas (Nobilt ) è piena di calore e sonorit , e illustra il carattere maestoso del brano, che sembra emanare la solennit e la nobilt di una “eminenza grigia” come Yoshihiro Kimura, personaggio che ha ispirato il compositore.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0950662-140

Composed by Jan de Haan. Inspiration Series. Concert Piece. Score Only. Composed 1995. 72 pages. De Haske Publications #DHP 0950662-140. Published by De Haske Publications (BT.DHP-0950662-140).

9x12 inches.

Het werk opent met een feestelijke inleiding die wordt gevolgd door een snel en ritmisch gedeelte in 4/4 maat, die echter grotendeels als een driedelige 8/8 maat klinkt. Een cadens luidt een contrasterend langzaam deel in, dat viaeen lang crescendo uitkomt op een herhaling van het ritmische begindeel. De afsluiting van deze ouverture wordt gevormd door de Procession to a New Age In deze processie naar een nieuw tijdperk duikt een compleet nieuw themaop. Daarnaast wordt gebruik gemaakt van thematisch materiaal uit de inleiding. Ook verschijnt hier nogmaals het hoofdthema uit het snelle deel als tegenstem van het zogenaamde processiethema.

Ei n neues Zeitalter bricht an - eröffnet von festlichen Blechbläserfanfaren. Was wird die Zukunft bringen? In seinem Werk Overture to a New Age drückt Jan de Haan einerseits Vorfreude, andererseits aber auch das Bewusstsein, dass nicht alles so rosig ist, wie es manchmal scheint, aus. Letztendlich setzen sich jedoch Zuversicht und Hoffnung durch, von Jan de Haan in einer strahlenden Coda widergegeben. Das neue Zeitalter kann beginnen!

Overture to a New Age (“Ouverture d’une nouvelle ère”) débute avec une introduction solennelle suivie d’un canevas vif et rythmé. L’intervention de la clarinette solo marque le début d’un passage expressif et riche en contrastes. Un long crescendo précède le retour du motif initial. L’œuvre se termine sur une trame processionnelle dont la ligne mélodique annonce l’ouverture d’une ère nouvelle. Le thème du passage vif est alors réexposé et chemine en superposition celui de la trame processionnelle. La coda grandiose illumine cette brillante ouverture.

Brass Band - Grade 1.5

SKU: BT.DHP-1104872-030

Composed by Gustav Holst. Arranged by Robert van Beringen. Flexible 5 Series. Classical. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104872-030. Published by De Haske Publications (BT.DHP-1104872-030).

9x12 inches. English-German-French-Dut ch.

Um das Jahr 1914 schrieb Gustav Holst (1874-1934) das siebenteilige Werk Die Planeten, das heute noch das meist aufgeführte klassische Werk aus der Feder eines Engländers ist. Besondere Beliebtheit genießt das prächtige choralartige Thema aus dem vierten Satz Jupiter. Um diese Musik auch kleineren Ensembles zugänglich zu machen, bearbeitete Robert van Beringen den Satz für eine fünfstimmig variable Besetzung.

La suite orchestrale Les Planètes de Gustav Holst est considérée comme l’une des œuvres classiques du XXe siècle dont la palette sonore est la plus complète. Jupiter Hymn de Robert van Beringen est basé sur le quatrième mouvement de la suite, consacré Jupiter, celui qui apporte la Gaîté.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0950624-010

Composed by Jacob De Haan. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 1995. De Haske Publications #DHP 0950624-010. Published by De Haske Publications (BT.DHP-0950624-010).

9x12 inches.

In Concerto d’Amore, a maestoso opening is followed by a quick and energetic movement that leads to a magnificent adagio. A motif from this adagio can be heard in a swinging movement, after which the piece comes to a close with the return of the adagio. This arrangement for concert band certainly brings this beautiful music to life.

In Concerto d’Amore worden drie verschillende stijlen gecombineerd: barok, pop en jazz. De maestoso introductie van de compositie klinkt als een barokouverture. Dan volgt een energiek gedeelte in popstijl, dat uitmondt in een adagio. Eenmotief daaruit is daarna te horen in een swingende passage, waarna het werk besluit met de terugkeer van het adagio in een nieuw jasje.

Concerto d’Amore vereinigt drei unterschiedliche Stile: Barock, Pop und Jazz. Die Maestoso bezeichnete Einleitung der Komposition klingt wie eine barocke Ouvertüre. Es folgt ein energiereicher Abschnitt im Pop-Stil, der wiederum zu einem Adagio führt. Ein Motiv aus diesem Adagio ist in der darauf folgenden Swing-Passage zu hören. Dann kehrt Adagio in neuem Gewand zurück, um das Werk zu beenden.

Concerto d’Amore est composé de trois périodes thématiques aux caractéristiques de la musique baroque, pop et jazz. L’introduction majestueuse, aux allures d’ouverture baroque, chemine vers un passage vif et énergique écrit dans le style de la musique pop. L’adagio qui lui succède progresse vers un passage aux inflexions de swing. Concerto d’Amore se conclut par la reprise du motif de l’adagio dont la forme altérée offre une conclusion brillante cette œuvre richement colorée.

Con certo d’Amore si compone di tre periodi tematici con caratteristiche della musica barocca, pop e jazz. La maestosa introduzione, dagli accenti barocchi, accompagna ad un passaggio vivo ed energico scritto nello stile della musica pop. Segue l’adagio che sviluppa un passaggio dalle inflessioni swing. Concerto d’Amore si conclude con la ripresa del motivo dell’adagio la cui forma alterata offre una conclusione brillante.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1155605-010

Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Opening Pieces. Set (Score & Parts). Composed 2015. De Haske Publications #DHP 1155605-010. Published by De Haske Publications (BT.DHP-1155605-010).

English-German-French- Dutch.

The orchestration of NOBILITAS is full of warmth and sonority, illustrating the dignified character of the piece. it seems to emanate the solemnity and nobility of an ‘éminence grise’ such as Yoshihiro Kimura, on whom’s character the composer was inspired by.

De orkestratie van Nobilitas is vol warmte en sonoriteit, eigenschappen die de waardigheid van dit werk benadrukken. De componist lijkt hierbij ge nspireerd door het plechtige en adellijke voorkomen van een ‘éminance grise’ zoals Yoshihiro Kimura.

Das noble und feierliche Werk des berühmten belgischen Komponisten Jan Van der Roost ist ein ideales Erö­ nungsstück für jede Gelegenheit. Die Orchestrierung ist nicht so sehr auf Farbigkeit ausgerichtet, sondern vielmehr auf volltönende, warme Klänge, wodurch der würdevolle Charakter des Stückes insgesamt noch besser zur Geltung kommt.

L’orchestr ation de Nobilitas est pleine de chaleur et de sonorité, illustrant la dignité du caractère de ce morceau. On dirait qu’il émane la solennité et la noblesse d’une éminence grise telle que l’est Yoshihiro Kimura, dont le caractère inspira le compositeur.

L’orchestr azione di Nobilitas (Nobilt ) è piena di calore e sonorit , e illustra il carattere maestoso del brano, che sembra emanare la solennit e la nobilt di una “eminenza grigia” come Yoshihiro Kimura, personaggio che ha ispirato il compositore.

Brass Band - Grade 3

SKU: BT.DHP-0950624-230

Composed by Jacob De Haan. Inspiration Series. Original Light Music. Score Only. Composed 1995. De Haske Publications #DHP 0950624-230. Published by De Haske Publications (BT.DHP-0950624-230).

In Concerto d’Amore, a maestoso opening is followed by a quick and energetic movement that leads to a magnificent adagio. A motif from this adagio can be heard in a swinging movement, after which the piece comes to a close with the return of the adagio. This arrangement for concert band certainly brings this beautiful music to life.

In Concerto d’Amore worden drie verschillende stijlen gecombineerd: barok, pop en jazz. De maestoso introductie van de compositie klinkt als een barokouverture. Dan volgt een energiek gedeelte in popstijl, dat uitmondt in eenadagio. Een motief daaruit is daarna te horen in een swingende passage, waarna het werk besluit met de terugkeer van het adagio in een nieuw jasje.

Concerto d’Amore vereinigt drei unterschiedliche Stile: Barock, Pop und Jazz. Die Maestoso bezeichnete Einleitung der Komposition klingt wie eine barocke Ouvertüre. Es folgt ein energiereicher Abschnitt im Pop-Stil, der wiederum zu einem Adagio führt. Ein Motiv aus diesem Adagio ist in der darauf folgenden Swing-Passage zu hören. Dann kehrt Adagio in neuem Gewand zurück, um das Werk zu beenden.

Concerto d’Amore est composé de trois périodes thématiques aux caractéristiques de la musique baroque, pop et jazz. L’introduction majestueuse, aux allures d’ouverture baroque, chemine vers un passage vif et énergique écrit dans le style de la musique pop. L’adagio qui lui succède progresse vers un passage aux inflexions de swing. Concerto d’Amore se conclut par la reprise du motif de l’adagio dont la forme altérée offre une conclusion brillante cette œuvre richement colorée.

Composed by Jan de Haan (1951-). De Haske Concert Band. Concert Piece. Score Only. Composed 1995. 72 pages. De Haske Publications #950662. Published by De Haske Publications

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.DHP-1104872-015

Composed by Gustav Holst. Arranged by Robert van Beringen. Flexible 5 Series. Classical. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104872-015. Published by De Haske Publications (BT.DHP-1104872-015).

9x12 inches. English-German-French-Dut ch.

Um das Jahr 1914 schrieb Gustav Holst (1874-1934) das siebenteilige Werk Die Planeten, das heute noch das meist aufgeführte klassische Werk aus der Feder eines Engländers ist. Besondere Beliebtheit genießt das prächtige choralartige Thema aus dem vierten Satz Jupiter. Um diese Musik auch kleineren Ensembles und Jugendblasorchestern zugänglich zu machen, bearbeitete Robert van Beringen den Satz für eine fünfstimmig variable Besetzung.

La suite orchestrale Les Planètes de Gustav Holst est considérée comme l’une des œuvres classiques du XXe siècle dont la palette sonore est la plus complète. Jupiter Hymn de Robert van Beringen est basé sur le quatrième mouvement de la suite, consacré Jupiter, celui qui apporte la Gaîté.

Trombone Quartet - advanced

SKU: CY.CC2475

Composed by Ludwig van Beethoven. Arranged by David Mathie. German romantic. Score and parts. Published by Cherry Classics (CY.CC2475).

Equali were works written for equal, or similar, instruments; in the eighteenth century they were almost always used for funeral services and usually employed a quartet of trombones. The most famous of these were the three Beethoven wrote for the Linz Cathedral in Austria on All Soul's Day 1812. Two of these were adapted later for male voices and were sung at Beethoven's funeral.

These pieces are some of the most famous works for trombones, no doubt due to the fact that they were composed by Beethoven. They were commissioned by Franz Xaver Gloggl, Kappelmeister of the city of Linz, while Beethoven was visiting his brother. According to later accounts by Gloggl's son, although his father had a complete collection of trombones (soprano, alto, tenor, bass or quart) the three Equali were performed by a traditional quartet of alto, tenor and bass trombones.

This edition offers a compromise: the original score and parts are given exactly as written in the complete works, and a version designed for the less experienced players: the three movements are transposed down one step, edited with minor musical suggestions, and all four parts are written in bass clef.

Dr. Mathie has done the Trombone world a great service in bringing this great work in its two forms to publication.

Rondo Variations for Flute and Piano. By Daniel Dorff. For Flute Solo, Piano. World premiere by Julie Seftick-McGough, flute, and Donna Amato, piano - Carnegie Hall's Weill Recital Hall, June 13, 2004. Solo part with piano reduction. Composed 2004. 16 pages. Duration 9:00. Published by Theodore Presser Company.

SATB choir, piano

SKU: LO.10-5792MD

Composed by David Wise. Choral. Sacred Anthem. Medallion Music #10/5792MD. Published by Medallion Music (LO.10-5792MD).

ISBN 9780787779399.

From songwriters Brandon Lake, Dante Bowe, and Benjamin Hastings, â??Gratitudeâ? is an acknowledgement alone, we will always fall short of Godâ??s worthiness, but He delights in the praises of a grateful and contrite heart. This anthem of praise and exaltation works wonderfully for congregational worship throughout the year.

By Various. Organ. Level: 3-staff. Sacred organ. Published by Lorenz Publishing Company.

Composed by Akiko Ogawa. Classical; 21st century. Piano score and part. Composed 2012. Duration 8 minutes. Published by Alea Publishing (A7.ALEA1091).

Performed by James Taylor. Guitar tablature songbook for guitar and voice. 129 pages. Published by Alfred Publishing.