SKU: HL.49017950

ISBN 9783795771867. UPC: 841886014534. 6.25x8.75x0.397 inches. Latin.

Whoever attempted to compose a Latin mass in the middle of the 19th century had to compete with great models and traditional composition techniques. Bach's Mass in B minor and Beethoven's Missa solemnis, but even his earlier Mass in C major (performed by Schumann) are among the key works of a great mass tradition in the reception of High Romanticism. Not unlike Schubert and later Bruckner before, Schumann's Mass in C minor too is bound by tradition, yet finds its very own formulation of the 'Ordinarium Missae', the characteristic features of which point to the late style of the composer.

SKU: HL.49019503

ISBN 9783795772437. UPC: 841886019751. 6.25x9.0x0.263 inches. German.

The score is based on volume IV/3/1,2 (RSA 1032-20) of the Schumann Complete Edition. Translator: Margit McCorkle.

SKU: BR.OB-5623-23

ISBN 9790004348758. 10 x 12.5 inches.

Certainly Robert Schumann was right when he stated soon after Beethoven's death that the latter's conception of the symphony as a great, universal confessional work was hardly to be continued by the next generation of composers. He saw a solution to the dilemma in the creation of autonomous concert overtures, such as those written, for instance, by Felix Mendelssohn Bartholdy: Four of his overtures were printed during his lifetime, and others were extant in manuscript, though frequently and successfully performed by the composer. Belonging to the latter group is the Trumpet Overture, begun in 1825 and performed three times between 1828 und 1833 on prominent occasions in Berlin, Dusseldorf, and London.

First printing posthumously 1851 (Rietz).

SKU: BR.OB-5623-19

ISBN 9790004348741. 10 x 12.5 inches.

Certainly Robert Schumann was right when he stated soon after Beethoven's death that the latter's conception of the symphony as a great, universal confessional work was hardly to be continued by the next generation of composers. He saw a solution to the dilemma in the creation of autonomous concert overtures, such as those written, for instance, by Felix Mendelssohn Bartholdy: Four of his overtures were printed during his lifetime, and others were extant in manuscript, though frequently and successfully performed by the composer. Belonging to the latter group is the Trumpet Overture, begun in 1825 and performed three times between 1828 und 1833 on prominent occasions in Berlin, Dusseldorf, and London.

First printing posthumously 1851 (Rietz).

SKU: BR.OB-5623-30

ISBN 9790004348772. 10 x 12.5 inches.

Certainly Robert Schumann was right when he stated soon after Beethoven's death that the latter's conception of the symphony as a great, universal confessional work was hardly to be continued by the next generation of composers. He saw a solution to the dilemma in the creation of autonomous concert overtures, such as those written, for instance, by Felix Mendelssohn Bartholdy: Four of his overtures were printed during his lifetime, and others were extant in manuscript, though frequently and successfully performed by the composer. Belonging to the latter group is the Trumpet Overture, begun in 1825 and performed three times between 1828 und 1833 on prominent occasions in Berlin, Dusseldorf, and London.

First printing posthumously 1851 (Rietz).

SKU: HL.49044549

ISBN 9783795772697. UPC: 841886022959. 6.25x9.0x0.258 inches. (ed. Armin Koch) Edition Eulenburg No. 1138.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

SKU: BR.OB-5623-27

ISBN 9790004348765. 10 x 12.5 inches.

Certainly Robert Schumann was right when he stated soon after Beethoven's death that the latter's conception of the symphony as a great, universal confessional work was hardly to be continued by the next generation of composers. He saw a solution to the dilemma in the creation of autonomous concert overtures, such as those written, for instance, by Felix Mendelssohn Bartholdy: Four of his overtures were printed during his lifetime, and others were extant in manuscript, though frequently and successfully performed by the composer. Belonging to the latter group is the Trumpet Overture, begun in 1825 and performed three times between 1828 und 1833 on prominent occasions in Berlin, Dusseldorf, and London.

First printing posthumously 1851 (Rietz).