By Ed Sheeran. Arranged by Kirby Shaw. BARBERSHOP HARMONY SOCIETY. Octavo. 2...(+)
By Ed Sheeran. Arranged
by
Kirby Shaw. BARBERSHOP
HARMONY SOCIETY. Octavo.
20
pages. Barbershop Harmony
Society #211133.
Published
by Barbershop Harmony
Society
4 male voices (TTBB) and piano (TTBB Choir) SKU: HL.49018142 Composed by ...(+)
4 male voices (TTBB) and
piano (TTBB Choir)
SKU: HL.49018142
Composed by Bohuslav
Martinu. Sheet music.
Choral. 16 pages. Schott
Music #P5071. Published
by Schott Music
(HL.49018142).
UPC:
884088566418.
9.0x12.0x0.08
inches.
Ballade'
was taken unaltered from
Bohuslav Martinu's film
opera 'Die drei Wunsche
oder Die Wechselfalle des
Lebens' - as a quartet
like the original with
piano accompaniment only.
The mainly homophonic and
traditionally harmonic
piece full of vigour
cannot only be sung as a
solo, but is also ideal
for male choir. In
addition to the original
French text, this first
edition also contains the
Czech and German
translations.The 28
August 2009 marks the
50th anniversary of the
Czech composer's
death.
Men's choir (TTBB) - advanced SKU: HL.49001128 1. Die Gewissheit Ob ic...(+)
Men's choir (TTBB) -
advanced
SKU:
HL.49001128
1. Die
Gewissheit Ob ich morgen
leben werde. Composed
by Harald Genzmer. Sheet
music. Schott Chorverlag
(Choral Music).
Classical. Choral Score.
2 pages. Schott Music #C
39972. Published by
Schott Music
(HL.49001128).
Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
(For Church, Home or Community Singing) Arranged by Gladys Pitcher. For TTBB cho...(+)
(For Church, Home or
Community Singing)
Arranged by Gladys
Pitcher. For TTBB choir.
Format: vocal songbook.
With vocal score and
lyrics. Christmas. 32
pages. 6.7x10.5 inches.
Published by G. Schirmer,
Inc.
4 male voices (CtenTTBar) (TTBB Choir) SKU: HL.49003214 For four male ...(+)
4 male voices (CtenTTBar)
(TTBB Choir)
SKU:
HL.49003214
For
four male voices.
Composed by Gavin Bryars.
Sheet music. Edition
Schott. Classical. Score.
Composed 1988. 16 pages.
Duration 15'. Schott
Music #ED12461. Published
by Schott Music
(HL.49003214).
ISBN
9790220117282. UPC:
888680784249.
8.25x11.75x0.052 inches.
Latin.
Glorious
Hill may be performed by
a male choir.Text by Pico
della Mirandola
(1463-1497) from De
Hominis
Dignitate.Glorious Hill
was commissioned by the
Hilliard Ensemble and
first performed by them
at its summer Festival of
Voices in Lewes, Sussex,
in August 1988. It was
the first piece I wrote
for the ensemble and I
focused on the singers'
unique ability to move
with ease from early
music to tonal music of
the present day. There
were techniques which I
asked for which I hardly
needed to notate - the
staggered breathing of
the two tenors to supply
a continuous unbroken
held note for example -
and the piece moves
between passages for solo
voices and sections of
highly chromatic
homophony, almost as if
the music were switching
between the 12th century
of Perotin and the 16th
century of Gesualdo. Each
of the four voices is
given its own solo
passage, sometimes
accompanied, sometimes
quietly supported by the
other voices.The title,
Glorious Hill comes from
the name of the
small-town Mississippi
setting of Tennessee
Williams' Summer and
Smoke. I wrote the music
for the 1987 production
of this play at the
Leicester Haymarket
Theatre, the first time I
had written any
incidental music for the
stage. Williams makes
very specific demands in
terms of music and there
is one particularly
powerful scene, the
penultimate one,
throughout which music
and atmospheric sound
effects are continuous.
The principle character
Alma argues passionately
about the vital
importance of human
choice with the man to
whom she has, too late,
admitted her love. I
watched this section
every night throughout
the 4 week run of the
play watching the
different ways in which
the actress, Frances
Barber, played the scene.
There is a powerful
emotional and
philosophical connection
between the imagery of
this scene and a passage
from the Renaissance
philosopher Pico della
Mirandola's Oration on
the Dignity of Man which
forms the text of
Glorious Hill. This
passage has been
described as one of the
few passages in
Renaissance philosophy to
treat human freedom in a
modern way. The text,
which is sung in Latin,
is addressed by God to
Adam before the fall from
grace.Gavin Bryars.
Cindy Chorale TTBB TTBB A Cappella [Octavo] Santa Barbara Music Publishing
Composed by Alice Parker. For TTBB choir (a cappella). Randy and Rachel Stenson ...(+)
Composed by Alice Parker.
For TTBB choir (a
cappella). Randy and
Rachel Stenson Choral
Series. Concert, General.
Octavo. Santa Barbara
Music Publishing
#SBMP1215. Published by
Santa Barbara Music
Publishing
Composed by Dorothy Fields and Jerome Kern. Arranged by Mark Hale. Barbershop ...(+)
Composed by Dorothy
Fields
and Jerome Kern. Arranged
by
Mark Hale. Barbershop
Harmony
Society. Barbershop,
Standard. Octavo. 12
pages.
Barbershop Harmony
Society
#210787. Published by
Barbershop Harmony
Society
Cry Me a River Chorale TTBB TTBB, Piano Alfred Publishing
Composed by Arthur Hamilton. Arranged by Jay Althouse. Choir Secular. Men's Choi...(+)
Composed by Arthur
Hamilton. Arranged by Jay
Althouse. Choir Secular.
Men's Choir. Choral
Octavo. Pop Choral.
Secular. 12 pages.
Published by Alfred Music
Choral; Piano Accompaniment (TTBB Choir) SKU: HL.49045721 TTBB with Pi...(+)
Choral; Piano
Accompaniment (TTBB
Choir)
SKU:
HL.49045721
TTBB
with Piano. Composed
by Georg Kreisler.
Choral. Classical.
Octavo. Duration 160
seconds. Schott Music
#C57900. Published by
Schott Music
(HL.49045721).
Georg Kreisler
equals scathing, dark
black humour on the
piano! The Singphoniker
have arranged Georg
Kreisler's best known
songs for all-male
ensemble and recorded
them on CD. Schott now
publishesthe
corresponding music
edition for men's choir
TTBB with piano
accompaniment (Georg
Kreisler - Lieder und
Chansons, ED 22735). In
addition, all songs from
the sheet music album are
available in separate
editions: Tauben
vergiften im Park puts
the relationship between
dove and man in a
nutshell and suggests a
funnily described, yet
ethically not correct
method of taking action
against the pigeon
terror. This pleasant
arrangement with
Kreisler's humorous text
most certainly creates an
exuberant atmosphere in
the concert.
Men's Choir [TTBB] and Piano [Organ] SKU: BT.SCHEEV142 From the Largo ...(+)
Men's Choir [TTBB] and
Piano [Organ]
SKU:
BT.SCHEEV142
From
the Largo of the symphony
From the New World.
Choral Score. 8 pages.
Simrock #SCHEEV142.
Published by Simrock
(BT.SCHEEV142).
Anton Dvorak's
Goin' Home from
the Largo of the
Symphony 'From The New
World' Op.95 for TTBB
Choir and Piano or Organ,
as adapted by William
Arms Fisher.
Music by Billy Preston, Bruce Fisher, Jeff Silbar, Larry Henley, arranged by Gre...(+)
Music by Billy Preston,
Bruce Fisher, Jeff
Silbar, Larry Henley,
arranged by Greg Gilpin.
Vocal score for TTBB
chorus and piano
accompaniment. With vocal
score notation and piano
accompaniment. 8 pages.
Published by Alfred
Publishing.
Choral; Piano Accompaniment (TTBB Choir) SKU: HL.49045741 TTBB and Pia...(+)
Choral; Piano
Accompaniment (TTBB
Choir)
SKU:
HL.49045741
TTBB
and Piano. Composed
by Georg Kreisler. Edited
by Bernhard Hofmann.
Choral. Classical.
Octavo. 28 pages.
Duration 390 seconds.
Schott Music #C57903.
Published by Schott Music
(HL.49045741).
Georg Kreisler
equals scathing, dark
black humour on the
piano! The Singphoniker
have arranged Georg
Kreisler's best known
songs for all-male
ensemble and recorded
them on CD. Schott now
publishesthe
corresponding music
edition for men's choir
TTBB with piano
accompaniment (Georg
Kreisler - Lieder und
Chansons, ED 22735). In
addition, all songs from
the sheet music album are
available in separate
editions: Der schone
Heinrich pinches all
petty bourgeois women in
Vienna. But how does he
do that? We can tell that
this is not due to the
fact that he does not
slurp the soup. This
pleasant arrangement with
Kreisler's humorous text
most certainly creates an
exuberant atmosphere in
the concert.
Choral; Piano Accompaniment (TTBB Choir) SKU: HL.49045739 TTBB and Pia...(+)
Choral; Piano
Accompaniment (TTBB
Choir)
SKU:
HL.49045739
TTBB
and Piano. Composed
by Georg Kreisler. Edited
by Leonhard Lechner.
Choral. Classical.
Octavo. 8 pages. Duration
160 seconds. Schott Music
#C57901. Published by
Schott Music
(HL.49045739).
ISBN
9781540019356.
Geor
g Kreisler equals
scathing, dark black
humour on the piano! The
Singphoniker have
arranged Georg Kreisler's
best known songs for
all-male ensemble and
recorded them on CD.
Schott now publishesthe
corresponding music
edition for men's choir
TTBB with piano
accompaniment (Georg
Kreisler - Lieder und
Chansons, ED 22735). In
addition, all songs from
the sheet music album are
available in separate
editions: Who would not
like to have blue eyes
but has to content
oneself with boring grey
ones? Das Madchen mit den
drei blauen Augen even
has three of them which
make her lover melt. This
pleasant arrangement with
Kreisler's humorous text
most certainly creates an
exuberant atmosphere in
the concert.
Choral; Piano Accompaniment (TTBB Choir) SKU: HL.49045722 TTBB with Pi...(+)
Choral; Piano
Accompaniment (TTBB
Choir)
SKU:
HL.49045722
TTBB
with Piano. Composed
by Georg Kreisler. Edited
by Bernhard Hofmann.
Choral. Classical,
Novelty. Octavo. 24
pages. Duration 300
seconds. Schott Music
#C57905. Published by
Schott Music
(HL.49045722).
Georg Kreisler
equals scathing, dark
black humour on the
piano! The Singphoniker
have arranged Georg
Kreisler's best known
songs for all-male
ensemble and recorded
them on CD. Schott now
publishesthe
corresponding music
edition for men's choir
TTBB with piano
accompaniment (Georg
Kreisler - Lieder und
Chansons, ED 22735). In
addition, all songs from
the sheet music album are
available in separate
editions: If you open the
phone book of Vienna at
V, you will find a lot of
unreadable
Austrian-Hungarian names.
If you string all names
together, one after the
other, like Kreisler did,
you will get a telephone
polka. With its catchy
melody and incredibly
funny text, this piece
will be the highlight of
entertainment in a
concert.