(Opera-comique de Daniel-Francois-Esprit Auber (1782 - 1871) - (Comic opera by Daniel-Francois-Esprit Auber)). By Jean-Baptiste Arban. For Bb Trumpet, Piano. Collection Guy Touvron. 16 pages. Duration 8 minutes, 10 seconds. Published by Gerard Billaudot Editeur

Composed by Hermann Blume (1891-1967). For Horn and Piano. Advanced. Photo Imprint. Published by Thomi-Berg

(Version for Violoncello With Marked and Unmarked String Parts). Composed by Camille Saint-Saens (1835-1921). Edited by Dominik Rahmer. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1168. Published by G. Henle

Chamber Music English Horn, Piano

SKU: PR.114422630

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2 pages. Duration 5 minutes. Theodore Presser Company #114-42263. Published by Theodore Presser Company (PR.114422630).

UPC: 680160684793. 9 x 12 inches.

In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,
Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the
gift of time, space, and support to follow their artistic pursuits; we are provided with
studio space, housing, and meals so that we can work continuously on our projects. I have
been in residence at numerous artist colonies; however, nothing in my previous
experiences prepared me for living in such isolated, wild country. Ucross is situated on a
20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people
living within the town. But what Clearmont lacks in population, it makes up for
abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards
from Wyoming to offer three glimpses of what I found to be the most striking aspects of
my residence. The Solitude of Stars, the third and final movement of the original sextet,
was inspired by the stunning nightly display of the heavens above. Without city lights
dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.
This edition is part of The Solitude of Stars Project that I undertook during the 2020
COVID-19 pandemic, which consists of a series of arrangements that I made for
colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends.

Horn and Piano. Composed by Camille Saint-Sa�«ns. Edited by Dominik Rahmer. Henle Music Folios. Softcover. 24 pages. G. Henle #HN1284. Published by G. Henle (HL.51481284).

(Arranged for Horn in F and Piano With a CD of Piano Accompaniments). Composed by Leonard Bernstein (1918-1990). Arranged by Joel Boyd and Joshua Parman. For Horn, Piano Accompaniment (Horn). Instrumental. Softcover with CD. 88 pages. Boosey and Hawkes #M051106455. Published by Boosey and Hawkes

By Various. Arranged by David Marlatt. For F Horn and Keyboard. Brass - French Horn Method or Collection. Renaissance. Book

By Various. Arranged by David Marlatt. For F Horn and Keyboard. Brass - French Horn Method or Collection. Renaissance. Book

Tenor, Horn, Piano

SKU: PE.EP73697

For Tenor, Horn and Piano. Composed by Julian Philips and Words by Robert Louis Stevenson. Chamber Ensemble Score & Parts. Peters Contemporary Chamber Series. Classical; Contemporary. Score and Part(s). 60 pages. Edition Peters #98-EP73697. Published by Edition Peters (PE.EP73697).

ISBN 9790577023502.

< em>The Country of Larks by Julian Philips is a miniature cantata for Tenor, Horn and Piano that investigates an epiphanous moment of connection with nature. The text was extracted and reassembled from Robert Louis Stevenson's An Autumn Effect, an 1875 essay that describes an autumnal hike through the Chilterns, philosophical, comical and poignant by turns. Stevenson's narrative framework is filleted into a short sequence of short recitative and arioso sections, culminating in an extended musical response to his fascination for the larks. The Country of Larks was commissioned by the 2021 Oxford Lieder Festival, on the occasion of its twentieth anniversary and was premiered at the 2022 edition of the festival on 25 October 2022 by Stuart Jackson (Tenor), Jocelyn Freeman (Piano) and George Strivens (Horn). This edition is published as part of the Peters Contemporary Chamber Series.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

French Horn, Piano SKU: HU.HN1332 For Horn and Piano. Composed by Richard Strauss. Edited by Dominik Rahmer. Brass, Repertoire, Solos. Andante in C major. Softcover Book. 12 pages. G. Henle #HN1332. Published by G. Henle (HU.HN1332).

For Horn and Piano Reduction. Composed by Carl Maria von Weber (1786-1826). Edited by Dominik Rahmer. Sheet Music. Paperbound. Henle Music Folios. With additional Horn part in E und F. Classical. Softcover Piano Reduction. 44 pages. G. Henle #HN1179. Published by G. Henle

(for Horn in F and Piano). Composed by Alexander Glazunov (1865-1936). Edited by Dominik Rahmer. For French Horn, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1285. Published by G. Henle

Horn in F and piano - easy to intermediate

SKU: HL.49019313

Composed by Eduard Puetz. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. 6 pages. Schott Music #ED09931. Published by Schott Music (HL.49019313).

ISBN 9790001180306.

Over coming the boundaries between 'serious' and entertaining music was what mattered to the musician Eduard Putz (1911-2000). His compositions therefore include stylistic features of jazz and pop music. Many of his works were written for children and young instrumentalists to offer them a break from the monotony of classical sonatinas and studies. 'Blue Waltz' is such a treat - very easy to play, it carefully helps the player to open a listening ear for jazz sounds. The arrangement for accompanied melodic instrument is also suitable for beginner's lessons and the first ensemble playing.

(for Horn and Piano). By Paul Dukas (1865-1935). Edited by Dominik Rahmer and Klaus Schilde. For Horn, Piano Accompaniment (Score and Solo Part). Henle Music Folios. Softcover. G. Henle #HN1170. Published by G. Henle

(ONLY AVAILABLE FOR DISTRIBUTION IN CANADA). Composed by Carl August Nielsen (1865-1931). Edited by Dominik Rahmer. For Horn, Piano Accompaniment (Score and Solo Part). Henle Music Folios. Softcover. 10 pages. G. Henle #HN586. Published by G. Henle

Horn and piano

SKU: BR.EB-32113

Urtext. Composed by Camillo Schumann. Solo instruments; stapled. Edition Breitkopf.

The first edition of a forgotten treasure

Sonata; Late-romantic. Score. 48 pages. Breitkopf and Haertel #EB 32113. Published by Breitkopf and Haertel (BR.EB-32113).

ISBN 9790004186787. 9 x 12 inches.

Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.

Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. The first edition of a forgotten treasure.

Horn and piano

SKU: BR.EB-32114

Urtext. Composed by Camillo Schumann. Solo instruments; stapled. Edition Breitkopf.

The first edition of a forgotten treasureThis edition contains the original solo part for horn in D as well as a version for horn in F.

Sonata; Late-romantic. Score. 68 pages. Breitkopf and Haertel #EB 32114. Published by Breitkopf and Haertel (BR.EB-32114).

ISBN 9790004186794. 9 x 12 inches.

Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.

Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire.

English Horn and Piano. By James Macmillan. (Oboe). Boosey and Hawkes Chamber Music. Size 9x12 inches. Published by Boosey and Hawkes.

Composed by Larry Alan Smith. Score and part(s). With Standard notation. Theodore Presser Company #494-03041. Published by Theodore Presser Company (PR.494030410).