(Featuring ten of the greatest rock and pop classics of all time (B-Flat Clarinet)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For B-Flat Clarinet. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music Publishing

(Featuring ten of the greatest rock and pop classics of all time (C Flute / C Piccolo)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For C Flute / C Piccolo. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music Publishing

(Featuring ten of the greatest rock and pop classics of all time (Tuba)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For Tuba. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music

(Featuring ten of the greatest rock and pop classics of all time (E-Flat Alto Saxophone)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For E-Flat Alto Saxophone. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music Publishing

(Featuring ten of the greatest rock and pop classics of all time (Low Brass and Woodwinds #2 - T.C.)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For Low Brass and Woodwinds #2 - T.C.. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music Publishing

(Featuring ten of the greatest rock and pop classics of all time (Keyboard / Synthesizer)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For Keyboard / Synthesizer. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing

(Featuring ten of the greatest rock and pop classics of all time (Cymbals)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For Cymbals. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music Publishing

(Featuring ten of the greatest rock and pop classics of all time (Quad-Toms)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For Quad-Toms. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music Publishing

(Featuring ten of the greatest rock and pop classics of all time (Low Brass and Woodwinds #2 - B.C.)). Arranged by Doug Adams, Nick Baratta, Ralph Ford, Victor López, Shane Porter, and Mike Story. Marching Band. For Low Brass and Woodwinds #2 - B.C.. Book; Marching Band Collection. Pop/Rock. Grade 2; Grade 2.5; Grade 3. 12 pages. Published by Alfred Music Publishing

Fanfare Band - Grade 2.5

SKU: BT.DHP-1043758-020

Composed by Jacob De Haan. Performance Series. Concert Piece. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043758-020. Published by De Haske Publications (BT.DHP-1043758-020).

9x12 inches. English-German-French-Dut ch.

Singapore Rhapsody is an exciting work in two movements based on popular Malaysian folksongs. The songs that occur in the first movement are Rasa Sayang eh (a love song), Gelang Sipaku Gelang (a song about community spirit), Suriram (a song about a girl proclaiming her virtues) and Di-Tanjung Katong (a love song that takes place at the Cape Katong on the southeast coast of Singapore). The second movement features Lenggang Kangkung, which literally means “The swaying of the watercress,” Katang Lompat (a moralistic song about the symbolism of the frog) and finally Kenek kenek-lah Udang (a wedding song). Each movement of this enchanting work can be performed separately but acomplete performance will be the crowning moment of any concert.

Dit tweedelige werk is gebaseerd op populaire Maleisische volksliedjes. De liedjes uit het eerste deel zijn Rasa Sayang eh (een liefdesliedje), Gelang Sipaku Gelang (een liedje over gemeenschapszin), Suriram (overeen meisje dat haar eeuwige vriendschap aanbiedt) en Di-Tanjung Katong (een liefdeslied dat zich afspeelt aan de zuidoostkust van Singapore). Deel twee bestaat uit Lenggang Kangkung (letterlijk ‘het zwaaien vande waterkers’), Katang Lompat (over de symboliek van de kikker) en Kenek kenek-lah Udang (een bruiloftslied). De twee delen van Singapore Rhapsody kunnen prima los van elkaar worden uitgevoerd.

Jacob de Haans Komposition besteht aus zwei Sätzen, die auf malaysischen Volksliedern basieren: zwei Liebeslieder, ein Lied über die Freundschaft, zwei Lieder über die Natur sowie ein Hochzeitslied. Die beiden Sätze von Singapore Rhapsody sind nicht untrennbar miteinander verbunden; sie können daher auch problemlos getrennt voneinander aufgeführt werden. Bringen Sie mit dieser Rhapsodie etwas Exotik in Ihr nächstes Konzert!

Singapour, la cité du Lion, est l’un des plus importants carrefours d’Asie. Singapour mélange habilement les cultures chinoises, malaises, indiennes et occidentales. La musique traditionnelle est l’image de la multiethnicité de cette ville-état. Les deux mouvements de cette composition s’inspirent de chants traditionnels malais. Le premier mouvement développe quatre chants traditionnels de caractère contrastant et contrasté. Le second mouvement est basé sur les chants Lenggang Kangkung (qui dépeint le gracieux mouvement du cresson de rizière), Katang Lompat (une chanson moraliste qui évoque le symbolisme de la grenouille) et un chant de mariage. Les deux mouvements de cetterhapsodie ne sont pas intimement liés. Il est donc possible de les interpréter séparément.

Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente.

Fanfare Band - Grade 2.5

SKU: BT.DHP-1043758-120

Composed by Jacob De Haan. Performance Series. Concert Piece. Score Only. Composed 2004. 36 pages. De Haske Publications #DHP 1043758-120. Published by De Haske Publications (BT.DHP-1043758-120).

9x12 inches. English-German-French-Dut ch.

Singapore Rhapsody is an exciting work in two movements based on popular Malaysian folksongs. The songs that occur in the first movement are Rasa Sayang eh (a love song), Gelang Sipaku Gelang (a song about community spirit), Suriram (a song about a girl proclaiming her virtues) and Di-Tanjung Katong (a love song that takes place at the Cape Katong on the southeast coast of Singapore). The second movement features Lenggang Kangkung, which literally means “The swaying of the watercress,” Katang Lompat (a moralistic song about the symbolism of the frog) and finally Kenek kenek-lah Udang (a wedding song). Each movement of this enchanting work can be performed separately but acomplete performance will be the crowning moment of any concert.

Dit tweedelige werk is gebaseerd op populaire Maleisische volksliedjes. De liedjes uit het eerste deel zijn Rasa Sayang eh (een liefdesliedje), Gelang Sipaku Gelang (een liedje over gemeenschapszin), Suriram (overeen meisje dat haar eeuwige vriendschap aanbiedt) en Di-Tanjung Katong (een liefdeslied dat zich afspeelt aan de zuidoostkust van Singapore). Deel twee bestaat uit Lenggang Kangkung (letterlijk ‘het zwaaien vande waterkers’), Katang Lompat (over de symboliek van de kikker) en Kenek kenek-lah Udang (een bruiloftslied). De twee delen van Singapore Rhapsody kunnen prima los van elkaar worden uitgevoerd.

Jacob de Haans Komposition besteht aus zwei Sätzen, die auf malaysischen Volksliedern basieren: zwei Liebeslieder, ein Lied über die Freundschaft, zwei Lieder über die Natur sowie ein Hochzeitslied. Die beiden Sätze von Singapore Rhapsody sind nicht untrennbar miteinander verbunden; sie können daher auch problemlos getrennt voneinander aufgeführt werden. Bringen Sie mit dieser Rhapsodie etwas Exotik in Ihr nächstes Konzert!

Singapour, la cité du Lion, est l’un des plus importants carrefours d’Asie. Singapour mélange habilement les cultures chinoises, malaises, indiennes et occidentales. La musique traditionnelle est l’image de la multiethnicité de cette ville-état. Les deux mouvements de cette composition s’inspirent de chants traditionnels malais. Le premier mouvement développe quatre chants traditionnels de caractère contrastant et contrasté. Le second mouvement est basé sur les chants Lenggang Kangkung (qui dépeint le gracieux mouvement du cresson de rizière), Katang Lompat (une chanson moraliste qui évoque le symbolisme de la grenouille) et un chant de mariage. Les deux mouvements de cetterhapsodie ne sont pas intimement liés. Il est donc possible de les interpréter séparément.

Singapore, la citt del leone, è uno dei più importanti crocevia dell’Asia. Singapore mischia abilmente le culture provenienti dalla Cina, dalla Malesia, dall’India a quelle occidentali. La musica tradizionale è l’immagine delle molte etnie di questa citt -stato. I due movimenti di questa composizione si ispirano a canti tradizionali della Malesia. Il primo movimento sviluppa quattro canti tradizionali di carattere contrastante e contrastato. Il secondo movimento è basato sui canti Lenggang Kangkung e Katang Lompat, che, come d’abitudine in oriente, descrivono animali e l’ambiente in cui vivono legandoli a simbolismi, e un canto tradizionale in occasione di matrimoni. I duemovimenti di questa rapsodia non sono legati tra loro, rendendo possibile eseguirli separatamente.

By Jerry Ragovoy, Mick Jagger, And Keith Richards. For Marching Band. Marching Band. Mega Sounds for Marching Band. Pop. Level: 3 (Medium) (grade 3). Conductor Score. 8 pages. Published by Alfred Publishing.

By Herbie Hancock. Arranged by Allen Gray. For marching band. Pop Tunes. Medium easy. Score and parts. Published by Matrix Publishing

By The Rolling Stones. Arranged by Victor Lopez, Percussion Arr. Anthony M. Falcone. Words and music by Mick Jagger and Keith Richards / arr. Victor Lopez, percussion arr. Anthony M. Falcone. For Marching Band. Marching Band. Warner Bros. Marching Band. Level: 2.5 (Medium Easy) (grade 2.5). Conductor Score and Parts. Published by Alfred Publishing.

By Jerry Ragovoy, Mick Jagger, And Keith Richards. Arranged by Ralph Ford. For Marching Band. Marching Band. Mega Sounds for Marching Band. Pop. Level: 3 (Medium) (grade 3). Conductor Score and Parts. 108 pages. Published by Alfred Publishing.

By Russell, Foster & Graydon. Arranged by James Sochinski. Marching Band. Score and set of parts. Composed 1985. Published by C.L. Barnhouse.

Fanfare Band - Grade 2

SKU: BT.CMP-0316-99-020

Composed by Timothy Johnson. Praise and Adoration Series. Hymns & Chorals. Set (Score & Parts). Composed 1999. Curnow Music #CMP 0316-99-020. Published by Curnow Music (BT.CMP-0316-99-020).

Based on the African-American spiritual “Ev’ry Time I Feel the Spirit”, Feel the Spirit captures the essence of the traditional spiritual. These songs were created by African-Americans oppressed by slavery. A deeply religious people, the slaves would use singing as an expression of both their enthusiastic joy and profound sadness. Feel the Spirit enables you to play a great gospel song with your band.

Fanfare Band - Grade 2

SKU: BT.CMP-0316-99-120

Composed by Timothy Johnson. Praise and Adoration Series. Hymns & Chorals. Score Only. Composed 1999. Curnow Music #CMP 0316-99-120. Published by Curnow Music (BT.CMP-0316-99-120).

Based on the African-American spiritual “Ev’ry Time I Feel the Spirit”, Feel the Spirit captures the essence of the traditional spiritual. These songs were created by African-Americans oppressed by slavery. A deeply religious people, the slaves would use singing as an expression of both their enthusiastic joy and profound sadness. Feel the Spirit enables you to play a great gospel song with your band.

Fanfare Band - Grade 3

SKU: BT.AMP-142-020

Arranged by Philip Sparke. Anglo Music Midway Series. Pop & Rock. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 142-020. Published by Anglo Music Press (BT.AMP-142-020).

9x12 inches.

Over a period of four decades Jimmy Webb (b. 1946) has written hits for a number of singers including Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash and Linda Ronstadt. His songs are often epic in character and include By the Time I Get to Phoenix; Up, Up and Away; Didn’t We; Wichita Lineman and Galveston. MacArthur Park (1968) was unlike anything that had gone before it. Running at over 7 minutes, it is 2 or 3 times the length of most pop songs and has an extended orchestral interlude. Richard Harris’ seminal recording topped the music charts in Europe, while peaking at number two on the U.S. charts. Philip Sparke has made this excellentarrangement for fanfare band, which is sure to become a regular feature on your concert programme.

MacArthur Park van Jimmy Webb, een nummer dat uitkwam in 1968, was niet te vergelijken met alles wat daarvoor was gemaakt. Met een duur van meer dan zeven minuten is deze song twee of drie keer zo lang als de meeste popsongs,ook het orkestraal tussenspel is bijzonder. Richard Harris’ originele opname stond bovenaan in de hitparades van Europa en op nummer 2 in de Verenigde Staten. Philip Sparke schreef een fantastisch arrangement dat zowel uw muzikantenals uw publiek zal aanspreken.

Jimmy Webbs Musik kennt jeder: sei es als Musik zur Fernsehserie Emergency Room oder als einen der Hits von großen Stars wie Frank Sinatra, Johnny Cash, Linda Ronstadt und vielen anderen. Mit dem Popsong MacArthur Park gelang Webb ein Riesenhit im Jahr 1968. Das Lied über eine verlorene Liebe ist ungewöhnlich lang für einen Popsong und enthält ein ausgearbeitetes Orchester-Zwischenspiel. Grund genug für Philip Sparke, diesen Hit für Blasorchester zu bearbeiten.

Pendan t plus de quarante ans, Jimmy Webb (1946) a composé des chansons succès pour divers artistes tels que Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash et Linda Ronstadt. En 1968, il écrit MacArthur Park, une chanson complètement novatrice. D’une durée de plus de sept minutes, elle est deux trois fois plus longue que la plupart des succès pop et contient un grand interlude orchestral. La version d’anthologie de MacArthur Park, interprétée et enregistrée par Richard Harris, s’est classée en tête des hit-parades européens et numéro 2 aux États-Unis.

Pe r oltre quarant’anni, Jimmy Webb (1946) ha composto canzoni di successo per artisti come Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash e Linda Ronstadt. Nel 1968, scrive MacArthur Park, una canzone totalmente innovativa. Di una durata di oltre sette minuti, è da due a tre volte più lunga della gran parte dei successi pop e contiene un interludio orchestrale. La versione d’antologia di MacArthur Park, interpretata e incisa da Richard Harris è stata in testa alle hit-parades europee e n. 2 negli Stati Uniti.