A Ballet - for Chorus, Solo Bass, and Piano (or Orchestra) - Score. By William Grant Still. Orchestra. For Flute I, Flute II, Piccolo I, Piccolo II, Oboe I, Oboe II, English Horn, Clarinet (in Eb), Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Tenor I, Tenor II, Tuba, Timpani, Percussion. Soft Cover. 47 pages. Published by Carl Fischer.

(for the victims of the September 11, 2001 attacks and all victims of senseless violence). By Rene Clausen. Orchestra. For Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets, Bass Clarinet, 2 Bassoons, 4 Horns, 3 Trumpets, 2 Trombones, Bass Trombone, Tuba, Timpani, Cymbals, Mallets, Snare Drum, Bass Drum, Percussion, Harp, Piano, 2 Violins, Viola, Cello, Double Bass. Concert. Orchestral Full Score and Parts. Published by Roger Dean Publishing

(Auf schmetternde Tone BWV207a). By Johann Sebastian Bach (1685-1750). For 3 Bb trumpets, 4 violins, 2 flutes/oboes, 2 violas, 1 english horn, 3 cellos, timpani, continuo. Conductor's score and parts

By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, oboe/english horn, clarinet, bassoon, horn, trumpet, percussion, harp, piano (for rehearsal only), violin 1 and 2, viola, cello, bass (with optional orchestra: Flute/Piccolo, Oboe/English Horn, Clarinet, Bassoon, Horn, Trumpet, Percussion, Harp, Piano (for rehearsal only), Violin 1 and 2, Viola, Cello, Bass). Christmas, General. Orchestral Score and Parts. Published by Roger Dean Publishing

Orchestra

SKU: SU.94010400

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400).

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

Composed by John Williams. For flute I,II,III, piccolo (alto flute, flute), oboe I,II, english horn (oboe), Bb clarinet I,II, Eb clarinet (Bb clarinet, bass clarinet), Bb bass clarinet (Eb clarinet), bassoon I,II, contrabassoon (bassoon), F horn, I-IV, trumpet I-IV, trombone I-IV, tuba, timpani, percussion I-III, harp, piano/celeste, string and chorus (optional). Format: full score (spiral bound - parts not included). Movies. Series: Hal Leonard John Williams Signature Edition. 81 pages. 10.5x14 inches. Published by Hal Leonard.

Composed by John Williams. For flute I (piccolo), flute II (piccolo), piccolo (flute), oboe I,II, english horn, Bb clarinet I,II, bassoon I,II, F horn I-IV, Bb trumpet I-II, trombone I-III, tuba, timpani, percussion I-III, harp, piano/celeste, violin I,II, viola, cello and contrabass. From the motion picture "J.F.K.". Format: full score (spiral bound). Movies. Series: Hal Leonard John Williams Signature Edition. 47 pages. 10.5x14 inches. Published by Hal Leonard.

Orchestra

SKU: LO.30-2205L

Composed by Mark Hayes. Choral, cantatas. Eastertide, Palm Sunday, Holy Week, Sacred. Orchestral score and parts. Exaltation Publications #30/2205L. Published by Exaltation Publications (LO.30-2205L).

UPC: 000308113617.

Flute /Piccolo, Oboe/English Horn, Clarinet, Bassoon, 2 F Horns, 2 Trumpets, opt. Piccolo Trumpet, 2 Trombones, Tuba, Rhythm (Electric Bass, Drums), 2 Percussion, Harp, Violin 1 & 2, Viola, Cello, Bass (String Reduction included).

(Peter's Reflection on the Life Death & Resurrection). By Lloyd Larson. Orchestra. For Flute 1 & 2, Oboe/English Horn, Clarinet 1 & 2, Bassoon, Horn 1 & 2, Trumpet 1,2, & 3, Trombone 1 & 2, Tuba, Timpani, Percussion 1 & 2 (Finger Cymbals, Suspended Cymbal, Triangle, Mark Tree, Glockenspiel, Crash Cymbal, Tambourine, Chimes, and Wind Chimes). Cantata. Choral: Easter. Orchestration. Published by Exaltation Publications

By Hector Berlioz. Edited by Temperley, Nicholas. For Flute 1, Flute 2/Piccolo, Oboe 1, Oboe 2/English Horn, Clarinet (B Flat) (2), Bassoon (4), Horn (4), Trumpet (2), Cornet (2), Trombone (3), Ophicleide (2), Kettledrum, Drums, Harp (4), Strings. Score; Urtext Edition (paperbound). Duration 54'. Published by Baerenreiter-Ausgaben (German import).

By Joseph M. Martin. Chamber Orchestra. Harold Flammer Easter. Published by Shawnee Press

(For Orchestra). Composed by Steven Stucky (1949-). For orchestra (3 flutes (3 also picc. 1, 2 also alto flute), piccolo, 2 oboes, english horn, Eb clarinet, 2 clarinets in Bb, bass clarinet, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in C, 3 trombones, tuba, timpani, percussion (4 players): 1. glockenspiel, vib). Contemporary. Full score (study). Standard Notation. 76 pages. Duration 18 minutes. Theodore Presser Company #446-41278. Published by Theodore Presser Company

(A Worship Experience for the Community of Faith). By Pepper Choplin. Arranged by Mark Hayes. For full orchestra. Cantatas. Christmas. Orchestral score and parts. Published by Lorenz Publishing Company

Score and Parts. By Aaron Copland. Boosey and Hawkes Orchestra. Book only. Size 9x12 inches. Published by Boosey and Hawkes.

By Pepper Choplin and Stan Pethel. For orchestra (conductor's score). Advent, Christmas. Cantata

(Concerto For Cello And Orchestra). Composed by Narong Prangcharoen. For orchestra (3 flutes (3 dbl. picc.), 2 oboes, english horn, 2 clarinets in Bb, bass clarinet, 2 bassoons, contrabassoon, 4 horns in F, 2 trumpets in Bb, trombone, bass trombone, tuba, timpani, 3 percussion:, percussion 1: vibraphone, crotales, glockenspiel, xylophone). Contemporary. Full Score - Study. Standard Notation. Composed 2014. 43 pages. Duration 20 minutes. Theodore Presser Company #416-41531. Published by Theodore Presser Company

Composed by Bedrich Smetana (1824-1884). Edited by Hugh MacDonald. For orchestra (flute 1/flute 2 (and piccolo)/2 oboes/2 clarinets/5 bassoons/4 horns/2 trumpets/3 trombones/tuba/timpani/tr iangle/cymbal/bass drum/harp/2 violins/viola/2 cellos/double bass). This edition: Urtext edition. Paperback. Level 3. Study score. Text Language: Czech/English/German. Published by Baerenreiter Verlag

Orchestra

SKU: HL.14027993

Composed by Poul Ruders. Music Sales America. Classical. Score. Composed 2006. 164 pages. Edition Wilhelm Hansen #WH30602. Published by Edition Wilhelm Hansen (HL.14027993).

ISBN 9788759811832. English.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.

3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo
3 Oboes, 3rd also Cor Anglais in F
3 Clarinets in Bb, 3rd also Bass Clarinet in Bb
3 Bassoons, 3rd also Contra Bassoon

4 Horn in F
3 Trumpets in Bb
3 Trombones
1 Tuba

Timpani
4 Percussion, four players
Player 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)
Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese Cymbal
Player 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle Cymbal
Player 4 - Bass Drum, Glockenspiel, Xylophone

1 Harp

1 Piano, also Celesta

Strings - 16/14/12/10/8

All transposing instruments are notated in their relevant transpositions.
Any accidental apply only to the note that it immediately precedes, except tied notes.
Naturals appear occasionally 'for safety'.

'LIST ENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.
The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic.
I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.