By Yiruma. By Yiruma. Arranged by Larry Moore. For Orchestra, String Orchestra (...(+)
By Yiruma. By Yiruma.
Arranged by Larry Moore.
For Orchestra, String
Orchestra (Score and
Parts). Pop Specials for
Strings. Grade 3-4.
Published by Hal Leonard
By Gioachino Rossini. Arranged by Harry Alshin. Music by Gioacchino Rossini / ar...(+)
By Gioachino Rossini.
Arranged by Harry Alshin.
Music by Gioacchino
Rossini / arr. Harry
Alshin. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
Arranged by Vernon Leidig. Arr. Vernon Leidig. For String Orchestra. String Orch...(+)
Arranged by Vernon
Leidig. Arr. Vernon
Leidig. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 2
(grade 2). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
Sequential Repertoire for Solo Strings or String Ensemble (Piano / Score). ...(+)
Sequential Repertoire for
Solo Strings or String
Ensemble (Piano / Score).
Composed by Winifred
Crock,
William Dick, and Laurie
Scott.
Method/Instruction;
Score; String Orchestra
Method/Supplement;
Suzuki.
64 pages. Published by
Alfred Music
Sequential Repertoire for Solo Strings or String Ensemble (Cello). Composed b...(+)
Sequential Repertoire for
Solo Strings or String
Ensemble (Cello).
Composed
by Winifred Crock,
William
Dick, and Laurie Scott.
Book; CD;
Method/Instruction;
String
Orchestra
Method/Supplement;
Suzuki. 48 pages.
Published
by Alfred Music
Sequential Repertoire for Solo Strings or String Ensemble (Violin). Composed ...(+)
Sequential Repertoire for
Solo Strings or String
Ensemble (Violin).
Composed
by Winifred Crock,
William
Dick, and Laurie Scott.
Book; CD;
Method/Instruction;
String
Orchestra
Method/Supplement;
Suzuki. 48 pages.
Published
by Alfred Music
William Tell Overture Orchestre à Cordes [Conducteur et Parties séparées] Alfred Publishing
By Gioachino Rossini. Arranged by Richard Meyer. Music by Gioacchino Rossini / a...(+)
By Gioachino Rossini.
Arranged by Richard
Meyer. Music by
Gioacchino Rossini / arr.
Richard Meyer. For String
Orchestra. String
Orchestra. String
Explorer. Conductor Score
and Parts. 2 pages.
Published by Alfred
Publishing.
Arranged by Carrie Lane Gruselle. Arr. Carrie Lane Gruselle. For String Orchestr...(+)
Arranged by Carrie Lane
Gruselle. Arr. Carrie
Lane Gruselle. For String
Orchestra. String
Orchestra. String
Orchestra. Spiritual.
Level: 3 (grade 3).
Conductor Score and
Parts. 2 pages. Published
by Alfred Publishing.
By Johann Sebastian Bach. Arranged by Mark Jasinski. Music by Johann Sebastian B...(+)
By Johann Sebastian Bach.
Arranged by Mark
Jasinski. Music by Johann
Sebastian Bach / arr.
Mark Jasinski. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
Sequential Repertoire for Solo Strings or String Ensemble (Viola). Composed b...(+)
Sequential Repertoire for
Solo Strings or String
Ensemble (Viola).
Composed
by Winifred Crock,
William
Dick, and Laurie Scott.
Book; CD;
Method/Instruction;
String
Orchestra
Method/Supplement;
Suzuki. 48 pages.
Published
by Alfred Music
Brandenburg Concerto No. 2 Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Johann Sebastian Bach. Arranged by Merle J. Isaac. Music by Johann Sebastian ...(+)
By Johann Sebastian Bach.
Arranged by Merle J.
Isaac. Music by Johann
Sebastian Bach / arr.
Merle Isaac. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score & Parts. 2 pages.
Published by Alfred
Publishing.
By Johann Sebastian Bach. Arranged by Vernon Leidig. Music by Johann Sebastian B...(+)
By Johann Sebastian Bach.
Arranged by Vernon
Leidig. Music by Johann
Sebastian Bach / arr.
Vernon Leidig. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score & Parts. 2 pages.
Published by Alfred
Publishing.
(Featuring: Carols for Strings / In a Christmas Mood / DECKorations). Orchestra....(+)
(Featuring: Carols for
Strings / In a Christmas
Mood / DECKorations).
Orchestra. String
Orchestra. Alfred
Signature Performance
Series for Orchestra.
Christmas; Secular;
Traditional; Winter.
Grade 2. Conductor Score.
32 pages. Published by
Alfred Music Publishing
Short Cuts 2 Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
Featuring: 25 or 6 to 4 / It Don't Mean a Thing (If It Ain't Got That Swing) ...(+)
Featuring: 25 or 6 to
4 / It Don't Mean a Thing
(If It Ain't Got That
Swing) / Theme from
Ice Castles
(Through the Eyes of
Love) / Any Way You Want
It. Arranged by
Michael Story.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Beginning String
Orchestra. Pop. Part(s);
Score. 152 pages.
Duration 4:45. Alfred
Music #00-41193.
Published by Alfred Music
(AP.41193).
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Valley of the Sun Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestr...(+)
(Full Score and Parts).
By Alan Lee Silva. String
orchestra. For String
Orchestra. Carl Fischer
Young String Orchestra
Series. Grade 2-2.5.
Score and Parts. Standard
notation. 12 pages
The Code Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By Alan Lee Silva. For Violin I, Violin II, Violin III, Viola, Cello, Bass, Pian...(+)
By Alan Lee Silva. For
Violin I, Violin II,
Violin III, Viola, Cello,
Bass, Piano. Carl Fischer
Young String Orchestra
Series. Grade 2-2.5.
Score and parts. 124
pages. Duration 2
minutes, 35 seconds.
Published by Carl Fischer
Crystal Moon Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By Larry Clark. For String Orchestra. Carl Fischer Young String Orchestra Series...(+)
By Larry Clark. For
String Orchestra. Carl
Fischer Young String
Orchestra Series.
Classical. Level: Grade
2-2.5. Score and Parts.
10 pages. Published by
Carl Fischer.
Festive Dance Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By Carl Strommen. String ensemble. For String Orchestra. Carl Fischer Young Stri...(+)
By Carl Strommen. String
ensemble. For String
Orchestra. Carl Fischer
Young String Orchestra
Series. Classical. Grade
2-2.5. Score and Parts.
Standard notation. 8
pages
By Carl Strommen. Edited by Amy Rosen. String ensemble. For String Orchestra. Ca...(+)
By Carl Strommen. Edited
by Amy Rosen. String
ensemble. For String
Orchestra. Carl Fischer
Young String Orchestra
Series. Classical. Grade
2-2.5. Score and Parts.
Standard notation. 8
pages. Published by Carl
Fischer
Prelude and Gavotte Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By Arcangelo Corelli (1653-1713). Arranged by Doris Gazda. For Violin I, Violin ...(+)
By Arcangelo Corelli
(1653-1713). Arranged by
Doris Gazda. For Violin
I, Violin II, Violin III,
Viola, Cello, Bass,
Piano. Carl Fischer Young
String Orchestra Series.
Grade 2-2.5. Score and
parts. 76 pages. Duration
3 minutes, 24 seconds.
Published by Carl Fischer