Band/Orchestra. Published by Alfred Publishing. Haydn's Trumpet Concerto is prob...(+)
Band/Orchestra. Published
by Alfred Publishing.
Haydn's Trumpet Concerto
is probably the
most-performed trumpet
concerto ever written.
The second movement is
known equally for both
its beautiful melody and
wonderful use of trumpet
as a solo instrument. In
this adaptation, the key
is lowered to avoid the
high notes of the
original, sixteenth notes
are eliminated by using a
3/4 time signature and
difficult passages are
simplified-making it
ideal for younger
soloists. Let your star
trumpet player shine with
this well-crafted
adaptation of a
repertoire standard.
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by for Wind Ensemble a...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
for Wind Ensemble
accompaniment by Robert
W. Rumbelow. Concert
Band; Masterworks;
Performance Music
Ensemble; Single Titles.
Donald Hunsberger Wind
Library. Form: Concerto.
Classical; Masterwork
Arrangement. Part(s);
Score. 246 pages. Alfred
Music #00-DHM003.
Published by Alfred Music
Concert Band/Harmonie and Euphonium Solo - Grade 5 SKU: BT.AMP-354-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 5
SKU:
BT.AMP-354-010
Euphonium Concerto No.
3. Composed by Philip
Sparke. Elite Series. Set
(Score & Parts). Composed
2012. Anglo Music Press
#AMP 354-010. Published
by Anglo Music Press
(BT.AMP-354-010).
9x12
inches.
English-German-French-Dut
ch.
Diamond
Concerto was
commissioned by
Musikverein Mörschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven
Mead’s special
euphonium sound in his
head throughout the
composition process and
made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMörschied lies to
the west of Frankfurt am
Main in the area known as
the German Road of
Precious Stones, which is
famous for its thriving
gem industry. Because of
this it was decided to
give the commission a
local connection by
choosing the title,
Diamond Concerto.
Each of the three
movements is named after
a famous diamond:1 EARTH
STARis rather stern in
mood, opening with a free
fantasy for the soloist
over a static chord from
the band. This leads to
an Allegro Moderato in
minor mode where small
motives are gradually
repeated and developed by
both band and soloist.2
OCEAN DREAMuses a varied
quote from the
composer’s
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven
Mead’s suggestion,
in bebop style and takes
the form of a jazz waltz.
The quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Mörschied - met
dirigent Eric Grandjean -
voor een speciaal concert
met Steven Mead als
gastsolist. De
wereldpremière vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarrièr
e.Het plaatsje
Mörschied ligt ten
westen van Frankfurt am
Main, in het gebied dat
bekendstaat als de
Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van
Sparke’s werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben
für den Musikverein
Mörschied, westlich
von Frankfurt am Main an
der Deutschen
Edelsteinstraße
gelegen, wurde jeder der
drei Sätze von
Diamond Concerto
nach einem berühmten
Diamanten benannt: 1
EARTH STAR ist eher
stimmungstechnisch ein
Stern. Der Satz beginnt
mit einer freien Fantasie
des Solisten über
einem statischen Akkord
des Orchesters. Dieses
führt zu einem Allegro
Moderato in Moll, in
welchem kurze Motive von
sowohl Orchester als auch
Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthält, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthält
eine Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen
Holzbläsern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist für Euphonium und
Klavier erhältlich
(AMP 374-401) sowie
für Euphonium und
Brass Band (AMP 354-030).
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band (Score & Parts) - Level 3.5 SKU: HL.4008198 Fantasy Conce...(+)
Concert Band (Score &
Parts) - Level 3.5
SKU: HL.4008198
Fantasy Concertante on
“C(on)C(or)D(i)Aâ
De Haske Concert &
Contest Collection.
Composed by Jan de Haan.
De Haske Concert Band.
Concert. Duration 620
seconds. De Haske
Publications #033214.
Published by De Haske
Publications
(HL.4008198).
UPC:
196288137313. 9.0x12.0
inches.
Concordia
was the Roman goddess of
concord or unity. To
convey the unity among
their musicians, many
music societies over the
years, including the band
that commissioned this
composition, have chosen
this name. The literal
translation of Color
Concordia is color
harmony. Consequently,
the composer has
gratefully used the many
ranges of coloring of the
concert band for the
instrumentation of this
work. He based the
thematic material on the
four note names in
Concordia: C, C, D and A,
resulting in a brilliant
piece of music that will
suit any band.
Score and Parts.
Composed by Philip
Sparke. Anglo Music
Concert Band. Set (Score
& Parts). Composed 2012.
Anglo Music Press
#AMP354010. Published by
Anglo Music Press
(HL.44011228).
Diamond
Concerto was
commissioned by
Musikverein Morschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven Mead's
special euphonium sound
in his head throughout
the composition process
and made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMorschied lies to the
west of Frankfurt am Main
in the area known as the
German Road of Precious
Stones, which is famous
for its thriving gem
industry. Because of this
it was decided to give
the commission a local
connection by choosing
the title, Diamond
Concerto. Each of the
three movements is named
after a famous diamond:1
EARTH STARis rather stern
in mood, opening with a
free fantasy for the
soloist over a static
chord from the band. This
leads to an Allegro
Moderato in minor mode
where small motives are
gradually repeated and
developed by both band
and soloist.2 OCEAN
DREAMuses a varied quote
from the composer's
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven Mead's
suggestion, in bebop
style and takes the form
of a jazz waltz. The
quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Morschied - met dirigent
Eric Grandjean - voor een
speciaal concert met
Steven Mead als
gastsolist. De
wereldpremiere vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarriere.H
et plaatsje Morschied
ligt ten westen van
Frankfurt am Main, in het
gebied dat bekendstaat
als de Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van Sparke's werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben fur
den Musikverein
Morschied, westlich von
Frankfurt am Main an der
Deutschen
Edelsteinstrasse gelegen,
wurde jeder der drei
Satze von Diamond
Concerto nach einem
beruhmten Diamanten
benannt: 1 EARTH STAR ist
eher stimmungstechnisch
ein Stern. Der Satz
beginnt mit einer freien
Fantasie des Solisten
uber einem statischen
Akkord des Orchesters.
Dieses fuhrt zu einem
Allegro Moderato in Moll,
in welchem kurze Motive
von sowohl Orchester als
auch Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthalt, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthalt eine
Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen Holzblasern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist fur Euphonium und
Klavier erhaltlich (AMP
374-401) sowie fur
Euphonium und Brass Band
(AMP 354-030).
Diamond
Concerto est une
œuvre de commande de
la formation allemande
Musikverein Morschied,
dirigee par le Dr Eric
Grandjean, pour un
concert avec un invite
special, le soliste
Steven Mead. Ensemble,
ils ont cree cette
œuvre le 28 avril
2012 au theatre de la
ville
d'Idar-Oberstein.Cette
commande represente l'un
des points culminants
d'une amitie de trente
annees entre le
compositeur et le
soliste, leur relation
ayant donne naissance a
de nombreux
enregistrements et
concerts et, maintenant,
a un concerto. Pendant la
composition de cette
œuvre, Sparke avait
sans cesse a l'esprit le
son bien particulier de
l'euphonium de Steven
Mead, et il a employe
librement lavariete de
styles que ce virtuose
mondialement connu a
adoptes au cours de sa
brillante carriere de
soliste.Le village de
Morschied se trouve a
l'ouest de
Francfort-sur-le-Main,
dans la region surnommee
Route allemande des
pierres precieuses,
celebre pour son
industrie de la
joaillerie. C'est
pourquoi le compositeur a
decide de saluer cette
province en intitulant
son œuvre Diamond
Concerto. Les trois
mouvements sont chacun
nommes d'apres un diamant
celebre :1 EARTH STARDe
caractere plutot serieux,
ce mouvement debute avec
une fantaisie libre pour
le soliste sur un accord
statique de l'orchestre.
Vient ensuite un Allegro
Moderato en mode mineur
ou de courts motifs sont
progressivement repetes
et developpes par
l'orchestre et le
soliste.2 OCEAN DREAML'on
pourra entendre ici une
variante d'un extrait de
Music for Battle
Creek, incluant une
melodie lente et
emouvante, que le
compositeur ecrivit alors
dans l'optique d'une
future interpretation
realisee par Steven
Mead.3 BLUE HEARTSuivant
l'idee de Steven Mead, ce
mouvement est ecrit dans
un style de be-bop et
prend la forme d'une
valse jazzy. La partie
centrale,
quasi-improvisee,
comprend un passage
d'appel et reponse entre
le soliste et les
bois.Soliste: Difficulte
6Diamond Concerto
est aussi disponible pour
euphonium et piano (AMP
374-401) et euphonium et
brass.
Score Only.
Composed by Philip
Sparke. Anglo Music
Concert Band. Score Only.
Composed 2012. 64 pages.
Anglo Music Press
#AMP354140. Published by
Anglo Music Press
(HL.44011229).
Diamond
Concerto was
commissioned by
Musikverein Morschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven Mead's
special euphonium sound
in his head throughout
the composition process
and made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMorschied lies to the
west of Frankfurt am Main
in the area known as the
German Road of Precious
Stones, which is famous
for its thriving gem
industry. Because of this
it was decided to give
the commission a local
connection by choosing
the title, Diamond
Concerto. Each of the
three movements is named
after a famous diamond:1
EARTH STARis rather stern
in mood, opening with a
free fantasy for the
soloist over a static
chord from the band. This
leads to an Allegro
Moderato in minor mode
where small motives are
gradually repeated and
developed by both band
and soloist.2 OCEAN
DREAMuses a varied quote
from the composer's
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven Mead's
suggestion, in bebop
style and takes the form
of a jazz waltz. The
quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Morschied - met dirigent
Eric Grandjean - voor een
speciaal concert met
Steven Mead als
gastsolist. De
wereldpremiere vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarriere.H
et plaatsje Morschied
ligt ten westen van
Frankfurt am Main, in het
gebied dat bekendstaat
als de Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van Sparke's werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben fur
den Musikverein
Morschied, westlich von
Frankfurt am Main an der
Deutschen
Edelsteinstrasse gelegen,
wurde jeder der drei
Satze von Diamond
Concerto nach einem
beruhmten Diamanten
benannt: 1 EARTH STAR ist
eher stimmungstechnisch
ein Stern. Der Satz
beginnt mit einer freien
Fantasie des Solisten
uber einem statischen
Akkord des Orchesters.
Dieses fuhrt zu einem
Allegro Moderato in Moll,
in welchem kurze Motive
von sowohl Orchester als
auch Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthalt, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthalt eine
Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen Holzblasern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist fur Euphonium und
Klavier erhaltlich (AMP
374-401) sowie fur
Euphonium und Brass Band
(AMP 354-030).
Diamond
Concerto est une
œuvre de commande de
la formation allemande
Musikverein Morschied,
dirigee par le Dr Eric
Grandjean, pour un
concert avec un invite
special, le soliste
Steven Mead. Ensemble,
ils ont cree cette
œuvre le 28 avril
2012 au theatre de la
ville
d'Idar-Oberstein.Cette
commande represente l'un
des points culminants
d'une amitie de trente
annees entre le
compositeur et le
soliste, leur relation
ayant donne naissance a
de nombreux
enregistrements et
concerts et, maintenant,
a un concerto. Pendant la
composition de cette
œuvre, Sparke avait
sans cesse a l'esprit le
son bien particulier de
l'euphonium de Steven
Mead, et il a employe
librement lavariete de
styles que ce virtuose
mondialement connu a
adoptes au cours de sa
brillante carriere de
soliste.Le village de
Morschied se trouve a
l'ouest de
Francfort-sur-le-Main,
dans la region surnommee
Route allemande des
pierres precieuses,
celebre pour son
industrie de la
joaillerie. C'est
pourquoi le compositeur a
decide de saluer cette
province en intitulant
son œuvre Diamond
Concerto. Les trois
mouvements sont chacun
nommes d'apres un diamant
celebre :1 EARTH STARDe
caractere plutot serieux,
ce mouvement debute avec
une fantaisie libre pour
le soliste sur un accord
statique de l'orchestre.
Vient ensuite un Allegro
Moderato en mode mineur
ou de courts motifs sont
progressivement repetes
et developpes par
l'orchestre et le
soliste.2 OCEAN DREAML'on
pourra entendre ici une
variante d'un extrait de
Music for Battle
Creek, incluant une
melodie lente et
emouvante, que le
compositeur ecrivit alors
dans l'optique d'une
future interpretation
realisee par Steven
Mead.3 BLUE HEARTSuivant
l'idee de Steven Mead, ce
mouvement est ecrit dans
un style de be-bop et
prend la forme d'une
valse jazzy. La partie
centrale,
quasi-improvisee,
comprend un passage
d'appel et reponse entre
le soliste et les
bois.Soliste: Difficulte
6Diamond Concerto
est aussi disponible pour
euphonium et piano (AMP
374-401) et euphonium et
brass.
Clarinet Concerto Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1145403-010 Composed by Satos...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1145403-010
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145403-010. Published by
De Haske Publications
(BT.DHP-1145403-010).
English-German-French-
Dutch.
The
Clarinet Concerto
is the highpoint of
Satoshi Yagisawa’s
‘Concerto
Series’, which
also includes Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto and
Saxophone Concertino,
as well asConcertino
for Solo Percussion and
Wind Orchestra.
Yagisawa’s
characteristic theme in
the second movement
enjoys great popularity
and is therefore often
performed separately as
Intermezzo.
Het
Clarinet Concerto
vormt het hoogtepunt van
Satoshi Yagisawa’s
Concerto Series, waar ook
zijn Suite Concertante
for Piano and Wind
Orchestra, Trumpet
Concerto, Trombone
Concerto,
Saxophone
Concertino
enConcertino for Solo
Percussion and Wind
Orchestra deel van
uitmaken. Met name
Yagisawa’s
karakteristieke thema uit
het tweede deel is
populair. Daarom wordt
dat vaak als afzonderlijk
stuk uitgevoerd, onder de
titel
Das
Clarinet Concerto
bildet den Höhepunkt
der Concerto-Reihe“
von Satoshi Yagisawa, zu
welcher außerdem
folgende seiner Werke
zählen: Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto,
SaxophoneConcertino
sowie das Concertino
for Solo Percussion and
Wind Orchestra.
Yagisawas
charakteristisches Thema
im zweiten Satz erfreut
sich besonderer
Beliebtheit und wird
daher als
Intermezzo oft
einzeln
aufgeführt.
Il Clarinet
Concerto fa parte
della Concert
Series“ di Satoshi
Yagisawa, che include le
seguenti opere: Suite
Concertante for Piano and
Wind Orchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertino e anche
Concertino forSolo
Percussion and Wind
Orchestra. Il tema
caratteristico di
Yagisawa nel secondo
movimento gode di una
popolarit speciale e
viene quindi spesso
eseguito da solo come
intermezzo.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134702
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor Score
& Parts. Kalmus Orchestra
Library. Score and
Part(s). LudwigMasters
Publications #36-A134702.
Published by
LudwigMasters
Publications
(AP.36-A134702).
UPC:
659359985690.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134748
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A134748.
Published by
LudwigMasters
Publications
(AP.36-A134748).
ISBN
9798888529850. UPC:
659359935244.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134701
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A134701.
Published by
LudwigMasters
Publications
(AP.36-A134701).
ISBN
9798888529843. UPC:
659359537080.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concerto d'Amore Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0950624-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0950624-215
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music.
Score Only. Composed
1995. 28 pages. De Haske
Publications #DHP
0950624-215. Published by
De Haske Publications
(BT.DHP-0950624-215).
9x12 inches.
In
Concerto d’Amore,
a maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto
d’Amore worden
drie verschillende
stijlen gecombineerd:
barok, pop en jazz. De
maestoso introductie van
de compositie klinkt als
een barokouverture. Dan
volgt een energiek
gedeelte in popstijl, dat
uitmondt in eenadagio.
Een motief daaruit is
daarna te horen in een
swingende passage, waarna
het werk besluit met de
terugkeer van het adagio
in een nieuw
jasje.
Concerto
d’Amore
vereinigt drei
unterschiedliche Stile:
Barock, Pop und Jazz. Die
Maestoso bezeichnete
Einleitung der
Komposition klingt wie
eine barocke
Ouvertüre. Es folgt
ein energiereicher
Abschnitt im Pop-Stil,
der wiederum zu einem
Adagio führt. Ein
Motiv aus diesem Adagio
ist in der darauf
folgenden Swing-Passage
zu hören. Dann kehrt
Adagio in neuem Gewand
zurück, um das Werk zu
beenden.
Con
certo d’Amore
si compone di tre periodi
tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue l’adagio che
sviluppa un passaggio
dalle inflessioni swing.
Concerto d’Amore
si conclude con la
ripresa del motivo
dell’adagio la cui
forma alterata offre una
conclusione
brillante.
Concerto d'Amore Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0950624-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0950624-140
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 2006. 36
pages. De Haske
Publications #DHP
0950624-140. Published by
De Haske Publications
(BT.DHP-0950624-140).
9x12 inches.
English-German-French-Dut
ch.
In Concerto
dââ¬â¢Amore, a
maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto
dââ¬â¢Amore worden drie
verschillende stijlen
gecombineerd: barok, pop
en jazz. De maestoso
introductie van de
compositie klinkt als een
barokouverture. Dan volgt
een energiek gedeelte in
popstijl, dat uitmondt in
eenadagio. Een motief
daaruit is daarna te
horen in een swingende
passage, waarna het werk
besluit met de terugkeer
van het adagio in een
nieuw
jasje.
Concerto
dââ¬â¢Amore vereinigt drei
unterschiedliche Stile:
Barock, Pop und Jazz. Die
Maestoso bezeichnete
Einleitung der
Komposition klingt wie
eine barocke
Ouvertüre. Es
folgt ein energiereicher
Abschnitt im Pop-Stil,
der wiederum zu einem
Adagio führt. Ein
Motiv aus diesem Adagio
ist in der darauf
folgenden Swing-Passage
zu hören. Dann
kehrt Adagio in neuem
Gewand zurück, um
das Werk zu beenden.
Concerto
dââ¬â¢Amore si compone di tre
periodi tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue
lââ¬â¢adagio
che sviluppa un passaggio
dalle inflessioni swing.
Concerto
dââ¬â¢Amore si conclude con la
ripresa del motivo
dellââ¬â¢adagi
o la cui forma alterata
offre una conclusione
brillante.
Concerto d'Amore Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0950624-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0950624-010
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 1995.
De Haske Publications
#DHP 0950624-010.
Published by De Haske
Publications
(BT.DHP-0950624-010).
9x12 inches.
In
Concerto d’Amore,
a maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto
d’Amore worden
drie verschillende
stijlen gecombineerd:
barok, pop en jazz. De
maestoso introductie van
de compositie klinkt als
een barokouverture. Dan
volgt een energiek
gedeelte in popstijl, dat
uitmondt in een adagio.
Eenmotief daaruit is
daarna te horen in een
swingende passage, waarna
het werk besluit met de
terugkeer van het adagio
in een nieuw
jasje.
Concerto
d’Amore
vereinigt drei
unterschiedliche Stile:
Barock, Pop und Jazz. Die
Maestoso bezeichnete
Einleitung der
Komposition klingt wie
eine barocke
Ouvertüre. Es folgt
ein energiereicher
Abschnitt im Pop-Stil,
der wiederum zu einem
Adagio führt. Ein
Motiv aus diesem Adagio
ist in der darauf
folgenden Swing-Passage
zu hören. Dann kehrt
Adagio in neuem Gewand
zurück, um das Werk zu
beenden.
Con
certo d’Amore
si compone di tre periodi
tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue l’adagio che
sviluppa un passaggio
dalle inflessioni swing.
Concerto
d’Amore si
conclude con la ripresa
del motivo
dell’adagio la cui
forma alterata offre una
conclusione
brillante.
Tuba Concerto Orchestre d'harmonie - Avancé Anglo Music
Concert Band/Harmonie and Tuba Solo - Grade 5 SKU: BT.AMP-173-140 Compose...(+)
Concert Band/Harmonie and
Tuba Solo - Grade 5
SKU:
BT.AMP-173-140
Composed by Philip
Sparke. Elite Series.
Solo & Concerto. Score
Only. Composed 2007. 56
pages. Anglo Music Press
#AMP 173-140. Published
by Anglo Music Press
(BT.AMP-173-140).
9x12
inches.
English-German-French-Dut
ch.
When writing
his tuba concerto, Philip
Sparke wanted to create a
work which explored the
many aspects of the
instrument’s
technical and vocal
qualities but without
resorting to caricature.
The result is a concerto
in two joined movements,
which can both be
programmed individually,
that contains both many
lyrical lines together
with stunning virtuosic
passages. An outstanding
concerto that tuba
players and brass band
audiences alike will
enjoy and
applaud.
Philip
Sparke schuf mit seinem
Tuba Concerto ganz
bewusst ein Stück, das
der Tuba als
Soloinstrument voll und
ganz gerecht wird. Aus
diesem Grund deckt die
Solostimme fast
dreieinhalb Oktaven ab
und nutzt die technischen
und klanglichen
Qualitäten des
Instruments voll und ganz
aus. Das Konzert besteht
aus zwei
zusammenhängenden
Sätzen, die beide
einzeln aufgeführt
werden können: einem
langsamen Satz und einem
Scherzo. Noten für
eine Aufführung mit
Tuba und Klavier sind
ebenfalls
erhältlich.
Tuba Concerto Orchestre d'harmonie - Avancé Anglo Music
Concert Band/Harmonie and Tuba Solo - Grade 5 SKU: BT.AMP-173-010 Compose...(+)
Concert Band/Harmonie and
Tuba Solo - Grade 5
SKU:
BT.AMP-173-010
Composed by Philip
Sparke. Elite Series.
Solo & Concerto. Set
(Score & Parts). Composed
2007. Anglo Music Press
#AMP 173-010. Published
by Anglo Music Press
(BT.AMP-173-010).
9x12
inches.
English-German-French-Dut
ch.
When writing
his tuba concerto, Philip
Sparke wanted to create a
work which explored the
many aspects of the
instrument’s
technical and vocal
qualities but without
resorting to caricature.
The result is a concerto
in two joined movements,
which can both be
programmed individually,
that contains both many
lyrical lines together
with stunning virtuosic
passages. An outstanding
concerto that tuba
players and brass band
audiences alike will
enjoy and
applaud.
Philip
Sparke schuf mit seinem
Tuba Concerto ganz
bewusst ein Stück, das
der Tuba als
Soloinstrument voll und
ganz gerecht wird. Aus
diesem Grund deckt die
Solostimme fast
dreieinhalb Oktaven ab
und nutzt die technischen
und klanglichen
Qualitäten des
Instruments voll und ganz
aus. Das Konzert besteht
aus zwei
zusammenhängenden
Sätzen, die beide
einzeln aufgeführt
werden können: einem
langsamen Satz und einem
Scherzo. Noten für
eine Aufführung mit
Tuba und Klavier sind
ebenfalls
erhältlich.
Concert band Piano and concert band - Grade 5 SKU: BF.BM863-SCORE Compose...(+)
Concert band Piano and
concert band - Grade 5
SKU:
BF.BM863-SCORE
Composed by Pyotr Ilyich
Tschaikowsky. Arranged by
Jos van de Braak. Baton
Music instrumental
series. Full score. Baton
Music #BM863-SCORE.
Published by Baton Music
(BF.BM863-SCORE).
The 'Piano
Concerto No. 1' in B-flat
minor, Op. 23, is one of
the most popular of
Tschaikowsky's
compositions and among
the best known of all
piano concertos. The
concerto follows the
traditional form of three
movements. The
introduction's theme is
notable for its apparent
formal independence from
the rest of the movement.
Despite its very
substantial nature, this
theme is only heard
twice, and it never
reappears at any later
point in the concerto.
But everyone can point
this concerto by hearing
only the first 4 notes of
the concerto. Dutch
arranger Jos van de Braak
transcribed the complete
concerto for piano with
accompaniment of a
Symphonic Band.
Concert band Piano and concert band - Grade 5 SKU: BF.BM863-SET Composed ...(+)
Concert band Piano and
concert band - Grade 5
SKU: BF.BM863-SET
Composed by Pyotr Ilyich
Tschaikowsky. Arranged by
Jos van de Braak. Baton
Music instrumental
series. Full Score and
set of parts. Baton Music
#BM863-SET. Published by
Baton Music
(BF.BM863-SET).
The 'Piano
Concerto No. 1' in B-flat
minor, Op. 23, is one of
the most popular of
Tschaikowsky's
compositions and among
the best known of all
piano concertos. The
concerto follows the
traditional form of three
movements. The
introduction's theme is
notable for its apparent
formal independence from
the rest of the movement.
Despite its very
substantial nature, this
theme is only heard
twice, and it never
reappears at any later
point in the concerto.
But everyone can point
this concerto by hearing
only the first 4 notes of
the concerto. Dutch
arranger Jos van de Braak
transcribed the complete
concerto for piano with
accompaniment of a
Symphonic Band.
Intermezzo Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 3 SKU: BT.DHP-1125390-140 ...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 3
SKU:
BT.DHP-1125390-140
For Clarinet and
Concert Band /
Harmonie. Composed by
Satoshi Yagisawa. Solo
Spectrum. Score Only.
Composed 2013. 16 pages.
De Haske Publications
#DHP 1125390-140.
Published by De Haske
Publications
(BT.DHP-1125390-140).
9x12 inches.
English-German-French-Dut
ch.
Intermezzo
I> is the second movement
of Satoshi
Yagisawa’s
Clarinet Concerto.
The concerto was first
performed by
Higashi-Hiroshima Wind
Ensemble in Hiroshima,
Japan in 2010 with guest
performer Shinsuke
Hashimoto, clarinettist
with the Hiroshima
Symphony Orchestra and
was conducted by Atsushi
Kageyama. Inspiration for
this work came from the
fact that both Satoshi
Yagisawa and Shinsuke
Hashimoto graduated from
Musashino Academia
Musicae.Clarinet
Concerto>/I> is the
pinnacle of Satoshi
Yagisawa’s
“Concerto
Series†which also
features his Suite
Concertante for Piano and
WindOrchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertino,
andConcertino for Solo
Percussion and Wind
Orchestra.Yagisawaâ
™s characteristic
heartfelt theme in the
second movement is
especially popular and
consequently—entitl
ed
Intermezzo—i
t is often performed
independently.Soloist:
Grade 4
Intermezzo
is het tweede deel van
Satoshi Yagisawa’s
Clarinet Concerto.
Het concert als geheel
werd in 2010 onder
leiding van dirigent
Atsushi Kageyama door het
ensemble in première
gebracht, samen met
gastklarinettist Shinsuke
Hashimoto - die werkzaam
is bij het Hiroshima
Symphony Orchestra. De
inspiratiebron voor het
werk is het gegeven dat
Satoshi Yagisawa en
Shinsuke Hashimoto beiden
hebben gestudeerd aan de
Musashino Academia
Musicae.Clarinet
Concerto vormt het
hoogtepunt van Satoshi
Yagisawa’s
Concerto Series, waar ook
zijn Suite Concertante
for Piano and Wind
Orchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertinoen
Concertino for solo
Percussion and Wind
Orchestra deel van
uitmaken.Met name
Yagisawa’s
karakteristieke
doorvoelde thema uit het
tweede deel is populair.
Daarom wordt dat ook vaak
als afzonderlijk stuk
uitgevoerd, onder de
titel
Intermezzo.Soloist
: Grade 4
Intermezzo
ist der zweite Satz aus
Satoshi Yagisawas
Clarinet Concerto.
Dieses wurde vom
Bläserensemble
Higashi-Hiroshima in
Hiroshima (Japan) für
das 20. Jahreskonzert in
Auftrag gegeben. Es wurde
von diesem Ensemble mit
dem Gastsolisten Shinsuke
Hashimoto, dem
Klarinettisten des
Hiroshima Symphony
Orchestra, unter der
Direktion von Atsushi
Kageyama uraufgeführt.
Satoshi Yagisawa ließ
sich zu diesem Werk vom
gemeinsamen Abschluss mit
Shinsuke Hashimoto an der
Academia Musicae
Musashino inspirieren.
Clarinet Concerto
bildet den Höhepunkt
von Satoshi Yagisawas
Concerto-Reihe“, zu
welcher außerdem
folgende Werke zählen:
Suite Concertante for
Piano andWind Orchestra,
Trumpet Concerto,
Trombone Concerto,
Saxophone Concertino
sowie das Concertino
for Solo Percussion and
Wind Orchestra.Das
charakteristische, innige
Thema aus dem zweiten
Satz erfreut sich
besonderer Beliebtheit
und wird daher als
Intermezzo oft
einzeln
aufgeführt.Solostimme:
Schwierigkeitsgrad 4
Intermezzo Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 3 SKU: BT.DHP-1125390-010 ...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 3
SKU:
BT.DHP-1125390-010
For Clarinet and
Concert Band /
Harmonie. Composed by
Satoshi Yagisawa. Solo
Spectrum. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1125390-010. Published by
De Haske Publications
(BT.DHP-1125390-010).
9x12 inches.
English-German-French-Dut
ch.
Intermezzo
I> is the second movement
of Satoshi
Yagisawa’s
Clarinet Concerto.
The concerto was first
performed by
Higashi-Hiroshima Wind
Ensemble in Hiroshima,
Japan in 2010 with guest
performer Shinsuke
Hashimoto, clarinettist
with the Hiroshima
Symphony Orchestra and
was conducted by Atsushi
Kageyama. Inspiration for
this work came from the
fact that both Satoshi
Yagisawa and Shinsuke
Hashimoto graduated from
Musashino Academia
Musicae.Clarinet
Concerto>/I> is the
pinnacle of Satoshi
Yagisawa’s
“Concerto
Series†which also
features his Suite
Concertante for Piano and
WindOrchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertino,
andConcertino for Solo
Percussion and Wind
Orchestra.Yagisawaâ
™s characteristic
heartfelt theme in the
second movement is
especially popular and
consequently—entitl
ed
Intermezzo—i
t is often performed
independently.Soloist:
Grade 4
Intermezzo
is het tweede deel van
Satoshi Yagisawa’s
Clarinet Concerto.
Het concert als geheel
werd in 2010 onder
leiding van dirigent
Atsushi Kageyama door het
ensemble in première
gebracht, samen met
gastklarinettist Shinsuke
Hashimoto - die werkzaam
is bij het Hiroshima
Symphony Orchestra. De
inspiratiebron voor het
werk is het gegeven dat
Satoshi Yagisawa en
Shinsuke Hashimoto beiden
hebben gestudeerd aan de
Musashino Academia
Musicae.Clarinet
Concerto vormt het
hoogtepunt van Satoshi
Yagisawa’s
Concerto Series, waar ook
zijn Suite Concertante
for Piano and Wind
Orchestra, Trumpet
Concerto, Trombone
Concerto, Saxophone
Concertinoen
Concertino for solo
Percussion and Wind
Orchestra deel van
uitmaken.Met name
Yagisawa’s
karakteristieke
doorvoelde thema uit het
tweede deel is populair.
Daarom wordt dat ook vaak
als afzonderlijk stuk
uitgevoerd, onder de
titel
Intermezzo.Soloist
: Grade 4
Intermezzo
ist der zweite Satz aus
Satoshi Yagisawas
Clarinet Concerto.
Dieses wurde vom
Bläserensemble
Higashi-Hiroshima in
Hiroshima (Japan) für
das 20. Jahreskonzert in
Auftrag gegeben. Es wurde
von diesem Ensemble mit
dem Gastsolisten Shinsuke
Hashimoto, dem
Klarinettisten des
Hiroshima Symphony
Orchestra, unter der
Direktion von Atsushi
Kageyama uraufgeführt.
Satoshi Yagisawa ließ
sich zu diesem Werk vom
gemeinsamen Abschluss mit
Shinsuke Hashimoto an der
Academia Musicae
Musashino inspirieren.
Clarinet Concerto
bildet den Höhepunkt
von Satoshi Yagisawas
Concerto-Reihe“, zu
welcher außerdem
folgende Werke zählen:
Suite Concertante for
Piano andWind Orchestra,
Trumpet Concerto,
Trombone Concerto,
Saxophone Concertino
sowie das Concertino
for Solo Percussion and
Wind Orchestra.Das
charakteristische, innige
Thema aus dem zweiten
Satz erfreut sich
besonderer Beliebtheit
und wird daher als
Intermezzo oft
einzeln
aufgeführt.Solostimme:
Schwierigkeitsgrad 4
Concordia Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064074-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064074-010
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064074-010. Published by
De Haske Publications
(BT.DHP-1064074-010).
9x12 inches.
English-German-French-Dut
ch.
This unusual
concert work,
commissioned by the
concert band ?Harmonie
Concorde? from Sanem in
Luxembourg, is built on
two basic ideas: the
evolution of the economic
and social context of
this Luxembourg city with
its strong mining
industry and the European
concept, which is clearly
present in this very
small but prosperous
country with its many
European institutes. This
is musically expressed in
a few quotes from the
European hymn Ode to Joy,
the closing of
Beethoven?s Ninth
Symphony and from the Te
Deum by Charpentier ?
widely known as the
signature tune for
Eurovision broadcasts. A
work of true
unity.
Aan dit
concertwerk - geschreven
voor de Harmonie Concorde
uit Sanem in Luxemburg -
liggen twee
basisideeën ten
grondslag. Als eerste de
sociaal-economische
context van het stadje:
de mijnbouw heeft
decennialang mensen uit
diverselanden
aangetrokken, met name
Portugal. Dit wordt ge
llustreerd door de
verwerking van een
authentiek arbeidslied
uit dat land. De tweede
pijler is de Europese
gedachte die in Luxemburg
duidelijk aanwezig is.
Dit komt muzikaal
totuiting in een
dynamische thematiek en
citaatjes uit Ode an
die Freude van
Beethoven en het Te
Deum van Charpentier
- de herkenningstune voor
Eurovisie-uitzendingen.
Concordia, een
werk dat verschillende
elementenin zich
verenigt, staat symbool
voor eenheid.
Zwei
Bilder des Landes
Luxemburg bilden die
Grundlage dieses
ungewöhnlichen Werkes:
Zunächst beschreiben
schöne, teilweise
düstere Klänge die
Bergbauregion Luxemburg
und ihre vielen
Gastarbeiter.Mit Zitaten
aus Beethovens Ode an
die Freude und
Charpentiers Te
Deum wird Luxemburg
als Sitz einiger
wichtiger europäischer
Institutionen
vorgestellt. Der
gemeinsame Nenner und
Inspiration zum Titel
Concordia -
lateinisch für Einheit
- ist das funktionierende
Miteinander
vielfältiger Kulturen
und Interessen in so
einem kleinen
Land.
Concordia
è un brano
commissionato a Jan Van
der Roost
dall’Orchestra di
Fiati Concorde di Sanem
in Lussemburgo. Questo
inusuale brano da
concerto si appoggia su
due elementi principali:
l’evoluzione del
contesto economico e
sociale di questa citt
lussemburghese situata in
una regione mineraria, e
l’ideale europeo
evidenziato da una ricca
gamma di suoni e
dall’utilizzo di
qualche frammento
dell’Inno alla
Gioia e del Te
Deum.
Evergreen Concerto Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 3 SKU: BT.DHP-1053845-010 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 3
SKU:
BT.DHP-1053845-010
For Trumpet and
Concert Band.
Composed by Kees
Schoonenbeek. Soloworks.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053845-010.
Published by De Haske
Publications
(BT.DHP-1053845-010).
English-German-French-
Dutch.
This
fantastic new work is set
to become a classic in
the trumpet repertoire.
Each of its three
contrasting movements can
be played alone as
shorter pieces or
together as a mini
concerto. The second
movement is particularly
interesting in the fact
it is a fantasy in theme
and variations form,
based on a Handel minuet.
A must for all trumpet
players of an
intermediate to advanced
level.
Deel een
van dit werk draait om
twee contrasterende
thema’s: het
eerste is resoluut, het
tweede lyrischer. Het
tweede deel is een
fantasie over een menuet
van Händel. Het derde
deel begint met een
energiek thema, waarna
een themamet een ander
karakter volgt. De twee
thema’s wisselen
elkaar af, uitmondend in
een cantabile. Het
concerto eindigt met een
reprise van de eerste
twee
thema’s.
In
diesem dreisätzigen
Werk verarbeitete Kees
Schoonenbeek mehrere
eigene Themen sowie ein
Menuett von Händel.
Ein Thema ist resolut,
das nächste eher
lyrisch, ein drittes sehr
energisch. Aus der
Gegenüberstellung,
Weiterentwicklung und
abwechselnden
Wiederholung dieser
Themen und Melodien
ergeben sich interessante
Kontraste, die das
Evergreen Concerto
zu einem wahren Evergreen
machen, an dem sich das
Publikum nie satt
hören wird.
Evergreen Concerto Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie and Trumpet Solo - Grade 3 SKU: BT.DHP-1053845-140 ...(+)
Concert Band/Harmonie and
Trumpet Solo - Grade 3
SKU:
BT.DHP-1053845-140
For Trumpet and
Concert Band.
Composed by Kees
Schoonenbeek. Soloworks.
Concert Piece. Score
Only. Composed 2005. 72
pages. De Haske
Publications #DHP
1053845-140. Published by
De Haske Publications
(BT.DHP-1053845-140).
English-German-French-
Dutch.
This
fantastic new work is set
to become a classic in
the trumpet repertoire.
Each of its three
contrasting movements can
be played alone as
shorter pieces or
together as a mini
concerto. The second
movement is particularly
interesting in the fact
it is a fantasy in theme
and variations form,
based on a Handel minuet.
A must for all trumpet
players of an
intermediate to advanced
level.
Deel een
van dit werk draait om
twee contrasterende
thema’s: het
eerste is resoluut, het
tweede lyrischer. Het
tweede deel is een
fantasie over een menuet
van Händel. Het derde
deel begint met een
energiek thema, waarna
een themamet een ander
karakter volgt. De twee
thema’s wisselen
elkaar af, uitmondend in
een cantabile. Het
concerto eindigt met een
reprise van de eerste
twee
thema’s.
In
diesem dreisätzigen
Werk verarbeitete Kees
Schoonenbeek mehrere
eigene Themen sowie ein
Menuett von Händel.
Ein Thema ist resolut,
das nächste eher
lyrisch, ein drittes sehr
energisch. Aus der
Gegenüberstellung,
Weiterentwicklung und
abwechselnden
Wiederholung dieser
Themen und Melodien
ergeben sich interessante
Kontraste, die das
Evergreen Concerto
zu einem wahren Evergreen
machen, an dem sich das
Publikum nie satt
hören wird.
Euphonium Concerto Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.DHP-1206255-010(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 4
SKU:
BT.DHP-1206255-010
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Set
(Score & Parts). Composed
2020. De Haske
Publications #DHP
1206255-010. Published by
De Haske Publications
(BT.DHP-1206255-010).
English-German-French-
Dutch.
This
three-movement concerto
(Allegro con brio,
Espressivo and
Vivacissimo) was
commissioned by the
famous Japanese euphonium
player Tamao Araki. It
demands a high level of
instrumental proficiency
from the soloist, while
the accompaniment is less
demanding and accessible
for a band of an average
level. Yagisawa’s
clever use of the
euphonium’s
colourful sound palette
with its beautiful
melodic lines makes this
composition a rare jewel.
Dit concerto in
drie delen (Allegro con
brio, Espressivo en
Vivacissimo) werd
geschreven in opdracht
van de beroemde Japanse
eufoniumspeler Tamao
Araki. Het vraagt een
grote technische
vaardigheid van de
solist: de rol van het
orkest is minder
veeleisend, wat betekent
dat het werk goed
speelbaar is voor een
orkest van gemiddeld
niveau. Met
Yagisawa’s fraaie
melodielijnen en zijn
vakkundige gebruik van de
klankkleuren van het
eufonium is deze
compositie een absoluut
juweeltje.
Dieses
Konzert hat drei Sätze
(Allegro con brio,
Espressivo und
Vivacissimo) und wurde
von dem berühmten
japanischen
Euphonium-Spieler Tamao
Araki in Auftrag gegeben.
Es erfordert vom Solisten
ein hohes Maß an
instrumentalen
Fertigkeiten. Die
Begleitung hingegen ist
weniger anspruchsvoll und
kann von Blasorchestern
mit durchschnittlichem
Niveau gemeistert werden.
Yagisawas geschickte
Verwendung der
farbenreichen
Klangpalette des
Euphoniums sowie
wunderschöne
Melodielinien machen aus
dieser Komposition ein
wahres
Glanzstück.
Euphonium Concerto Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Euphonium Solo - Grade 4 SKU: BT.DHP-1206255-140(+)
Concert Band/Harmonie and
Euphonium Solo - Grade 4
SKU:
BT.DHP-1206255-140
Composed by Satoshi
Yagisawa. Solo Spectrum.
Solo & Concerto. Score
Only. Composed 2020. 67
pages. De Haske
Publications #DHP
1206255-140. Published by
De Haske Publications
(BT.DHP-1206255-140).
English-German-French-
Dutch.
This
three-movement concerto
(Allegro con brio,
Espressivo and
Vivacissimo) was
commissioned by the
famous Japanese euphonium
player Tamao Araki. It
demands a high level of
instrumental proficiency
from the soloist, while
the accompaniment is less
demanding and accessible
for a band of an average
level. Yagisawa’s
clever use of the
euphonium’s
colourful sound palette
with its beautiful
melodic lines makes this
composition a rare jewel.
Dit concerto in
drie delen (Allegro con
brio, Espressivo en
Vivacissimo) werd
geschreven in opdracht
van de beroemde Japanse
eufoniumspeler Tamao
Araki. Het vraagt een
grote technische
vaardigheid van de
solist: de rol van het
orkest is minder
veeleisend, wat betekent
dat het werk goed
speelbaar is voor een
orkest van gemiddeld
niveau. Met
Yagisawa’s fraaie
melodielijnen en zijn
vakkundige gebruik van de
klankkleuren van het
eufonium is deze
compositie een absoluut
juweeltje.
Dieses
Konzert hat drei Sätze
(Allegro con brio,
Espressivo und
Vivacissimo) und wurde
von dem berühmten
japanischen
Euphonium-Spieler Tamao
Araki in Auftrag gegeben.
Es erfordert vom Solisten
ein hohes Maß an
instrumentalen
Fertigkeiten. Die
Begleitung hingegen ist
weniger anspruchsvoll und
kann von Blasorchestern
mit durchschnittlichem
Niveau gemeistert werden.
Yagisawas geschickte
Verwendung der
farbenreichen
Klangpalette des
Euphoniums sowie
wunderschöne
Melodielinien machen aus
dieser Komposition ein
wahres
Glanzstück.
Concordia Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064074-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1064074-140
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Score Only. Composed
2006. De Haske
Publications #DHP
1064074-140. Published by
De Haske Publications
(BT.DHP-1064074-140).
9x12 inches.
English-German-French-Dut
ch.
This unusual
concert work,
commissioned by the
concert band ?Harmonie
Concorde? from Sanem in
Luxembourg, is built on
two basic ideas: the
evolution of the economic
and social context of
this Luxembourg city with
its strong mining
industry and the European
concept, which is clearly
present in this very
small but prosperous
country with its many
European institutes. This
is musically expressed in
a few quotes from the
European hymn Ode to Joy,
the closing of
Beethoven?s Ninth
Symphony and from the Te
Deum by Charpentier ?
widely known as the
signature tune for
Eurovision broadcasts. A
work of true
unity.
Zwei Bilder
des Landes Luxemburg
bilden die Grundlage
dieses ungewöhnlichen
Werkes: Zunächst
beschreiben schöne,
teilweise düstere
Klänge die
Bergbauregion Luxemburg
und ihre vielen
Gastarbeiter.Mit Zitaten
aus Beethovens Ode an
die Freude und
Charpentiers Te
Deum wird Luxemburg
als Sitz einiger
wichtiger europäischer
Institutionen
vorgestellt. Der
gemeinsame Nenner und
Inspiration zum Titel
Concordia -
lateinisch für Einheit
- ist das funktionierende
Miteinander
vielfältiger Kulturen
und Interessen in so
einem kleinen
Land.
Concordia
è un brano
commissionato a Jan Van
der Roost
dall’Orchestra di
Fiati Concorde di Sanem
in Lussemburgo. Questo
inusuale brano da
concerto si appoggia su
due elementi principali:
l’evoluzione del
contesto economico e
sociale di questa citt
lussemburghese situata in
una regione mineraria, e
l’ideale europeo
evidenziato da una ricca
gamma di suoni e
dall’utilizzo di
qualche frammento
dell’Inno alla
Gioia e del Te
Deum.
Concerto Capriccioso Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Flute Solo - Grade 4 SKU: BT.DHP-1053846-010 (+)
Concert Band/Harmonie and
Flute Solo - Grade 4
SKU:
BT.DHP-1053846-010
For Flute and Concert
Band. Composed by
Kees Schoonenbeek.
Soloworks. Concert Piece.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053846-010. Published by
De Haske Publications
(BT.DHP-1053846-010).
English-German-French-
Dutch.
Concerto
Cappricioso begins with a
short fanfare-like
opening. It?s three
movements then develop
with exciting dialogues
between the soloist and
the main concert band,
which both answers and
accompanies the soloist,
in addition to adding
their own new material.
The musical game between
the solis and
accompaniment will
captivate and delight
your audience every time.
Concerto
Capriccioso begint
met een fanfareachtige
introductie, waarna een
korte ‘solo
rubato’ volgt. Dan
begint het echte
‘concertato’
. De begeleiding
antwoordt en
becommentarieert met
tussenpozen. De
introductie duikt weerop,
waarna dezelfde opzet nog
eens volgt. Deel twee
presenteert een tweede
thema, als een dialoog
uitgewerkt. Het
beginthema keert terug,
maar met een anders
opgezette begeleiding.
Het derde deel is een
brede dialoog tussen
solisten begeleiding. De
opnieuw fanfareachtige
inleiding komt steeds als
een refrein terug tussen
de tarantella-achtige
solopassages. Het spel
tussen de solist en de
begeleiding blijft steeds
boeiend.
Concer
to Cappricioso
beginnt mit einer kurzen
fanfareähnlichen
Einleitung. Dann
entwickeln sich drei
Sätze voll von
spannenden Dialogen
zwischen dem Solisten und
dem übrigen
Blasorchester, das mal
kommentierend, mal
antwortend und mal
begleitend agiert. Das
musikalische Spiel
zwischen Solist und
Begleitung wird Ihr
Publikum immer wieder
aufs Neue begeistern.
La breve
introduzione prepara
l’entrata del
solista che esplora il
tessuto musicale
attraverso un assolo
eseguito rubato. La
musica adotta in seguito
la forma del concertato.
L’accompagnamento
svela le sue risposte e
commenta il soggetto con
intervalli. Il secondo
movimento è una dolce
fantasia, mentre il terzo
sviluppa un dialogo tra
il solista e
l’accompagnamento.
Il gioco musicale si
dimostra per il pubblico
particolarmente piacevole
e accattivante.
Wind Band - Grade 3 SKU: YM.GTW01084194 Concert Band. New Sounds in Brass...(+)
Wind Band - Grade 3
SKU:
YM.GTW01084194
Concert Band. New Sounds
in Brass (NSB). Arranged
Classics. Score & Parts.
Yamaha Music Media
#GTW01084194. Published
by Yamaha Music Media
(YM.GTW01084194).
ISBN
9784636841947.
New
Sounds in Concert Band
Series (NSB). Memorial
arrangement for 300th
year of the birthday of
Piano by pop arranger
Mashima Duration:
approx6'10 Arranged
by Toshio
Mashima
Medley of:
First Movement of
Tchaikovsky's Piano
Concerto No.1; First
Movement of Grieg's Piano
Concerto; Rachmaninoff's
Rhapsody on the Theme of
Paganini Variation; Third
Movement of
Rachmaninoff's Piano
Concerto No.2 Zu Qu
Chai Ke Fu Si Ji Di
Yi Gang Qin Xie Zou Qu Di
Yi Le Zhang ; Ge Li Ge
Gang Qin Bian Zou Qu Di
Yi Le Zhang ; La He Ma Ni
Nuo Fu Pa Ge Ni Ni Zhu Ti
Kuang Xiang Qu ; La He Ma
Ni Nuo Fu Di Er Gang Qin
Xie Zou Qu Di San Le
Zhang.
Concordia Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band - Grade 3 SKU: BT.DHP-1064074-040 Composed by Jan Van der Ro...(+)
Concert Band - Grade 3
SKU:
BT.DHP-1064074-040
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064074-040. Published by
De Haske Publications
(BT.DHP-1064074-040).
9x12 inches.
English-German-French-Dut
ch.
This unusual
concert work,
commissioned by the
concert band ?Harmonie
Concorde? from Sanem in
Luxembourg, is built on
two basic ideas: the
evolution of the economic
and social context of
this Luxembourg city with
its strong mining
industry and the European
concept, which is clearly
present in this very
small but prosperous
country with its many
European institutes. This
is musically expressed in
a few quotes from the
European hymn Ode to Joy,
the closing of
Beethoven?s Ninth
Symphony and from the Te
Deum by Charpentier ?
widely known as the
signature tune for
Eurovision broadcasts. A
work of true
unity.
Zwei Bilder
des Landes Luxemburg
bilden die Grundlage
dieses ungewöhnlichen
Werkes: Zunächst
beschreiben schöne,
teilweise düstere
Klänge die
Bergbauregion Luxemburg
und ihre vielen
Gastarbeiter.Mit Zitaten
aus Beethovens Ode an
die Freude und
Charpentiers Te
Deum wird Luxemburg
als Sitz einiger
wichtiger europäischer
Institutionen
vorgestellt. Der
gemeinsame Nenner und
Inspiration zum Titel
Concordia -
lateinisch für Einheit
- ist das funktionierende
Miteinander
vielfältiger Kulturen
und Interessen in so
einem kleinen
Land.
Concordia
è un brano
commissionato a Jan Van
der Roost
dall’Orchestra di
Fiati Concorde di Sanem
in Lussemburgo. Questo
inusuale brano da
concerto si appoggia su
due elementi principali:
l’evoluzione del
contesto economico e
sociale di questa citt
lussemburghese situata in
una regione mineraria, e
l’ideale europeo
evidenziato da una ricca
gamma di suoni e
dall’utilizzo di
qualche frammento
dell’Inno alla
Gioia e del Te
Deum.