Organ SKU: GI.G-003085 Composed by Edward Eicker. Advent 1 Year B, Advent...(+)
Organ
SKU:
GI.G-003085
Composed
by Edward Eicker. Advent
1 Year B, Advent 2 Year
B, Advent 3 Year A,
Advent 2 Year C. Sacred.
GIA Publications #003085.
Published by GIA
Publications
(GI.G-003085).
In the same
style as his popular Just
A Minute! collection, Ed
Eicker once again offers
a group of brief and
accessible pieces useful
at liturgy for preludes,
offertory, or postludes.
Organists will defintely
want to have this
rewarding gathering of
appealing miniatures
handy throughout the
year. Short in duration,
long on enjoyment!
Composed
by Johannes Brahms.
German title: Ave Maria
op.12. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Double Bass. Composed
1858. Op. 12. 2 pages.
Duration 5 minutes. Carus
Verlag #CV 40.180/15.
Published by Carus Verlag
(CA.4018015).
ISBN
9790007064099. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and part
available separately -
see item CA.4018000.
Composed
by Johannes Brahms.
German title: Ave Maria
op.12. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. Composed 1858.
Op. 12. 2 pages. Duration
5 minutes. Carus Verlag
#CV 40.180/12. Published
by Carus Verlag
(CA.4018012).
ISBN
9790007064068. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and part
available separately -
see item CA.4018000.
Composed
by Johannes Brahms.
German title: Ave Maria.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed 1858. Op.
12. Duration 5 minutes.
Carus Verlag #CV
40.180/19. Published by
Carus Verlag
(CA.4018019).
ISBN
9790007137816. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and parts
available separately -
see item CA.4018000.
Composed
by Johannes Brahms.
German title: Ave Maria.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Vocal score.
Composed 1858. Op. 12.
Duration 5 minutes. Carus
Verlag #CV 40.180/03.
Published by Carus Verlag
(CA.4018003).
ISBN
9790007064037. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score available
separately - see item
CA.4018000.
Organ - intermediate SKU: HL.49046018 On the Introit of the Feast of t...(+)
Organ - intermediate
SKU: HL.49046018
On the Introit of the
Feast of the Epiphany
Organ. Composed by
Naji Hakim. This edition:
Saddle stitching. Sheet
music. Organ Large Works.
Classical, General
Worship, Sacred.
Softcover. 28 pages.
Duration 480 seconds.
Schott Music #ED22840.
Published by Schott Music
(HL.49046018).
ISBN
9790001166539. UPC:
841886026728. 9.0x12.0
inches. English -
Danish.
This
toccata is based on the
introit to the Christian
Epiphany festival and
solemnly announces the
appearance of the Lord.
As a toccata, the work is
an introduction to
Hakim's Adoration
(Schott, ED 22614) for
voice, flute and organ, a
paraphrase of the first
three introitus to
Epiphany. The Toccata
develops a series of
symphonic variations with
virtuoso movements that
emphasize the
expressiveness of the
words of the Gregorian
text: Ecce advenit
dominator dominus: et
regnum in manu ejus, et
potestas, et empium.
Deus, judicium tuum regi
da: et justitiam tuam
Filio regis. (Behold, the
Lord, the ruler, comes:
and the kingdom is in his
hand, and the power and
the dominion. God, give
your judicial office to
the king: and yours
Justice to the son of the
king.) (Malachi 3: 1, I
Chronicles 29:12, Psalm
71: 1, 10, 11).
Composed
by Johannes Brahms.
German title: Ave Maria
op.12. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. Composed 1858.
Op. 12. 2 pages. Duration
5 minutes. Carus Verlag
#CV 40.180/11. Published
by Carus Verlag
(CA.4018011).
ISBN
9790007064051. Key: F
major. Language:
Latin/English.
Brah
ms's Ave Maria was
composed in 1858. The
widely-held opinions in
the literature on Brahms
- that the work has
justifiably been
forgotten, the
part-writing is
monotonous and the style
and diction is ponderous
- don't do justice to a
truly charming piece,
based on folksong-like
models. Score and part
available separately -
see item CA.4018000.
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
For voice and organ. Format: organ/vocal songbook (two copies needed for perform...(+)
For voice and organ.
Format: organ/vocal
songbook (two copies
needed for performance).
With vocal melody,
lyrics, organ
accompaniment and chord
names. Hymn. 132 pages.
9x12 inches. Published by
Hal Leonard.
Organ (Organ) SKU: HL.48186559 Composed by Thé and odore Dubois. Le...(+)
Organ (Organ)
SKU:
HL.48186559
Composed
by Thé and odore
Dubois. Leduc. Classical.
Softcover. 76 pages.
Alphonse Leduc #AL9150.
Published by Alphonse
Leduc (HL.48186559).
UPC: 888680797324.
8.0x11.5x0.243
inches.
At just 34
years of age, Theodore
Dubois was installed as a
professor of harmony at
the Paris Conservatoire.
Whilst much of his
compositional works have
disappeared from primary
classical repertoire, his
12 New Pieces for Organ
remain prominent. Whilst
being a significant
figure in the field of
teaching, Dubois was also
a revered organist,
occupying the post of
organist at the
Madeleine. Dubois' 12 New
Pieces vary in character,
beginning with a helpful
index of performance
directions. For all
aspiring, advanced
organists, Dubois' 12 New
Pieces ensure variety and
versatility within the
repertoire..
Organ SKU: BR.EB-8364 Eine musikalische Schilderung auf der Orgel....(+)
Organ
SKU:
BR.EB-8364
Eine
musikalische Schilderung
auf der Orgel.
Composed by Justin
Heinrich Knecht. Edited
by Heinz W. Hohnen. Solo
instruments; stapled.
Edition Breitkopf.
Classical period. Score.
36 pages. Breitkopf and
Haertel #EB 8364.
Published by Breitkopf
and Haertel (BR.EB-8364).
ISBN 9790004176719. 12
x 9 inches.
Justin
Heinrich Knecht wurde
1752 in Biberach an der
Riss geboren, wo er auch
nach einem reich
erfullten Musikerleben -
er war Lehrer, Organist,
Kantor und Dirigent der
angesehenen Biberacher
Orchestervereinigung -
1817 starb Im pastoralen
Charakter der
,,Hirtengesange spiegelt
sich der
galant-empfindsame Stil
der Epoche, und die
klaviermassig angelegten
Variationen entsprechen
ganz der suddeutschen
Orgelmusikpflege. Der
Wandel der geistigen und
asthetischen Auffassung
in der 2. Halfte des 18.
Jahrhunderts liess nicht
nur die Orgel in das
Fahrwasser der weltlichen
Musik geraten, er bahnte
auch der Darstellung von
Gewitter und Sturm, die
bis dahin weitgehend
szenischen und
oratorischen Werken
vorbehalten war, den Weg
auf die Orgelemporen. Die
,,Hirtenwonne ist eine
durchkomponierte Szene,
die in eine klar
uberschaubare dreiteilige
Grossform eingebunden
ist. 1. und 5. Satz
beinhalten die
Hirtengesange, der 3.
Satz enthalt das in die
musikalische Romantik
vorausweisende Gewitter.
Die beiden restlichen
Satze haben
Gelenkfunktion. Der
symmetrischen
Gesamtanlage der
Komposition scheinen auch
die 20 Donnerstellen zu
entsprechen, die die
Cluster-Technik unseres
Jahrhunderts
vorwegnehmen. Der
starkste ,,Donner mit
Schlagen erdrohnt genau
in der Werkmitte.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.BHM-367 Verzeichnis cantus-firmus-gebundener Orgelmusik<...(+)
Organ
SKU:
BR.BHM-367
Verzeichnis
cantus-firmus-gebundener
Orgelmusik. Composed
by Martin Bieri. Solo
instruments. Breitkopf
New Media. The Sherlock
Holmes of the Organ Gets
a Makeover. Music
pedagogy. New Media.
Breitkopf and Haertel
#BHM 367. Published by
Breitkopf and Haertel
(BR.BHM-367).
ISBN
9783765103674. 9 x 12
inches.
Seek
(ricercare) and you will
find! The little angel on
the cover of the book
shows the organist the
way to the music he's
looking for! In an
incredibly time-consuming
endeavor, Martin Bieri
has compiled all
currently available
chorale-based organ
works, cataloguing about
15,600 works. The bulk of
the work is devoted to
(chorale) melodies that
can be found in the major
German-language hymnals.
The Ricercare Book offers
concise information along
with indexes of
arrangements, composers,
editions and publishers.
Nach acht Jahren Laufzeit
war es soweit: Ricercare
der Sherlock Holmes des
Organisten brauchte
dringend eine
Frischzellenkur d. h.
neue Informationen und
technische Updates. Das
Lifting hat der CD-ROM
gut getan. Ricercare
saust nunmehr mit neuer
Kraft (neuen
Informationen)
prestissimo durch die
weite Datenwelt von uber
20.000
cantus-firmus-gebundenen
Orgelwerken und gibt
umfassend Auskunft uber
Melodien Komponisten
Ausgaben Bearbeitungen
Verlage u. a. m.
After eight years on the
beat it was finally time
for Ricercare the
Sherlock Holmes of the
Organ to get a badly
needed makeover i.e. to
be supplied with new
information and technical
updates. The makeover did
a world of good to the
CD-ROM. Loaded with new
info Ricercare now zips
along prestissimo through
the vast data world of
more than 20 000
cantus-firmus-related
organ works and provides
comprehensive information
on melodies composers
editions arrangements
publishers and much
more.
The
present edition is based
on the music text of the
,,Gesamtausgabe of Robert
Schumann's works edited
by Clara Schumann
together with Johannes
Brahms and others between
1879 und 1893. This
publication is almost
entirely free from
arbitrary alterations in
the text. A few obvious
errors and unjustifiable
alterations of the
musical text were
eliminated after a
thorough comparison with
the first editions. Die
vorliegende Ausgabe folgt
dem Notentext der von
Clara Schumann in
Zusammenarbeit mit
Johannes Brahms u. a.
zwischen 1879 und 1893
herausgegebenen
Gesamtausgabe von Robert
Schumanns Werken. Diese
Edition ist von
willkurlichen
Veranderungen des Textes
weitgehend frei. Einige
offensichtliche Irrtumer
und nicht zu
rechtfertigende Eingriffe
in den Notentext wurden
nach Vergleich mit der
Erstausgabe und dem
Autograph beseitigt. The
present edition is based
on the music text of the
,,Gesamtausgabe of Robert
Schumann's works edited
by Clara Schumann
together with Johannes
Brahms and others between
1879 und 1893. This
publication is almost
entirely free from
arbitrary alterations in
the text. A few obvious
errors and unjustifiable
alterations of the
musical text were
eliminated after a
thorough comparison with
the first edition and the
autograph.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Organ SKU: CA.5027100 Composed by Josef Gabriel Rheinberger. Edited by Ma...(+)
Organ
SKU:
CA.5027100
Composed
by Josef Gabriel
Rheinberger. Edited by
Martin Weyer. Carus
digital: Extra digital
products. Full Score. WoO
25. Carus Verlag
#5027100. Published by
Carus Verlag
(CA.5027100).
ISBN
9790007298357.
As
well as 20 organ sonatas
and seven collections of
stand-alone organ pieces
with opus numbers,
Rheinberger composed a
whole range of smaller
works for organ methods
or organ collections for
his favorite instrument,
mainly at the request of
colleagues and
friends.
The
posthumously compiled
collection of ten smaller
organ pieces WoO 25
brings together a series
of interesting pieces
from the years 1854 to
1896. It includes one of
just two chorale settings
by Rheinberger, the
prelude on “Wenn
ich einmal soll
scheidenâ€. With
short trios, preludes and
fugues in different keys,
the collection is
particularly suitable for
use in worship, but also
for teaching.
Separate edition
from Supplementary Volume
3 of the Rheinberger
Complete Edition
Orchestra Solo Voices, SATB Chorus, Orchestra, Organ SKU: CA.2709213 Comp...(+)
Orchestra Solo Voices,
SATB Chorus, Orchestra,
Organ
SKU:
CA.2709213
Composed
by Anton Bruckner. Edited
by Knut Breyer. Single
Part, viola. WAB 26.
Duration 45 minutes.
Carus Verlag #2709200.
Published by Carus Verlag
(CA.2709213).
ISBN
9790007248758. Key: D
minor. Latin.
Anton
Bruckner composed his
first mass, the Mass in D
minor, in 1864 in just
four months. It was not
ready in time for the
Kaiser Franz Joseph I's
birthday, as planned, but
was first performed on 20
November at the Feast of
St Cecilia in Linz
Cathedral - with great
success. The mass is one
of the first works by
Bruckner to be written in
his characteristic
symphonic style. It was
revised several times and
first published in 1892.
This edition is based on
a critical evaluation of
all the relevant sources,
and offers an improved
musical text. Score and
part available separately
- see item
CA.2709200.