Right@Sight est basé sur le matériel musical de lecture et de Play sight-reading série célèbre de T.A. Johnson. À l'aide d'une présentation entièrement nouveau, Caroline Evans apporte une approche rafraîchissante directe à l'élaboration de ce talent musical vital. Chaque exercice prend comme son TRaK de point de départ - temps, de rythme et de clés. Orientation utile et imaginative encourage les étudiants à relever les défis pratiques et interprétatives divers introduits dans chaque nouvelle pièce. Commodément présenté en 8 volumes progressives correspondant aux grades de l'examen, Right@Sight est le seul sight-reading vous êtes probablement besoin de cours. / Piano

Right@Sight est basé sur le matériel musical de lecture et de Play sight-reading série célèbre de T.A. Johnson. À l'aide d'une présentation entièrement nouveau, Caroline Evans apporte une approche rafraîchissante directe à l'élaboration de ce talent musical vital. Chaque exercice prend comme son TRaK de point de départ - temps, de rythme et de clés. Orientation utile et imaginative encourage les étudiants à relever les défis pratiques et interprétatives divers introduits dans chaque nouvelle pièce. Commodément présenté en 8 volumes progressives correspondant aux grades de l'examen, Right@Sight est le seul sight-reading vous êtes probablement besoin de cours. / Piano

Right@Sight est basé sur le matériel musical de lecture et de Play sight-reading série célèbre de T.A. Johnson. À l'aide d'une présentation entièrement nouveau, Caroline Evans apporte une approche rafraîchissante directe à l'élaboration de ce talent musical vital. Chaque exercice prend comme son TRaK de point de départ - temps, de rythme et de clés. Orientation utile et imaginative encourage les étudiants à relever les défis pratiques et interprétatives divers introduits dans chaque nouvelle pièce. Commodément présenté en 8 volumes progressives correspondant aux grades de l'examen, Right@Sight est le seul sight-reading vous êtes probablement besoin de cours. / Piano

Right@Sight est basé sur le matériel musical de lecture et de Play sight-reading série célèbre de T.A. Johnson. À l'aide d'une présentation entièrement nouveau, Caroline Evans apporte une approche rafraîchissante directe à l'élaboration de ce talent musical vital. Chaque exercice prend comme son TRaK de point de départ - temps, de rythme et de clés. Orientation utile et imaginative encourage les étudiants à relever les défis pratiques et interprétatives divers introduits dans chaque nouvelle pièce. Commodément présenté en 8 volumes progressives correspondant aux grades de l'examen, Right@Sight est le seul sight-reading vous êtes probablement besoin de cours. / Piano

A Dozen A Day Songbook and lt - /strong and gt - series contains wonderful Broadway, movie and pop hits that may be used as companion pieces to the memorable technique exercises in the and lt - em and gt - A Dozen A Day and lt - /em and gt - series. and lt - /p and gt - and lt - p and gt - Also suitable as supplements with any method. and lt - /p and gt - and nbsp - and lt - p and gt - Songs in and lt - strong and gt - A Dozen A Day Songbook: Piano - and nbsp - Mini Book/CD and lt - /strong and gt - include and lt - em and gt - Any Dream Will Do, A Dream Is a Wish Your Heart Makes, and nbsp - Lean on Me, and nbsp - You'll Never Walk Alone and lt - /em and gt - and and lt - em and gt - Can You Feel the Love Tonight and lt - /em and gt - . and lt - /p and gt - / Piano

The catalyst for the piano cycle ?Pictures at an Exhibition?, composed in 1874, was a memorial exhibition held that year for the artist and architect Viktor Hartmann. He was a friend of Mussorgsky who had died in 1873.

It is not only Mussorgsky?s most important contribution to the piano repertoire, but through its relationship to Hartmann?s pictures and the translation of this idea into a composition, the cycle holds a unique place in 19th century piano repertoire.

- Scholarly-critical Urtext edition based on all the sources
- Detailed foreword (Ger/Eng) and suggestions on performance practice
- Clear musical layout

Christoph Flamm,
an internationally renowned specialist of Russian music of the 19th and early 20th centuries, has edited this Urtext edition for Bärenreiter. He has re-evaluated the sources and in the process has discovered surprising variant readings of the well-known musical text. The edition will meet the demands of advanced piano students, teachers and pianists. / Classique / Partition / Agrafé /

Bärenreiter continues its Urtext edition of the complete Beethoven piano sonatas with an important contribution. The frequently played Sonatas op. 2, Nos. 1-3, stem from the time when the young composer took lessons from Joseph Haydn in Vienna and are dedicated to his teacher. After Beethoven's three early sonatas which he wrote as a youth in Bonn, the so-called 'Kurfürsten-Sonaten?, Beethoven started 10 years later, in the mid 1790s, to develop a style independent from the legacy of Mozart and Haydn and presented with his op. 2 his first fully valid piano sonatas. The acclaimed Beethoven specialist Jonathan Del Mar has consulted every known source for this scholarly-critical Urtext performing edition. In addition he has analysed various copies of the prints published during Beethoven's lifetime. The result of his accurate research is presented in a meticulously edited musical text at the cutting edge of scholarship, together with a detailed Critical Commentary. The volume stands out in terms of its elegant and well-presented layout. Special emphasis has been placed on optimum page-turns and on the consideration of the flow of the music. The highly informative Introduction on the genesis and significance of the sonatas is supplemented by valuable notes on historical performance practice. - New scholarly-critical performing edition at the cutting edge of scholarship - Optimum page-turns - Introduction with valuable notes on historical performance practice (Eng/Ger) - Detailed Critical Commentary (Eng) / Piano

Par . This unique collection contains 21 pieces from the ATCL repertoire list for Music Performance Diplomas in Piano from 2019. The most popular recital choices join lesser-known treasures, allowing performers to create diverse andcompelling programmes, whether preparing for a Trinity diploma or not. Detailed performance notes by Steven Osborne and John Paul Ekins offer valuable insights and suggestions for every piece. Showcasing repertoire spanning overfour centuries to the present day and in a wide range of genres, this is a rich compendium that all classical pianists will enjoy. 'This anthology has gathered a wonderful collection of works, familiar and unfamiliar, covering agreat range of style and emotion. Dive in!' ' Steven Osborne / Date parution : 2021-11-25/ Recueil / Piano

A Jazzy Christmas Book 2 is the great follow up to the popular A Jazzy Christmas Book 1 for solo Piano, containing a further 13 jazz arrangements of more of your favourite Christmas classics.This book is the next instalment in the series for the pianist who is tired of the same old arrangements of traditional seasonal songs that have been heard and played many times before. This songbook includes even more arrangements of festive favourites, with an interesting and exciting jazz twist. These songs are guaranteed to get the attention and respect of your audience. Expertly arranged by Paul Honey, songs like Jingle Bells, O Come All Ye Faithful and Santa Baby get the jazz-treatment in this follow-up edition.Pianists and audiences will enjoy playing and hearing these innovative and cool twists on the Yuletide classics. The jazzy melodies and unexpected chords breathe new life into the tired old tunes, and listeners will enjoy hearing how these versions differ from the ones they are familiar with. As with the first book, the challenge of these pieces presents yet another enjoyable part of the series. After you've mastered the traditional songs, these new and reinvigorated versions will keep your audience on their toes, and will keep your fingers working. So, whether you have already mastered the first book and you are hungry for more jazz-inspired Christmas, or you just prefer the tunes included in this one, the jazz harmonies, rhythms and melodies of these arrangements in A Jazzy Christmas are sure to bring a freshness to your soundtrack this Christmas. / Piano

Le cahier de morceaux à jouer en accompagnement de la méthode A vous de jouer ! Piano. - Il contient du répertoire de musique classique pour piano ainsi que des chansons traditionnelles du monde entier et des compositions récentes. - Il se conforme parfaitement à la progression du premier volume de la méthode. - Et convient également en complément d'autres méthodes. - Il est accompagné d'un CD permettant de connaitre les morceaux à l'oreille et ajuster son travail si nécessaire./ Recueil / Piano

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Andante F major for a Musical Clock K. 616 tout le talent de Mozart. Cette partition a été composée pour Piano. C'est l'éditeur Henle qui a publiée cette oeuvre. / Piano / Chanson En Séparée

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Piano Sonata no. 12 in A flat major op. 26 pour Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Piano / Chanson En Séparée