Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Choral
Score. Composed 1771. KV
109 (74e). Duration 11
minutes. Carus Verlag #CV
40.054/05. Published by
Carus Verlag
(CA.4005405).
ISBN
9790007059286. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
available separately -
see item CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Organ. Composed 1771. KV
109 (74e). 8 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/49. Published by
Carus Verlag
(CA.4005449).
ISBN
9790007059330. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 1. Composed 1771.
KV 109 (74e). 4 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/11. Published by
Carus Verlag
(CA.4005411).
ISBN
9790007059309. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello/Double Bass.
Composed 1771. KV 109
(74e). 4 pages. Duration
11 minutes. Carus Verlag
#CV 40.054/13. Published
by Carus Verlag
(CA.4005413).
ISBN
9790007059323. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext. 1x
40.054/31 trombone 1, 1x
40.054/32 trombone 2, 1x
40.054/33 trombone 3.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1771. KV 109 (74e). 6
pages. Duration 11
minutes. Carus Verlag #CV
40.054/09. Published by
Carus Verlag
(CA.4005409).
ISBN
9790007059293. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and parts available
separately - see item
CA.4005400.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Violin 2. Composed 1771.
KV 109 (74e). 4 pages.
Duration 11 minutes.
Carus Verlag #CV
40.054/12. Published by
Carus Verlag
(CA.4005412).
ISBN
9790007059316. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed circa
1758-1760. MH 15.
Duration 30 minutes.
Carus Verlag #CV
50.305/19. Published by
Carus Verlag
(CA.5030519).
ISBN
9790007145477. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
parts available
separately - see item
CA.5030500.
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa
Beatiss.Virginis Mariae
Mh 15. Sacred vocal
music, Masses, Latin,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed circa 1758-1760.
MH 15. 24 pages. Duration
30 minutes. Carus Verlag
#CV 50.305/49. Published
by Carus Verlag
(CA.5030549).
ISBN
9790007223762. Key: C
major. Language:
Latin.
The Missa
Beatissimae Virginis
Maria was composed ca.
1758-1760, between the
end of his tenure as a
singer in the choir of
St. Stephen's in Vienna
and the beginning of his
first position as
violinist and music
director for the Bishop
of Grosswardein. The
scoring of SATB (for soli
as well as choir) and
church trio was augmented
by two trumpets (clarini)
and timpani, as well as
two trombones. The latter
instruments double the
alto and tenor voices in
tutti passages but in the
Et incarnatus est they
are also employed in an
obbligato role. On the
one hand, as an early
work this Mass is in the
style of the festive
baroque tradition, as
practiced in south-German
regions until the middle
of the eighteenth
century; on the other
hand it already shows the
subjective inspiration
which distinguished it
from many of the mass
settings by Haydn's
contemporaries. Score and
part available separately
- see item
CA.5030500.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not schrei ich zu dir.
Sacred vocal music,
Cantatas. Choral Score.
Composed 1724. BWV 38. 12
pages. Duration 21
minutes. Carus Verlag #CV
31.038/05. Published by
Carus Verlag
(CA.3103805).
ISBN
9790007042769. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Vocal score.
Composed 1724. BWV 38. 40
pages. Duration 21
minutes. Carus Verlag #CV
31.038/03. Published by
Carus Verlag
(CA.3103803).
ISBN
9790007042752. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Full score.
Composed 1724. BWV 38. 48
pages. Duration 21
minutes. Carus Verlag #CV
31.038/00. Published by
Carus Verlag
(CA.3103800).
ISBN
9790007042745. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not schrei ich zu dir.
Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 38. Duration 21
minutes. Carus Verlag #CV
31.038/19. Published by
Carus Verlag
(CA.3103819).
ISBN
9790007136093. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and parts available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir. Sacred vocal music,
Cantatas. Study score.
Composed 1724. BWV 38. 48
pages. Duration 21
minutes. Carus Verlag #CV
31.038/07. Published by
Carus Verlag
(CA.3103807).
ISBN
9790007042776. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not. Sacred vocal music,
Cantatas. Single Part,
Viola. Composed 1724. BWV
38. 2 pages. Duration 21
minutes. Carus Verlag #CV
31.038/13. Published by
Carus Verlag
(CA.3103813).
ISBN
9790007042813. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not. Sacred vocal music,
Cantatas. Single Part,
Violin 1. Composed 1724.
BWV 38. 4 pages. Duration
21 minutes. Carus Verlag
#CV 31.038/11. Published
by Carus Verlag
(CA.3103811).
ISBN
9790007042790. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. 1x
31.038/21 oboe 1, 1x
31.038/22 oboe 2, 1x
31.038/31 trumpet 1, 1x
31.038/32 trumpet 2, 1x
31.038/33 trombone 1, 1x
31.038/34 trombone 2, 1x
31.038/35 trombone 3, 1x
31.038/36 trombone 4.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. German title: Aus
tiefer Not schrei ich zu
dir 8. Sacred vocal
music, Cantatas. Set of
Orchestra Parts. Composed
1724. BWV 38. 20 pages.
Duration 21 minutes.
Carus Verlag #CV
31.038/09. Published by
Carus Verlag
(CA.3103809).
ISBN
9790007042783. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and parts available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not. Sacred vocal music,
Cantatas. Single Part,
Cello/Double Bass.
Composed 1724. BWV 38. 8
pages. Duration 21
minutes. Carus Verlag #CV
31.038/14. Published by
Carus Verlag
(CA.3103814).
ISBN
9790007042820. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Hymns by
Martin Luther: Aus tiefer
Not schrei ich zu dir.
German title: Aus tiefer
Not. Sacred vocal music,
Cantatas. Single Part,
Violin 2. Composed 1724.
BWV 38. 2 pages. Duration
21 minutes. Carus Verlag
#CV 31.038/12. Published
by Carus Verlag
(CA.3103812).
ISBN
9790007042806. Key: E
phrygian. Language:
German. Text: Luther,
Martin. Text: Martin
Luther.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.