Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Amanda Babington.
Arranged by Andreas Kohs.
For alto voice solo,
tenor voice solo, bass
voice solo, SSATB choir,
piano reduction. This
edition: urtext edition.
Paperback. Level 3. Vocal
score. HWV 283. Published
by Baerenreiter Verlag
(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (...(+)
(Cantata for the 4th
Sunday after Epiphany).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For ATB
vocal soli, SATB choir, 2
recorders f1, 2 oboe
d'amore, 2 violins,
viola, basso continuo.
This edition: Paperbound.
E-Moll (E minor). German
title: Jesus schlaft, was
soll ich hoffen.
Cantatas, Epiphany. Level
3. Vocal score. Language:
German/English. Composed
1724. BWV 81. 32 pages.
Duration 19 minutes.
Published by Carus Verlag
Seven
sacred compositions.
Composed by George
Frideric Handel. Edited
by Gerald Hendrie. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series III,
Volume 9. Complete
edition, Score. Duration
3 hours. Baerenreiter
Verlag #BA04051_00.
Published by Baerenreiter
Verlag (BA.BA04051).
ISBN 9790006443611. 33
x 26 cm inches. Text
Language: English,
German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Dieterich Buxtehude. Edited by Thomas Schlage. German title: Befiehl...(+)
Composed by Dieterich
Buxtehude. Edited by
Thomas Schlage. German
title: Befiehl dem Engel,
dass er komm 10.
Cantatas. Complete
orchestral parts. BuxWV
10. Duration 5 minutes.
Published by Carus Verlag
(CA.3601419).
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, basso
continuo. BWV 149. 12
pages. Duration 22
minutes. Carus Verlag #CV
31.149/14. Published by
Carus Verlag
(CA.3114914).
ISBN
9790007208592. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 2.
BWV 149. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.149/12. Published by
Carus Verlag
(CA.3114912).
ISBN
9790007208578. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Organ. BWV
149. 16 pages. Duration
22 minutes. Carus Verlag
#CV 31.149/49. Published
by Carus Verlag
(CA.3114949).
ISBN
9790007208608. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 1.
BWV 149. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.149/11. Published by
Carus Verlag
(CA.3114911).
ISBN
9790007208561. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Viola. BWV
149. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.149/13. Published by
Carus Verlag
(CA.3114913).
ISBN
9790007208585. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Dettingen Te Deum Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt P...(+)
(Dettinger Te Deum). By
George Frideric Handel
(1685-1759). Edited by
Benedikt Poensgen. For
Soli ATB, SSATB choir, 2
oboes, bassoon, 3
trumpets, timpani, 2
violin, viola, basso
continuo. This edition:
Paperbound. Praise and
thanks. Full score.
Language: English/German.
Composed 1743. HWV 283.
144 pages. Duration 40
min. Published by Carus
Verlag
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Psalms, German,
Easter and Eastertide,
Psalms. Single Part,
Cello/Double Bass. TVWV
7:30. 12 pages. Duration
20 minutes. Carus Verlag
#CV 39.124/14. Published
by Carus Verlag
(CA.3912414).
ISBN
9790007055813. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violin 1. Sacred vocal
music, Cantatas, Psalms,
German, Easter and
Eastertide, Psalms.
Single Part, Violin 1.
TVWV 7:30. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
39.124/11. Published by
Carus Verlag
(CA.3912411).
ISBN
9790007055783. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.
Singet
dem Herrn ein neues
Lied. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
Arranged by Klaus
Hofmann. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
Violin 2. Sacred vocal
music, Cantatas, Psalms,
German, Easter and
Eastertide, Psalms.
Single Part, Violin 2.
TVWV 7:30. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
39.124/12. Published by
Carus Verlag
(CA.3912412).
ISBN
9790007055790. Key: D
major. Language:
German/English.
Thi
s nine-movement psalm
composition allows all
the participants to
shine, in some cases with
rich virtuosity: the
string ensemble in the
opening Sonata; the solo
singers and choir in the
chaconne-like first vocal
movement, Singet dem
Herrn; also the solo
singers in two duets
(alto + tenor, soprano +
alto), an alto solo and
an extensive bass solo;
the choir in two further
movements - a fugue on
the 6th verse of the
psalm Es stehet herrlich
und prachtig fur ihm and
the concluding movement
in two sections, Betet an
den Herrn, which ends
with a brilliant fugue on
Es furchte ihn alle Welt.
This is a festive sacred
work suitable for many
occasions (including
weekday Epiphany psalm
services and for services
on the 4th Sunday after
Easter). The present
edition presents the
source material in
revides form, transcribed
into current editorial
and performance usage.
Score and part available
separately - see item
CA.3912400.
Fairest Lord Jesus, We Love You Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Lillenas Publishing Co.
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal sol...(+)
By David Clydesdale.
Arranged by David
Clydesdale. For SATB
choir with vocal solo
(flute 1and2, oboe,
clarinet 1and2, bassoon,
F horn 1/2and3, trumpet
1/2and3, trombone 1and2,
trombone 3/tuba,
percussion 1and2/3and4,
rhythm, harp, violin
1and2, viola, cello,
string bass)
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 1. Composed 1723.
BWV 76. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
31.076/11. Published by
Carus Verlag
(CA.3107611).
ISBN
9790007044947. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Violin 2. Composed 1723.
BWV 76. 8 pages. Duration
35 minutes. Carus Verlag
#CV 31.076/12. Published
by Carus Verlag
(CA.3107612).
ISBN
9790007044954. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. German title:
Die Himmel erzahlen die
Ehre Gottes. Sacred vocal
music, Cantatas, Psalms,
German. Single Part,
Viola. Composed 1723. BWV
76. 8 pages. Duration 35
minutes. Carus Verlag #CV
31.076/13. Published by
Carus Verlag
(CA.3107613).
ISBN
9790007044961. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
part available separately
- see item
CA.3107600.
Kantate zum 26. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Rei...(+)
Kantate zum 26. Sonntag
nach Trinitatis. By
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
For Soli SATB, SATB
Choir, Trumpet, Oboe,
Strings, Organ. BWV 70.
Full score available
separately - see item
CA.3107000. Cantatas;
Stuttgart Urtext
editions; Use during
church year: End of the
church year. Piano/Vocal
score. Language:
German/English. Composed
1723. 48 pages. Duration
26 min. Published by
Carus Verlag (German
import).
(Kantate zum 26. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750)....(+)
(Kantate zum 26. Sonntag
nach Trinitatis). By
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir,
Trumpet, Oboe, Strings,
Organ. This edition:
paperbound. BWV 70.
Cantatas; Stuttgart
Urtext editions; Use
during church year: End
of the church year. Level
3. Score. Language:
German/English. Composed
1723. 96 pages. Duration
26 min
(Kantate zum Neujahrstag). By Johann Sebastian Bach (1685-1750). For Soli ATB, S...(+)
(Kantate zum
Neujahrstag). By Johann
Sebastian Bach
(1685-1750). For Soli
ATB, SATB Choir, Horn da
caccia, 2 Oboes, Oboe da
caccia, 2 Violins, Viola,
Basso continuo. This
edition: paperbound. BWV
16. Full score available
separately - see item
CA.3101600. Cantatas;
Stuttgart Urtext
editions; Use during
church year: New Year.
Piano/Vocal score.
Language: German/English.
Composed 1725. 24 pages.
Duration 18 min
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Set of Orchestra Parts.
BWV 149. Duration 22
minutes. Carus Verlag #CV
31.149/19. Published by
Carus Verlag
(CA.3114919).
ISBN
9790007141233. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Choral Score. BWV 149. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.149/05. Published by
Carus Verlag
(CA.3114905).
ISBN
9790007161958. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score available
separately - see item
CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. 1x 31.149/21 oboe
1, 1x 31.149/22 oboe 2,
1x 31.149/23 oboe 3, 1x
31.149/24 bassoon, 4x
31.149/31
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. German title:
Man singet mit Freuden
vom Sieg. Sacred vocal
music, Cantatas, Special
days. Set of Orchestra
Parts. BWV 149. Duration
22 minutes. Carus Verlag
#CV 31.149/09. Published
by Carus Verlag
(CA.3114909).
ISBN
9790007208554. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Kantate für
Männerchor und
Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
Composed by Leos Janacek.
Edited by Jan Hanus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek B/3.
Complete edition, Score.
Composed 1920. Duration 7
minutes. Baerenreiter
Verlag #BA06844_00.
Published by Baerenreiter
Verlag (BA.BA06844).
ISBN 9790006483266.
34.3 x 27 cm inches. Text
Language: Czech, German,
English. Translation:
Kurt Honolka / Bernard
Keeffe. Text: Martin
(Pseudonym fur Maximilian
Kunert)
Kurt.
Kantate fur
Mannerchor und Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Ich will singen von der Gnade Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
By Sebastian Knupfer (1633-1676). For Soli SATB, SATB Choir, Bassoon, 3 Violins,...(+)
By Sebastian Knupfer
(1633-1676). For Soli
SATB, SATB Choir,
Bassoon, 3 Violins, 2
Violas, Basso continuo.
This edition: paperbound.
Cantatas; Use / Occasion:
Praise and thanks; Use
during church year:
Easter and Eastertide,
Christmas. Level 2.
Score. Language: German.
12 pages. Duration 6 min.
Published by Carus Verlag