(1.1.2.2/2.0.0.0,str,T solo)

SKU: TM.03221SET

Composed by Giuseppe Verdi. Set Type: D. Set of parts. Lucks Music Library #A3133. Published by Lucks Music Library (TM.03221SET).

Second part of Act III No. 8. See #03221 for the first part of No. 8 (Intermezzo; Attenti al gioco). #14453+#03221 = No. 8 Complete Scena e Romanze.

(1.1.2.2/2.0.0.0,str,T solo)

SKU: TM.03221SC

Composed by Giuseppe Verdi. Score. Lucks Music Library #A3133. Published by Lucks Music Library (TM.03221SC).

Second part of Act III No. 8. See #03221 for the first part of No. 8 (Intermezzo; Attenti al gioco). #14453+#03221 = No. 8 Complete Scena e Romanze.

(2D1.2+1.3.2D1/4.3.3.1,ti mp,1 perc,str)

SKU: TM.02457SET

Composed by Felix Bartholdy Mendelssohn. Set Type: D. Set of parts. Published by Lucks Music Library (TM.02457SET).

Hark the Herald Angels Sing in G; Come All Ye Faithful in A. Duration 3 minutes each. Libretto included in score.

(2.2.2.2/4.2.3.0,timp,per c,hp,str,T solo,SATB chorus)

SKU: TM.02557SET

Composed by Charles Francois Gounod. Set Type: A. Set of parts. Published by Lucks Music Library (TM.02557SET).

(2.2+1.2+1.2/4.2.0.0,timp ,perc,hp,cel,str)

SKU: TM.14064SET

Composed by Giacomo Puccini. Set Type: D. Set of parts. Lucks Music Library #A8252. Published by Lucks Music Library (TM.14064SET).

Children's Dance, Intermezzo, Scene du Bal.

(2+1.2+1.3.2/4.3.0.0,timp ,perc,cel,str)

SKU: TM.03943SET

Composed by Giacomo Puccini. Set Type: D. Set of parts. Lucks Music Library #A7998. Published by Lucks Music Library (TM.03943SET).

5 measures before reh. 60 - 6 measures after reh. 63.

(2+1.2.2.2/4.2.3.1,perc,h p,str)

SKU: TM.06529SET

Composed by Anton Rubinstein. Edited by Schade. Set Type: D. Set of parts. Published by Lucks Music Library (TM.06529SET).

Orchestrated by Leopold Schade.

(2.2.2.2/4.2.3.0,timp,per c,hp,str,T solo,SATB chorus)

SKU: TM.02557SC

Composed by Charles Francois Gounod. Score. Published by Lucks Music Library (TM.02557SC).

(2.2.2.2/4.2.3.0,timp,per c,hp,org,str,STB soli,chorus)

SKU: TM.02142SET

Composed by Charles Francois Gounod. Set Type: D. Set of parts. Lucks Music Library #A2816. Published by Lucks Music Library (TM.02142SET).

Act V No. 19, 20 (in vs; No. 30 & 31 in sc), and Finale Alerte Alerte, through end of opera. Key in C. Also contains #03500: Angel Chorus - Christ est ressuscite, Finale to opera. Sung by Margarite, Faust, Mephistaphele, and Angel Chorus.

(2.2.2.2/4.2.3.0,timp,per c,hp,org,str,STB soli,chorus)

SKU: TM.02142SC

Composed by Charles Francois Gounod. Score. Lucks Music Library #A2816. Published by Lucks Music Library (TM.02142SC).

Act V No. 19, 20 (in vs; No. 30 & 31 in sc), and Finale Alerte Alerte, through end of opera. Key in C. Also contains #03500: Angel Chorus - Christ est ressuscite, Finale to opera. Sung by Margarite, Faust, Mephistaphele, and Angel Chorus.

(1.1.2.1/2.0.0.0,str,voca l solo)

SKU: TM.02361SET

Composed by Antonin Dvorak. Set Type: B. Set of parts. Lucks Music Library #A2796. Published by Lucks Music Library (TM.02361SET).

Act V No. 19, 20 (in vs; No. 30 & 31 in sc), and Finale Alerte Alerte, through end of opera. Key in C. Also contains #03500: Angel Chorus - Christ est ressuscite, Finale to opera. Sung by Margarite, Faust, Mephistaphele, and Angel Chorus.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3116819

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/19. Published by Carus Verlag (CA.3116819).

ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800.

SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3116803

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Vocal score. Composed 1725. BWV 168. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.168/03. Published by Carus Verlag (CA.3116803).

ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3116807

Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1725. BWV 168. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.168/07. Published by Carus Verlag (CA.3116807).

ISBN 9790007242220. Language: German/English. Text: Franck, Salomo.

The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800.

(1+1.1.2.2/2.2.3.0,timp,p erc,3 sax,str)

SKU: TM.12353SET

Composed by Angel Villoldo. Set Type: C. Set of parts. Lucks Music Library #A7618. Published by Lucks Music Library (TM.12353SET).

Rise Heart (Easter)-Eb, I Got Me Flowers-eb, Love Bade Me Welcome-e/E, The Call-Eb, Antiphon-D; transposed: cl 1+2, tpt 1+2, tbn 1+2; New Typeset Score.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116414

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun. Single Part, basso continuo. Composed 1725. BWV 164. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.164/14. Published by Carus Verlag (CA.3116414).

ISBN 9790007209056. Text language: German/English.

Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.