Trombone Solo - 3-4 SKU: KN.12431 (15 Solos in Modern Styles). Com...(+)
Trombone Solo - 3-4
SKU: KN.12431
(15 Solos in Modern
Styles). Composed by
Jeff Jarvis. Solo or
Ensemble. Kendor Solo
Series. Kendor Music Inc
#12431. Published by
Kendor Music Inc
(KN.12431).
UPC:
822795124316.
JAMZ
is a collection of 15
full-length solos written
in contemporary styles
including funk, hip-hop,
rock, funk ballad,
shuffle and gospel
grooves. Appropriate for
individual use or in
private lessons, these
pieces can be played
unaccompanied or with the
provided backing MP3
tracks recorded by
excellent studio
musicians. The only thing
missing is
you!
COLLE
CTION
CONTENTS
After Hours Jam; Back
Nine Shuffle; Bounce;
Escape Velocity; Eye On
The Prize; Fish 'N Grits;
I Remember When; Mid City
Groove; Never The Same;
One Last Time; Steep and
Deep; Takin' It Home;
Tune For T; Updraft and
Wind Dancer.
(Selected from the Vocalises of Marco Bordogni). By Giovanni Marco Bordogni (178...(+)
(Selected from the
Vocalises of Marco
Bordogni). By Giovanni
Marco Bordogni
(1789-1856). Edited by
Alan Raph. Arranged by
Joannes Rochut. For
trombone. 68 pages.
Published by Carl Fischer
Trombone SKU: AP.1-ADV3104 Composed by Mark Kellog. Brass - Trombone and ...(+)
Trombone
SKU:
AP.1-ADV3104
Composed
by Mark Kellog. Brass -
Trombone and Baritone
Method or Collection;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music. Jazz. Book and CD.
Advance Music
#01-ADV3104. Published by
Advance Music
(AP.1-ADV3104).
ISBN
9783892210795. UPC:
805095031041.
English.
Improvisat
ion is at the heart of
jazz, but knowing how to
play stylistically
correct in a large jazz
ensemble is also a
necessity. How to Play
Lead Trombone in a Big
Band offers tips,
suggestions, examples and
a play along CD to help
you put it all together.
How to Play Lead
Trombone in a Big Band by
Mark Kellogg is an
annotated guide written
to help trombonists
explore the joys and
challenges of playing in
a large jazz ensemble.
Topics covered include
the distinct roles of
lead and section players
in a big band; playing
with a cohesive section
sound; and performing
with an even sense of
balance, intonation, and
rhythmic feel. These
insightful comments are
conveyed by taking a
detailed look at seven
compositions and
addressing the specific
challenges of each work.
The CD which accompanies
this text provides a
helpful aural guide,
enabling the trombonist
to listen to each example
or to play along with the
recording. The variety of
jazz styles covered in
this volume include
medium swing, funk,
bossa, fast swing, and
Afro-Cuban feels.
Composers and arrangers
of these pieces include
some of the most
innovative and respected
voices of the genre, such
as Clare Fischer, Bill
Dobbins, Jim Snidero,
Heiner Wiberny, and Joey
Sellers. This publication
is designed for use by
trombonists of all ages
and experience
levels.
Chamber Music trombone SKU: CF.W2687 For Trombone. Composed by Jea...(+)
Chamber Music trombone
SKU: CF.W2687
For Trombone.
Composed by Jean-Baptiste
Arban. Edited by Alan
Raph. SWS. Collection -
Performance. With
Standard notation. 32
pages. Carl Fischer Music
#W2687. Published by Carl
Fischer Music (CF.W2687).
ISBN 9781491150955.
UPC: 680160908455. 9x12
inches.
This new
edition of Jean Baptiste
Arban's Fourteen
Characteristic Studies
for Trombone, edited by
Alan Raph, was
specifically written to
provide the student with
suitable material with
which to test his powers
of endurance, according
to Arban himself. The
following fourteen
studies have been
specifically written to
provide the student
withsuitable material
with which to test his
powers of endurance. In
taking up these studies,
he willdoubtless be
fatigued, especially at
the outset, by those
numbers requiring an
unusual length ofbreath.
However, through careful
study and experience he
will learn to overcome
the difficultiesand will
acquire the resources
which will enable him to
master this particular
phase of playingwith
ease. As a means to this
end, attention is drawn
to cantabile passages in
particular, whichshould
be played with the utmost
expression, yet at the
same time with as much
modified toneas possible.
On the cornet, as with
the voice, clear tones
may be obtained by
widening thelips and
veiled tones by
contracting them. This
happy circumstance allows
the performer
anopportunity to rest
while still continuing to
play, and at the same
time enables him to
introduceeffective
contrasts into the
execution. It should be
noted that by little
artifices of this kind,
andby skillfully
conserving his resources,
the player will reach the
end of the longest and
mostfatiguing pieces, not
only without difficulty,
but even with a reserve
of strength and
power,which, when brought
to bear on the final
measures of a
performance, never fails
to impress anaudience.At
this point my task as
professor (using the
written instead of the
spoken word) willend.
There are things which
appear clear enough when
stated verbally but which
when writtendown on paper
cause confusion, seem
obscure, and even
sometimes appear
trivial.There are other
things of such an
elevated and subtle
nature that neither
speech norword can
clearly explain them.
They are felt, they are
conceived, but they are
not to be explained;and
yet these things
constitute the elevated
style, the grand ecole,
which it is my ambition
toestablish for the
cornet, just as they
already exist for singing
and for the various kinds
of otherinstruments.Those
of my readers who are
ambitious and who want to
attain this high level
ofperfection, should
above all things, always
try to hear good music
well interpreted.
Theymust seek out, among
singers and
instrumentalists, the
most illustrious models,
and by doingthis purify
their taste, develop
their sentiments, and
bring themselves as near
as possible tothat which
is beautiful. Perhaps
then the innate spark
which may someday be
destined todemonstrate
their own talent, will
reveal itself and render
them worthy of being, in
their turn,cited and
imitated in the
future.
By Michael Davis. Composed by Michael Davis and Shari Feder. For trombone. Just ...(+)
By Michael Davis.
Composed by Michael Davis
and Shari Feder. For
trombone. Just Add is 20
original songs and a
play-along CD with
totally cool tracks and
grooves. Book and CD. C
bass clef edition. 31
pages. Published by
Hip-Bone Music. (C22)
Level: beginner.