Trombone Solo with Piano accompaniment - Advanced

SKU: CY.CC3150

Composed by Elizabeth Raum. Classical. Score and Parts. Cherry Classics #CC3150. Published by Cherry Classics (CY.CC3150).

ISBN 9790530111185. 8.5 x 11 in inches.

Here is a brief description of this very fine new work The Secret of Ben Sogen for Trombone and Piano by the composer, Elizabeth Raum: I've always been fascinated by the Nordic heroes that appear in comic books and video games like Thor or Odin. Years ago, I wrote a concerto for tuba called The Legend of Heimdall inspired by Scandinavian folklore, and for this new work for trombone, I found myself drawn to the Danish mythical character, Ben Sogen. My concept was to conjure up a video game champion who goes through various adventures to achieve his final quest. However, the Secret of Ben Sogen is that he doesn't exist. I made him up. My original title was Bone Quest, a pun on the word, trombone, combined with Quest but that didn't evoke the image I wanted so I decided to create a character from the Danish translation of Bone Quest. Thus Ben Sogen. The Hero Trombonist has a theme stated in the beginning, and this motif continues through a variety of backgrounds (or adventures) before the final major key of his goal being achieved. The work is about 7 minutes in length and appropriate for advanced performers.

By Franz Schubert. Arranged by Gordon Cherry. For Trombone and Piano. Romantic Lieder. Level: intermediate/advanced. Full score and parts. Published by Cherry Classics.

By Johannes Brahms. Arranged by Barnaby Kerekes. For Trombone and Piano. Romantic Solo, Sacred. Level: intermediate. Full score and parts. Published by Cherry Classics.

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 5

SKU: FL.FX073048

Composed by Anton Gladkikh. Original Composition. Classical, Educational. Score and Set of Parts. Duration 20 minutes. FLEX Editions #FX073048. Published by FLEX Editions (FL.FX073048).

I remember well when I began to write these pieces: I sat down at the piano in the conservatory, which was almost completely empty at the time... and I improvised the first chords of the first piece. After that I wrote the theme. The music rang loudly in that large auditorium and I could hear how it echoed about the empty corridors of the conservatory... it reminded me of the overture from Charles Gounod's Faust, as my hands still played out the melodies, stretching the limits of the theme which would become, in a sense, the introduction to the whole cycle. I could feel that the story was emerging: a story born from within the music. - Anton GLADKIKH ;

Hoffmanniada is a collection of six short pieces for trombone and piano composed in a style inspired by the great Russian composers of the twentieth century. Sometimes melancholic and romantic, sometimes cheerful and virtuoso, the writing subtlety of Anton Gladkikh perfectly exploits the qualities of power and finesse of both instruments. Fabrice MILLISCHER

This original piece is the first opus of FLEX Editions collection directed by Fabrice MILLISCHER. It is built of 6 movements: 1 - Et finalement ca tourne, 2 - Autonomie de la volonte, 3 - Les lettres, 4 - Lilite, 5 - Quand Dieu crea le temps, 6 - Le jeu des Demiurges ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 5.

Trombone (Trombone)

SKU: HL.48182927

Composed by Croce-Spinelli. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL24688. Published by Alphonse Leduc (HL.48182927).

UPC: 888680862763. 9.0x12.0x0.054 inches.

“Fren ch composer and music teacher, Bernard Crocé-Spinelli (1871-1932) entered the Paris Conservatoire at thirteen years old. He won many prizes at the institution, with his first published and successful composition coming when he was just 21 years old. Competition Solo for Trombone and Piano has also remained a popular piece in the repertoire. Crocé-Spinelli led a successful career as a composer and music teacher. His positions saw him compose many solos for competition and auditions, including Competition Solo for Trombone and Piano. Included in the syllabus at the Paris Conservatoire, this work addresses advanced features, including complex rhythms, semiquaver flourishes, and chromaticims, among other features. For all advanced, aspiring trombonists, Crocé-Spinelli's Competition Solo is an excellent addition to the repertoire.”.

(Arranged for Trombone and Piano With a CD of Piano Accompaniments). Composed by Leonard Bernstein (1918-1990). Arranged by Joel Boyd and Joshua Parman. For Trombone, Piano Accompaniment (Trombone). Instrumental. Softcover with CD. 84 pages. Boosey and Hawkes #M051106479. Published by Boosey and Hawkes

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

By Gabriel Faure (1845-1924). For Alto Trombone & Piano. Swiss import. Grade 2.5. Published by Editions Marc Reift

Trombone and Piano. By Leonard Bernstein. Arranged by David J. Elliott. (Trombone). Boosey and Hawkes Chamber Music. Size 9x12 inches. 50 pages. Published by Boosey and Hawkes.

(Trombone and Piano). By Camille Saint-Saens (1835-1921). Edited by Dominik Rahmer. For Trombone, Piano Accompaniment. Henle Music Folios. Softcover. 20 pages. G. Henle #HN1119. Published by G. Henle

Trombone and Piano - advanced

SKU: CY.CC2695

Composed by Joseph Canteloube. Arranged by Ralph Sauer. French. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2695).

Danses Roumaines by Canteloube are six Romanian folk songs and dances for Piano written in 1930 after folk songs collected by Michel Vulpesco.
The composer is best known for his collection of orchestrated folksongs from the Auvergne region of France titled Chants d'Auvergne

T he movements in order are:
1. Hora de Jalomitza
2. Dame Jeanne (Lady Jean)
3. Les Olteniens sont partis pour faucher
4. Helene (Helen)
5. Hora de la mariee (The Marriage Dance)
6. A Ceinture Rouge (A Red Belt)

About 18 minutes in length, these six movements are suitable for advanced performers.

By Benedetto Marcello (1686-1739). Arranged by Mike Hall. For trombone and continuo/piano. Baroque with ornamentation instruction. Moderately advanced. Solo part. Published by Cherry Classics

Trombone Solo with Piano Accompaniment - Grade 6

SKU: KN.12552

Composed by Johann Friedrich Fasch. Arranged by Gerald Felker. Solo or Ensemble. Kendor Solo Series. Kendor Music Inc #12552. Published by Kendor Music Inc (KN.12552).

UPC: 822795125528.

This Johann Friedrich Fasch piece, originally composed for bassoon, has been performed by instrumentalists other than bassoonists for decades. This edition for tenor trombone requires a skilled trombonist (grade 6) who possesses great dexterity with the slide. The tessitura has been carefully altered so that it falls within a range that is more suitable for the tenor trombone, eliminating notes that were below the staff. Trombonist Gerald Felker has carefully edited this piece so as to not compromise the musical integrity. Total duration 15:45.

Composed by Eugene Bozza (1905-1991). Leduc. Post- 1900. Softcover. 6 pages. Alphonse Leduc #AL21788. Published by Alphonse Leduc

Composed by Edward Elgar (1857-1934). Arranged by Ralph Sauer. Romantic, British. Solo part and Piano. Published by Cherry Classics (CY.CC2377).

Trombone and Piano

SKU: BT.PL2271

Book and Part(s). Pierre Lafitan Editions #PL2271. Published by Pierre Lafitan Editions (BT.PL2271).

Trombone, Piano - Grade 3

SKU: FL.FX071168

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071168. Published by FLEX Editions (FL.FX071168).

The artistic skills and sensitivity of the musician are highlighted here, in order to recreate, thanks to varied metronomic movements, rhythms and nuances, ten atmospheres described throughout the Piece.

Trombone and piano - Level 3

SKU: LM.C04766

Composed by Marc Berthomieu. Classical. Score. Editions Combre #C04766. Published by Editions Combre (LM.C04766).

ABRSM Exam Pieces, Collection. Jazz. Accompaniment CD. 68 pages. Published by ABRSM (Associated Board of the Royal Schools of Music)