Cello and piano (VC/PF) - intermediate to advanced SKU: HL.49008105 14...(+)
Cello and piano (VC/PF) -
intermediate to advanced
SKU: HL.49008105
14 Pieces. Edited
by Barbara Heller and Eva
Rieger. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 128
pages. Schott Music #ED
8628. Published by Schott
Music (HL.49008105).
ISBN 9790001115964.
UPC: 196288077473.
9.0x12.0x0.355
inches.
Violoncelle, Piano [Set de Parties séparées] - Intermédiaire Peters
(C)(Hob.VIIb:1). By Franz Joseph Haydn. Edited by Burmeister(Urtext). For violon...(+)
(C)(Hob.VIIb:1). By Franz
Joseph Haydn. Edited by
Burmeister(Urtext). For
violoncello, piano. This
edition: piano reduction.
Photoprint edition -
publisher prints this
title after order is
received. Published by
C.F. Peters.
Cello and Piano - advanced SKU: ST.5511 Composed by Benedetto Marcello. E...(+)
Cello and Piano -
advanced
SKU:
ST.5511
Composed by
Benedetto Marcello.
Edited by C. Schroeder.
String music. Edited by
C. Schroeder. Score and
part. Stainer & Bell Ltd.
#5511. Published by
Stainer & Bell Ltd.
(ST.5511).
Composed by Franz Josef Haydn, edited by Klaus Burmeister. Hob. VIIb: 1. For cel...(+)
Composed by Franz Josef
Haydn, edited by Klaus
Burmeister. Hob. VIIb: 1.
For cello and piano.
Includes set of
performance parts
(includes separate
pull-out cello part) and
accompaniment CD. With
solo part, piano
reduction and
introductory text.
Classical Period.
Photoprint edition -
publisher prints this
title after order is
received. C Major. 54
pages. 9x12 inches.
Published by C.F. Peters.
For Cello and Piano. Composed by Jean-Baptiste Breval. Strings, Repertoire, ...(+)
For Cello and Piano.
Composed
by Jean-Baptiste Breval.
Strings, Repertoire,
Solos.
Concertino No. 2 in C
major.
Softcover Book. Edition
Delrieu #DF429. Published
by
Edition Delrieu
Piano Reduction. Composed by Franz Joseph Haydn. Edited by Sonja Gerlach. St...(+)
Piano Reduction. Composed
by
Franz Joseph Haydn.
Edited by
Sonja Gerlach. Strings,
Repertoire, Solos.
Concerto
for Cello and Orchestra C
major Hob. VIIb:1.
Classical.
Softcover Book. 59 pages.
G.
Henle #HN417. Published
by G.
Henle
Violoncelle, Piano [Set de Parties séparées] Peters
Composed by Peter Ilyich Tchaikovsky (1840-1893), arranged by John York, edited ...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893),
arranged by John York,
edited by David Brown,
Raphael Wallfisch. Set of
performance parts for
cello and piano. Urtext.
With bowings, fingerings,
introductory text and
performance notes. Op. 33
(original version). 42
pages. Published by C.F.
Peters.
)
Composed by Johannes Brahms (1833-1897). Opus 101. Set of performance parts (inc...(+)
Composed by Johannes
Brahms (1833-1897). Opus
101. Set of performance
parts (includes separate
pull-out string parts)
for violin, cello and
piano. C Minor. Published
by International Music
Company.
Composed by Jean-Baptiste Breval. Edited by Christoph Sassmannshaus. Stapled...(+)
Composed by Jean-Baptiste
Breval. Edited by
Christoph
Sassmannshaus. Stapled.
Barenreiter's
Concert
Pieces. Piano reduction,
part(s). 7/12 pages.
Duration 8:00.
Baerenreiter
Verlag #BA 10698.
Published
by Baerenreiter Verlag
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...(+)
Cello and Piano. Composed
by
Ludwig van Beethoven
(1770-
1827). Edited by Jens
Dufner.
Henle Music Folios.
Classical. Softcover. 43
pages. G. Henle #HN1474.
Published by G. Henle
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Schirmer's Library of Musical Classics Volume 2081 Intermediate to Advanced Leve...(+)
Schirmer's Library of
Musical Classics Volume
2081 Intermediate to
Advanced Level. By
Various. String. Book
only. 188 pages.
Published by G. Schirmer,
Inc.
Piano quartet, Piano quintet (Instrument, Piano) SKU: BA.BA04913 Quart...(+)
Piano quartet, Piano
quintet (Instrument,
Piano)
SKU:
BA.BA04913
Quartet
in E-flat major op. 1 for
clarinet, horn, bassoon
and piano - Quintet in C
minor op. 5 and in A
major op. 6 for two
violins, viola,
violoncello and piano -
appendix. Composed by
Franz Berwald. Edited by
Bonnie Hammar and Ingmar
Bengtsson. This edition:
complete edition, urtext
edition. Linen. Franz
Berwald. Complete Works,
Volume 13. Complete
edition, Performance
score, anthology. Opus 6,
5, 1. Baerenreiter Verlag
#BA04913_00. Published by
Baerenreiter Verlag
(BA.BA04913).
ISBN
9790006460441. 33 x 26 cm
inches. Key: A major,
e-flat major, c
minor.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Selections from the Cello Repertoire). Compiled, ed., and arr. Carey Cheney. Fo...(+)
(Selections from the
Cello Repertoire).
Compiled, ed., and arr.
Carey Cheney. For Cello
and Piano. String - Cello
Studies or Collection.
Companion CD also
available (see item
24483). Instrumental Solo
Book and Piano
Accompaniment Book. 104
pages. Published by
Alfred Publishing.
By Gabriel Faure. Edited by Zimmermann, Weber. For violoncello, piano. Elegy,Op....(+)
By Gabriel Faure. Edited
by Zimmermann, Weber. For
violoncello, piano.
Elegy,Op.24;
Romance,Op.69; Piece for
Violoncello,Op.77;
Sicilienne,Op.78;
Serenade,Op.98(Urtext).
Published by C.F. Peters.
Violoncelle, Piano [Set de Parties séparées] Peters
Composed by Gabriel Faure (1845-1924), edited by Roy Howat. For cello and piano ...(+)
Composed by Gabriel Faure
(1845-1924), edited by
Roy Howat. For cello and
piano accompaniment.
Format: set of
performance parts
(includes separate
pull-out cello part).
With solo part, piano
accompaniment,
performance notes and
introductory text.
Romantic period. 47
pages. 9x12 inches.
Published by C.F. Peters.
Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edit...(+)
Schott Student Edition
Repertoire. Composed
by Jean Baptiste Breval.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 40/1. 36 pages.
Schott Music #SE1006.
Published by Schott Music
(HL.49045503).
Clarinet in C/violin, cello & piano - Difficult SKU: OU.9780193359857 Com...(+)
Clarinet in C/violin,
cello & piano - Difficult
SKU:
OU.9780193359857
Composed by Michael
Finnissy. Mixed Ensemble.
22 pages. Duration 9.5'.
Oxford University Press
#9780193359857. Published
by Oxford University
Press (OU.9780193359857).
ISBN 9780193359857. 12
x 8 inches.
For
clarinet in C/violin,
cello and piano As is
typical of Finnissy, this
piece is demanding for
the performers. The tempo
is slow and much of the
music of the upper two
parts consists of
sustained notes, with
more movement occurring
in the piano. The
clarinet part can be
played on the violin.
Piano Trio SKU: HL.48186475 Composed by Gaussin Allain. Leduc. 80 pages. ...(+)
Piano Trio
SKU:
HL.48186475
Composed
by Gaussin Allain. Leduc.
80 pages. Alphonse Leduc
#AL30735. Published by
Alphonse Leduc
(HL.48186475).
UPC:
888680828189. 9.5x12
inches.
“Alla
in Gaussin: Les
céphéides,
trio for violin, cello
and piano - AL 30 735 For
more than forty years,
Allain Gaussin,
fascinated by
astrophysics, has found a
major source of
inspiration in observing
the cosmos, as attest a
number of works going
from Vent solaire (1974)
to Philae (2015), by way
of L'Harmonie des
sphères (2006).
Ten years later, the
'Messiaen du Pays de la
Meije' Festival hosted
the first performance of
the piano trio Les
Céphéides.
The musical journey
enables the listener to
enter a space 'just as
impalpable and fragile'
as that in which moves
each Cepheid variable '
this star whose
brightness varies over
regular periods according
to two elements: the
diameter of the heavenly
body and the temperature
reading of its
surface.
