Soli (kl. Chor), SATB Choir (teilw. geteilt)

SKU: CA.2708905

Composed by Felix Petyrek. Edited by Claus Woschenko. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Choral Score. Composed 1949. 32 pages. Duration 25 minutes. Carus Verlag #CV 27.089/05. Published by Carus Verlag (CA.2708905).

ISBN 9790007187101. Language: Latin.

Besides Ernst Krenek and the Czech composer, Alois Haba, Felix Petyrek (1892-1951) was one the most important pupils who studied under Franz Schreker in the latter's early composition classes in Vienna. In his Missa phrygica, written in 1949 for four to eight voices (it can be performed by a choir with soloists/small choir), Petyrek employs elements of vocal polyphony from the Renaissance and early Baroque in a very personal, modern contrapuntal fashion. However, the brightness of the splendid sonority in both the Gloria and Credo, obtained essentially through the use of chains of parallel fifths, shows the influence of his teacher, Franz Schreker. Score available separately - see item CA.2708900.

Piano

SKU: DB.DM-01495

Erstdruck und Faksimile des Autographs.. Composed by Alfred Stross. Edited by Claus Woschenko. Keyboard music. Doblinger Music Publishers #DM-01495. Published by Doblinger Music Publishers (DB.DM-01495).

ISBN 9790012204459.

Stro ss war ein Schuler von Anton Bruckner, der ihn als ausserst begabten Pianisten und Komponisten sehr schatzte. Eine schwere psychische Erkrankung hatte zur Folge, dass sein musikalischer Nachlass fast zur Ganze als verschollen gilt. Die vorliegende Klavierkomposition gehort zu den wenigen erhaltenen Ausnahmen und weist in der Tonsprache auf seinen Lehrer Bruckner hin.

Soli (kl. Chor), SATB Choir (teilw. geteilt)

SKU: CA.2708900

Composed by Felix Petyrek. Edited by Claus Woschenko. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Full score. Composed 1949. 36 pages. Duration 25 minutes. Carus Verlag #CV 27.089/00. Published by Carus Verlag (CA.2708900).

ISBN 9790007187071. Language: Latin.

Besides Ernst Krenek and the Czech composer, Alois Haba, Felix Petyrek (1892-1951) was one the most important pupils who studied under Franz Schreker in the latter's early composition classes in Vienna. In his Missa phrygica, written in 1949 for four to eight voices (it can be performed by a choir with soloists/small choir), Petyrek employs elements of vocal polyphony from the Renaissance and early Baroque in a very personal, modern contrapuntal fashion. However, the brightness of the splendid sonority in both the Gloria and Credo, obtained essentially through the use of chains of parallel fifths, shows the influence of his teacher, Franz Schreker.