(Wild Nights! - Heart, We Will Forget Him! - Going to Him!). By George L. Mabry....(+)
(Wild Nights! - Heart, We
Will Forget Him! - Going
to Him!). By George L.
Mabry. For SSAA choir
divisi and piano. Janet
Galvan Women's Choral
Series. Concert, General.
Octavo. Published by
Roger Dean Publishing
Chamber Music Clarinet, Flute, Mezzo-soprano voice, Percussion, Piano, Tape, Vio...(+)
Chamber Music Clarinet,
Flute, Mezzo-soprano
voice, Percussion, Piano,
Tape, Violoncello
SKU:
PR.111401800
For
Mezzo-soprano Voice and
Chamber Ensemble with
Tape. Composed by
Shulamit Ran. Arranged by
Nelly Sachs. Text: Five
Poems of Nelly Sachs,
Translation from German
of Nos. I, III and IV by
Ruth and Matthew Mead, of
No. II by Michael Roloff
and No. V by Michael
Hamburger. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 1969.
51+16+14+20+14+15 pages.
Duration 18 minutes.
Theodore Presser Company
#111-40180. Published by
Theodore Presser Company
(PR.111401800).
UPC:
680160618132. 8.5 x 11
inches. Text: Nelly
Sachs. Nelly Sachs. Text:
Five Poems of Nelly
Sachs, Translation from
German of Nos. I, III and
IV by Ruth and Matthew
Mead, of No. II by
Michael Roloff and No. V
by Michael
Hamburger.
O The
Chimneys is a setting of
five poems by Nelly
Sachs, the great
German-Jewish 1966 Nobel
Prize co-winner in
literature, whose writing
concerned itself almost
entirely with the subject
of the holocaust.
Composed in 1969, the
work was my own personal
way of saying, through my
own art, do not forget.
Shockingly, these words
have as much relevance
today as they did when
the work was written.
Today we find ourselves
having to say do not
forget, do not distort,
do not deny it ever
happened. I
selected the five poems
from Sachs' O The
Chimneys collection,
retaining its grimly
evocative title even
though I did not include
the actual poem by that
name. In scoring the work
for female voice, flute,
clarinet/bass clarinet,
cello, piano and
percussion, I aimed to
give myself the broadest
possible palette of
instrumental colors while
using the smallest number
of participants. Yet as I
was planning the final
moments of my cycle, I
felt that instrumental
sound alone would not
suffice to express the
horror. An electronic
tape segment was added to
the work's final climax.
The first two
poems (A Dead Child
Speaks and Already
Embraced by the Arm of
Heavenly Solace), both
depicting the tearing of
a child away from his
mother, are treated
essentially as one unit,
with the first acting as
an introduction to the
second. These two, and
the cycle's apocalyptic
fifth poem (Hell is Naked
from Glowing Enigmas II),
act as the two weighty
pillar points, so to
speak, surrounding the
more introspective two
middle poems (Fleeing and
Someone Comes). To
maximize dramatic
differentiation within
the constraints of a
relentlessly tragic
subject matter, I used
range as a means to
delineate contrast, by
dividing the sounds
available to me into low
and dark (mvt. III) vs.
high and, at times,
eerily bright (mvt. IV)
colors. Thus the two
middle poems are intended
to balance the frenzied
madness of which the
work's outer parts are
made. The work
received its first
performance in New York
at the Metropolitan
Museum of Art's Grace
Rainey Auditorium on
January 19, 1970.
--Shulamit Ran.
By Michael Kregler. For SA Choir, and Piano accompaniment. Evoking Sound. Sacred...(+)
By Michael Kregler. For
SA Choir, and Piano
accompaniment. Evoking
Sound. Sacred. Medum.
Text language: English. 8
pages. Published by GIA
Publications
Composed by Aaron Copland (1900-1990), lyrics by Emily Dickinson. For voice and ...(+)
Composed by Aaron Copland
(1900-1990), lyrics by
Emily Dickinson. For
voice and piano. Format:
vocal/piano songbook.
With vocal melody, piano
accompaniment, lyrics and
introductory text. 20th
century. 9x12 inches.
Published by Boosey and
Hawkes.
Songs by British and American Composers - Mezzo- Soprano. Composed by Various....(+)
Songs by British and
American Composers -
Mezzo-
Soprano. Composed by
Various. Boosey and
Hawkes
Voice. Softcover Audio
Online. 88 pages. Boosey
and
Hawkes #M051934591.
Published by Boosey and
Hawkes
By Mansfield University Concert Choir; Mansfield Women's and Men's Choruses; Man...(+)
By Mansfield University
Concert Choir; Mansfield
Women's and Men's
Choruses; Mansfieldians.
By Various. For choir.
Mark Records. Audio CD.
Published by Mark Custom
Music
Forget Me Not, O Dearest Lord Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-1792-00 Arranged by A. Reed. Concert Band. Bach Serie...(+)
Grade 3
SKU:
CL.012-1792-00
Arranged by A. Reed.
Concert Band. Bach Series
arranged by Alfred Reed.
Score and set of parts.
Composed 1985. Duration 4
minutes, 1 second. Opus
III Wind Orchestra
Publications
#012-1792-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-1792-00).
An excellent
example of Bach as a song
writer. Taken from a
volume of sacred songs
published in 1736, Bach
identifies it as an aria,
not as a chorale, and
must have thought of it
as a lyrical melody to be
sung in concert rather
than as four square
chorale.
About Bach
Series arranged by Alfred
Reed
Maste
rful settings for concert
band by the venerable
Alfred Reed, these works
have been scored to
achieve richness and
beauty without detracting
from the textural
construction created by
Bach himself. Marvelous
educational and program
material!
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer