| Adoramus Te Chorale 3 parties 3 parties Mixtes Hal Leonard
3-Part Mixed. By Francesco Gasparini. Arranged by Catherine Bennett. (3 Part Mi...(+)
3-Part Mixed. By
Francesco Gasparini.
Arranged by Catherine
Bennett. (3 Part Mixed).
Choral. Size 6.7x10.5
inches. 8 pages.
Published by Hal Leonard.
$2.65 $2.5175 (- 5%) Voir plus => AcheterDélais: 3 to 5 business days | | |
| Missa a quattro voci Chorale SATB Carus Verlag
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo) SKU:
CA.3550311
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Basso
continuo. Sacred vocal
music, Masses, Latin.
Single Part, basso
continuo. 4 pages. Carus
Verlag #CV 35.503/11.
Published by Carus Verlag
(CA.3550311). ISBN
9790007213473. Text
language:
Latin. Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
part available separately
- see item
CA.3550300. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa a quattro voci Orgue [Conducteur] Carus Verlag
SATB choir, cornetto, 3 trombones, organ SKU: CA.3550300 Arranged by J...(+)
SATB choir, cornetto, 3
trombones, organ SKU:
CA.3550300
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
Arranged by Johann
Sebastian Bach. This
edition: urtext. Edition
Bach-Archiv Leipzig -
Musical Monuments. Sacred
vocal music, Masses,
Latin. Full score. Carus
Verlag #CV 35.503/00.
Published by Carus Verlag
(CA.3550300). ISBN
9790007165161. Text
language:
Latin. Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa a quattro voci Chorale SATB Carus Verlag
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo) SKU:
CA.3550348
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. 8 pages. Carus
Verlag #CV 35.503/48.
Published by Carus Verlag
(CA.3550348). ISBN
9790007213497. Language:
Latin. Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
part available separately
- see item
CA.3550300. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa a quattro voci Chorale SATB Carus Verlag
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo) SKU:
CA.3550349
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Organ. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. 8 pages. Carus
Verlag #CV 35.503/49.
Published by Carus Verlag
(CA.3550349). ISBN
9790007213503. Language:
Latin. Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
part available separately
- see item
CA.3550300. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa a quattro voci Orgue Carus Verlag
SATB choir, cornetto, 3 trombones, organ SKU: CA.3550305 Arranged by J...(+)
SATB choir, cornetto, 3
trombones, organ SKU:
CA.3550305
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
Arranged by Johann
Sebastian Bach. This
edition: urtext. Edition
Bach-Archiv Leipzig -
Musical Monuments. Sacred
vocal music, Masses,
Latin. Choral Score. 12
pages. Carus Verlag #CV
35.503/05. Published by
Carus Verlag
(CA.3550305). ISBN
9790007165222. Text
language:
Latin. Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score
available separately -
see item CA.3550300. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa a quattro voci Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo...(+)
SATB choir, cornetto, 3
trombones, organ (Or 2
violins, viola and basso
continuo or 2 oboes,
english horn and basso
continuo) SKU:
CA.3550319
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
This edition: urtext.
Edition Bach-Archiv
Leipzig - Musical
Monuments. Complete
orchestral parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Carus Verlag #CV
35.503/19. Published by
Carus Verlag
(CA.3550319). ISBN
9790007213480. Text
language:
Latin. Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score and
parts available
separately - see item
CA.3550300. $65.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tamerlano HWV 18 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voi...(+)
Solo voices, orchestra
(Soprano Voice Solo,
Mezzo-Soprano Voice Solo,
2 Alto Voice Solo, Tenor
Voice Solo, Bass Voice
Solo, 2 recorder-A, 2 Fl,
2 Ob, 2 clarinet, Str,
Continuo) SKU:
BA.BA04052 Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052). ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym. Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$485.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Il Bajazet G. Henle
SKU: HL.51483105 The Opera, Masterpieces of Operatic History, Volume 3...(+)
SKU: HL.51483105
The Opera,
Masterpieces of Operatic
History, Volume 3
Clothbound. Composed
by Francesco Gasparini.
Edited by Martin Ruhnke.
Monuments of Music.
Clothbound. Henle
Monuments of Music. Opera
Reference. Hardcover. 268
pages. G. Henle #HN3105.
Published by G. Henle
(HL.51483105). ISBN
9790201831053. UPC:
884088180683. 10x13
inches.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$225.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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