Consort (CD-ROM) Choral (Instrumental Consort) SKU: HL.35029297 A Serv...(+)
Consort (CD-ROM) Choral
(Instrumental Consort)
SKU: HL.35029297
A Service of Lessons
and Carols Celebrating
the Life of Christ
Chamber
Orchestration.
Composed by Joseph M.
Martin. Shawnee Sacred.
General Worship, Sacred.
CD-ROM. Duration 2400
seconds. Published by
Shawnee Press
(HL.35029297).
UPC:
884088951801.
5.0x5.0x0.19
inches.
Chamber
Orchestration CD-ROM:
Written in a traditional
style and inspired by the
celebrated lessons and
carols format, Testimony
of Life presents the
life, death and
resurrection of Jesus
Christ. Comprised of
choral anthems, Scripture
and congregational songs,
the work also divides
easily into three
sections, enabling
directors to present the
work progressively
through Lent and Easter.
Choirs of any size will
enjoy the thoughtful part
writing and the easily
learned melodies. From
joyful celebrations of
Christ's early ministry
to the deep sadness of
His suffering and
crucifixion, from the
shadowed whispers of
Gethsemane to the
brilliant alleluias of
Easter, Testimony of Life
is a thoughtful mix of
artistry and ministry. A
full line of support
products is available to
enhance your performance.
Songs include: Prologue *
I Will Sing the Wondrous
Story * The Story Begins
* A Day of Rejoicing and
Praise * Hosanna, Loud
Hosanna * Banquet of
Mercy * Into the Garden *
When I Survey the
Wondrous Cross * A Day
Bright with Joy * I Know
that My Redeemer Lives.
Instrumentation: (1
Player per Part) Score
and parts for flute, oboe
clarinet, bassoon (sub.
Bass clarinet), trumpet,
percussion, harp, piano
(play from vocal score),
violin 1&2, viola,
cello, double bass. Can
work with woodwinds only
or with strings only.
Choral (10 listening CDs) SKU: HL.35029301 A Service of Lessons and Ca...(+)
Choral (10 listening CDs)
SKU: HL.35029301
A Service of Lessons
and Carols Celebrating
the Life of Christ
10-Pack Listening
CDs. Composed by
Joseph M. Martin. Harold
Flammer Christmas.
Sacred. Published by
Shawnee Press
(HL.35029301).
UPC:
884088951856. 5x5
inches.
10-Pack
Listening CDs:
Written in a traditional
style and inspired by the
celebrated “lessons
and carols” format,
Testimony of Life
presents the life, death
and resurrection of Jesus
Christ. Comprised of
choral anthems, Scripture
and congregational songs,
the work also divides
easily into three
sections, enabling
directors to present the
work progressively
through Lent and Easter.
Choirs of any size will
enjoy the thoughtful part
writing and the easily
learned melodies. From
joyful celebrations of
Christ's early ministry
to the deep sadness of
His suffering and
crucifixion, from the
shadowed whispers of
Gethsemane to the
brilliant alleluias of
Easter, Testimony of
Life is a thoughtful
mix of artistry and
ministry. A full line of
support products is
available to enhance your
performance.
Songs include:
Prologue • I Will
Sing the Wondrous Story
• The Story Begins
• A Day of Rejoicing
and Praise •
Hosanna, Loud Hosanna
• Banquet of Mercy
• Into the Garden
• When I Survey the
Wondrous Cross • A
Day Bright with Joy
• I Know that My
Redeemer Lives.
Choral SATB,
Jesus Christ - Creator,
Restoration, Revelation,
Testimony. Christian,
Inspirational. Jackman
Music Corporation #01409.
Published by Jackman
Music Corporation
(JK.01409).
Doctrine
and Covenants
76:22-24.
Restorati
on anthem for double
mixed chorus (SSAATTBB)
by Gates. Reference:
Doctrine and
Covenants
76:22-24
SATB chorus and piano - Medium-easy SKU: JK.01524 Composed by Traditional...(+)
SATB chorus and piano -
Medium-easy
SKU:
JK.01524
Composed by
Traditional Irish Tune.
Arranged by Brent
Jorgensen. Choral SATB,
Difficulty Easy Medium,
Piano Choir, Atonement,
Encouragement, God the
Father, Gratitude, Jesus
Christ - Example, Jesus
Christ - Friend, Jesus
Christ - Savior,
Testimony, Trials.
Christian, Inspirational.
Duration 4:20. Jackman
Music Corporation #01524.
Published by Jackman
Music Corporation
(JK.01524).
3 Nephi
12:48, 3 Nephi
27:27.
Anthem
of comfort and solace for
mixed chorus (SATB) and
piano, bearing testimony
that in the Savior we can
find relief. When the
burdens of life press
upon me And become
more than I can bear;
When the shadows of
darkness surround me
There is One who is
always
there. Composer:
Traditional Irish Tune
Arranger: Brent
Jorgensen Lyricist:
Janice Kapp Perry
Difficulty:
Medium-easy
Performance time:
4:20 Reference: 3
Nephi 12:48, 3 Nephi
27:27.
SA chorus and piano - Medium SKU: JK.00545 Composed by Lynnette Shaw Loug...(+)
SA chorus and piano -
Medium
SKU:
JK.00545
Composed by
Lynnette Shaw Loughton.
Choral SA, Difficulty
Medium, Piano Choir, Book
of Mormon, Gospel,
Scriptures, Testimony.
Choral. Jackman Music
Corporation #00545.
Published by Jackman
Music Corporation
(JK.00545).
Alma
30:44.
Original
choral arrangement for
two-part treble chorus
(SA) and piano, bearing
testimony of the
scriptures: Friend of
mind, may you see so
bright. Plant these
messages into your
heart.... I know these
scriptures I read are
true. And a leatherbound
book waits for you.
Highest note:
D. Composer: Lynnette
Shaw Loughton Lyrics:
Lynnette Shaw
Loughton Difficulty:
Medium Performance
Time: 4:00 Reference:
Alma 30:44.
Violin 1 SKU: BR.OB-5294-15 Book 2. Composed by Wolfgang Amadeus M...(+)
Violin 1
SKU:
BR.OB-5294-15
Book
2. Composed by
Wolfgang Amadeus Mozart.
Edited by Johann Nepomuk
David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 4-6. 16
pages. Breitkopf and
Haertel #OB 5294-15.
Published by Breitkopf
and Haertel
(BR.OB-5294-15).
ISBN
9790004338018. 9 x 12
inches.
The Six
Three-Part Preludes and
Fugues are regarded as a
unique testimony to
Mozart's profound
interest in the works of
Bach. Or was it a
brilliant contemporary of
his who arranged the two
preludes and five fugues
by Johann Sebastian, and
one fugue by Wilhelm
Friedemann for string
trio and supplemented the
collection with further
preludes? The new
editions put the music
text of Johann Nepomuk
David's edition of the
parts to the test,
especially the editor's
practical arrangement,
which reflected the
performance style of his
time. These new editions
go one step further, also
in a
performance-practical
sense. The publication of
the score and
(orchestral) parts also
enables string orchestras
to play this piece for
the first time - an
instrumental possibility
that is perfectly
legitimate, both
musically and
historically. It is a
fascinating addition to
the repertoire that one
can recommend to every
chamber
orchestra.Contents:No. 4
Adagio Mozart's
arrangement of Johann
Sebastian Bach, Adagio e
dolce from the Sonata for
Organ III BWV 527 Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Contrapunctus 8 from the
Art of Fugue BWV 1080No.
5 Largo Mozart's
arrangement of Johann
Sebastian Bach, Largo
from the Sonata for Organ
II BWV 526 Fuga Mozart's
arrangement of Johann
Sebastian Bach, Allegro
from the Sonata for Organ
II BWV 526No. 6 Adagio by
Wolfgang Amadeus Mozart
Fuga Mozart's arrangement
of Wilhelm Friedemann
Bach, Fuga in F minor
Falk No. 31/8.
Viola SKU: BR.OB-5294-19 Book 2. Composed by Wolfgang Amadeus Moza...(+)
Viola
SKU:
BR.OB-5294-19
Book
2. Composed by
Wolfgang Amadeus Mozart.
Edited by Johann Nepomuk
David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 4-6. 16
pages. Breitkopf and
Haertel #OB 5294-19.
Published by Breitkopf
and Haertel
(BR.OB-5294-19).
ISBN
9790004338025. 9 x 12
inches.
The Six
Three-Part Preludes and
Fugues are regarded as a
unique testimony to
Mozart's profound
interest in the works of
Bach. Or was it a
brilliant contemporary of
his who arranged the two
preludes and five fugues
by Johann Sebastian, and
one fugue by Wilhelm
Friedemann for string
trio and supplemented the
collection with further
preludes? The new
editions put the music
text of Johann Nepomuk
David's edition of the
parts to the test,
especially the editor's
practical arrangement,
which reflected the
performance style of his
time. These new editions
go one step further, also
in a
performance-practical
sense. The publication of
the score and
(orchestral) parts also
enables string orchestras
to play this piece for
the first time - an
instrumental possibility
that is perfectly
legitimate, both
musically and
historically. It is a
fascinating addition to
the repertoire that one
can recommend to every
chamber
orchestra.Contents:No. 4
Adagio Mozart's
arrangement of Johann
Sebastian Bach, Adagio e
dolce from the Sonata for
Organ III BWV 527 Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Contrapunctus 8 from the
Art of Fugue BWV 1080No.
5 Largo Mozart's
arrangement of Johann
Sebastian Bach, Largo
from the Sonata for Organ
II BWV 526 Fuga Mozart's
arrangement of Johann
Sebastian Bach, Allegro
from the Sonata for Organ
II BWV 526No. 6 Adagio by
Wolfgang Amadeus Mozart
Fuga Mozart's arrangement
of Wilhelm Friedemann
Bach, Fuga in F minor
Falk No. 31/8.
Kantate zum 1.
Advent. Composed by
Georg Philipp Telemann.
Edited by Traugott
Fedtke, Klaus Hofmann.
Arranged by Traugott
Fedtke. This edition:
urtext. Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Machet die
Tore weit. Innovative
practice aids, Sacred
vocal music, Cantatas,
Psalms, German, Advent,
Praise and thanks. Single
Part, Violin 2. TVWV
1:1074. 8 pages. Duration
16 minutes. Carus Verlag
#CV 39.105/12. Published
by Carus Verlag
(CA.3910512).
ISBN
9790007055233. Language:
German/English.
The
Advent cantata Machet die
Tore weit has long been
one of the most
frequently performed of
Telemann's sacred works.
Among the copies of this
cantata which have been
handed down is a copy by
J. S. Bach which bears
testimony to the high
respect he paid to his
then more celebrated
colleague from Hamburg:
It is a copy of the score
in the hand of the
Thomaskantor which was
made for a performance in
Leipzig on Avent Sunday
in 1734 (therefore during
the same period as the
first performance of
Bach's Christmas
Oratorio). Of the four
solo singers the soprano
and bass, each of whom
has an aria, are
indispensable. The brief
alto solos in the opening
chorus can be sung by a
member of the choir, and
the tenor recitative can
be sung by the soprano
soloist. This work is now
available in carus music,
the choir app! Score and
part available separately
- see item
CA.3910500.
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
Choral (SATB) SKU: HL.357638 Composed by Lynne German. Arranged by Stewar...(+)
Choral (SATB)
SKU:
HL.357638
Composed by
Lynne German. Arranged by
Stewart Harris. Shawnee
Sacred. Easter,
Graduation, Lent. Octavo.
12 pages. Duration 190
seconds. Published by
Shawnee Press
(HL.357638).
UPC:
840126943672.
6.75x10.5x0.019 inches.
Luke 24:13-33, Matthew
16:24, Micah 6:8, Psalm
5:8.
Peacefully
flowing from a gentle
pastorale by J.S. Bach,
this graceful melody
rises like a folk song.
Presented as a testimony
of commitment, the text
nourishes the heart to
trust and follow the path
of righteousness. The
chorus is full and
expressive, sharing the
desire to walk worthy
until our faith becomes
sight. Music of the
heart!
Sumer is icumen
in. Composed by Carl
Orff. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Choral Score.
Composed 1972. 16 pages.
Duration 4'. Schott Music
#ED 6412-01. Published by
Schott Music
(HL.49006274).
ISBN
9790001068093. Old
English.
The first
known canon of European
art music, now in the
British Museum in London,
is preserved in a
thirteenth-century
manusript from the
English abbey in Reading:
This is the so-called
summer canon, whose
verses greet the advent
of summer. An
accompanying note
elucidates the artistic
layer-like construction
of the sound structure: a
two-voice foundation of
bell-like, swinging
pendulum tones supports
an upper structure of
four voices which enter
at equal time intervals.
The note terms the canon
rota * round -, which
makes reference to the
turning, circling
movement of the
constantly pulsating
sound. The circular
figure originates in a
vital, ages-old moving
force in music-making,
and it demands a
dance-like execution. But
the canon is also,
through the interaction
of the strictly ordered
voice entries,
convivially bound musical
form. Carl Orff was able
to choose no better
fitting musical form for
the Greetings to Youth at
the Olympic Games 1972 in
Munich than the medieval
rota. In the connexion of
the singing voices with
the Orff instruments,
today in world-wide use,
a testimony of European
tradition sounds in a
living present.
SATB chorus and organ - Medium-difficult SKU: JK.01249 Composed by Robert...(+)
SATB chorus and organ -
Medium-difficult
SKU:
JK.01249
Composed by
Robert P. Manookin.
Choral SATB, Difficulty
Medium Hard, Seasonal
Music Pioneer Day, Faith,
God the Father, Gospel,
Jesus Christ - Savior,
Prayer, Prophets,
Restoration, Scriptures.
Christian, Inspirational.
Duration 3:30. Jackman
Music Corporation #01249.
Published by Jackman
Music Corporation
(JK.01249).
Joseph
Smith--History 1:14-20,
25, James
1:5.
Restoratio
n anthem with original
music for mixed chorus
(SATB) and organ,
reiterating Joseph
Smith's testimony of the
First
Vision. Composer:
Robert P. Manookin
Lyricist: George
Manwaring Difficulty:
Medium-difficult
Performance time:
3:30 Reference: Joseph
Smith--History 1:14-20,
25, James 1:5.
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege,
bereitet die Bahn. Sacred
vocal music, Cantatas,
Advent. Choral Score.
Composed 1715. BWV 132. 2
pages. Duration 22
minutes. Carus Verlag #CV
31.132/05. Published by
Carus Verlag
(CA.3113205).
ISBN
9790007103163. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score available
separately - see item
CA.3113200.
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Viola. Composed 1715. BWV
132. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.132/13. Published by
Carus Verlag
(CA.3113213).
ISBN
9790007207946. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200.
Composed
by Anton Bruckner. Edited
by Anselm Eber. Organ.
Sacred vocal music,
Masses, Latin, Requiem.
Single Part, Organ. WAB
39. 20 pages. Duration 38
minutes. Carus Verlag #CV
27.320/49. Published by
Carus Verlag
(CA.2732049).
ISBN
9790007245306. Language:
Latin.
Anton
Bruckner composed his
Requiem in D minor at the
young age of 24 in memory
of a friend of his
father's who was his
patron. The work was
greatly influenced by the
Viennese classical style.
He revised the work at
the age of 70 in 1894 and
held it in high regard
throughout his career,
even though his setting
never enjoyed the
popularity of similar
works by Mozart or Verdi
in the concert
repertoire. The new
edition now published
represents the revised
version, which can be
regarded as a very
personal, and at the same
time impressive
compositional testimony
to Bruckner's artistic
development on his
journey towards becoming
the great church musician
and symphonist. Bruckner
set the text of the
Requiem Mass in a
relatively compact form
in terms of extent and
scoring. The range of
compositional colors
stretches from
Alpine-influenced writing
for male voice choir
(Hostias), to a five-part
choral movement (Sanctus)
and an unaccompanied
movement (Requiem), to
movements with choir and
soloists. Score and part
available separately -
see item CA.2732000.
Composed by Bradley
Knight. Choral, cantatas.
Eastertide. Book. Word
Music #080689638176.
Published by Word Music
(WD.080689638176).
UPC:
080689638176.
From
Word Music & Church
Resources ~ featuring
the dynamic creative team
of Bradley Knight and
Johnathan Crumpton ~
comes Our Living
Hope, new for Easter!
Filled with the
joy and promise of a
world redeemed by the
love and victorious
resurrection of our great
Savior, Our Living
Hope is the perfect
foundation for what
just might be your most
powerful and compelling
Easter service
ever!
Featuring powerfully
explosive songs of
worship and praise and
filled with testimony of
the impact of
God’s love and
mercy on our lives,
Our Living Hope
sets a new standard of
excellence for
contemporary, evangelical
worship choirs
everywhere! Your choir
will love singing these
masterful Bradley Knight
arrangements, such as the
opening refrain of
Were You There? in
a medley with Kari
Jobe’s Forever
(We Sing Hallelujah),
breathtaking new songs
like Mercy Has Changed
Me (a new “instant
classic†first
introduced by TaRanda
Greene), a soulful
Nothing but the Blood
Medley, the new
worship anthem, Living
Hope, and much
more!
SATTBB chorus and piano - Medium-difficult SKU: JK.01809 Composed by Ralp...(+)
SATTBB chorus and piano -
Medium-difficult
SKU:
JK.01809
Composed by
Ralph B. Woodward. Choral
SATB, Difficulty Medium
Hard, Piano Choir,
Gathering of Israel,
Gospel, Jesus Christ -
Second Coming,
Restoration, Testimony,
Youth. Christian,
Inspirational. Octavo.
Duration 3:30. Jackman
Music Corporation #01809.
Published by Jackman
Music Corporation
(JK.01809).
Majestic
hymn anthem for mixed
chorus (SATTBB) and piano
on the Second Coming of
the Lord. Composer:
Ralph B. Woodward
Lyricist: Marvin R.
VanDam Difficulty:
Medium-difficult
Performance time:
3:30 Reference:
Doctrine and Covenants
39:17-24, Doctrine and
Covenants 133:7-10.