Piano/Vocal/Guitar. By Carrie Underwood. This edition: Piano/Vocal/Guitar. Artist/Personality; Book; Personality Book; Piano/Vocal/Chords. Country. 92 pages. Published by Alfred Music

(Barcarole from the Opera Les contes d'Hoffman). By Jacques Offenbach (1819-1880). Arranged by Jos van de Braak. For Soprano, Mezzo-Soprano and Concert Band. Grade 3. Full score and set of parts. Duration 4:00. Published by Baton Music

(Bass Guitar)

SKU: HL.14079848

Bass. Softcover Audio Online. Duration 240 seconds. Rockschool #RSK200052. Published by Rockschool (HL.14079848).

UPC: 196288095149. 9.0x12.0x0.212 inches.

Brass Band - Grade 5

SKU: BT.AMP-417-030

Composed by Philip Sparke. Elite Series. Concert March. Set (Score & Parts). Composed 2015. Anglo Music Press #AMP 417-030. Published by Anglo Music Press (BT.AMP-417-030).

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Eröffnungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None was composed for the celebration of the 20th anniversary of the British Army Corps. Paying tribute to the musical tradition of the Corps, this celebratory work refers to some of its own famous marches like The Corps of ArmyMusic Slow March (Greg Machin) and The Music Makers (Ian Mitchell). Second to None - which can also be played in a shorter version - is an ideal opener for any festive concert.

(Flute). For Flute. Instrumental Series. Book. 96 pages. Published by Alfred Music . Textbook.

Performed by Gordon Lightfoot. Songbook for voice, piano and guitar chords. 92 pages. Published by Alfred Publishing.

For Brass Trio. Composed by Stephen Lias (1966-). Score and part(s). With Standard notation. 20 pages. Duration 3:30. Alias Press #494-03084. Published by Alias Press

By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 576 pages. Published by Hal Leonard

Piano/Vocal/Guitar Artist Songbook. General Merchandise. Duration 240 seconds. Music Sales #AM1009701. Published by Music Sales

By Mary J. Blige. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. 112 pages. Published by Hal Leonard.

Opera

SKU: PR.UE035864

Composed by Leos Janacek. Opera. Contemporary. Full score. With Standard notation. 516 pages. Universal Edition #UE035864. Published by Universal Edition (PR.UE035864).

ISBN 9783702474256. UPC: 803452071365.

Unive rsal Edition presents very special full scores of Leoš Janáček works. These new Critical Edition scores are based upon the work of Janáček expert Jiří Zahrádka. Jenufa was Janáček's third opera (1904), and his breakthrough work in that genre. Katya Kabanova, The Cunning Little Vixen, and The Makropulos Affair are three of his last four operas, composed between 1921 and 1926. Janáček joins Dvořák and Smetana among the best of the Czech composers. Each score measures a full 10 x 13 1/2, hardbound.

By Sly and the Family Stone. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. Softcover. Published by Hal Leonard

For Piano/Vocal/Chords. This edition: Piano/Vocal/Guitar. P/V/C Mixed Folio. Pop/Rock. Book. 272 pages. Published by Alfred Music Publishing

Chamber Music Cello, Clarinet

SKU: PR.114418960

Composed by Adolphus Hailstork. Set of Score and Parts. With Standard notation. 16+12+8 pages. Duration 10 minutes, 5 seconds. Theodore Presser Company #114-41896. Published by Theodore Presser Company (PR.114418960).

UPC: 680160669677. 9 x 12 inches.

A five-minute duo in two movements for advanced performers; a dynamic, singing affair between violin and viola. The second movement surprisingly becomes variations on Yankee Doodle! Now available in multiple duo settings by the composer.

(C Instruments). By Various. For C Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

Piano - Grade 4

SKU: FA.MFCD007PN

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical, Impressionistic. Score. Musik Fabrik #MFCD007PN. Published by Musik Fabrik (FA.MFCD007PN).

8.27 x 11.69 inches.

Debussy's friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bedier's adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner's Tristan und Isolde are that none of the action takes place in Cornwall and that Isolde of the White Hands is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.

The idea of a Tristan that restored its 'legendary character' and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan's death. Even if he thought that Mourey's poetry was 'not very lyrical and many passages do not exactly invite music', he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, 'one of the 363 themes for the Roman de Tristan' in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong Le Faucon. After a short atmospheric introduction, Debussy's dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy's opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.

Unfortunat ely, Mourey's actual libretto has been lost and the project eventually foundered because Bedier's cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey's version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

Lyrics by Alan Bergman, Marilyn Bergman, music by Michel Legrand (1932-). Single for voice, piano and guitar chords. From the United Artists motion picture The Thomas Crown Affair. E Minor. 4 pages. Published by Alfred Publishing.

Performed by Tom Waits. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and black and white photos. Rock. 9x12 inches. Published by Music Sales.

By Kurt Rosenwinkel. For Guitar (All). Solos. Jazz. Level: Intermediate-Advanced. Book. Size 9x11.75. 80 pages. Published by Mel Bay Publications, Inc.

Concert Band/Harmonie - Grade 5

SKU: BT.AMP-417-010

Composed by Philip Sparke. Elite Series. Concert Piece. Set (Score & Parts). Composed 2015. Anglo Music Press #AMP 417-010. Published by Anglo Music Press (BT.AMP-417-010).

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Erönungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None (Secondo a nessuno) è un titolo perfetto per questo lavoro, anche se in realt si riferisce a “Nulli Secundus”, il motto del British Corps of Army Music, che lo ha commissionato a Philip Sparke. Il brano si apre con una fanfara, seguita da due brevi citazioni, prese da due delle marce del Corpo e da un gioioso Vivace. Una sezione centrale, che da più spazio al legato, crea un piacevole contrasto con la fanfara iniziale prima della chiusura del brano. Un connubio perfetto!