Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and Fra...(+)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Fabien Guilloux and
François
de Médicis. This
edition:
urtext edition. Stapled.
Performance score, Part.
Opus
102. Baerenreiter Verlag
#BA10958. Published by
Baerenreiter Verlag
Donar Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band (Score) - Grade 4 SKU: HL.44012989 For Concert Band (Scor...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44012989
For
Concert Band (Score).
Composed by Jan Van der
Roost. De Haske Concert
Band. March. Softcover.
Composed 2017. De Haske
Publications #1175742140.
Published by De Haske
Publications
(HL.44012989).
UPC:
888680706104.
English-German-French-Dut
ch.
This noble
concert march was
commissioned by the
Musikverein Heek,
Germany, for its 125th
anniversary. In German
mythology, Donar is the
God of Thunder, and in
the area around Heek,
'Thunder Mountain' is a
household name. The work
begins with a stately
opening, followed by a
beautiful trio melody
with rhythmical and
energetic sections. This
is a march that features
and showcases a range of
musical aspects. It is
perfect as an opener or
to create variety during
a concert.
Donar Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band (Score & Parts) - Grade 4 SKU: HL.44012988 For Concert Ba...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.44012988
For
Concert Band
(Score/Parts).
Composed by Jan Van der
Roost. De Haske Concert
Band. Concert Piece.
Softcover. Composed 2017.
De Haske Publications
#1175742010. Published by
De Haske Publications
(HL.44012988).
English-German-French-
Dutch.
This noble
concert march was
commissioned by the
Musikverein Heek,
Germany, for its 125th
anniversary. In German
mythology, Donar is the
God of Thunder, and in
the area around Heek,
'Thunder Mountain' is a
household name. The work
begins with a stately
opening, followed by a
beautiful trio melody
with rhythmical and
energetic sections. This
is a march that features
and showcases a range of
musical aspects. It is
perfect as an opener or
to create variety during
a concert.
Elegy op. 23 [Conducteur et Parties séparées] Praha
By Josef Suk. For vioiin solo, cello solo, string quartet, harmonium and harp. C...(+)
By Josef Suk. For vioiin
solo, cello solo, string
quartet, harmonium and
harp. Czech title: Elegie
op. 23. Score and set of
parts. Published by Praha
(Czech import).
Violin Duet SKU: BT.EMBZ14880 Leichte Duos für zwei Violinen. C...(+)
Violin Duet
SKU:
BT.EMBZ14880
Leichte Duos für
zwei Violinen.
Composed by Janos
Lavotta. Educational
Tool. Book Only. Composed
2014. 48 pages. Editio
Musica Budapest
#EMBZ14880. Published by
Editio Musica Budapest
(BT.EMBZ14880).
Composer and
violinist János
Lavotta (1764-1820), as a
member of the ''virtuoso
trio'' who played a great
role in the history of
Hungarian music, was one
of the pioneers of
verbunkos music. (The
other two key players
being János Bihari and
Antal Csermák.)
Although Lavotta s Violin
Duos Op. 49 must have
also been used for
playing music at home,
they show the composer's
clear educational intent
since the fourteen
consecutive pieces
gradually increase in
difficulty in both
technical and musical
respects. The relatively
short and undemanding
melodies (which can be
grasped by beginners),
the sequence-like
structure that makes
practising individual
technical elements
possible,
therhythmical-harmonic
accompanying forms, as
well as the temperately
applied modulations are
definitely suitable for
beginner violinists to
achieve significant
progress in playing.
According to music
historian Mária
Domokos, Lavotta's duos
could have been included
in the syllabus of any
contemporary music school
at the time. The first
publication of Easy Duos
- which came out on the
250th anniversary of the
Lavotta's birth - was
edited by János
Dombóvári who
provided the fingering
and the necessary
instructions for
performance.
Die
Erstauflage von EASY DUOS
- die anlässlich des
250. Geburtstag von
Lavotta erschien - wurde
von János
Dombóvári mit
Fingersätzen und
Spiel-Tipps ergänzt.
Die 14 relativ kurzen,
spielfreundlichen
Melodien, die
unkomplizierte
rhythmisch-harmonischeStr
uktur und die einfachen
Modulationen machen sie
zu idealen
Übungsstücken
für Anfänger, ohne
diese jedoch zu
unterfordern.
Grade 3 - Score
Only. Composed by
Philip Sparke. Anglo
Music Concert Band.
March. Score Only.
Composed 2009. Anglo
Music Press #AMP248.
Published by Anglo Music
Press (HL.44010493).
Utsunomiya is
the capital of Japan's
Tochigi Prefecture and is
about 100 km north of
Tokyo, about an hour on
the bullet train. When
the Utsunomiya Brass
Society, a talented and
versatile group of brass
players formed in 1978,
asked Philip Sparke to
compose a signature march
to celebrate their 30th
anniversary, they asked
for a bright and breezy
march which they could
use to open concerts.
Jubiloso is written in
the same style as
Sparke's Slipstream and
The Bandwagon, with
heavily syncopated
melodies and a
conventional cantabile
trio section, but also
contains sudden bars of
unusual meter that trip
up the march rhythm.
Piano; Violin - intermediate SKU: HL.49019514 Violin and Piano. Co...(+)
Piano; Violin -
intermediate
SKU:
HL.49019514
Violin
and Piano. Composed
by Joe Duddell. This
edition: Saddle
stitching. Sheet music.
String. Classical,
Contemporary. Softcover.
Composed 2010. 24 pages.
Duration 9'. Schott Music
#ED13358. Published by
Schott Music
(HL.49019514).
ISBN
9790220132575.
9.0x12.0x0.111
inches.
“All
Stars Aligned was
originally to be a set of
variations on a theme
that is almost hidden in
the opening bars.
However, the piece took
on much more of a
fantasia feel and shape
as I wrote it and it
could be argued that a
second theme first heard
in the violin of the
ground (derived from
material in bar 5)
becomes more dominant
than the first as the
piece progresses. The
piece is in one
continuous movement but
is in three distinct
sections and tempi:
medium, slow and fast.
The material shares some
similarities with my
piano trio,
Nightswimming, and in
some ways can be seen as
a companion piece (minus
the cello of course). The
title comes from a track
on an album by the artist
St. Vincent called Marry
Me which I hope is
appropriate for a piece
commissioned to celebrate
a wedding
anniversary.†Joe
Duddell 2010.
Concert Band - Grade 3 SKU: HL.44010492 Grade 3 - Score and Parts....(+)
Concert Band - Grade 3
SKU: HL.44010492
Grade 3 - Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
March. Score Only.
Composed 2009. Duration
240 seconds. Anglo Music
Press #AMP248. Published
by Anglo Music Press
(HL.44010492).
Uts
unomiya is the capital of
Japan's Tochigi
Prefecture and is about
100 km north of Tokyo,
about an hour on the
bullet train. When the
Utsunomiya Brass Society,
a talented and versatile
group of brass players
formed in 1978, asked
Philip Sparke to compose
a signature march to
celebrate their 30th
anniversary, they asked
for a bright and breezy
march which they could
use to open concerts.
Jubiloso is written in
the same style as
Sparke's Slipstream and
The Bandwagon, with
heavily syncopated
melodies and a
conventional cantabile
trio section, but also
contains sudden bars of
unusual meter that
“trip up†the
march rhythm.
Voci Violon [Conducteur et Parties séparées] Seesaw Music Corp
Violinn, Clarinet & Piano SKU: SU.50018350 For Violinn, Clarinet & Pia...(+)
Violinn, Clarinet & Piano
SKU: SU.50018350
For Violinn, Clarinet
& Piano. Composed by
Karl Korte. Chamber
Music, Piano Trio. Score
& Parts. Seesaw Music
Corp #50018350. Published
by Seesaw Music Corp
(SU.50018350).
Commissioned
for and dedicated to
Voices of Change for
their 10th anniversary
Published by: Seesaw
Music.
Chamber Music Flute, Harp, Viola SKU: PR.114423470 Composed by Shulamit R...(+)
Chamber Music Flute,
Harp, Viola
SKU:
PR.114423470
Composed
by Shulamit Ran. Set of
Score and Parts.
24+12+12+16 pages.
Duration 13 minutes.
Theodore Presser Company
#114-42347. Published by
Theodore Presser Company
(PR.114423470).
ISBN
9781491137314. UPC:
680160687473.
A
commission from the Santa
Fe Chamber Music
Festival, for any
combination of
instruments of her
choosing, quickly sparked
Shulamit Ran to create a
trio for Flute, Viola,
and Harp. She writes of
this instrumentation:
“something about
its color palette
reminded me of the image
I have of Santa Fe as a
sun-drenched city of warm
hues, a thriving arts
scene, and a spirit of
relaxed tolerance.â€
In this subtle, yet
dramatic work, the
instruments begin the
journey with distinct,
contrasting musical
personalities, which
gradually begin to
coalesce, though not
without surprise twists
along the road. Being
commissioned by the Santa
Fe Chamber Music Festival
to create a new work for
the major milestone of
its 50th anniversary was
both an honor and a
special delight. My
choice of the flute,
viola, and harp
combination for this
composition was reached
quickly and almost
instinctively, motivated
not only because I
relished the thought of
composing for an
instrumental ensemble I
had not previously
written for, but also
because something about
its color palette
reminded me of the image
I have of Santa Fe as a
sun-drenched city of warm
hues, a thriving arts
scene, and a spirit of
relaxed tolerance.In All
Roads Leading I treat the
instruments
intermittently as three
distinct characters who
have their own individual
“voices†and
musical materials, while
at other times they
coalesce into a single,
more unified entity. In
the sections expressive
of the
instruments’
individual
“soulsâ€â€
as I like to call
them—the music
ranges from the songful,
to the impassioned, but
also the volatile. In
contrast, where all three
instruments act as a
single entity, the music
tends to be highly
rhythmic, sometimes
dance-like, even angular,
and spiky.As the work
progresses, the
boundaries between these
contrasting approaches
become deliberately
blurrier and more
intertwined, perhaps
reminding one of a tale
with various twists and
turns in the plot. And
although eschewing a
formal recapitulation,
various motivic threads
as well as emotive
“states†are
eventually brought full
circle, as if to fulfill
an intended role that
crystallizes only as All
Roads Leading plays out
its full journey.
Simultaneously with the
general unwinding and
relaxation that is
reached nearthe end, a
mutation of an earlier
more threatening element
appears at the very
closing of the work,
perhaps a reminder that
the unknown always lies
ahead.
Martini March Ensemble de cuivres [Conducteur et Parties séparées] De Haske Publications
Brass Band (Score & Parts) SKU: HL.44001658 Score and Parts. Compo...(+)
Brass Band (Score &
Parts)
SKU:
HL.44001658
Score
and Parts. Composed
by Jacob De Haan. De
Haske Brass Band.
Concert, March. Duration
173 seconds. De Haske
Publications #910256BB.
Published by De Haske
Publications
(HL.44001658).
UPC:
073999780277. 6.75x10.5
inches.
This
swinging march by Jacob
de Haan was commissioned
by the foundation
Vrienden van de Groningse
Politie-muziek (Friends
of the Police Music of
Groningen), on occasion
of the 950 year
anniversary of the
Martini-city Groningen.
The trio in this piece
features the anthem of
the province of
Groningen.
Piano Accompaniment; Soprano (Soprano) SKU: HL.49047364 For Soprano an...(+)
Piano Accompaniment;
Soprano (Soprano)
SKU:
HL.49047364
For
Soprano and Piano.
Composed by Dominique Le
Grande. Vocal Solo.
Classical, Vocal.
Softcover. Duration 300
seconds. Schott Music
#ED14164. Published by
Schott Music
(HL.49047364).
ISBN
9798350124866. UPC:
196288207610.
Four
Arms, Two Necks is a
setting of a 17th century
anonymous poem. The
timelessness of the words
in the love poem struck
me and I set it to music,
later dedicating the song
to two friends, Anda and
Bill Winters, in
celebration of a wedding
anniversary. Orpheus is
from William
ShakespeareÂ?s play The
Life of King Henry VIII.
Between 1996-2000, I
composed and produced the
music for audio
recordings of all 38
Shakespeare plays in the
Complete Arkangel
Shakespeare collection.
This song from the play
was originallywritten for
lute accompaniment and I
later arranged the lute
part for piano. Agua,
Dónde Vas? is a
setting of a poem by
Federico GarcÃa Lorca.
In 1998, I visited
Barcelona to renew with a
dear friend, Lucia from
an illustrious family of
flamenco musicians and
dancers. We had met in
1985 when I first visited
Granada and was hanging
out in the flamenco
tablaoÂ?s of the
Albaicin and Granada
proper. Through Lucia I
got a glimpse of a world
in which LorcaÂ?s poetry
vibrated daily and as
casually as the music,
songs and rhythms that
peppered and punctuated
conversations,
discussions, exchanges of
opinions, mealtimes in
homes and bars and the
precious moments of just
hanging out.
The Torch of Liberty Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165680-010 Music for a So...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165680-010
Music for a Solemn
Occasion. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Hymns & Chorals. Set
(Score & Parts). Composed
2016. De Haske
Publications #DHP
1165680-010. Published by
De Haske Publications
(BT.DHP-1165680-010).
English-German-French-
Dutch.
The Torch
of Liberty has been
commissioned by the Band
of the Royal Netherlands
Military Police, on the
occasion of their 200th
anniversary. The music is
based on a monument, a
torch that is
symbolically being passed
on by the fallen ones to
the new generation. This
versatile composition
features a beautiful hymn
and unique military sound
effects in a festive and
heroic style.
The Torch of
Liberty is in
opdracht van de
Koninklijke Marechaussee
gecomponeerd ter
gelegenheid van het
tweehonderdjarig bestaan
van de KMar. De muziek is
gebaseerd op een
monument: de gevallen
strijder die de toorts
doorgeeft aan een jongere
generatie. Deze
veelzijdige compositie
bevat een prachtige hymne
en unieke militaire
geluidseffecten in een
feestelijke en hero sche
stijl.
The
Torch of Liberty
wurde der
Königlich-Niederlän
dischen
Marechaussee“ aus
Anlass seines
200-jährigen
Jubiläums in Auftrag
gegeben. Die Musik
basiert auf der Bedeutung
eines Denkmals, einer
Fackel, die symbolisch
von den Gefallenen an die
jüngere Generation
weitergereicht wird.
Diese vielseitige
Komposition beinhaltet
eine wunderschöne
Hymne sowie einzigartige
militärische
Klangeffekte in einem
festlichen und heroischen
Stil.
Commissionata
dalla trumpet band della
Polizia Militare Reale
olandese, la musica è
ispirata a un monumento
ai caduti raffigurante
una torcia, che
simboleggia il passaggio
di testimone da una
generazione
all’altra. Lo
spirito della
composizione è eroico
e trionfale, adatto alle
competizioni.
Stille Nacht.
Composed by Franz Xaver
Gruber. Arranged by
Lorenzo Bocci. Christmas
Collection. Festive and
Solemn Music. Score Only.
Composed 2012. 12 pages.
De Haske Publications
#DHP 1125069-140.
Published by De Haske
Publications
(BT.DHP-1125069-140).
9x12 inches.
English-German-French-Dut
ch.
When the song
Silent Night was
fi_x001F_rst heard, at
Christmas 1818 in the
village church of
Oberndorf, near Salzburg
in Austria, no one could
have dreamt of the
success this Christmas
carol would enjoy the
world over. The village
schoolteacher and
organist Franz Gruber -
the 150th anniversary of
whose death is marked in
2013 - composed the
melody for a poem by
Franz Mohr shortly before
Christmas. Today,
Silent Night is
sung in over 300
languages
worldwide.
Oberdor
f-Salzburg, Kerstmis
1818. Het lied Stille
Nacht van de
dorpsleraar en organist
Franz Gruber klinkt voor
de allereerste keer. Toen
zal niemand gedacht
hebben dat dit lied, dat
gebaseerd is op een
gedicht Franz Mohr, een
van de bekendste
kerstliedjes ter wereld
zou worden, vertaald in
meer dan 300 talen.
Lorenzo Bocci maakte een
mooie, pure bewerking van
dit lied, dat speelbaar
is voor elk orkest.
Als an
Weihnachten 1818 in der
Dorfkirche zu Oberndorf
bei Salzburg
(Österreich) das Lied
Stille Nacht
erstmals erklang, ahnte
wohl niemand, dass dieses
festliche Lied einmal
buchstäblich
weltberühmt werden
würde. Der
Dorfschullehrer und
Organist Franz Gruber,
dessen Todestag sich 2013
zum 150. Mal jährt,
hatte die Melodie kurz
vor Weihnachten zu einem
Gedicht von Franz Mohr
komponiert. Heute wird
Stille Nacht in
mehr als 300 Sprachen
weltweit
gesungen.
Quando
le inconfondibili note di
Stille Nacht
risuonarono la prima
volta nel 1818 nella
chiesa di Oberndorf nei
pressi di Salisburgo,
nessuno immaginava
l’enorme successo
che questo canto
natalizio avrebbe avuto
in tutto il mondo. Franz
Gruber, insegnante in un
villaggio, scrisse la
melodia poco prima di
Natale per accompagnare
una poesia di Franz Mohr.
Da allora Stille
Nacht è cantata in
oltre 300 idiomi nel
mondo intero.
Polish Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jon...(+)
Polish Favorites for Easy
Piano with Lyrics
composed by Various.
Arranged by Jonathon
Robbins. For easy piano.
This edition: Paperback.
Collection. Ethnic. Book.
Text Language: English.
32 pages. Published by
Santorella Publications
Stille Nacht.
Composed by Franz Xaver
Gruber. Arranged by
Lorenzo Bocci. Christmas
Collection. Festive and
Solemn Music. Set (Score
& Parts). Composed 2012.
De Haske Publications
#DHP 1125069-010.
Published by De Haske
Publications
(BT.DHP-1125069-010).
9x12 inches.
English-German-French-Dut
ch.
When the song
Silent Night was
fi_x001F_rst heard, at
Christmas 1818 in the
village church of
Oberndorf, near Salzburg
in Austria, no one could
have dreamt of the
success this Christmas
carol would enjoy the
world over. The village
schoolteacher and
organist Franz Gruber -
the 150th anniversary of
whose death is marked in
2013 - composed the
melody for a poem by
Franz Mohr shortly before
Christmas. Today,
Silent Night is
sung in over 300
languages
worldwide.
Oberdor
f-Salzburg, Kerstmis
1818. Het lied Stille
Nacht van de
dorpsleraar en organist
Franz Gruber klinkt voor
de allereerste keer. Toen
zal niemand gedacht
hebben dat dit lied, dat
gebaseerd is op een
gedicht Franz Mohr, een
van de bekendste
kerstliedjes ter wereld
zou worden, vertaald in
meer dan 300 talen.
Lorenzo Bocci maakte een
mooie, pure bewerking van
dit lied, dat speelbaar
is voor elk orkest.
Als an
Weihnachten 1818 in der
Dorfkirche zu Oberndorf
bei Salzburg
(Österreich) das Lied
Stille Nacht
erstmals erklang, ahnte
wohl niemand, dass dieses
festliche Lied einmal
buchstäblich
weltberühmt werden
würde. Der
Dorfschullehrer und
Organist Franz Gruber,
dessen Todestag sich 2013
zum 150. Mal jährt,
hatte die Melodie kurz
vor Weihnachten zu einem
Gedicht von Franz Mohr
komponiert. Heute wird
Stille Nacht in
mehr als 300 Sprachen
weltweit
gesungen.
Quando
le inconfondibili note di
Stille Nacht
risuonarono la prima
volta nel 1818 nella
chiesa di Oberndorf nei
pressi di Salisburgo,
nessuno immaginava
l’enorme successo
che questo canto
natalizio avrebbe avuto
in tutto il mondo. Franz
Gruber, insegnante in un
villaggio, scrisse la
melodia poco prima di
Natale per accompagnare
una poesia di Franz Mohr.
Da allora Stille
Nacht è cantata in
oltre 300 idiomi nel
mondo intero.
The Torch of Liberty Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165680-140 Music for a So...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165680-140
Music for a Solemn
Occasion. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Hymns & Chorals. Score
Only. Composed 2016. 14
pages. De Haske
Publications #DHP
1165680-140. Published by
De Haske Publications
(BT.DHP-1165680-140).
English-German-French-
Dutch.
The Torch
of Liberty has been
commissioned by the Band
of the Royal Netherlands
Military Police, on the
occasion of their 200th
anniversary. The music is
based on a monument, a
torch that is
symbolically being passed
on by the fallen ones to
the new generation. This
versatile composition
features a beautiful hymn
and unique military sound
effects in a festive and
heroic style.
The Torch of
Liberty is in
opdracht van de
Koninklijke Marechaussee
gecomponeerd ter
gelegenheid van het
tweehonderdjarig bestaan
van de KMar. De muziek is
gebaseerd op een
monument: de gevallen
strijder die de toorts
doorgeeft aan een jongere
generatie. Deze
veelzijdige compositie
bevat een prachtige hymne
en unieke militaire
geluidseffecten in een
feestelijke en hero sche
stijl.
The
Torch of Liberty
wurde der
Königlich-Niederlän
dischen
Marechaussee“ aus
Anlass seines
200-jährigen
Jubiläums in Auftrag
gegeben. Die Musik
basiert auf der Bedeutung
eines Denkmals, einer
Fackel, die symbolisch
von den Gefallenen an die
jüngere Generation
weitergereicht wird.
Diese vielseitige
Komposition beinhaltet
eine wunderschöne
Hymne sowie einzigartige
militärische
Klangeffekte in einem
festlichen und heroischen
Stil.
Commissionata
dalla trumpet band della
Polizia Militare Reale
olandese, la musica è
ispirata a un monumento
ai caduti raffigurante
una torcia, che
simboleggia il passaggio
di testimone da una
generazione
all’altra. Lo
spirito della
composizione è eroico
e trionfale, adatto alle
competizioni.
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
Your favourite ABRSM piano exam pieces. Composed by Karen Marshall. ABRSM Exam P...(+)
Your favourite ABRSM
piano exam pieces.
Composed by Karen
Marshall. ABRSM Exam
Pieces. Collection. 56
pages. Published by ABRSM
(Associated Board of the
Royal Schools of Music)