Christmas Declaration Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4795-00 A Holiday Flourish For Band. Composed ...(+)
Grade 3
SKU:
CL.026-4795-00
A
Holiday Flourish For
Band. Composed by
Robert W. Smith. Arranged
by Glover. Concert Band.
Score and set of parts.
C.L. Barnhouse
#026-4795-00. Published
by C.L. Barnhouse
(CL.026-4795-00).
Robert W.
Smith’s Christmas
Declaration has become a
standard of holiday band
concerts, and this
arrangement for the
Barnhouse Build-A-Band
series now presents this
modern classic in a
setting accessible to
bands of limited
instrumentation and size.
Subtitled A Holiday
Flourish For Band, this
work is the perfect
opener or closer for your
holiday program.
Guaranteed to add holiday
cheer to your Christmas
concert!
Composed by Geoffrey
Brand. Arranged by
Geoffrey Brand. Band
Music. Score only.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.S11267).
This
arrangement of the entire
March from A Moorside
Suite brings this
refreshing music to
concert bands of all
levels. It should be
played with full
appreciation of its
splendid sense of purpose
and direction, from the
bold fanfare-like
opening, based on a pair
uplifting leaps of the
interval of a fourth, in
which every instrument
takes part, right through
to the exaltant flourish
in the final bars marked
Allegro vivace. Truly, a
March to lift the
spirits!
Gustav
Holst (1874-1934) can
claim a distinction
shared with a relatively
small number of composers
in that his music is more
performed now than it was
during his lifetime. A
Moorside Suite, Holst's
only work for brass band,
is in three movements,
Scherzo; Nocturne; March;
and was written as the
set work for the National
Brass Band Championships
of Great Britain in 1928.
It has become recognized
as one of the truly great
original works for brass
band. This arrangement of
the entire March brings
this refreshing music to
concert bands of all
levels. It should be
played with full
appreciation of its
splendid sense of purpose
and direction, from the
bold fanfare-like
opening, based on a pair
uplifting leaps of the
interval of a fourth, in
which every instrument
takes part, right through
to the exaltant flourish
in the final bars marked
Allegro vivace. Truly, a
March to lift the
spirits!
IPrint Handbell Parts Choral (Handbells) SKU: HL.35022826 Composed by Jos...(+)
IPrint Handbell Parts
Choral (Handbells)
SKU: HL.35022826
Composed by Joseph M.
Martin. Shawnee Press.
Cantata, Christmas.
Shawnee Press #IPR5032.
Published by Shawnee
Press (HL.35022826).
UPC: 747510192244.
5.0x5.5x0.204
inches.
From
jubilant glorias to
gentle manger lullabies,
this inspirational
cantata celebrates the
wonder and splendor of
Christmas. Traditional
carols and newly composed
seasonal anthems blend
with thoughtful narration
to help create a
meaningful experience for
your community of faith.
This thrilling cantata
has a full line of
companion products to
support your rehearsal
and performance including
our unique Digital
Resource Kit, which
brings you devotions,
rehearsal tips, artwork,
performance options, and
more. Includes: A
Christmas Flourish; Carol
of Longing; Advent
Jubilation; The Coming
Joy; A Call to Christmas
Joy; Journey to
Bethlehem; Upon a
Midnight Clear; The
Beautiful Impossible; A
Noel Proclamation. 3-5
Octave Handbell parts for
A Christmas Flourish, A
Noel Proclamation, and
The Coming Joy.
Fanfare Cincinnatus Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4861-01 A Flourish For Band. Composed by Shaff...(+)
Grade 2
SKU:
CL.011-4861-01
A
Flourish For Band.
Composed by Shaffer.
Young Concert Band. Extra
full score. C.L.
Barnhouse #011-4861-01.
Published by C.L.
Barnhouse
(CL.011-4861-01).
Composed for
the Cincinnati New
Horizons Band, Fanfare
Cincinnatus (A Flourish
for Band) captures the
beauty of the spectacular
Cincinnati skyline. This
work for concert band
uses syncopated rhythms,
layered percussion and
lush harmonies to create
an exciting composition
for young musicians. An
exciting opening and
finale is complimented by
a beautiful lush middle
section ballad. Much
attention has been paid
to range and scoring
creating a work that is
attainable by smaller
ensembles while retaining
a full sound for larger
ensembles as well.
Outstanding!
Grade 3 SKU: CL.026-4795-01 A Holiday Flourish For Band. Composed ...(+)
Grade 3
SKU:
CL.026-4795-01
A
Holiday Flourish For
Band. Composed by
Robert W. Smith. Arranged
by Glover. Concert Band.
Extra full score. C.L.
Barnhouse #026-4795-01.
Published by C.L.
Barnhouse
(CL.026-4795-01).
Robert W.
Smith’s Christmas
Declaration has become a
standard of holiday band
concerts, and this
arrangement for the
Barnhouse Build-A-Band
series now presents this
modern classic in a
setting accessible to
bands of limited
instrumentation and size.
Subtitled A Holiday
Flourish For Band, this
work is the perfect
opener or closer for your
holiday program.
Guaranteed to add holiday
cheer to your Christmas
concert!
Fanfare Cincinnatus Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-4861-00 A Flourish For Band. Composed by Shaff...(+)
Grade 2
SKU:
CL.011-4861-00
A
Flourish For Band.
Composed by Shaffer.
Young Concert Band.
Command Series. Score and
set of parts. Composed
2020. Duration 4 minutes,
32 seconds. C.L.
Barnhouse #011-4861-00.
Published by C.L.
Barnhouse
(CL.011-4861-00).
Composed for
the Cincinnati New
Horizons Band, Fanfare
Cincinnatus (A Flourish
for Band) captures the
beauty of the spectacular
Cincinnati skyline. This
work for concert band
uses syncopated rhythms,
layered percussion and
lush harmonies to create
an exciting composition
for young musicians. An
exciting opening and
finale is complimented by
a beautiful lush middle
section ballad. Much
attention has been paid
to range and scoring
creating a work that is
attainable by smaller
ensembles while retaining
a full sound for larger
ensembles as well.
Outstanding!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
For Those
Who Continue to Rise.
Composed by Travis
Weller. Set of Score and
Parts.
30+2+12+12+4+12+12+12+4+4
+4+4+4+4+6+6+6+8+9+9+6+9+
6+6+4+2+2+9+4+12+4 pages.
Duration 6 minutes, 10
seconds. Carl Fischer
Music #SPS93. Published
by Carl Fischer Music
(CF.SPS93).
ISBN
9781491159774. UPC:
680160918362.
Adver
sity, in any form at any
point of our lives, can
be absolutely
debilitating mentally,
physically, emotionally
and spiritually. In the
midst of hard times, it
is difficult to imagine
what our lives will look
like on the other side of
the adversity we are
facing. Yet so many of us
carry on, move forward,
and rise above determined
to never be defined by
our circumstances. For
some their personal
faith, support from
family, or relationship
to friends provides the
necessary fuel for the
resilience they need to
rise above adversity. It
is amazing when a group
of people are able to
come together to overcome
a common obstacle. With
this in mind, I put to
music that spirit of
rising above for the
Liberty High School Band
and their director
Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn't know, or
perhaps challenged us to
grow in a way we didn't
think possible. Either
way, it does not happen
unless we possess
resilience. I thank you
in advance for your
support of this music and
wish you and your group
the very best moving
forward with
Resilience. Adversity,
in any form at any point
of our lives, can be
absolutely debilitating
mentally, physically,
emotionally and
spiritually. In the midst
of hard times, it is
difficult to imagine what
our lives will look like
on the other side of the
adversity we are facing.
Yet so many of us carry
on, move forward, and
rise above determined to
never be defined by our
circumstances.For some
their personal faith,
support from family, or
relationship to friends
provides the necessary
fuel for the resilience
they need to rise above
adversity. It is amazing
when a group of people
are able to come together
to overcome a common
obstacle. With this in
mind, I put to music that
spirit of rising above
for the Liberty High
School Band and their
director Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn’t know, or
perhaps challenged us to
grow in a way we
didn’t think
possible. Either way, it
does not happen unless we
possess resilience.I
thank you in advance for
your support of this
music and wish you and
your group the very best
moving forward with
Resilience.
Contemporary String
Quartet Repertoire for
Flourishing Ensembles -
Score/CD. Composed by
Various. Edited by Liz
Partridge. Boosey &
Hawkes Chamber Music.
Classical, Contemporary.
Softcover with CD. Boosey
& Hawkes #M060130977.
Published by Boosey &
Hawkes (HL.48024119).
'Explore'
Level: Music for players
of grade 4-5 standard
with some ensemble
playing experience.
Featuring expanded key
selections, more complex
rhythms and simple
introductions to extended
techniques. Contents:
Porter: The
Sleep-Stealers's Reel K.
& H. Colledge:
Shaken, Not Stirred
Piazzolla/Davies: Los
Suenos Jennings: U Rock
Jennings: Prom Night
Gillett: The Little 'Uns
Gillett: Two Elderly
Swans Stott: Methusaleh's
Deathday Party Kershaw:
Rumba Romp Score/CD.
Concert Band - Grade 4 SKU: ML.013771070 Composed by Lionel Beltrán-Ceci...(+)
Concert Band - Grade 4
SKU: ML.013771070
Composed by Lionel
Beltrán-Cecilia. Full
set. Molenaar Edition
#013771070. Published by
Molenaar Edition
(ML.013771070).
BAIA is a
symphonic episode
inspired by the submerged
Italian city. Through its
melodies and sound
effects, the authoraims
to transport the audience
to different moments,
providing an aquatic
perspective from the eyes
of a restless
andadventurous fish. This
musical journey leads to
the exploration of the
city of Baia and its
archaeological richness
preservedbeneath the
marine depths, even
across time.[…In its
time, Baia was an ancient
Roman city that
flourished during the 1st
and 2nd centuries AD. It
was a
luxuriousdestination and
a significant political
and social centre in the
Roman Empire. Renowned
for its thermal baths,
impressivearchitecture,
and beautiful natural
surroundings, the city
became a popular retreat
for Roman high society,
including
emperors,nobles, and
artists. However, over
the centuries, Baia was
affected by volcanic
activity and changes in
the coastline, resulting
ina significant portion
of the city being
submerged underwater.
Today, the remains of
Baia lie beneath the
waters of the
gulf,turning it into a
fascinating underwater
archaeological
site…]
BAIA is
een symfonische episode
geïnspireerd door de
ondergedompelde
Italiaanse stad. Door
middel van melodieën en
geluidseffecten wil de
auteurhet publiek mee te
nemen naar verschillende
momenten en biedt een
aquatisch perspectief
vanuit de ogen van een
rusteloze enavontuurlijke
vis. Deze muzikale reis
leidt naar de verkenning
van de stad Baia en haar
archeologische rijkdom
die bewaard is
geblevenonder de
zeebodem, zelfs door de
tijd heen.[In zijn tijd
was Baia een oude
Romeinse stad die
floreerde in de 1e en 2e
eeuw na Christus. Het was
een luxueuzebestemming en
een belangrijk politiek
en sociaal centrum in het
Romeinse Rijk. Bekend om
zijn thermale baden,
indrukwekkendearchitectuu
r en de prachtige
natuurlijke omgeving,
werd de stad een populair
toevluchtsoord voor de
Romeinse society,
waaronder keizers,edelen
en kunstenaars. In de
loop der eeuwen werd Baia
echter beïnvloed door
vulkanische activiteit en
veranderingen in de
kustlijn, wat resulteerde
ineen groot deel van de
stad onder water kwam te
staan. Vandaag de dag
liggen de overblijfselen
van Baia onder het water
van de Golf,waardoor het
een fascinerende
onderwater archeologische
vindplaats is
geworden...]…
BA
IA est un épisode
symphonique inspiré par
la ville italienne
submergée. À travers
ses mélodies et ses
effets sonores, l'auteur
cherche à transporter le
public à différents
moments.l'auteur vise à
transporter le public
dans différents moments,
offrant une perspective
aquatique à travers les
yeux d'un poisson agité
et aventureux.d'un
poisson agité et
aventureux. Ce voyage
musical conduit à
l'exploration de la ville
de Baia et de sa richesse
archéologique
préservée sous les
profondeurs marines.sous
les profondeurs marines,
même à travers le
temps.[...En son temps,
Baia était une ancienne
ville romaine qui a
prospéré au cours des
1er et 2e siècles de
notre ère. C'était une
destination
luxueusedestination
luxueuse et un centre
politique et social
important dans l'Empire
romain. Réputée pour
ses thermes, son
architecturearchitecture
impressionnante et son
magnifique environnement
naturel, la ville devint
un lieu de retraite
populaire pour la haute
société romaine, y
compris les empereurs,
les nobles et les
artistes,empereurs,
nobles et artistes.
Cependant, au fil des
siècles, Baia a été
affectée par l'activité
volcanique et les
modifications du
littoral.une grande
partie de la ville a
été submergée sous
l'eau. Aujourd'hui, les
vestiges de Baia reposent
sous les eaux du golfe,ce
qui en fait un site
archéologique sous-marin
fascinant...]
BAIA
ist eine symphonische
Episode, die von der
versunkenen italienischen
Stadt inspiriert ist. Mit
seinen Melodien und
Klangeffekten will der
Autorder Autor das
Publikum in verschiedene
Momente versetzen, indem
er eine aquatische
Perspektive aus den Augen
eines rastlosen
undabenteuerlichen
Fisches. Diese
musikalische Reise führt
zur Erkundung der Stadt
Baia und ihres
archäologischen
Reichtums, derunter den
Meerestiefen bewahrt hat,
sogar über die Zeit
hinweg.[...Baia war eine
antike römische Stadt,
die im 1. und 2.
Jahrhundert n. Chr.
florierte. Sie war ein
luxuriösesund ein
bedeutendes politisches
und soziales Zentrum im
Römischen Reich.
Berühmt für seine
Thermalbäder, seine
beeindruckendeArchitektur
und die schöne
natürliche Umgebung
bekannt, wurde die Stadt
zu einem beliebten
Rückzugsort für die
römische High Society,
darunter Kaiser, Adlige
und Künstler,Adlige und
Künstler. Im Laufe der
Jahrhunderte wurde Baia
jedoch durch vulkanische
Aktivitäten und
Veränderungen der
Küstenlinie
beeinträchtigt, was dazu
führte, dassein großer
Teil der Stadt unter
Wasser gesetzt wurde.
Heute liegen die
Überreste von Baia unter
dem Wasser des Golfs,und
machen sie zu einer
faszinierenden
archäologischen
Unterwasserstätte...].
p>
Edition Eulenburg No.
774. Composed by
Wolfgang Amadeus Mozart.
Arranged by Denis
Matthews and Friedrich
Blume. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score (softcover).
Composed 1786. 112 pages.
Eulenburg Edition
#ETP774. Published by
Eulenburg Edition
(HL.49010227).
His concertos
justifiably rank among
the milestones of solo
music accompanied by
orchestra. In Viennese
Classicism, piano music
flourished thanks to
innovations in the
instrumental technique,
and even Mozart fully
exploited the advantages
of the fortepiano action
over the rigid sound of
the harpsichord in his
works.Piano Concerto No.
25 is Mozart's longest
concerto. The harmonic
structure, the continuous
change between major and
minor, the witty
dialoguing between solo
and orchestra, the strong
contrapuntal saturation,
the frequent use of the
pedal point as well as
the overflowing melodic
abundance give the work a
character all its
own.
Flute (flute/piano) SKU: HL.48180025 For Flute and Piano. Composed...(+)
Flute (flute/piano)
SKU: HL.48180025
For Flute and
Piano. Composed by
Philippe Gaubert. Leduc.
Classical. CD. 12 pages.
Alphonse Leduc #AL11197.
Published by Alphonse
Leduc (HL.48180025).
UPC: 888680796297.
9.0x12.0x0.056
inches.
Philippe
Gaubert (1879-1941) was a
distinguished performer
on the flute. It comes as
no surprise, therefore,
that his compositions for
the instrument are at the
forefront of the flute's
repertoire, Romance being
no exception. After a
prominent career as a
flautist with the Paris
Opera, he was appointed
as professor of flute at
the Paris Conservatoire,
as well as principal
conductor of leading
orchestras. It was during
this time that Gaubert
composed, including his
Romance which premiered
in 1905. Addressing many
technical features,
including flourishing
semiquaver passages, a
wide range, emotion,
intervals, chromaticism
and complex rhythms,
Romance for Flute and
Piano is a challenging
yet riveting and stirring
piece for aspiring
flautists.
The Golden Age Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-020 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-020
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064079-020. Published by
De Haske Publications
(BT.DHP-1064079-020).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
Composed
by Franz Joseph Haydn.
Edited by Wolfgang
Hochstein. Set of
Orchestra Parts. Composed
1796. Hob. XX:2. Duration
65 minutes. Carus Verlag
#5199200. Published by
Carus Verlag
(CA.5199219).
ISBN
9790007293147. German.
Text: van Swieten,
Gottfried.
Joseph
Haydn's oratorio Die
sieben letzten Worte
unseres Erlosers am
Kreuze is probably one of
the most frequently
performed settings of
music for Good Friday.
Haydn set these Seven
Words in a dramatic,
extremely gripping
emotional style which is
utterly compelling.
Originally the work was
conceived as a purely
instrumental composition
- as meditative music in
seven slow movements with
an introduction and
concluding movement (Il
Terremoto - the
earthquake) for a
Passiontide church
service. From the outset,
Haydn had composed the
themes of the movements
with a vocal spirit in
mind, so when he heard a
vocal arrangement of his
work in 1794 in Passau
with a German singing
text - an obvious idea -
it inspired him to write
his own vocal version.
The first performance
took place in 1796 in
Vienna. With the
flourishing of choral
societies in the 19th
century, this vocal
version of the Seven
Words became one of the
most frequently-performed
Passion music settings of
all. The critical Urtext
edition of the work now
published offers a
revised musical text
reflecting current
scholarly standards.
Violin 1 Part Violin 1 (Violin) SKU: HL.51483303 For String Orchestra ...(+)
Violin 1 Part Violin 1
(Violin)
SKU:
HL.51483303
For
String Orchestra Violin 1
Part. Composed by
Antonin Dvorá, Antonin
Dvorak, and k. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 15 pages. G.
Henle #HN3303. Published
by G. Henle
(HL.51483303).
UPC:
196288207146.
9.25x12.0x0.072
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Children's Choir SKU: HL.50606507 For Children's and Upper Voices Hung...(+)
Children's Choir
SKU:
HL.50606507
For
Children's and Upper
Voices Hungarian.
Composed by Á and
rpád Balázs. EMB.
Classical, Hungarian.
Softcover. 88 pages.
Editio Musica Budapest
#Z15201. Published by
Editio Musica Budapest
(HL.50606507).
ISBN
9781705190708. UPC:
196288126836.
To
celebrate the 85th
birthday of Arpad Balazs,
a selection of his rich
output of choral music
has been published. Arpad
Balazs is an outstanding
artist of his generation
who is known and sung not
only in Hungary. His
compositional technique
is unmistakably
individual, characterised
by a festoon of easily
singable outer-inner
voices that embrace one
another, and a linear
thinking deriving from
Palestrina through
Kodaly. Even as a young
composer, he was active
in the choral scene both
in Hungary and
internationally. He
sensed the basic
principles of singability
and applied them
consciously, and he spoke
in a musical language
comprehensible to singing
communities. Imbued with
the spirit of Kodaly,
raised on Ferenc Farkas's
excellent school, with
experiencegained at
masterclasses by
Khachaturian and
Petrassi, with his oeuvre
he has significantly
contributed to the
flourishing of the
Hungarian culture of
vocal music, and to its
success in Hungary and
abroad.
Trimbeka Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000830-120 Composed by Carl Wittrock. ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000830-120
Composed by Carl
Wittrock. Score Only. 22
pages. Gobelin Music
Publications #GOB
000830-120. Published by
Gobelin Music
Publications
(BT.GOB-000830-120).
Trimbeka is a
composition which owes
its existence to the
anniversary of music
society “de Vlecke”
in Gorredijk. The
name Gorredijk originates
from “goor” or
“gor”, which means :
bog. Along the marshy
peat ran a “dijk”
(the Dutch word for
dike), called the
Gordijk. The name of the
village resembles that of
the home town of the
composer himself, who
comes from a town in
Twente called Goor.
Three streams used to
run through the area
around Gorredijk. the
historical name Trimbeets
(Trimbeka), meaning three
brooks, recalls this to
mind. Gorredijk was a
flourishing “Vlecke”,
i.e. large village, which
was situated on an
intersection of important
connecting roads.The
liveliness which this
entailed is one of the
distinctive elements in
Trimbeka.
Furthermore, ominous
sounds possibly refer to
the dangers of the bog,
while the resonance of
the merriment during the
annual fair can also be
heard. The slow middle
movement is an ode to the
beautiful landscape
surrounding the village.
Trimbeka is een
compositie die haar
ontstaan dankt aan het
jubileum van Muz. Ver. de
Vlecke te Gorredijk.
De naam Gorredijk is
afkomstig van Goor of
Gor, wat moerassige
plaats betekent.
Langs het moerassige
veengebied liepeen dijk,
die Gordijk werd genoemd.
De naam van het dorp
zorgde voor een band met
de componist, die zelf
afkomstig is uit het
Twentse Goor. In het
gebied rondom Gorredijk
stroomden vroeger drie
beken. De historische
naam Trimbeets(Trimbeka)
herinnert daar nog aan.
Gorredijk was een
bloeiende ‘Vlecke’
(groot dorp) dat op een
kruispunt lag van enkele
belangrijke
verbindingswegen. De
levendigheid die dit met
zich meebracht is één
van de elementen diein
Trimbeka terug te horen
zijn. Voorts klinken er
onheilspellende klanken
die een verwijzing kunnen
zijn naar het
moerasgebied en is er
vermaak tijdens de
jaarlijkse markt. Het
langzame middendeel is
een ode aan de
prachtigenatuur.
Piano - late intermediate SKU: BT.OKTA001-21 22 kleine Fantasiestüc...(+)
Piano - late intermediate
SKU: BT.OKTA001-21
22 kleine
Fantasiestücke für
Klavier. Composed by
Thomas Doss. Classical.
Book Only. Composed 2021.
92 pages. Hal Leonard
Europe #OKTA001-21.
Published by Hal Leonard
Europe (BT.OKTA001-21).
My Magic Garden
II is the sequel to the
piano book My Magic
Garden I. In this
collection there are 18
different atmospheric
pieces for piano with 2
hands and 4 pieces for
piano with 4 hands.
The 22 works in the
moderate to difficult of
difficulty describe in a
pictorial tonal language
various imaginative
processes in a
flourishing Garden from a
child's point of view.
Nothing stands in the way
of an exciting
journey.
Mein
Zaubergarten II ist die
Fortsetzung des
Klavierbuches Mein
Zaubergarten I. In der
vorliegenden Sammlung
befinden sich 18
unterschiedliche
Stimmungsstücke für
Klavier zu 2 Händen
und 4 Stücke für
Klavier zu 4 Händen.
Die 22 Werke im
mittleren bis schwierigem
Schwierigkeitsgrad
beschreiben in einer
bildhaften Tonsprache
verschiedenste
fantasievolle Vorgänge
in einem blühenden
Garten aus der Sicht
eines Kindes. Einer
spannenden Reise steht
nichts im Wege.
Contemporary String
Quartet Repertoire for
Flourishing Ensembles -
Score/Parts/CD.
Composed by Various.
Edited by Liz Partridge.
Boosey & Hawkes Chamber
Music. Classical,
Contemporary. Softcover
with CD. Boosey & Hawkes
#M060133763. Published by
Boosey & Hawkes
(HL.48024137).
ISBN
9781784543228.
'Exp
lore' Level: Music for
players of grade 4-5
standard with some
ensemble playing
experience. Featuring
expanded key selections,
more complex rhythms and
simple introductions to
extended techniques.
Contents: Porter: The
Sleep-Stealers's Reel K.
& H. Colledge:
Shaken, Not Stirred
Piazzolla/Davies: Los
Suenos Jennings: U Rock
Jennings: Prom Night
Gillett: The Little 'Uns
Gillett: Two Elderly
Swans Stott: Methusaleh's
Deathday Party Kershaw:
Rumba Romp Score, Parts,
CD.
Composed
by Franz Joseph Haydn.
Edited by Wolfgang
Hochstein. Vocal score.
Composed 1796. Hob. XX:2.
104 pages. Duration 65
minutes. Carus Verlag
#5199200. Published by
Carus Verlag
(CA.5199203).
ISBN
9790007186661. German.
Text: van Swieten,
Gottfried.
Joseph
Haydn's oratorio Die
sieben letzten Worte
unseres Erlosers am
Kreuze is probably one of
the most frequently
performed settings of
music for Good Friday.
Haydn set these Seven
Words in a dramatic,
extremely gripping
emotional style which is
utterly compelling.
Originally the work was
conceived as a purely
instrumental composition
- as meditative music in
seven slow movements with
an introduction and
concluding movement (Il
Terremoto - the
earthquake) for a
Passiontide church
service. From the outset,
Haydn had composed the
themes of the movements
with a vocal spirit in
mind, so when he heard a
vocal arrangement of his
work in 1794 in Passau
with a German singing
text - an obvious idea -
it inspired him to write
his own vocal version.
The first performance
took place in 1796 in
Vienna. With the
flourishing of choral
societies in the 19th
century, this vocal
version of the Seven
Words became one of the
most frequently-performed
Passion music settings of
all. The critical Urtext
edition of the work now
published offers a
revised musical text
reflecting current
scholarly standards.
String Orchestra (Full Score) SKU: HL.51483300 For String Orchestra Fu...(+)
String Orchestra (Full
Score)
SKU:
HL.51483300
For
String Orchestra Full
Score. Composed by
Antonin Dvorak. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 70 pages. G.
Henle #HN3300. Published
by G. Henle
(HL.51483300).
UPC:
196288206965.
10.0x12.75x0.235
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Trimbeka Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000830-020 Composed by Carl Wittrock. ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000830-020
Composed by Carl
Wittrock. Set (Score &
Parts). 146 pages.
Gobelin Music
Publications #GOB
000830-020. Published by
Gobelin Music
Publications
(BT.GOB-000830-020).
Trimbeka is a
composition which owes
its existence to the
anniversary of music
society “de Vlecke”
in Gorredijk. The
name Gorredijk originates
from “goor” or
“gor”, which means :
bog. Along the marshy
peat ran a “dijk”
(the Dutch word for
dike), called the
Gordijk. The name of the
village resembles that of
the home town of the
composer himself, who
comes from a town in
Twente called Goor.
Three streams used to
run through the area
around Gorredijk. the
historical name Trimbeets
(Trimbeka), meaning three
brooks, recalls this to
mind. Gorredijk was a
flourishing “Vlecke”,
i.e. large village, which
was situated on an
intersection of important
connecting roads.The
liveliness which this
entailed is one of the
distinctive elements in
Trimbeka.
Furthermore, ominous
sounds possibly refer to
the dangers of the bog,
while the resonance of
the merriment during the
annual fair can also be
heard. The slow middle
movement is an ode to the
beautiful landscape
surrounding the village.
Trimbeka is een
compositie die haar
ontstaan dankt aan het
jubileum van Muz. Ver. de
Vlecke te Gorredijk.
De naam Gorredijk is
afkomstig van Goor of
Gor, wat moerassige
plaats betekent.
Langs het moerassige
veengebied liepeen dijk,
die Gordijk werd genoemd.
De naam van het dorp
zorgde voor een band met
de componist, die zelf
afkomstig is uit het
Twentse Goor. In het
gebied rondom Gorredijk
stroomden vroeger drie
beken. De historische
naam Trimbeets(Trimbeka)
herinnert daar nog aan.
Gorredijk was een
bloeiende ‘Vlecke’
(groot dorp) dat op een
kruispunt lag van enkele
belangrijke
verbindingswegen. De
levendigheid die dit met
zich meebracht is één
van de elementen diein
Trimbeka terug te horen
zijn. Voorts klinken er
onheilspellende klanken
die een verwijzing kunnen
zijn naar het
moerasgebied en is er
vermaak tijdens de
jaarlijkse markt. Het
langzame middendeel is
een ode aan de
prachtigenatuur.
Dream Chaser Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4105-01 Composed by Weller. Concert Ba...(+)
Concert band - Grade 3
SKU:
CL.012-4105-01
Composed by Weller.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR376). Extra full
score. Composed 2012.
Duration 3 minutes, 28
seconds. Opus III Wind
Orchestra Publications
#012-4105-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4105-01).
Dream Chaser is
a spirited concert opener
for high school band that
captures the energy and
emotion of those who
choose to follow their
dreams in any walk of
life. The buoyant
melodies of the opening
measures later give way
to a powerful and
expressive section with
brief solo opportunities
for flute, clarinet, alto
saxophone, tenor
saxophone, and baritone.
The piece concludes with
both main themes
returning in an exciting,
flourishing, finish. A
dynamic work to build the
synergy of your
ensemble!
Recorder, Flageolet, Galoubet SKU: FZ.50501 For recorder, flageolet an...(+)
Recorder, Flageolet,
Galoubet
SKU:
FZ.50501
For
recorder, flageolet and
galoubet. Edited by
Patricio Portell.
Mnemosis: The Memory of
Music Collection. Book
and CD. Published by Anne
Fuzeau Productions -
France (FZ.50501).
ISBN 9782841691692.
17.00 x 24.00 cm
inches.
Delve into
the memory of music with
the Mnemosis collection
from Anne Fuzeau
Classique. The recorder
enjoyed its golden age
from the late 17th
century to the first half
of the 18th century. Not
only was the instrument
part of the orchestra of
kings and the theatre
companies of major town
in Europe, but it also
contributed to the
enjoyment of small,
intimate performed in the
Chateaux and residences
of the flourishing
bourgeoisie who were
eager to listen to music.
it is mainly for this
public that an enormous
number of scores were
printed in order to
satisfy the growing
circles of music lovers.
Everything was printed,
from erudite to
fashionable music, from
church to chamber music,
to please all tastes and
styles. until now, no
bibliography of music for
the flute, printed during
the period when this
instrument enjoyed so
much popularity, has been
published. This
bibliography helps to
identify over one
thousand titles of works
composed directly or
indirectly for the
recorder. this work makes
it possible to locate
and, therefore, learn all
about a vast musical
repertory that has been
lying dormant on the
shelves of librairies,
just wainting to be
discovered. Summary:
Introduction. Liste des
abreviations. Liste des
bibliotheques avec leur
abreviations. A : Oeuvres
pour la flute a bec. B :
Oeuvres qui peuvent aussi
se jouer sur la flute a
bec. C : Recueils. D :
Oeuvre didactiques. Index
par instrument.
Bibliographie.
Vilja Lied Orchestre d'harmonie, Chorale-Voix [Conducteur] - Intermédiaire Baton Music
(from the Operetta Die Lustige Witwe). By Franz Lehar (1870-1948). Arranged by R...(+)
(from the Operetta Die
Lustige Witwe). By Franz
Lehar (1870-1948).
Arranged by Roger Niese.
For Soprano and Concert
Band. Grade 3. Score.
Duration 5:30. Published
by Baton Music
Nordanvind Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5
SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71).
ISBN
9781491143544. UPC:
680160901043. Key: G
minor.
Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak .
Incorporating sacred
Harp tunes 'White' &
'Long Sought Home'.
Composed by Sacred Harp
Tunes. Arranged by Andrea
Ramsey. Fold. Performance
Score. 12 pages. Duration
0:03:37. Carl Fischer
Music #CM9633. Published
by Carl Fischer Music
(CF.CM9633).
ISBN
9781491157053. UPC:
680160915613. 6.875 x
10.5 inches. Key: A
major. English, English.
Sacred harp
tune.
Inspired by
the sacred harp tunes
White and Long Sought
Home, Andrea Ramsey's TTB
arrangement with optional
violin affords tenor bass
choirs the opportunity to
experience the tradition
of sacred choral music as
it flourished in the
American South. The
plaintive text and tender
harmonies will resonate
with singer and audience
alike. Also available for
SATB Voices (CM9411) and
SSAA Voices (CM9281).