Clarinet and Piano

SKU: BT.EMBZ1919

Composed by Bela Bartok. EMB Music of Bela Bartok. Book Only. Composed 1955. 6 pages. Editio Musica Budapest #EMBZ1919. Published by Editio Musica Budapest (BT.EMBZ1919).

English-German-Hungari an.

From 1906 on Béla Bartók was collecting folksongs on a regular basis. It was in 1907, during his first collecting trip to Transylvania, that he jotted down those three melodies in Gyergyóteker patak, Cs k, which he both provided with piano accompaniment (From Gyergyó) and arranged for solo piano (Three Hungarian Folksongs from Cs k) in the same year. The melodies were played by a ''sixty-year old man'' on a peasant flute. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respectthe strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.

Jazz Ensemble - Grade 6

SKU: AP.43714

Composed by Patrick Williams. Jazz Ensemble; Performance Music Ensemble; Single Titles. Belwin Jazz: The Patrick Williams Series. Jazz. Score and Part(s). 58 pages. Duration 2:39. Belwin Music #00-43714. Published by Belwin Music (AP.43714).

UPC: 038081493800. English.

One More Dream is a wonderful alto sax ballad feature played at 68 BPM. The woodwinds have various doubles for alto flute and clarinet but are optional, plus there are optional horn in F parts. This Patrick Williams chart has a gorgeous melody with space to solo. A class act all the way. (2:39).

Grade 3

SKU: CL.013-0204-00

March. Composed by J. S. Taylor. Band. Score and set of parts. Composed 1900. C.L. Barnhouse #013-0204-00. Published by C.L. Barnhouse (CL.013-0204-00).

Note: This is a reprint from a vintage publication of 1900. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

By Kaija Saariaho (1952-). For flute or violin solo, 2 violins and cello. Classical: 20th Century (Contemporary). Score and parts. 6 + 5x2 pages. Published by Editions Henry Lemoine

Grade 3

SKU: CL.013-0298-00

Galop. Composed by English. Band. Score and set of parts. Composed 1903. C.L. Barnhouse #013-0298-00. Published by C.L. Barnhouse (CL.013-0298-00).

Note: This is a reprint from a vintage publication of 1903. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

By Mack Wilberg. For Mixed Choir and Organ. Published by Oxford University Press.

(For Flute and Wind Ensemble). By David Maslanka. Solo part. Published by Carl Fischer

Composed by Johann Adolf Hasse (1699-1783). Edited by Wilhelm Mohr. For solo flute. Stapled. Single part. Duration 14 minutes. Published by Suddeutscher Musikverlag

Grade 4

SKU: CL.013-0064-00

March. Composed by J. S. Taylor. Band. Score and set of parts. Composed 1893. C.L. Barnhouse #013-0064-00. Published by C.L. Barnhouse (CL.013-0064-00).

Note: This is a reprint from a vintage publication of 1893. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

By Jeffrey Honore. For SATB Choir, Soprano/Tenor Solo Voice, Piano accompaniment, and Violin or Flute. Includes guitar chord names. Sacred, Christmas. Easy. Text language: English. 16 pages. Published by GIA Publications

Eb alto saxophone & Bb tenor saxophone duet - Grade 3

SKU: CL.013-0136-00

Composed by Barnhouse. Band. Eb Alto Saxophone & Bb Tenor Saxophone duet. Composed 1897. C.L. Barnhouse #013-0136-00. Published by C.L. Barnhouse (CL.013-0136-00).

Note: This is a reprint from a vintage publication of 1897. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

Jazz Ensemble standard jazz ensemble (playable by 12-17 players) with opt. flute, clarinet, F horn, tuba & vibes - Grade 2

SKU: KN.42342

Composed by Doug Beach and George Shutack. First Edition Series. Latin. Score and set of parts. Duration 3 minutes, 33 seconds. Kendor Music Inc #42342. Published by Kendor Music Inc (KN.42342).

UPC: 822795423426.

A solid rhythmic groove and a lyrical melody combine to create the foundation of this driving Latin chart. Rich ensemble voicings and an open solo section over easy changes make this a perfect vehicle for teaching the Latin style. Rhythm section parts are notated with chords cued. Duration 3:33. Available in SmartMusic.

Treble recorder (flute) and string orchestra

SKU: M7.BP-2088

Composed by Joseph Stalder. Edited by Caspar Diethelm. Sheet music. Piano reduction with solo part. Amadeus Verlag #BP 2088. Published by Amadeus Verlag (M7.BP-2088).

ISBN 9790015208805.

(From The Magic Flute). By Wolfgang Amadeus Mozart (1756- 1791). Arranged by Lorenzo Pusceddu. For concert band with solo Soprano voice (or Piccolo Bb Trumpet/Eb cornet). Double version: Dmin + Cmin. Classical, Transcription, Vocal. Grade 3. Score and full set of parts. Duration 3 minutes. Published by Scomegna Edizioni Musical srl

By Liam Lawton. Arranged by Paul Tate. For SAB Chorus, Solo, Descant, Keyboard accompaniment, and Flute. Bible Reference: Psalm 23. Celebration Series. Includes guitar chord names. Sacred. Level: Easy. Text language: English. 12 pages. Published by GIA Publications.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.4008719

Kronungsmesse. Composed by Luigi Cherubini. Edited by Oliver Schwarz-Roosmann. Kronungsmesse In G. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1819. Duration 45 minutes. Carus Verlag #CV 40.087/19. Published by Carus Verlag (CA.4008719).

ISBN 9790007134518. Key: G major. Language: Latin.

A special charm of the mass is the fact that it dispenses with soloists. In this mass, exemplary for Cherubini's church music is the richness of color in the treatment of the orchestra, as well as in the choral parts, and the expressiveness of the dynamic nuances. Score and parts available separately - see item CA.4008700.

SKU: LO.99-4062L

Composed by Joel Raney. Arranged by Ed Hogan. Choral, cantatas. Advent, Christmas, Sacred. Split-track accompaniment CD. Lorenz Publishing Company #99/4062L. Published by Lorenz Publishing Company (LO.99-4062L).

UPC: 000308154641.

Split -track Accompaniment CD for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731515

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Double Bass. CG op. Posth. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.315/15. Published by Carus Verlag (CA.2731515).

ISBN 9790007201739. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116414

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun. Single Part, basso continuo. Composed 1725. BWV 164. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.164/14. Published by Carus Verlag (CA.3116414).

ISBN 9790007209056. Text language: German/English.

Thi s six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119512

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Violin 2. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/12. Published by Carus Verlag (CA.3119512).

ISBN 9790007210397. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119511

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Single Part, Violin 1. BWV 195. 8 pages. Duration 16 minutes. Carus Verlag #CV 31.195/11. Published by Carus Verlag (CA.3119511).

ISBN 9790007210380. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.