2 or more Violoncelli - late intermediate SKU: BT.EMBZ14766 For 4 viol...(+)
2 or more Violoncelli -
late intermediate
SKU:
BT.EMBZ14766
For 4
violoncellos.
Composed by Arpad
Peijtsik. EMB Chamber
Music for Violoncellos.
Educational Tool. Set
(Score & Parts). Composed
2011. 52 pages. Editio
Musica Budapest
#EMBZ14766. Published by
Editio Musica Budapest
(BT.EMBZ14766).
The latest
volume in the series
contains not too lengthy
romantic works arranged
for four cellos.In
addition to two choral
works by Liszt and an
orchestral funeral march
by Tchaikovsky,
well-known piano pieces
by Schumann, Chopin and
Liszt served as the bases
for these
arrangements.The four
parts differ in their
degree of difficulty: the
upper ones lie higher,
while the lower ones are
easier, playable at the
level of the top classes
in music schools.
Der neueste Band der
Serie beinhaltet für
vier Violoncelli
bearbeitete, nicht allzu
umfangreiche romantische
Werke. Als Grundlage der
Transkriptionen wurden
neben zwei
Liszt-Chorwerken und
einem orchestralen
Trauermarsch
Tschaikowskis auch
wohlbekannte Klavierwerke
von Schumann, Chopin und
Liszt herangezogen. Der
Schwierigkeitsgrad der
vier Stimmen ist
unterschiedlich: Die
oberen sind höher
gelegen, die unteren
hingegen sind leichter
und können schon in
den obersten Klassen der
Musikschule gespielt
werden.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Gustave
Sandre. Softcover.
Orchester-Bibliothek
(Orchestral Library). In
1785, Mozart repeatedly
visited the Viennese
Freemasons' Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
,,Meistermusik. Classical
period. Part. 2 pages.
Breitkopf and Haertel #OB
5148-26. Published by
Breitkopf and Haertel
(BR.OB-5148-26).
ISBN
9790004329702. 9 x 12
inches.
In 1785,
Mozart repeatedly visited
the Viennese Freemasons
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the Meistermusik
(Master Music) for mens
chorus and orchestra. The
score does not contain
the choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
For the Fallen Chorale SATB SATB, Piano [Octavo] Faber Music Limited
(An Anthem for Remembrance). By Brendan Ashe. Choir Secular. For with Piano or O...(+)
(An Anthem for
Remembrance). By Brendan
Ashe. Choir Secular. For
with Piano or Organ (SATB
choir). Choral Octavo.
Faber Edition: Choral
Signature Series. Funeral
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Gustave
Sandre. Folder.
Orchester-Bibliothek
(Orchestral Library). In
1785, Mozart repeatedly
visited the Viennese
Freemasons' Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
,,Meistermusik. Classical
period. Set of parts. 18
pages. Breitkopf and
Haertel #OB 5148-30.
Published by Breitkopf
and Haertel
(BR.OB-5148-30).
ISBN
9790004329719. 9 x 12
inches.
In 1785,
Mozart repeatedly visited
the Viennese Freemasons
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the Meistermusik
(Master Music) for mens
chorus and orchestra. The
score does not contain
the choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Gustave
Sandre. Softcover.
Orchester-Bibliothek
(Orchestral Library). In
1785, Mozart repeatedly
visited the Viennese
Freemasons' Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
,,Meistermusik. Classical
period. Part. 2 pages.
Breitkopf and Haertel #OB
5148-15. Published by
Breitkopf and Haertel
(BR.OB-5148-15).
ISBN
9790004329672. 9 x 12
inches.
In 1785,
Mozart repeatedly visited
the Viennese Freemasons
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the Meistermusik
(Master Music) for mens
chorus and orchestra. The
score does not contain
the choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Gustave
Sandre. Softcover.
Orchester-Bibliothek
(Orchestral Library). In
1785, Mozart repeatedly
visited the Viennese
Freemasons' Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
,,Meistermusik. Classical
period. Part. 2 pages.
Breitkopf and Haertel #OB
5148-19. Published by
Breitkopf and Haertel
(BR.OB-5148-19).
ISBN
9790004329696. 9 x 12
inches.
In 1785,
Mozart repeatedly visited
the Viennese Freemasons
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the Meistermusik
(Master Music) for mens
chorus and orchestra. The
score does not contain
the choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Philippe A.
Autexier. Choir; stapled.
Partitur-Bibliothek
(Score Library). In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
,,Meistermusik. Classical
period. Full score. 20
pages. Breitkopf and
Haertel #PB 5148.
Published by Breitkopf
and Haertel (BR.PB-5148).
ISBN 9790004208908. 9
x 12 inches.
In
1785, Mozart repeatedly
visited the Viennese
Freemasons Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
Meistermusik (Master
Music) for mens chorus
and orchestra. The score
does not contain the
choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
Attempted
Reconstruction of the
Original Version of the
'Masonic Funeral Music'
K. 477 (479a).
Composed by Wolfgang
Amadeus Mozart. Edited by
Philippe A. Autexier.
Arranged by Gustave
Sandre. Softcover.
Orchester-Bibliothek
(Orchestral Library). In
1785, Mozart repeatedly
visited the Viennese
Freemasons' Lodge Zur
wahren Eintracht, where
on 12 August Carl von
Konig was elevated to the
rank of a Master. It was
fort his ceremony that
Mozart composed the
,,Meistermusik. Classical
period. Part. 2 pages.
Breitkopf and Haertel #OB
5148-16. Published by
Breitkopf and Haertel
(BR.OB-5148-16).
ISBN
9790004329689. 9 x 12
inches.
In 1785,
Mozart repeatedly visited
the Viennese Freemasons
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the Meistermusik
(Master Music) for mens
chorus and orchestra. The
score does not contain
the choral parts, perhaps
because they were doubled
by the oboe I and
clarinet parts, a
pecularity undoubtedly
suited to the singing
capacity of the Lodge
members. From a detailed
analyses of the work and
of the Freemasons
practices, on can infer
that the text was drawn
from the third
Lamentation of Jeremiah.
Mozart at least entered
the correct date of
composition of the Master
Music in his own work
catalogue, namely Jully
(1785).For a performance
without chorus which most
probably took place on 9
December 1785, Mozart
added three new, low wind
parts which emphasize the
gloomy mood of the work.
It is with these added
parts that the work has
come down to us as the
Maurerische Trauermusik
(Masonic Funeral
Music).
In 1785,
Mozart repeatedly visited
the Viennese Freemasons'
Lodge Zur wahren
Eintracht, where on 12
August Carl von Konig was
elevated to the rank of a
Master. It was fort his
ceremony that Mozart
composed the
Meistermusik.
SATB Choir SKU: HL.14032332 Composed by John Tavener. Music Sales America...(+)
SATB Choir
SKU:
HL.14032332
Composed
by John Tavener. Music
Sales America.
Renaissance. Sheet Music,
Vocal Score. With Text
language: English.
Chester Music #CH61727.
Published by Chester
Music (HL.14032332).
Composed by Sebastian Temple. Arranged by Mark Hayes. Choral (Sacred); Choral Oc...(+)
Composed by Sebastian
Temple. Arranged by Mark
Hayes. Choral (Sacred);
Choral Octavo;
Performance Music
Ensemble; Single Titles;
Worship Resources. Alfred
Archive Edition: Alfred
Church Choral Series. All
Saints Day; Communion;
Fall; Funeral;
Graduation; Peace Sunday;
Pentecost; Sacred;
Spring. Choral Octavo. 16
pages. Jubilate Music
Group #00-18317.
Published by Jubilate
Music Group
5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; ...(+)
5 strings or 5 recorders
(SATTB) and basso
continuo (lute, Noten and
Tabulatur; harpsichord,
organ) (ALTUS(ALT))
SKU: HL.49030287
Pieces for 5 Viols or
Recorders. Composed
by John Dowland. Edited
by Edgar Hubert Hunt.
Sheet music. Edition
Schott. Individual part.
12 pages. Schott Music
#ED 12141-03. Published
by Schott Music
(HL.49030287).
5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; ...(+)
5 strings or 5 recorders
(SATTB) and basso
continuo (lute, Noten and
Tabulatur; harpsichord,
organ) (CANTUS)
SKU:
HL.49030285
Pieces
for 5 Viols or
Recorders. Composed
by John Dowland. Edited
by Edgar Hubert Hunt.
Sheet music. Edition
Schott. Individual part.
16 pages. Schott Music
#ED 12141-01. Published
by Schott Music
(HL.49030285).
5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; ...(+)
5 strings or 5 recorders
(SATTB) and basso
continuo (lute, Noten and
Tabulatur; harpsichord,
organ) (BASSUS)
SKU:
HL.49030292
Pieces
for 5 Viols or
Recorders. Composed
by John Dowland. Edited
by Edgar Hubert Hunt.
Sheet music. Edition
Schott. Individual part.
16 pages. Schott Music
#ED 12141-08. Published
by Schott Music
(HL.49030292).
5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; ...(+)
5 strings or 5 recorders
(SATTB) and basso
continuo (lute, Noten and
Tabulatur; harpsichord,
organ) (ALTUS (V))
SKU: HL.49030286
Pieces for 5 Viols or
Recorders. Composed
by John Dowland. Edited
by Edgar Hubert Hunt.
Sheet music. Edition
Schott. Individual part.
16 pages. Schott Music
#ED 12141-02. Published
by Schott Music
(HL.49030286).
ISBN
9790220123474. UPC:
196288172086.
9.25x12.0x0.056
inches.
5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; ...(+)
5 strings or 5 recorders
(SATTB) and basso
continuo (lute, Noten and
Tabulatur; harpsichord,
organ) (QUINTUS(AL)
SKU: HL.49030291
Pieces for 5 Viols or
Recorders. Composed
by John Dowland. Edited
by Edgar Hubert Hunt.
Sheet music. Edition
Schott. Individual part.
12 pages. Schott Music
#ED 12141-07. Published
by Schott Music
(HL.49030291).
5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; ...(+)
5 strings or 5 recorders
(SATTB) and basso
continuo (lute, Noten and
Tabulatur; harpsichord,
organ) (T (ALTSCHL)
SKU: HL.49030289
Pieces for 5 Viols or
Recorders. Composed
by John Dowland. Edited
by Edgar Hubert Hunt.
Sheet music. Edition
Schott. Individual part.
16 pages. Schott Music
#ED 12141-05. Published
by Schott Music
(HL.49030289).
ISBN
9790220123504. UPC:
196288077527.
9.0x12.0x0.056
inches.
5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; ...(+)
5 strings or 5 recorders
(SATTB) and basso
continuo (lute, Noten and
Tabulatur; harpsichord,
organ) (LT)
SKU:
HL.49030293
Pieces
for 5 Viols or
Recorders. Composed
by John Dowland. Edited
by Edgar Hubert Hunt.
Sheet music. Edition
Schott. Individual part.
24 pages. Schott Music
#ED 12141-09. Published
by Schott Music
(HL.49030293).
5 strings or 5 recorders (SATTB) and basso continuo (lute, Noten and Tabulatur; ...(+)
5 strings or 5 recorders
(SATTB) and basso
continuo (lute, Noten and
Tabulatur; harpsichord,
organ) (QUINTUS(V))
SKU: HL.49030290
Pieces for 5 Viols or
Recorders. Composed
by John Dowland. Edited
by Edgar Hubert Hunt.
Sheet music. Edition
Schott. Individual part.
12 pages. Schott Music
#ED 12141-06. Published
by Schott Music
(HL.49030290).
Grade 4 SKU: CL.RWS-2318-00 Composed by Charles Francois Gounod. Arranged...(+)
Grade 4
SKU:
CL.RWS-2318-00
Composed by Charles
Francois Gounod. Arranged
by VanDoren. Concert
Band. Score and set of
parts. Composed 2023. RWS
Music Company
#RWS-2318-00. Published
by RWS Music Company
(CL.RWS-2318-00).
Your audience
will be delighted with
this sly, tongue-in-cheek
programmatic march!
Filled with clever
melodies and colorful
surprises, Funeral March
of a Marionette is
perhaps best known as the
theme song from the
Alfred Hitchcock Presents
TV show. Evan VanDoren
has crafted this new
transcription for the
modern wind ensemble,
taking care to maximize
playability while
presenting the work in
its truest form.
SATB choir, descant, cantor, assembly, organ or piano, with optional guitar - Ea...(+)
SATB choir, descant,
cantor, assembly, organ
or piano, with optional
guitar - Early
Intermediate
SKU:
MN.80-506
Composed by
Luke Mayernik. Choral
Collection. All
Saints/All Souls,
Funeral, 21st Century.
MorningStar Music
Publishers #80-506.
Published by MorningStar
Music Publishers
(MN.80-506).
Award-winning
composer and organist
Luke Mayernik has crafted
memorable settings
infused with harmonic
freshness and melodic
appeal—settings
that bear the weight of
the emotion and
liturgical importance of
these psalms appointed
for use at funerals.
Psalm tones are intended
for SATB Choir as well as
cantor, and the
accompaniments are
suitable for organ,
piano, and/or guitar.
ICEL refrains are paired
with verses from The
Revised Grail Psalms,
approved for liturgical
use in 2010. Vocal or
instrumental descants
enhance many refrains.
Effective accompaniments
for piano or organ, with
optional guitar. Includes
Psalms 23, 25, 27, 42,
43, 63, 103, 116, 122,
130, and 143.
Grade 4 SKU: AP.98-RWS231801 Composed by Charles Francois Gounod. Arrange...(+)
Grade 4
SKU:
AP.98-RWS231801
Composed by Charles
Francois Gounod. Arranged
by VanDoren. Concert
Band. Extra score.
Composed 2023. RWS Music
Company #RWS-2318-01.
Published by RWS Music
Company
(AP.98-RWS231801).
Your audience
will be delighted with
this sly, tongue-in-cheek
programmatic march!
Filled with clever
melodies and colorful
surprises, Funeral March
of a Marionette is
perhaps best known as the
theme song from the
Alfred Hitchcock Presents
TV show. Evan VanDoren
has crafted this new
transcription for the
modern wind ensemble,
taking care to maximize
playability while
presenting the work in
its truest form.