By Ruth Morris Gray. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 12 pages. Published by Alfred Music

By John C. Reim. For piano, percussion (Tambourine/claves) (SATB choir). Choral. Christmas. Moderately Easy. Octavo. 20 pages. Published by MorningStar Music Publishers

By David Giardiniere. 2-part, piano. New Horizons. Octavo. Published by Heritage Music Press.

By Ruth Morris Gray. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 12 pages. Published by Alfred Music

By David Giardiniere. For SATB choir and piano. Concert, Christmas. Octavo. Published by Heritage Music Press. (15/2199H)

By Ruth Morris Gray. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 12 pages. Published by Alfred Music

By Douglas E. Wagner. For handbells (3-5 octaves) / handchimes (3-5 octaves). Christmas. Level 2. Sheet Music. Published by Lorenz Publishing Company

Arranged by Susan Geschke. For Handbells. Sacred. Level: Grade 2. Print Music Single (2-3 octaves). 8 pages. Published by Hope Publishing Company.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cornet, Cornet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum and more. - Grade 3

SKU: CF.CPS245

Composed by Benjamin Yeo. Folio. Cps. Set of Score and Parts. 8+2+8+8+2+4+4+4+4+2+4+4+4 +4+6+6+4+4+8+2+2+1+4+1+2+ 24 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CPS245. Published by Carl Fischer Music (CF.CPS245).

ISBN 9781491158128. UPC: 680160916726. 9 x 12 inches.

ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this anew ideaa needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.
ABOUT THE MUSIC Future of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang. Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work. EDUCATIONAL NOTES Key: Eb Major SECTION BARS EVENT / SCORING / SUGGESTIONS Introduction 1-4 Opens in Eb major with dotted rhythm motif. 1st Strain 5-20 Take note of melodic phrasing above the (light) oom-pah ostinato; melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this 'new idea' needs to be heard clearly for contrast with the previous statement. 2nd Strain 21-36 C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29. Trio 37-56 Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps. Break Strain 57-62 Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain. Final Strain 63-82 Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79. NOTE TO THE CONDUCTOR This march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece. This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets. I wish you the best in the performance of this work. - Benjamin Yeo.
ABOUT THE MUSICFuture of Tomorrow (Concert March) was commissioned by the Arts Education Branch, Ministry of Education as the set piece for the Singapore Youth Festival 2016 Arts Presentation for Concert and Brass Bands (Primary Level). This march uses brief excerpts from the well-known Malay folk songs Katak Lompat and Rasa Sayang.Our youths are indeed our future of tomorrow. This joyful-themed march aims to bring out the best in each of your young players. I hope that students, band directors and audiences will enjoy preparing, performing and listening to this work.EDUCATIONAL NOTESKey: Eb MajorSECTIONBARSEVENT / SCORING / SUGGESTIONSIntroduction1- 4Opens in Eb major with dotted rhythm motif.1st Strain5-20Take note of melodic phrasing above the (light) oom-pah ostinato;melody repeats at m. 13 with the addition of countermelody in the inner lines; although written at mf dynamic, this ‘new idea’ needs to be heard clearly for contrast with the previous statement.2nd Strain21-36C minor (relative minor); excerpt from Katak Lompat; melody in the lower brass/wind from m. 21 with a contrasting attitude/style from 1st strain; back to a more lyrical treatment from m. 29.Trio37-56Stays unmodulated in the same key; opens with a percussion solo feature before the start of the softer Trio theme; keep this section controlled and be sensitive to the balance; the metallic timbre of the muted trumpet/cornet needs to be heard clearly (might suggest to bring the dynamic level up to mf when muted); if cued-notes are played, make sure they are played throughout the melodic phrase as written to avoid awkward leaps.Break Strain57-62Excerpt from Rasa Sayang with some play in tonality and instrumental dialogue; quasi grandioso-style before the final strain.Final Strain63-82Back to Eb major with the reprise of the Trio theme; festive-like style with fuller orchestration and new countermelodies; dotted rhythm motif from the introduction concludes the march in a codetta-like section from m. 79.NOTE TO THE CONDUCTORThis march has been carefully written with reasonable technicalities and range in mind for younger players. Generally, optional cued notes in parenthesis are given for less experienced players who have yet to develop their range on the instrument. However, they should never be taken as an easy alternative for all players in the section; otherwise, this may result in a less than ideal flow of the musical lines. Marches are good tools to train tempo consistency, articulation and rhythmic precision as well as musical phrasing. I hope that there will be great learning opportunities for your students as they learn this piece.This march is separately orchestrated for both wind and brass bands to maximize the instrumental colors within each ensemble. The parts are therefore not exchangeable between the wind band and brass band sets.I wish you the best in the performance of this work.- Benjamin Yeo.

Composed by Rob Haines. Guitar: Pedal and Lap Steel,Style,Featured Products,Country,Method. Book and Online Video. 72 pages. Published by Mel Bay Publications, Inc

Choir; rhythm

SKU: HP.C5233R

Composed by Twila Paris. Arranged by Lloyd Larson. Contemporary, Celebration, General Worship, Confidence, Adoration & Praise, Sacred. Rhythm Parts. Hope Publishing Company #C5233R. Published by Hope Publishing Company (HP.C5233R).

UPC: 763628252335. By Twila Paris. Exodus 15:1,21, Psalms 40:16, Psalms 46:10, Psalms 47:9, Psalms 57:5,11, Psalms 92:8, Psalms 97:9.

Popular praise song by Twila Paris
Twila Paris's exuberant, joyful celebration exalting Christ the King has been given a driving dynamic choral setting by Lloyd Larson for SATB choir. Twila Paris's exuberant, joyful celebration exalting Christ the King has been given a driving dynamic choral setting by Lloyd Larson for SATB choir.

Choral SSAB Choir, piano

SKU: CF.CM9599

Composed by Sonja Poorman. Fold. Performance. 8 pages. Duration 2 minutes, 3 seconds. Carl Fischer Music #CM9599. Published by Carl Fischer Music (CF.CM9599).

ISBN 9781491154212. UPC: 680160912711. 6.875 x 10.5 inches. Key: Eb major. English, Latin. Original.

A dynamic opener or closer for any concert program, Come Raise a Song on High includes English and the Latin text Cantate Domino, popular because of its joyful nature. The bright, rhythmic A-section contains a powerful, exciting accompaniment and should be sung with strength and exuberance. Keep the syncopated rhythms accurate and sing with precise diction by energizing consonants and executing clean cut-offs. Sing with a full forte, yet maintain beauty and do not over-sing. The slower B-section is legato with a flowing piano accompaniment. Sing expressively with energetic softer dynamics to aid the singers in adding more expressiveness. Observe the sudden dynamic changes in the final A-section. Latin pronunciation: Kahn-TAH-teh DAW-mee-naw KAHN-tee-koom NAW-voom, Kahn-TAH-teh DAW-mee-naw AWM-nees TEH-rah. Latin text translation: Sing to the Lord a new song, Sing to the Lord all the earth.
A dynamic opener or closer for any concert program,A Come Raise a Song on High includes English and the Latin text Cantate Domino, popular because of its joyful nature. The bright, rhythmic A-section contains a powerful, exciting accompaniment and should be sung with strength and exuberance. Keep the syncopated rhythms accurate and sing with precise diction by energizing consonants and executing clean cut-offs. Sing with a full forte, yet maintain beauty and do not over-sing. The slower B-section is legato with a flowing piano accompaniment. Sing expressively with energetic softer dynamics to aid the singers in adding more expressiveness. Observe the sudden dynamic changes in the final A-section. Latin pronunciation: Kahn-TAH-tehA A DAW-mee-nawA A KAHN-tee-koomA A A NAW-voom, Kahn-TAH-tehA A DAW-mee-nawA A AWM-neesA A A TEH-rah. Latin text translation: Sing to the Lord a new song, Sing to the Lord all the earth.
A dynamic opener or closer for any concert program, Come Raise a Song on High includes English and the Latin text Cantate Domino, popular because of its joyful nature. The bright, rhythmic A-section contains a powerful, exciting accompaniment and should be sung with strength and exuberance. Keep the syncopated rhythms accurate and sing with precise diction by energizing consonants and executing clean cut-offs. Sing with a full forte, yet maintain beauty and do not over-sing. The slower B-section is legato with a flowing piano accompaniment. Sing expressively with energetic softer dynamics to aid the singers in adding more expressiveness. Observe the sudden dynamic changes in the final A-section. Latin pronunciation: Kahn-TAH-teh DAW-mee-naw KAHN-tee-koom NAW-voom, Kahn-TAH-teh DAW-mee-naw AWM-nees TEH-rah. Latin text translation: Sing to the Lord a new song, Sing to the Lord all the earth.
A dynamic opener or closer for any concert program, Come Raise a Song on High includes English and the Latin text Cantate Domino, popular because of its joyful nature. The bright, rhythmic A-section contains a powerful, exciting accompaniment and should be sung with strength and exuberance. Keep the syncopated rhythms accurate and sing with precise diction by energizing consonants and executing clean cut-offs. Sing with a full forte, yet maintain beauty and do not over-sing.The slower B-section is legato with a flowing piano accompaniment. Sing expressively with energetic softer dynamics to aid the singers in adding more expressiveness.Observe the sudden dynamic changes in the final A-section.Latin pronunciation:Kahn-TAH-te h   DAW-mee-naw    KAHN-tee-koom     NAW-voom,Kahn-TAH-teh    DAW-mee-naw   AWM-nees     TEH-rah.Latin text translation:Sing to the Lord a new song,Sing to the Lord all the earth.

For Choral (High School). Choral. Booklet and listening CD. Published by Hal Leonard

Choir, rhythm instruments

SKU: HP.C5548R

Composed by Schutte, Daniel. Arranged by Jane Holstein. Contemporary, Hymntune, Celebration, General Worship, Comfort, Eternal Life, Kingdom, New Life in Christ, Promise, Sacred. Rhythm Parts. Hope Publishing Company #C5548R. Published by Hope Publishing Company (HP.C5548R).

UPC: 763628255480. By Daniel Schutte. Isaiah 9:1-21 -- Isaiah 60:1-22 -- 1 John 1:1-10.

Popular praise song by Daniel Schutte Ideal for Advent, Epiphany celebrations, and general occasions, this popular song by Dan Schutte captures the essence of living in the light of Christ, and together building the city of God. The inspiration comes from several familiar scriptural references charging the people of God to awake - arise - and proclaim that God is light and has turned the night into day! Arranger Jane Holstein grasps the joyful mood and vigorous energy of this spirited song in this fun-to-sing, 4-part choral setting with piano and optional rhythm. The rhythm packet contains parts for: Electric Bass, Acoustic Guitar and Drums.

Choral (Brass, Guitar, Piano, Rhythm)

SKU: HP.C6193

Composed by Chris Tomlin, Ed Cash, and Matt Redman. Arranged by Mary McDonald. Rhythm parts: Piano, acoustic guitar, electric bass, and synth. Contemporary, Praise & Worship, Music & Singing, General Worship, Assurance, Comfort, Confidence, Hope, Jesus Christ - King & Lord, Jesus Christ - Savior, Joy, New Life in Christ, Praise to Christ. Octavo. 12 pages. Hope Publishing Company #C6193. Published by Hope Publishing Company (HP.C6193).

UPC: 763628161934. By Chris Tomlin, Ed Cash & Matt Redman. Psalm 42:8, Psalm 118:22, Numbers 20:1-13.

Popular contemporary song by Chris Tomlin, Ed Cash & Matt Redman Taking its root from the old gospel hymn, this popular, contemporary version lilts in joyful 6/8 rhythm that truly makes you want to sing along! The underlying message reminds the listener that in any circumstance of life, there is always music and singing because I am loved by the King, and it makes my heart want to sing!.

2-part equal voices, cantor, assembly, keyboard accompaniment

SKU: GI.G-008405

Composed by James V. Marchionda. OT 17 A, OT 6 A, Presentation of the Lord, Children. Sacred. Octavo. With guitar chord names. 4 pages. GIA Publications #008405. Published by GIA Publications (GI.G-008405).

English.

Father Jim Marchionda creatively presents the word of God as proclaimed throughout the Church's liturgical seasons. This is a gratifying composition for two-part children's choir, cantor, and assembly. The infectious Calypso-like rhythms and memorable, singable melodies will inspire young ensembles to sing out with joyful expression. The refrain is crafted as a canon and produces instant harmony with ease of teaching and performance. By contrast, the verses are set in the relative minor, designed with younger soloists in mind. For that extra touch, add small percussion instruments and rhythm guitar.

By Twila Paris; Larry Shackley. For SATB choir and piano. All Saints Day, Ascension, Christ the King, Eastertide, General, Sacred. Sacred Anthem. Published by Lorenz Publishing Company. (10/3816L)

(Four Songs from South Africa). Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Multicultural; World. Published by Faber Music

Orchestra

SKU: SU.91580100

For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100).

A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013.

By Schutte, Daniel. Arranged by Jane Holstein. (SATB). Scripture References: Isaiah 9:1-21 -- Isaiah 60:1. Celebration, Comfort, Eternal Life, Hymntune, Kingdom, New Life in Christ, Promise, Contemporary, Hymntune and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.

Choir

SKU: HP.C5548C

Composed by Schutte, Daniel. Arranged by Jane Holstein. Contemporary, Hymntune, Celebration, General Worship, Comfort, Eternal Life, Kingdom, New Life in Christ, Promise, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5548C. Published by Hope Publishing Company (HP.C5548C).

UPC: 763628955489. By Daniel Schutte. Isaiah 9:1-21 -- Isaiah 60:1-22 -- 1 John 1:1-10.

Popular praise song by Daniel Schutte Ideal for Advent, Epiphany celebrations, and general occasions, this popular song by Dan Schutte captures the essence of living in the light of Christ, and together building the city of God. The inspiration comes from several familiar scriptural references charging the people of God to awake - arise - and proclaim that God is light and has turned the night into day! Arranger Jane Holstein grasps the joyful mood and vigorous energy of this spirited song in this fun-to-sing, 4-part choral setting with piano and optional rhythm. The rhythm packet contains parts for: Electric Bass, Acoustic Guitar and Drums.