Arranged by Deborah
Greenblatt. Spiral-bound.
Set of parts. Greenblatt
& Seay #BSG4PROMAR-P.
Published by Greenblatt &
Seay (GS.BSG4PROMAR-P).
8.5 x 11
inches.
30
energetic pieces to get
your audience motivated,
and their toes tapping.
All four parts share the
interesting melodic bits,
and the relentless
rhythms that provide the
energy to forge ahead.
You will enjoy sharing
some old favorites, like
Mendelssohn's Wedding
March, Wagner's Bridal
March, and for you Alfred
Hitchcock fans, Gounod's
Funeral March of a
Marionette. This
collection also includes
works by Sousa, Frederick
II, Joplin, Mozart,
Schubert, etc.
Concert Band Baritone Treble Clef SKU: AP.41357 22 Full Band Arrangeme...(+)
Concert Band Baritone
Treble Clef
SKU:
AP.41357
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Baritone
Treble Clef).
Composed by John O'Reilly
and Mark Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41357.
Published by Alfred Music
(AP.41357).
ISBN
9780739098004. UPC:
038081462509.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Concert Band Bassoon SKU: AP.41355 22 Full Band Arrangements Correlate...(+)
Concert Band Bassoon
SKU: AP.41355
22 Full Band
Arrangements Correlated
to Accent on Achievement
(Bassoon). Composed
by John O'Reilly and Mark
Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41355.
Published by Alfred Music
(AP.41355).
ISBN
9780739097984. UPC:
038081462486.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Concert Band Baritone Bass Clef SKU: AP.41977 22 Full Band Arrangement...(+)
Concert Band Baritone
Bass Clef
SKU:
AP.41977
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Baritone
Bass Clef). Composed
by John O'Reilly and Mark
Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41977.
Published by Alfred Music
(AP.41977).
ISBN
9780739099254. UPC:
038081463971.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Concert Band Oboe SKU: AP.41364 22 Full Band Arrangements Correlated t...(+)
Concert Band Oboe
SKU:
AP.41364
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Oboe).
Composed by John O'Reilly
and Mark Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41364.
Published by Alfred Music
(AP.41364).
ISBN
9780739098073. UPC:
038081462578.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Concert Band Baritone Saxophone SKU: AP.41358 22 Full Band Arrangement...(+)
Concert Band Baritone
Saxophone
SKU:
AP.41358
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Baritone
Saxophone). Composed
by John O'Reilly and Mark
Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41358.
Published by Alfred Music
(AP.41358).
ISBN
9780739098011. UPC:
038081462516.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
Concert Band Alto Clarinet SKU: AP.41353 22 Full Band Arrangements Cor...(+)
Concert Band Alto
Clarinet
SKU:
AP.41353
22 Full
Band Arrangements
Correlated to Accent on
Achievement (Alto
Clarinet). Composed
by John O'Reilly and Mark
Williams. Band
Supplement; Collections;
Performance Music
Ensemble. Accent on
Performance. Form: March.
Book. 24 pages. Alfred
Music #00-41353.
Published by Alfred Music
(AP.41353).
ISBN
9780739097960. UPC:
038081462462.
English.
Over the
course of ten years,
legendary young-band
composers John O'Reilly
and Mark Williams
composed and arranged
over 100 creative works
that correlate with
specific pages in their
highly successful band
method, Accent on
Achievement. Alfred Music
is now proud to make
these arrangements
available in a book
format that includes 22
full arrangements in each
collection.
The
March Collection includes
many original marches
along with arrangements
of famous march themes.
Titles: March Royale *
Marching Marines * Battle
Creek March * March Zuma
* Honor Roll March *
Maritime March * and 16
others.
By John Philip Sousa (1854-1932). Arranged by Andrew Converse. For Trombone Quar...(+)
By John Philip Sousa
(1854-1932). Arranged by
Andrew Converse. For
Trombone Quartet. 20th
Century Americana.
Advanced. Score and
parts. Published by
Cherry Classics
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
The New Sousa's Favorite Marches. (Flute 1 and Piccolo). By John Philip Sousa (1...(+)
The New Sousa's Favorite
Marches. (Flute 1 and
Piccolo). By John Philip
Sousa (1854-1932).
Concert Band. For
Piccolo, Flute I. Carl
Fischer Band Books
Series. Concert Band
Method. Standard
notation. 16 pages.
Published by Carl
Fischer
By Francis Scott Key, music by John Stafford Smith. Arranged by Michael Stor...(+)
By Francis Scott Key,
music by
John Stafford Smith.
Arranged
by Michael Story and Mike
Story. Marching Band.
Marching
Band; Score. Big and
Easy.
Form: March. Patriotic.
Grade
2. 16 pages. Published by
Alfred Music Publishing
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
The Earl of Oxford's March Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-010 Composed by William B...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-158-010
Composed by William Byrd.
Arranged by Philip
Sparke. Anglo Music
Midway Series.
Transcription. Set (Score
& Parts). Composed 2006.
Anglo Music Press #AMP
158-010. Published by
Anglo Music Press
(BT.AMP-158-010).
9x12
inches.
English-German-French-Dut
ch.
The Battell was
written during the late
14th Century when England
was in a mood of national
celebration after victory
over the Spanish and
French Armadas.The
movement which Byrd
called Marche Before The
Battell became known as
The Earl of Oxford?s
Marchand it appears with
that title in an early
manuscript copy of the
Fitzwilliam Virginal
Book.Written while Byrd
was at the height of his
powers, it still stirs
the soul to this day. A
perfect opener for your
concert
performances.
M
y Lady Nevells Book
uit 1591 bevat een aantal
werken van William Byrd
die waarschijnlijk waren
gecomponeerd in de 25
jaren daarvoor, inclusief
de verhalende suite
The Battell. De
programmatische muziek
van The Battellis
zeldzaam in Byrds oeuvre,
dat vooral bestaat uit
vaste muzikale vormen,
zoals gaillardes en
pavanes. Het werk is
vermoedelijk geschreven
na 1588, toen Engeland in
een overwinningsroes
verkeerde na de zege op
de Spaanseen Franse
Armada’s. Het deel
dat Byrd Marche Before
The Battell noemde,
werd bekend als The
Earl of Oxford’s
March, hoewel het
niet geheel duidelijk is
waarom. Deze muziek, die
Byrd schreef in zijn
hoogtijdagen, isnog
altijd
treffend.
Der
Notendruck kam spät
nach England. Viele
Spieler kopierten die
Musik von Hand,
wohlhabende Familien
ließen sie sich von
einem Schreiber kopieren.
Solch eine frühe
Ausgabe war My Lady
Nevells Book, das
u.a. die deskriptive
Suite The Battell
enthält. Der Satz, den
Byrd mit Marche Before
the Battel
überschrieb wurde als
The Earl of
Oxford’s March
bekannt. Das Stück,
das zur Blütezeit von
Byrds Schaffenskraft
entstand, bewegt noch
heute die Gemüter.
Eine perfekte
Eröffnung für Ihr
Konzert.
Questo
brano di musica a
programma è unico
nella produzione di
William Byrd che
comprende soprattutto
grounds, gagliarde e
pavane. The Battell - dal
quale è tratto The
Earl of Oxford’s
March (o Marche Before
the Battle), fu
composto probabilmente
dopo il 1588, ai tempi in
cui l’Inghilterra
era particolarmente
incline ai festeggiamenti
nazionali dopo la
vittoria sulle flotte
spagnole e francesi.
Questo brano, scritto
quando William Bryd era
all’apice della
gloria, continua a
commuovere.
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-140 Composed by William B...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-158-140
Composed by William Byrd.
Arranged by Philip
Sparke. Anglo Music
Midway Series.
Transcription. Score
Only. Composed 2006. 32
pages. Anglo Music Press
#AMP 158-140. Published
by Anglo Music Press
(BT.AMP-158-140).
9x12
inches.
English-German-French-Dut
ch.
The Battell was
written during the late
14th Century when England
was in a mood of national
celebration after victory
over the Spanish and
French Armadas.The
movement which Byrd
called Marche Before The
Battell became known as
The Earl of Oxford?s
Marchand it appears with
that title in an early
manuscript copy of the
Fitzwilliam Virginal
Book.Written while Byrd
was at the height of his
powers, it still stirs
the soul to this day. A
perfect opener for your
concert
performances.
M
y Lady Nevells Book
uit 1591 bevat een aantal
werken van William Byrd
die waarschijnlijk waren
gecomponeerd in de 25
jaren daarvoor, inclusief
de verhalende suite
The Battell. De
programmatische muziek
van The Battellis
zeldzaam in Byrds oeuvre,
dat vooral bestaat uit
vaste muzikale vormen,
zoals gaillardes en
pavanes. Het werk is
vermoedelijk geschreven
na 1588, toen Engeland in
een overwinningsroes
verkeerde na de zege op
de Spaanseen Franse
Armada’s. Het deel
dat Byrd Marche Before
The Battell noemde,
werd bekend als The
Earl of Oxford’s
March, hoewel het
niet geheel duidelijk is
waarom. Deze muziek, die
Byrd schreef in zijn
hoogtijdagen, isnog
altijd
treffend.
Der
Notendruck kam spät
nach England. Viele
Spieler kopierten die
Musik von Hand,
wohlhabende Familien
ließen sie sich von
einem Schreiber kopieren.
Solch eine frühe
Ausgabe war My Lady
Nevells Book, das
u.a. die deskriptive
Suite The Battell
enthält. Der Satz, den
Byrd mit Marche Before
the Battel
überschrieb wurde als
The Earl of
Oxford’s March
bekannt. Das Stück,
das zur Blütezeit von
Byrds Schaffenskraft
entstand, bewegt noch
heute die Gemüter.
Eine perfekte
Eröffnung für Ihr
Konzert.
Questo
brano di musica a
programma è unico
nella produzione di
William Byrd che
comprende soprattutto
grounds, gagliarde e
pavane. The Battell - dal
quale è tratto The
Earl of Oxford’s
March (o Marche Before
the Battle), fu
composto probabilmente
dopo il 1588, ai tempi in
cui l’Inghilterra
era particolarmente
incline ai festeggiamenti
nazionali dopo la
vittoria sulle flotte
spagnole e francesi.
Questo brano, scritto
quando William Bryd era
all’apice della
gloria, continua a
commuovere.
Brass SKU: OU.9780193683198 William Walton Edition vol. 21. Compos...(+)
Brass
SKU:
OU.9780193683198
William Walton Edition
vol. 21. Composed by
William Walton. Edited by
Elgar Howarth. William
Walton Edition. Full
score. 168 pages. Oxford
University Press
#9780193683198. Published
by Oxford University
Press (OU.9780193683198).
ISBN 9780193683198. 13
x 10 inches.
This
volume brings together
all the music Walton
wrote for brass
throughout his life, from
the various fanfares,
often written for
ceremonial occasions, to
the more extended work,
The First Shoot, a piece
which the editor of this
volume, Elgar Howarth,
was instrumental in
bringing to life. The
volume includes full
critical apparatus and
selected facsimiles of
manuscript pages.
About William
Walton
Edition
In
March 2014 Oxford
University Press
published the last volume
in its magnificent
William Walton Edition,
the only complete
critical edition of a
20th-century British
composer's oeuvre. All 24
volumes are handsomely
printed and bound.
Walton's entire output is
now available to scholars
and performers in a
definitive and fully
practical edition, based
on the form in which the
composer ultimately
wished his music to be
performed. The general
editor, David Lloyd-Jones
- the eminent conductor,
English music specialist,
and founder of Opera
North - invited a
world-class expert to
edit each volume.
Carefully researched
introductory essays place
the works in their
historical context and in
the composer's oeuvre,
and there are full
critical notes.
Southampton March Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Composed by Robert Sheldon. Concert Band; Performance Music Ensemble; Single Tit...(+)
Composed by Robert
Sheldon. Concert Band;
Performance Music
Ensemble; Single Titles;
SmartMusic. Sound
Innovations for Concert
Band. Form: March. Score.
16 pages. Alfred Music
#00-45966S. Published by
Alfred Music (AP.45966S).
Southampton March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
Composed by Robert Sheldon. Concert Band; Performance Music Ensemble; Single Tit...(+)
Composed by Robert
Sheldon. Concert Band;
Performance Music
Ensemble; Single Titles;
SmartMusic. Sound
Innovations for Concert
Band. Form: March.
Part(s); Score. 130
pages. Alfred Music
#00-45966. Published by
Alfred Music (AP.45966).
(22 Full Band Arrangements Correlated to Accent on Achievement (Percussion 1)). ...(+)
(22 Full Band
Arrangements Correlated
to Accent on Achievement
(Percussion 1)). Composed
by John O'Reilly and Mark
Williams. Concert Band.
For Percussion 1. Band
Supplement; Book. Accent
on Performance. Form:
March. 28 pages.
Published by Alfred Music
(22 Full Band Arrangements Correlated to Accent on Achievement (Score)). Compose...(+)
(22 Full Band
Arrangements Correlated
to Accent on Achievement
(Score)). Composed by
John O'Reilly and Mark
Williams. Concert Band.
For Score. Band
Supplement; Score. Accent
on Performance. Form:
March. 144 pages.
Published by Alfred Music
(22 Full Band Arrangements Correlated to Accent on Achievement (Flute)). Compose...(+)
(22 Full Band
Arrangements Correlated
to Accent on Achievement
(Flute)). Composed by
John O'Reilly and Mark
Williams. Concert Band.
For Flute. Band
Supplement; Book. Accent
on Performance. Form:
March. 24 pages.
Published by Alfred Music
