Score Only.
Composed by Philip
Sparke. Anglo Music
Concert Band. Score Only.
Composed 2012. 64 pages.
Anglo Music Press
#AMP354140. Published by
Anglo Music Press
(HL.44011229).
Diamond
Concerto was
commissioned by
Musikverein Morschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven Mead's
special euphonium sound
in his head throughout
the composition process
and made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMorschied lies to the
west of Frankfurt am Main
in the area known as the
German Road of Precious
Stones, which is famous
for its thriving gem
industry. Because of this
it was decided to give
the commission a local
connection by choosing
the title, Diamond
Concerto. Each of the
three movements is named
after a famous diamond:1
EARTH STARis rather stern
in mood, opening with a
free fantasy for the
soloist over a static
chord from the band. This
leads to an Allegro
Moderato in minor mode
where small motives are
gradually repeated and
developed by both band
and soloist.2 OCEAN
DREAMuses a varied quote
from the composer's
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven Mead's
suggestion, in bebop
style and takes the form
of a jazz waltz. The
quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Morschied - met dirigent
Eric Grandjean - voor een
speciaal concert met
Steven Mead als
gastsolist. De
wereldpremiere vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarriere.H
et plaatsje Morschied
ligt ten westen van
Frankfurt am Main, in het
gebied dat bekendstaat
als de Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van Sparke's werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben fur
den Musikverein
Morschied, westlich von
Frankfurt am Main an der
Deutschen
Edelsteinstrasse gelegen,
wurde jeder der drei
Satze von Diamond
Concerto nach einem
beruhmten Diamanten
benannt: 1 EARTH STAR ist
eher stimmungstechnisch
ein Stern. Der Satz
beginnt mit einer freien
Fantasie des Solisten
uber einem statischen
Akkord des Orchesters.
Dieses fuhrt zu einem
Allegro Moderato in Moll,
in welchem kurze Motive
von sowohl Orchester als
auch Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthalt, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthalt eine
Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen Holzblasern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist fur Euphonium und
Klavier erhaltlich (AMP
374-401) sowie fur
Euphonium und Brass Band
(AMP 354-030).
Diamond
Concerto est une
œuvre de commande de
la formation allemande
Musikverein Morschied,
dirigee par le Dr Eric
Grandjean, pour un
concert avec un invite
special, le soliste
Steven Mead. Ensemble,
ils ont cree cette
œuvre le 28 avril
2012 au theatre de la
ville
d'Idar-Oberstein.Cette
commande represente l'un
des points culminants
d'une amitie de trente
annees entre le
compositeur et le
soliste, leur relation
ayant donne naissance a
de nombreux
enregistrements et
concerts et, maintenant,
a un concerto. Pendant la
composition de cette
œuvre, Sparke avait
sans cesse a l'esprit le
son bien particulier de
l'euphonium de Steven
Mead, et il a employe
librement lavariete de
styles que ce virtuose
mondialement connu a
adoptes au cours de sa
brillante carriere de
soliste.Le village de
Morschied se trouve a
l'ouest de
Francfort-sur-le-Main,
dans la region surnommee
Route allemande des
pierres precieuses,
celebre pour son
industrie de la
joaillerie. C'est
pourquoi le compositeur a
decide de saluer cette
province en intitulant
son œuvre Diamond
Concerto. Les trois
mouvements sont chacun
nommes d'apres un diamant
celebre :1 EARTH STARDe
caractere plutot serieux,
ce mouvement debute avec
une fantaisie libre pour
le soliste sur un accord
statique de l'orchestre.
Vient ensuite un Allegro
Moderato en mode mineur
ou de courts motifs sont
progressivement repetes
et developpes par
l'orchestre et le
soliste.2 OCEAN DREAML'on
pourra entendre ici une
variante d'un extrait de
Music for Battle
Creek, incluant une
melodie lente et
emouvante, que le
compositeur ecrivit alors
dans l'optique d'une
future interpretation
realisee par Steven
Mead.3 BLUE HEARTSuivant
l'idee de Steven Mead, ce
mouvement est ecrit dans
un style de be-bop et
prend la forme d'une
valse jazzy. La partie
centrale,
quasi-improvisee,
comprend un passage
d'appel et reponse entre
le soliste et les
bois.Soliste: Difficulte
6Diamond Concerto
est aussi disponible pour
euphonium et piano (AMP
374-401) et euphonium et
brass.
Instruments en Do [Fake Book] - Intermédiaire Hal Leonard
(Sixth Edition) For C instrument. Format: fakebook (spiral bound). With melody, ...(+)
(Sixth Edition) For C
instrument. Format:
fakebook (spiral bound).
With melody, standard
notation and chord names.
Jazz. Series: Hal Leonard
Instrumental Fake Books.
512 pages. 8.5x11 inches.
Published by Hal Leonard.
C Instruments. Arranged by James Curnow, Timothy Campbell. Curnow Play-Along Boo...(+)
C Instruments. Arranged
by James Curnow, Timothy
Campbell. Curnow
Play-Along Book. Play
Along. BOOK W/CD. Size
9x12 inches. 24 pages.
Published by Curnow
Music.
SKU: CA.1290100 Composed by Various. Edited by Gunther Kretzschmar. This ...(+)
SKU: CA.1290100
Composed by Various.
Edited by Gunther
Kretzschmar. This
edition: Paperbound.
Choral collections for
children's choir; Hymns
by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. Musik fur
Gottesdienst, Spiel und
Fest. Psalms, German,
Songs for children,
Secular choral music,
Special days, Ascension,
New year, Easter and
Eastertide, Whitsun,
Reformation day, Praise
and thanks, Morning,
midday, evening.
Collection. Composed
1992-96. 160 pages. Carus
Verlag #CV 12.901/00.
Published by Carus Verlag
(CA.1290100).
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano
SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Diamond Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 5 SKU: BT.AMP-354-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 5
SKU:
BT.AMP-354-010
Euphonium Concerto No.
3. Composed by Philip
Sparke. Elite Series. Set
(Score & Parts). Composed
2012. Anglo Music Press
#AMP 354-010. Published
by Anglo Music Press
(BT.AMP-354-010).
9x12
inches.
English-German-French-Dut
ch.
Diamond
Concerto was
commissioned by
Musikverein Mörschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven
Mead’s special
euphonium sound in his
head throughout the
composition process and
made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMörschied lies to
the west of Frankfurt am
Main in the area known as
the German Road of
Precious Stones, which is
famous for its thriving
gem industry. Because of
this it was decided to
give the commission a
local connection by
choosing the title,
Diamond Concerto.
Each of the three
movements is named after
a famous diamond:1 EARTH
STARis rather stern in
mood, opening with a free
fantasy for the soloist
over a static chord from
the band. This leads to
an Allegro Moderato in
minor mode where small
motives are gradually
repeated and developed by
both band and soloist.2
OCEAN DREAMuses a varied
quote from the
composer’s
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven
Mead’s suggestion,
in bebop style and takes
the form of a jazz waltz.
The quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Mörschied - met
dirigent Eric Grandjean -
voor een speciaal concert
met Steven Mead als
gastsolist. De
wereldpremière vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarrièr
e.Het plaatsje
Mörschied ligt ten
westen van Frankfurt am
Main, in het gebied dat
bekendstaat als de
Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van
Sparke’s werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben
für den Musikverein
Mörschied, westlich
von Frankfurt am Main an
der Deutschen
Edelsteinstraße
gelegen, wurde jeder der
drei Sätze von
Diamond Concerto
nach einem berühmten
Diamanten benannt: 1
EARTH STAR ist eher
stimmungstechnisch ein
Stern. Der Satz beginnt
mit einer freien Fantasie
des Solisten über
einem statischen Akkord
des Orchesters. Dieses
führt zu einem Allegro
Moderato in Moll, in
welchem kurze Motive von
sowohl Orchester als auch
Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthält, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthält
eine Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen
Holzbläsern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist für Euphonium und
Klavier erhältlich
(AMP 374-401) sowie
für Euphonium und
Brass Band (AMP 354-030).
Euphonium Concerto No. 3. Composed by Philip Sparke (1951-). Anglo Instrumental ...(+)
Euphonium Concerto No. 3.
Composed by Philip Sparke
(1951-). Anglo
Instrumental series. Book
Only. Composed 2012. 32
pages. Anglo Music Press
#AMP 374-401. Published
by Anglo Music Press
SKU: CA.5022000 Composed by Josef Gabriel Rheinberger. Edited by Barbara ...(+)
SKU: CA.5022000
Composed by Josef Gabriel
Rheinberger. Edited by
Barbara Mohn. This
edition: Complete
edition, linen cover.
Josef Gabriel Rheinberger
- Complete Works. German
title: Chormusik Ii Fur
Mannerchor A Cap. Lieder
for choir, Secular choral
music. Full score
(complete edition /
selected edition). 264
pages. Carus Verlag #CV
50.220/00. Published by
Carus Verlag
(CA.5022000).
ISBN
9790007087371.
Rhei
nberger's popularity
during his lifetime was
based, for the most part,
on his secular choral
music. His cycles for
men's and women's choir,
most of which were
commissioned works, are
contained in two volumes
of the Complete Edition
(vols. 19 and 20). Among
this music there are
humorous songs and
drinking songs, idyllic
settings of texts drawn
from nature, and songs in
a folk-like idiom which
are light and easily
performable, as well as
several more ambitious
compositions which were
written for choral
competitions in
Rheinberger's day.
Instruments en Do [Fake Book] - Intermédiaire Hal Leonard
C Edition. Composed by Various. Fake Book. Jazz. Fakebook (softcover). With voca...(+)
C Edition. Composed by
Various. Fake Book. Jazz.
Fakebook (softcover).
With vocal melody,
lyrics, chord names,
black and white photos,
discography and
introductory text. 400
pages. Hal Leonard
#FBM0003. Published by
Hal Leonard
Children's Songs Ligne De Mélodie, Paroles et Accords [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and leadsheet
notation. Children's.
Series: Hal Leonard
Paperback Songs
(Melodies, lyrics, and
chords in a convenient
format), . 256 pages.
4.2x6.7 inches. Published
by Hal Leonard.
Essentials of Music Theory. (Teacher's Answer Key). By Andrew Surmani and Morton...(+)
Essentials of Music
Theory. (Teacher's Answer
Key). By Andrew Surmani
and Morton Manus.
Reference Textbooks;
Textbook - General;
Theory. Essentials of
Music Theory. Book. 128
pages. Published by
Alfred Music Publishing
Tenor Voice and Piano (MED) SKU: HL.49005752 By Kurt Adler. Edited by Hei...(+)
Tenor Voice and Piano
(MED)
SKU:
HL.49005752
By Kurt
Adler. Edited by Heinrich
Moeller. Edition Schott.
Classical. Book Only. 64
pages. Schott Music
#HL50325850. Published by
Schott Music
(HL.49005752).
ISBN
9780793526123. UPC:
73999258509. 273 X 191
inches.
Contents:
Meyerbeer: O Paradis
sorti de l'onde
(L'Africaine) –
Verdi: Celeste Aida
(Aida) • Io la vidi
(Don Carlo) • Oh, tu
che in seno agli angeli
(La Forza Del Destino)
• Parmi veder le
lagrime (Rigoletto)•
La donna e mobile
(Rigoletto) • Ah, si
ben mio coll'essere (Il
Trovatore) –
Smetana: Jenik's Aria
(The Bartered Bride)
– Puccini: Che
gelida manina (La Boheme)
• Donna non vidi mai
(Manon Lescaut)•
Recondita armonia (Tosca)
• E lucevan le
stelle (Tosca) –
Bizet: Le fleur que tu
m'avais jetee (Carmen)
– Mozart: Un' aura
amorosa (Cosö fan
tutte) • Il mio
tesoro intanto (Don
Giovanni) •Dalla sua
pace (Don Giovanni)
• O wie angstlich
(Die Entführung aus
dem Serail) • Dies
Bildniss ist bezaubernd
schon (Die
Zauberflöte) –
Donizetti: Com'e gentil
(Don Pasquale) • Una
furtiva lagrima(L'Elisir
D'Amore) • Spirto
gentil (La Favorita)
• Fra poco a me
ricovero (Lucia di
Lammermoor) –
Tchaikovsky: Lenski's
Aria (Eugene Onegin)
– Gounod: Salut!
demeure chaste et pure
(Faust) •
Ah,leve-toi, soleil!
(Roméo et
Juliette) – C.M.von
Weber: Durch die Walder
(Der Freischütz)
– Ponchielli: Cielo
e mar (La Gioconda);
Godard: Oh! ne t'eveille
pas (Jocelyn) –
Wagner: Amstillen Herd
(DieMeistersinger von
Nurnberg) •
Morgenlich leuchtend im
rosigen Schein (Walther's
Prize-Song) (Die
Meistersinger von
Nurnburg) • In
fernem Land (Lohengrin)
• Wintersturme
wichen dem Wonnemond (Die
Walkure) –Halevy:
Rachel, quand du Seigneur
(La Juive) –
Delibes: Fantaisie aux
divins mensonges (Lakme)
– Massenet: En
ferment les yeux (The
Dream of Des Grieux)
(Manon) • Ah! fuyez,
douce image (Manon)
– Flotow:M'appari
tutt'amor (Martha)
– A. Thomas: Elle
ne croyait pas (Mignon)
• Adieu, Mignon!
(Mignon) – Auber:
Du pauvre seul ami
(Slumber-Song) (La Muette
de Portici) –
Leoncavallo: Vesti la
giubba (Pagliacci)–
Lalo: Vainement, ma
bien-aimee (Le Roi
d'Ys).Celebrated arias
selected from operas a
range of composers in
five volumes. This volume
is compiled by Kurt Adler
and is for Tenor Voice.
It includes selections
from The Magic Flute, The
Bartered Bride, Faust,
Cosi Fan Tutte, Romeo and
Juliet and many more
operas.
Contents:
Meyerbeer: O Paradis
sorti de l'onde
(L'Africaine) –
Verdi: Celeste Aida
(Aida) • Io la vidi
(Don Carlo) • Oh, tu
che in seno agli angeli
(La Forza Del Destino)
• Parmi veder le
lagrime (Rigoletto)•
La donna e mobile
(Rigoletto) • Ah, si
ben mio coll'essere (Il
Trovatore) –
Smetana: Jenik's Aria
(The Bartered Bride)
– Puccini: Che
gelida manina (La Boheme)
• Donna non vidi mai
(Manon Lescaut)•
Recondita armonia (Tosca)
• E lucevan le
stelle (Tosca) –
Bizet: Le fleur que tu
m'avais jetee (Carmen)
– Mozart: Un' aura
amorosa (Cosö fan
tutte) • Il mio
tesoro intanto (Don
Giovanni) •Dalla sua
pace (Don Giovanni)
• O wie angstlich
(Die Entführung aus
dem Serail) • Dies
Bildniss ist bezaubernd
schon (Die
Zauberflöte) –
Donizetti: Com'e gentil
(Don Pasquale) • Una
furtiva lagrima(L'Elisir
D'Amore) • Spirto
gentil (La Favorita)
• Fra poco a me
ricovero (Lucia di
Lammermoor) –
Tchaikovsky: Lenski's
Aria (Eugene Onegin)
– Gounod: Salut!
demeure chaste et pure
(Faust) •
Ah,leve-toi, soleil!
(Roméo et
Juliette) – C.M.von
Weber: Durch die Walder
(Der Freischütz)
– Ponchielli: Cielo
e mar (La Gioconda);
Godard: Oh! ne t'eveille
pas (Jocelyn) –
Wagner: Amstillen Herd
(DieMeistersinger von
Nurnberg) •
Morgenlich leuchtend im
rosigen Schein (Walther's
Prize-Song) (Die
Meistersinger von
Nurnburg) • In
fernem Land (Lohengrin)
• Wintersturme
wichen dem Wonnemond (Die
Walkure) –Halevy:
Rachel, quand du Seigneur
(La Juive) –
Delibes: Fantaisie aux
divins mensonges (Lakme)
– Massenet: En
ferment les yeux (The
Dream of Des Grieux)
(Manon) • Ah! fuyez,
douce image (Manon)
– Flotow:M'appari
tutt'amor (Martha)
– A. Thomas: Elle
ne croyait pas (Mignon)
• Adieu, Mignon!
(Mignon) – Auber:
Du pauvre seul ami
(Slumber-Song) (La Muette
de Portici) –
Leoncavallo: Vesti la
giubba (Pagliacci)–
Lalo: Vainement, ma
bien-aimee (Le Roi
d'Ys).
Contents:
Meyerbeer: O Paradis
sorti de l'onde
(L'Africaine) –
Verdi: Celeste Aida
(Aida) • Io la vidi
(Don Carlo) • Oh, tu
che in seno agli angeli
(La Forza Del Destino)
• Parmi veder le
lagrime (Rigoletto)•
La donna e mobile
(Rigoletto) • Ah, si
ben mio coll'essere (Il
Trovatore) –
Smetana: Jenik's Aria
(The Bartered Bride)
– Puccini: Che
gelida manina (La Boheme)
• Donna non vidi mai
(Manon Lescaut)•
Recondita armonia (Tosca)
• E lucevan le
stelle (Tosca) –
Bizet: Le fleur que tu
m'avais jetee (Carmen)
– Mozart: Un' aura
amorosa (Cosö fan
tutte) • Il mio
tesoro intanto (Don
Giovanni) •Dalla sua
pace (Don Giovanni)
• O wie angstlich
(Die Entführung aus
dem Serail) • Dies
Bildniss ist bezaubernd
schon (Die
Zauberflöte) –
Donizetti: Com'e gentil
(Don Pasquale) • Una
furtiva lagrima(L'Elisir
D'Amore) • Spirto
gentil (La Favorita)
• Fra poco a me
ricovero (Lucia di
Lammermoor) –
Tchaikovsky: Lenski's
Aria (Eugene Onegin)
– Gounod: Salut!
demeure chaste et pure
(Faust) •
Ah,leve-toi, soleil!
(Roméo et
Juliette) – C.M.von
Weber: Durch die Walder
(Der Freischütz)
– Ponchielli: Cielo
e mar (La Gioconda);
Godard: Oh! ne t'eveille
pas (Jocelyn) –
Wagner: Amstillen Herd
(DieMeistersinger von
Nurnberg) •
Morgenlich leuchtend im
rosigen Schein (Walther's
Prize-Song) (Die
Meistersinger von
Nurnburg) • In
fernem Land (Lohengrin)
• Wintersturme
wichen dem Wonnemond (Die
Walkure) –Halevy:
Rachel, quand du Seigneur
(La Juive) –
Delibes: Fantaisie aux
divins mensonges (Lakme)
– Massenet: En
ferment les yeux (The
Dream of Des Grieux)
(Manon) • Ah! fuyez,
douce image (Manon)
– Flotow:M'appari
tutt'amor (Martha)
– A. Thomas: Elle
ne croyait pas (Mignon)
• Adieu, Mignon!
(Mignon) – Auber:
Du pauvre seul ami
(Slumber-Song) (La Muette
de Portici) –
Leoncavallo: Vesti la
giubba (Pagliacci)–
Lalo: Vainement, ma
bien-aimee (Le Roi
d'Ys).
Contents:
Meyerbeer: O Paradis
sorti de l'onde
(L'Africaine) –
Verdi: Celeste Aida
(Aida) • Io la vidi
(Don Carlo) • Oh, tu
che in seno agli angeli
(La Forza Del Destino)
• Parmi veder le
lagrime (Rigoletto)•
La donna e mobile
(Rigoletto) • Ah, si
ben mio coll'essere (Il
Trovatore) –
Smetana: Jenik's Aria
(The Bartered Bride)
– Puccini: Che
gelida manina (La Boheme)
• Donna non vidi mai
(Manon Lescaut)•
Recondita armonia (Tosca)
• E lucevan le
stelle (Tosca) –
Bizet: Le fleur que tu
m'avais jetee (Carmen)
– Mozart: Un' aura
amorosa (Cosö fan
tutte) • Il mio
tesoro intanto (Don
Giovanni) •Dalla sua
pace (Don Giovanni)
• O wie angstlich
(Die Entführung aus
dem Serail) • Dies
Bildniss ist bezaubernd
schon (Die
Zauberflöte) –
Donizetti: Com'e gentil
(Don Pasquale) • Una
furtiva lagrima(L'Elisir
D'Amore) • Spirto
gentil (La Favorita)
• Fra poco a me
ricovero (Lucia di
Lammermoor) –
Tchaikovsky: Lenski's
Aria (Eugene Onegin)
– Gounod: Salut!
demeure chaste et pure
(Faust) •
Ah,leve-toi, soleil!
(Roméo et
Juliette) – C.M.von
Weber: Durch die Walder
(Der Freischütz)
– Ponchielli: Cielo
e mar (La Gioconda);
Godard: Oh! ne t'eveille
pas (Jocelyn) –
Wagner: Amstillen Herd
(DieMeistersinger von
Nurnberg) •
Morgenlich leuchtend im
rosigen Schein (Walther's
Prize-Song) (Die
Meistersinger von
Nurnburg) • In
fernem Land (Lohengrin)
• Wintersturme
wichen dem Wonnemond (Die
Walkure) –Halevy:
Rachel, quand du Seigneur
(La Juive) –
Delibes: Fantaisie aux
divins mensonges (Lakme)
– Massenet: En
ferment les yeux (The
Dream of Des Grieux)
(Manon) • Ah! fuyez,
douce image (Manon)
– Flotow:M'appari
tutt'amor (Martha)
– A. Thomas: Elle
ne croyait pas (Mignon)
• Adieu, Mignon!
(Mignon) – Auber:
Du pauvre seul ami
(Slumber-Song) (La Muette
de Portici) –
Leoncavallo: Vesti la
giubba (Pagliacci)–
Lalo: Vainement, ma
bien-aimee (Le Roi
d'Ys).
Contents:
Meyerbeer: O Paradis
sorti de l'onde
(L'Africaine) –
Verdi: Celeste Aida
(Aida) • Io la vidi
(Don Carlo) • Oh, tu
che in seno agli angeli
(La Forza Del Destino)
• Parmi veder le
lagrime (Rigoletto)•
La donna e mobile
(Rigoletto) • Ah, si
ben mio coll'essere (Il
Trovatore) –
Smetana: Jenik's Aria
(The Bartered Bride)
– Puccini: Che
gelida manina (La Boheme)
• Donna non vidi mai
(Manon Lescaut)•
Recondita armonia (Tosca)
• E lucevan le
stelle (Tosca) –
Bizet: Le fleur que tu
m'avais jetee (Carmen)
– Mozart: Un' aura
amorosa (Cosö fan
tutte) • Il mio
tesoro intanto (Don
Giovanni) •Dalla sua
pace (Don Giovanni)
• O wie angstlich
(Die Entführung aus
dem Serail) • Dies
Bildniss ist bezaubernd
schon (Die
Zauberflöte) –
Donizetti: Com'e gentil
(Don Pasquale) • Una
furtiva lagrima(L'Elisir
D'Amore) • Spirto
gentil (La Favorita)
• Fra poco a me
ricovero (Lucia di
Lammermoor) –
Tchaikovsky: Lenski's
Aria (Eugene Onegin)
– Gounod: Salut!
demeure chaste et pure
(Faust) •
Ah,leve-toi, soleil!
(Roméo et
Juliette) – C.M.von
Weber: Durch die Walder
(Der Freischütz)
– Ponchielli: Cielo
e mar (La Gioconda);
Godard: Oh! ne t'eveille
pas (Jocelyn) –
Wagner: Amstillen Herd
(DieMeistersinger von
Nurnberg) •
Morgenlich leuchtend im
rosigen Schein (Walther's
Prize-Song) (Die
Meistersinger von
Nurnburg) • In
fernem Land (Lohengrin)
• Wintersturme
wichen dem Wonnemond (Die
Walkure) –Halevy:
Rachel, quand du Seigneur
(La Juive) –
Delibes: Fantaisie aux
divins mensonges (Lakme)
– Massenet: En
ferment les yeux (The
Dream of Des Grieux)
(Manon) • Ah! fuyez,
douce image (Manon)
– Flotow:M'appari
tutt'amor (Martha)
– A. Thomas: Elle
ne croyait pas (Mignon)
• Adieu, Mignon!
(Mignon) – Auber:
Du pauvre seul ami
(Slumber-Song) (La Muette
de Portici) –
Leoncavallo: Vesti la
giubba (Pagliacci)–
Lalo: Vainement, ma
bien-aimee (Le Roi
d'Ys).
Essentials of Music Theory Software, Version 2.0, Volume 1. (For 5 computers (1 ...(+)
Essentials of Music
Theory Software, Version
2.0, Volume 1. (For 5
computers (1 Educator, 4
Students)). By Andrew
Surmani and Morton Manus.
Reference Textbooks;
Textbook - General;
Theory. Essentials of
Music Theory. Software.
Published by Alfred Music
Publishing
Edited by Paul Stewart Cranford. Arranged by Melissa Emmons and Brenda Stubbert....(+)
Edited by Paul Stewart
Cranford. Arranged by
Melissa Emmons and Brenda
Stubbert. For Fiddle.
Perfect binding, Solos.
Cranford Publications.
Canadian-Maritime.
Intermediate. Book. 72
pages. Published by
Cranford Publication
Roll of Honour Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125214-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125214-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Score Only.
Composed 2012. 40 pages.
De Haske Publications
#DHP 1125214-120.
Published by De Haske
Publications
(BT.DHP-1125214-120).
9x12 inches.
English-German-French-Dut
ch.
On a war
memorial in the Dutch
village of Wons is
engraved a list of names
to honour the fallen in
World War II. This is the
basis for the name of
this piece. However, this
composition was written
for everyone who has made
Wons what it is today: a
pretty place near to Lake
IJssel with a
comfortable way of life.
The piece begins with a
celebratory introduction
in which the village is
presented to the
listener. There follows a
delightful rhythmic and
high-tempo theme that
reflects the happiness,
innocence and carefree
atmosphere before the
war. Now we hear a moody,
fragmented theme
depicting soldiers
shooting. This is brought
to a close with dissonant
clusters of
sound,intoning the
dreadful tragedy of the
war. The ensuing quiet
gives way to a calm
middle section in a minor
key that portrays both
frustration and
consolation. The fast
tempo of the beginning
returns, this time in the
form of a victory march.
We hear freedom being
celebrated. We hear the
previous happy, innocent
and carefree themes, too.
There follows a festive,
martial theme, a tribute
to the village, before
the piece closes with
sounds of celebration.
Op de gedenksteen
in het Friese dorp Wons
staat een erelijst (roll
of honour) gegraveerd ter
nagedachtenis aan de
gevallenen van de Tweede
Wereldoorlog. De titel
van dit werk verwijst
naar deze lijst. Deze
compositie is echter
tevens geschreven voor
alle mensen die Wons
hebben gemaakt tot wat
het nu is: een prachtig
dorpje vlak bij het
IJsselmeer waar het
prettig toeven is. De
compositie begint met een
statige inleiding, waarin
het dorp zich presenteert
aan de luisteraar. Dan
klinkt een aansprekend
ritmisch thema in een
snel tempo dat de
vrolijkheid,
onbevangenheid en
onbezorgdheid van voor de
oorlog uitstraalt. Dit
gaat over in een melodie
in mineur, die het
naderendeoorlogsgevaar
aankondigt. Dan is er een
grillig thema met stops
waarin het schieten van
de soldaten te horen is.
Dit eindigt in enkele
dissonante clusters die
het tragische dieptepunt
van de oorlog
accentueren. De
daaropvolgende stilte
lost op in een gedragen
middendeel in mineur
waaruit enerzijds
verdriet en anderzijds
troost spreekt. Dan komt
het snelle tempo van het
begin weer terug, ditmaal
in de vorm van een
vreugdemars. De vrijheid
wordt gevierd. Ook het
thema van de vrolijkheid,
onbevangenheid en
onbezorgdheid is weer te
horen. Er volgt nu een
statig martiaal thema,
een eerbetoon aan het
dorp, waarna het werk
wordt afgesloten met
feestelijke klanken.
Auf einem
Gedenkstein im
niederländischen Dorf
Wons ist eine Namensliste
zu Ehren der Gefallenen
im Zweiten Weltkrieg
eingraviert. Auf diese
bezieht sich der Titel
des Werkes, der
wörtlich übersetzt
‘Ehrenliste’
bedeutet. Diese
Komposition wurde jedoch
für alle Menschen
geschrieben, die Wons zu
dem gemacht haben, was es
heute ist: ein schöner
Ort nahe des
IJsselmeeres, in dem es
sich gut leben lässt.
Das Werk beginnt mit
einer feierlichen
Einleitung, in welcher
sich das Dorf dem
Zuhörer
präsentiert. Dann
erklingt ein reizvolles
rhythmisches und
temporeiches Thema, das
die Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit vor dem
Krieg ausstrahlt. Dieses
geht in eine
Moll-Melodieüber,
welche von der nahenden
Kriegsgefahr kündet.
Dann erklingt ein
launenhaftes Thema mit
Unterbrechungen, in dem
das Schießen der
Soldaten zu hören ist.
Dieses endet in einigen
dissonanten Clustern, die
den tragischen Tiefpunkt
des Krieges betonen. Die
darauffolgende Stille
löst sich in einen
ruhigen Mittelteil in
Moll auf, aus dem
einerseits Verdruss und
andererseits Trost
spricht. Dann kehrt das
schnelle Tempo des
Anfangs zurück, dieses
Mal in der Form eines
Freudenmarsches. Die
Freiheit wird gefeiert.
Auch das Thema der
Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit ist wieder
zu hören. Nun folgt
ein feierliches,
martialisches Thema, eine
Ehrerbietung an das Dorf,
bevor das Werk mit
festlichen Klängen
endet.
Roll of Honour Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125214-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125214-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125214-020. Published by
De Haske Publications
(BT.DHP-1125214-020).
9x12 inches.
English-German-French-Dut
ch.
On a war
memorial in the Dutch
village of Wons is
engraved a list of names
to honour the fallen in
World War II. This is the
basis for the name of
this piece. However, this
composition was written
for everyone who has made
Wons what it is today: a
pretty place near to Lake
IJssel with a
comfortable way of life.
The piece begins with a
celebratory introduction
in which the village is
presented to the
listener. There follows a
delightful rhythmic and
high-tempo theme that
reflects the happiness,
innocence and carefree
atmosphere before the
war. Now we hear a moody,
fragmented theme
depicting soldiers
shooting. This is brought
to a close with dissonant
clusters of
sound,intoning the
dreadful tragedy of the
war. The ensuing quiet
gives way to a calm
middle section in a minor
key that portrays both
frustration and
consolation. The fast
tempo of the beginning
returns, this time in the
form of a victory march.
We hear freedom being
celebrated. We hear the
previous happy, innocent
and carefree themes, too.
There follows a festive,
martial theme, a tribute
to the village, before
the piece closes with
sounds of celebration.
Op de gedenksteen
in het Friese dorp Wons
staat een erelijst (roll
of honour) gegraveerd ter
nagedachtenis aan de
gevallenen van de Tweede
Wereldoorlog. De titel
van dit werk verwijst
naar deze lijst. Deze
compositie is echter
tevens geschreven voor
alle mensen die Wons
hebben gemaakt tot wat
het nu is: een prachtig
dorpje vlak bij het
IJsselmeer waar het
prettig toeven is. De
compositie begint met een
statige inleiding, waarin
het dorp zich presenteert
aan de luisteraar. Dan
klinkt een aansprekend
ritmisch thema in een
snel tempo dat de
vrolijkheid,
onbevangenheid en
onbezorgdheid van voor de
oorlog uitstraalt. Dit
gaat over in een melodie
in mineur, die het
naderendeoorlogsgevaar
aankondigt. Dan is er een
grillig thema met stops
waarin het schieten van
de soldaten te horen is.
Dit eindigt in enkele
dissonante clusters die
het tragische dieptepunt
van de oorlog
accentueren. De
daaropvolgende stilte
lost op in een gedragen
middendeel in mineur
waaruit enerzijds
verdriet en anderzijds
troost spreekt. Dan komt
het snelle tempo van het
begin weer terug, ditmaal
in de vorm van een
vreugdemars. De vrijheid
wordt gevierd. Ook het
thema van de vrolijkheid,
onbevangenheid en
onbezorgdheid is weer te
horen. Er volgt nu een
statig martiaal thema,
een eerbetoon aan het
dorp, waarna het werk
wordt afgesloten met
feestelijke klanken.
Auf einem
Gedenkstein im
niederländischen Dorf
Wons ist eine Namensliste
zu Ehren der Gefallenen
im Zweiten Weltkrieg
eingraviert. Auf diese
bezieht sich der Titel
des Werkes, der
wörtlich übersetzt
‘Ehrenliste’
bedeutet. Diese
Komposition wurde jedoch
für alle Menschen
geschrieben, die Wons zu
dem gemacht haben, was es
heute ist: ein schöner
Ort nahe des
IJsselmeeres, in dem es
sich gut leben lässt.
Das Werk beginnt mit
einer feierlichen
Einleitung, in welcher
sich das Dorf dem
Zuhörer
präsentiert. Dann
erklingt ein reizvolles
rhythmisches und
temporeiches Thema, das
die Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit vor dem
Krieg ausstrahlt. Dieses
geht in eine
Moll-Melodieüber,
welche von der nahenden
Kriegsgefahr kündet.
Dann erklingt ein
launenhaftes Thema mit
Unterbrechungen, in dem
das Schießen der
Soldaten zu hören ist.
Dieses endet in einigen
dissonanten Clustern, die
den tragischen Tiefpunkt
des Krieges betonen. Die
darauffolgende Stille
löst sich in einen
ruhigen Mittelteil in
Moll auf, aus dem
einerseits Verdruss und
andererseits Trost
spricht. Dann kehrt das
schnelle Tempo des
Anfangs zurück, dieses
Mal in der Form eines
Freudenmarsches. Die
Freiheit wird gefeiert.
Auch das Thema der
Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit ist wieder
zu hören. Nun folgt
ein feierliches,
martialisches Thema, eine
Ehrerbietung an das Dorf,
bevor das Werk mit
festlichen Klängen
endet.