Composed by Various. Beginning Piano Solo Songbook. TV, Movies, Children. Softcover. 32 pages. Published by Hal Leonard

Composed by Various. Five Finger Piano Songbook. TV, Children. Softcover. 32 pages. Published by Hal Leonard

(Violin Play-Along Volume 45). By Lindsey Stirling. For Violin. Violin Play-Along. Softcover Audio Online. 24 pages. Published by Hal Leonard

(More Movie and TV Songs) For voice and piano duet (student/teacher). Format: easy piano duet songbook (teacher part optional). With piano duet notation, lyrics, fingerings and performance notes. Children's and learn to play. 40 pages. 9x12 inches. Published by Cherry Lane Music.

For voice and piano. Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, big note notation and optional duet part. Children's. 128 pages. 9x12 inches. Published by Cherry Lane Music.

Piano - Entry level

SKU: YM.GTP01097643

Piano Pop+Vocal. Children's Songs. Score. Yamaha Music Media #GTP01097643. Published by Yamaha Music Media (YM.GTP01097643).

ISBN 9784636976434.

20 Children's Songs including Anime Songs from TV & Cinema, Disney & Studio Ghibli.

By Various. E-Z Play Today. Softcover. Big note notation. 880 pages. Published by Hal Leonard

(Full Size Edition). Composed by Various. For Ukulele. Ukulele. Softcover. 688 pages. Published by Hal Leonard

By Various. For Ukulele. Ukulele. Softcover. 688 pages. Published by Hal Leonard

Band Concert Band

SKU: PR.46500013L

For Wind Ensemble. Composed by Dan Welcher. Contemporary. Large Score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013L. Published by Theodore Presser Company (PR.46500013L).

UPC: 680160600151. 11 x 14 inches.

I n 1803, President Thomas Jefferson sent Meriwether Lewis and William Clarks Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies. I have been a student of the Lewis and Clark expedition, which Thomas Jefferson called the Voyage of Discovery, for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes. I have written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesnt try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jeffersons vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III . The music includes several quoted melodies, one of which is familiar to everyone as the ultimate river song, and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzattes fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), Vla bon vent, Soldiers Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune Beech Spring) and Fishers Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jeffersons Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

Band Concert Band

SKU: PR.465000130

For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130).

ISBN 9781598064070. UPC: 680160600144. 9x12 inches.

Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’.
In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,” for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,” and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Spring”) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

Piano Pop. Animation Songs. Score. Yamaha Music Media #GTP01097554. Published by Yamaha Music Media

Eb Edition. By Various. Fake Book. Bebop, Jazz. Softcover. 248 pages. Published by Hal Leonard

C Edition. By Various. Fake Book. Softcover. 248 pages. Published by Hal Leonard (HL.154230).

300 Songs. Composed by Various. Mandolin. Softcover. 456 pages. Published by Hal Leonard

C Instruments. Composed by Various. Fake Book. Pop. Softcover. Published by Hal Leonard

The companion CD for book two of the Piano Gefällt Mir! series, featuring songs compiled and arranged by Hans-Günter Heumann . This CD includes a professionally-recorded demonstration of the full song, as well as a version with the Piano removed for you to play along with. Please note that this is the CD Only. You can purchase the , book here , or the , book and CD here . **Please note: The CD included with this title can only be played through an MP3 compatible program.**

Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For piano. Format: instructional book. With introductory text, instructional text, easy piano notation and fingerings. Learn To Play. Series: Alfred's Basic Piano Library. 96 pages. 9x12 inches. Published by Alfred Publishing.

Choir Secular (2-Part choir)

SKU: AP.48415

Composed by Andy Beck. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 16 pages. Alfred Music #00-48415. Published by Alfred Music (AP.48415).

UPC: 038081552385. English.

Celebratin g the many ways that music touches our lives, the lyrics of this piece were inspired by words from young singers. A spoken section in the middle offers an opportunity for your students to add their own thoughts, or use the provided script. The memorable piano accompaniment provides its own voice while supporting the tuneful lines, and an optional descant brings the final chorus to new heights. Program for Music in Our Schools month, for combined pyramid performances, as an advocacy anthem, or as a concert theme.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

Clarinet Ensemble. Composed by Various. Ensemble de Anime. Japanese Anime; Game; J-POP. Book. Yamaha Music Media #GTW01100420. Published by Yamaha Music Media

Saxophone Ensemble. Composed by Various. Ensemble de Anime. Japanese Anime; Game; J-POP. Book. Yamaha Music Media #GTW01100827. Published by Yamaha Music Media

Piano - Easy

SKU: YM.GTP01097155

Piano Pop & Vocal. Animation Songs. Sheet music. Yamaha Music Media #GTP01097155. Published by Yamaha Music Media (YM.GTP01097155).

ISBN 9784636971552.

30 songs from Japanese anime songs arraged in easy level(2019 version).
30Shou Ri Ben Dong Man Ge Qu ,Chu Ji Nan Du Bian Pei . 2019Nian Ban

1. Kirari Star Twinkle PreCure (Rie Kitagawa); 2. Papepip Romantic(Chiyoshi Yoshitake); 3. Over Quartzer(Shuta Sueyoshi feat.ISSA); 4. Kishi Ryu Sentai Ryusoja(Tomohiro Hatano); 5. Keborn! Yusoja(Sister MAYO); 6. Hitorijanai!(Aine/Mio/Mai ka/Emma from BEST FRIENDS!); 7. Be Star(Hibiki from BEST FRIENDS!); 8. Himitsu no Kagi Kokotama!(Haruka Hoshinokawa/Minami Takahashi) (Ribbon/Inori Minase)(Pillow (Mariya Ise)(Chako/Emiri Iwai); 9. Daijoubu(Girls2); 10. Kerakeraho no Uta(Hiroki); 11. Kimino Boken(Okazaki Taiku); 12. Muscat(Yuzu); 13. Puputto Humutto Kaiketsu Dance (Ise Daiki); 14. Super Powers(V6); 15. Egaono Maho(Yuiko Ohara); 16. Shinkariron( BOYS AND MEN); 17. Little Princess(Sofia); 18. Yumewo Kanaete Doraemon(mao); 19. Bokurano Hoshino Miracle(Daudi Joseph); 20. GeGeGe no Kitaro(Hikawa Kiyoshi); 21. Dancing Pompokorin; 22. Anpanman March(Dreaming); 23. Anpanman Taiso(Dreaming); 24. Thomas & Friends Theme 2(Azumi Inoue); 25. Detective Conan Main Theme(Yuji Ohno); 26. Yuki 100%; 27. Sazae san(Yuko Uno); 28. Kimiwo Nosete(Azumi Inoue); 29. Sanpo(Azumi Inoue); 30. Let It Go - Arino Mamade-(Takako Matsu).