Choral (SSA Choir)

SKU: HL.155851

From Sweet Charity. Composed by Cy Coleman and Dorothy Fields. Arranged by John Leavitt. Broadway Choral. Broadway, Concert, Light Concert, Musicals. Octavo. Duration 120 seconds. Published by Hal Leonard (HL.155851).

UPC: 888680602529. 6.75x10.5x0.029 inches.

It's a choral showstopper! An ideal concert finale, you'll feel the powerful beat and fill the hall with sensational music! From the musical Sweet Charity, don't miss it!

From Sing 2. By Bono. Arranged by Mark A. Brymer. Pop Choral Series. Inspirational, Movies, Pop. Octavo. 12 pages. Duration 175 seconds. Published by Hal Leonard

Composed by Joseph M. Martin. Shawnee Sacred. General Worship. Octavo. 16 pages. Duration 230 seconds. Published by Shawnee Press

From Sing 2. By Bono. Arranged by Mark A. Brymer. Pop Choral Series. Inspirational, Movies, Pop. Octavo. 12 pages. Duration 175 seconds. Published by Hal Leonard

Choral (SAB Choir)

SKU: HL.231602

By Blood Sweat and Tears, Earth Wind and Fire, and The Beatles. Arranged by Kirby Shaw. Jazz Chorals. Pop, Rock, Show Choir, Vocal Jazz. Octavo. Duration 170 seconds. Published by Hal Leonard (HL.231602).

UPC: 888680676315. 6.75x10.5x0.029 inches.

Recorded by the Beatles; Blood, Sweat & Tears; and Earth, Wind & Fire, this creative arrangement is an exciting fusion of jazz, pop and show for a super choral showcase!

Choral (2-Part)

SKU: HL.1720863

Discovery Level 2. Composed by Stephen Schwartz. Arranged by Roger Emerson. Discovery Choral. Broadway, Musicals. Octavo. Duration 140 seconds. Published by Hal Leonard (HL.1720863).

UPC: 196288267911. 6.75x10.5 inches.

This energetic, iconic song from the hit musical, “Wicked,” is fun to sing for any age, especially novice singers. Plentiful unison singing and carefully crafted harmony make it perfect for concerts with Broadway themes.

From Sing 2. By Bono. Arranged by Mark A. Brymer. Pop Choral Series. Inspirational, Movies, Pop. Octavo. Duration 175 seconds. Published by Hal Leonard

Choral (SSA Choir)

SKU: HL.192554

(from Dirty Dancing). Arranged by Mac Huff. Pop Choral Series. Pop. Octavo. 16 pages. Duration 290 seconds. Published by Hal Leonard (HL.192554).

UPC: 888680637095. 6.75x10.5x0.036 inches.

Now available for SSA, this powerful duet by Jennifer Warnes and Bill Medley was #1 in 1987 and won the Oscar the following year for the blockbuster film Dirty Dancing. It remains one of the most performed ballads ever.

By Josef Suk (1874-1935). Arranged by Ton van Grevenbroek. For concert band. Classical; Olympics. Grade 5. Score only. Duration 6 minutes, 43 seconds. Published by Molenaar Edition

Score Only Concert Band (Score) - Level 1.5

SKU: HL.4006903

By Elton John and Tim Rice. Arranged by Michael Gallina and Michael Sweeney. Flex-Band Grade 1. Disney, Movies. Softcover. 12 pages. Duration 405 seconds. Published by Hal Leonard (HL.4006903).

UPC: 840126945560. 9.0x12.0x0.034 inches.

Scored for just 4 parts and flexible instrumentation, here's an easy version of the timeless hit from The Lion King.

Choral (3-Part Mixed choir)

SKU: HL.1720862

Discovery Level 2. Composed by Stephen Schwartz. Arranged by Roger Emerson. Discovery Choral. Broadway, Musicals. Octavo. Duration 140 seconds. Published by Hal Leonard (HL.1720862).

UPC: 196288267904. 6.75x10.5 inches.

This energetic, iconic song from the hit musical, “Wicked,” is fun to sing for any age, especially novice singers. Plentiful unison singing and carefully crafted harmony make it perfect for concerts with Broadway themes.

Choral (SATB)

SKU: HL.1285765

Arranged by Joseph M. Martin. Daybreak Choral Series. Octavo. 16 pages. Duration 280 seconds. Published by Daybreak Music (HL.1285765).

UPC: 196288167488. 6.75x10.5x0.036 inches. Deuteronomy 7:9, Matthew 22:36-40, Philippians 10:15, Philippians 2:9-11.

Take a walk down memory lane with this wholesome medley of classic hymns. Designed to put a smile in the heart, these timeless truths will showcase a message of devotion and commitment to worship and service. A toe-tapping piano accompaniment drives the energy of these early American favorites and gives singers confidence and support.

Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone

SKU: PR.114419980

Composed by Stacy Garrop. Sws. Set of Score and Parts. 32+16+16+16+16+16 pages. Duration 16 minutes. Theodore Presser Company #114-41998. Published by Theodore Presser Company (PR.114419980).

UPC: 680160681723. 9 x 12 inches.

The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

For Bells/Glockenspiel. Composed by Various. Instrumental Folio. Children, Disney, Movies. Softcover. 112 pages. Duration 140 seconds. Published by Hal Leonard

By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pages. Published by Ossian Publications.

Violin and piano - Advanced

SKU: DY.DO-1525

Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525).

ISBN 9782897963057.

J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.

Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.

Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.

Une note sur les performances :
Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :

https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjR
https://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953
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Trans figured Life - Still Life, Op. 165 (violin and piano) - David Braid

I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.

In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.

The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.

A note on performance:
Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:

https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR
https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.

Lyrics/Chords Ukulele

SKU: HL.232108

By The Beatles. Ukulele. Pop. Softcover. Composed 2014. 384 pages. Hal Leonard #NO91894. Published by Hal Leonard (HL.232108).

ISBN 9781783052738. UPC: 888680677329. 4.5x7.5x0.899 inches.

Complete lyrics and chords to 195 Beatles songs, including: Across the Universe • All My Loving • All You Need Is Love • And I Love Her • Back in the U.S.S.R. • The Ballad of John and Yoko • Birthday • Blackbird • A Day in the Life • Day Tripper • Dear Prudence • Drive My Car • Eight Days a Week • Eleanor Rigby • Good Day Sunshine • Got to Get You into My Life • A Hard Day's Night • Help! • Helter Skelter • Here Comes the Sun • Hey Jude • I Saw Her Standing There • I Want to Hold Your Hand • In My Life • Let It Be • The Long and Winding Road • Lucy in the Sky with Diamonds • Penny Lane • Revolution • Something • Ticket to Ride • Twist and Shout • When I'm Sixty-Four • While My Guitar Gently Weeps • Yellow Submarine • Yesterday • and more. 4-1/2 inches x 7-1/2 inches.

Piano/Vocal/Guitar

SKU: HL.256650

Composed by Various. Piano/Vocal/Guitar Songbook. Children, Disney, Movies. Softcover. 288 pages. Published by Hal Leonard (HL.256650).

ISBN 9781540015303. UPC: 888680723699. 9.0x12.0x0.78 inches.

This updated 7th edition coffee table collection is a Disney lover's dream come true! It is a guided tour through the many legendary years of Disney music. The book begins with an extensive musical history of Disney, followed by beautiful piano/vocal arrangements of 70 Disney classics. Printed on deluxe stock with more than 100 stunning full-color illustrations accompanying the text and music, this book is a keepsake to treasure for years to come! Songs include: Bibbidi-Bobbidi-Boo (from Cinderella) * Circle of Life (from The Lion King) * Evermore (from Beauty and the Beast) * How Far I'll Go (from Moana) * I See the Light (from Tangled) * Let It Go (from Frozen) * Under the Sea (from The Little Mermaid) * When You Wish Upon a Star (from Pinocchio) * You've Got a Friend in Me (from Toy Story) * and more.

Piano (Piano Solo)

SKU: HL.49046857

Piano Solo. Composed by Heinz Holliger. Piano Solo. Classical. Softcover. 16 pages. Duration 540 seconds. Schott Music #ED23493. Published by Schott Music (HL.49046857).

ISBN 9781705162309. UPC: 842819115397.

The piano gods of my youth were Dinu Lipatti and Clara Haskil, both mysterious, enchanting. While I only knew Lipatti from his records, I was able to see Clara Haskil live in concert twice, in Burgdorf and in Lucerne. Well, I even begged to get her autograph. er unerringly precise, almost weightless playing has remained my ideal to this day. My piano piece, written for the Concours Clara Haskil, attempts to trace the lines of her lonely, pain-stricken life, marked by relentless self-criticism and selflessness. Die Linien des Lebens sind verschieden [The lines of life are different (Scardanelli/Holderlin)] Lebenslinien (Life Lines) is dedicated to Gyorgy Kurtag on the occasion of his 95th birthday .Heinz Holliger.

Ukulele, Baritone Ukulele, Guitar, Mandolin, Banjo Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele

SKU: HL.295362

For Ukulele, Baritone Ukulele, Guitar, Mandolin, Banjo. By The Beatles. Arranged by Mark Phillips. Strum Together. Pop. Softcover. 146 pages. Published by Hal Leonard (HL.295362).

ISBN 9781540055798. UPC: 888680946548. 9.0x12.0x0.366 inches.

70 songs with lyrics, melody lines, and chord frames for standard ukulele, baritone ukulele, guitar, mandolin, and banjo. Enjoy strumming and singing these Beatles classics with all your buddies! A great resource for beginning stringed instrument players who are ready to experience the fun of making music together! Songs include: All You Need Is Love • Back in the U.S.S.R. • Birthday • Can't Buy Me Love • Come Together • Day Tripper • Drive My Car • Eight Days a Week • Eleanor Rigby • Get Back • Good Day Sunshine • Got to Get You into My Life • A Hard Day's Night • Help! • Here Comes the Sun • Hey Jude • I Saw Her Standing There • I Want to Hold Your Hand • In My Life • Let It Be • The Long and Winding Road • Norwegian Wood (This Bird Has Flown) • Paperback Writer • Revolution • Sgt. Pepper's Lonely Hearts Club Band • She Loves You • Ticket to Ride • Twist and Shout • Yellow Submarine • Yesterday • and more!

For solo marimba. Composed by Thomas R. Marceau. Solos: Marimba and Xylophone. Printed Folio. Tapspace Publications #TSPCS17-006. Published by Tapspace Publications

Composed by Tom Cipullo. One Act/Chamber. 21st Century. Score. Published by E.C. Schirmer Publishing

Piano/Vocal/Guitar. By Dido. This edition: Piano/Vocal/Guitar. Artist/Personality; Personality Book; Piano/Vocal/Chords. Pop Rock and Adult Contemporary. Songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. 55 pages. International Music Company #55-9937A. Published by International Music Company