Party Rock Anthem Fanfare [Conducteur et Parties séparées] - Facile Hal Leonard
By LMFAO. By David Listenbee, Peter Schroeder, Skyler Gordy, and Stefan Gordy. A...(+)
By LMFAO. By David
Listenbee, Peter
Schroeder, Skyler Gordy,
and Stefan Gordy.
Arranged by Paul Murtha
and Will Rapp. For
Marching Band (Score and
Parts). Series One
Marching Band. Grade 2.
Published by Hal Leonard
Party Rock Anthem Fanfare [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By David Listenbee, LMFAO, Peter Schroeder, Skyler Gordy, and Stefan Gordy. Arra...(+)
By David Listenbee,
LMFAO, Peter Schroeder,
Skyler Gordy, and Stefan
Gordy. Arranged by
Michael Brown. Score and
Parts. Contemporary
Marching Band. Grade 3-4.
Published by Hal Leonard
Party Rock Anthem Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Hal Leonard
By LMFAO. By David Listenbee, Peter Schroeder, Skyler Gordy, and Stefan Gordy. A...(+)
By LMFAO. By David
Listenbee, Peter
Schroeder, Skyler Gordy,
and Stefan Gordy.
Arranged by Paul Murtha.
For Concert Band (Score
and Parts). Discovery
Concert Band. Grade 1.5.
Published by Hal Leonard
Party Rock Anthem Ensemble Jazz [Conducteur et Parties séparées] - Facile Hal Leonard
By David Listenbee, Peter Schroeder, Skyler Gordy, and Stefan Gordy. Arranged by...(+)
By David Listenbee, Peter
Schroeder, Skyler Gordy,
and Stefan Gordy.
Arranged by Paul Murtha.
For Jazz Ensemble (Score
and Parts). Easy Jazz
Ensemble Series. Grade 2.
Score and parts.
Published by Hal Leonard
Party Rock Anthem Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
By LMFAO. By David Listenbee, Peter Schroeder, Skyler Gordy, and Stefan Gordy. A...(+)
By LMFAO. By David
Listenbee, Peter
Schroeder, Skyler Gordy,
and Stefan Gordy.
Arranged by Michael
Brown. Score and Parts.
Discovery Plus Concert
Band. Grade 2. Published
by Hal Leonard
(Backing Tracks and Improv Lessons). Composed by Loren Gold. For Keyboard; P...(+)
(Backing Tracks and
Improv
Lessons). Composed by
Loren
Gold. For Keyboard;
Piano.
Book; DVD;
Keyboard/Piano;
Method/Instruction;
Play-
Along. Sitting In Series.
Blues; Swing. Beginner.
80
pages. Published by
Alfred
Music
(B-Flat Tenor Saxophone). By Peter Boonshaft and Chris Bernotas. Concert Band. F...(+)
(B-Flat Tenor Saxophone).
By Peter Boonshaft and
Chris Bernotas. Concert
Band. For B-Flat Tenor
Saxophone. Band Method;
Book; Method/Instruction.
Sound Innovations Series
for Band. 56 pages.
Published by Alfred Music
Publishing
(Conductor's Score). By Peter Boonshaft and Chris Bernotas. Concert Band. For Co...(+)
(Conductor's Score). By
Peter Boonshaft and Chris
Bernotas. Concert Band.
For Conductor's Score.
Band Method;
Method/Instruction;
Score. Sound Innovations
Series for Band. 568
pages. Published by
Alfred Music Publishing
(E-Flat Alto Saxophone 2). By Peter Boonshaft and Chris Bernotas. Concert Band. ...(+)
(E-Flat Alto Saxophone
2). By Peter Boonshaft
and Chris Bernotas.
Concert Band. For E-Flat
Alto Saxophone 2. Band
Method; Book;
Method/Instruction. Sound
Innovations Series for
Band. 56 pages. Published
by Alfred Music
Publishing
Piano - Early Intermediate; Late Elementary SKU: FJ.FJH1415 Composed by J...(+)
Piano - Early
Intermediate; Late
Elementary
SKU:
FJ.FJH1415
Composed
by Judith R. Strickland.
Piano Collection; Piano
Supplemental. Composers
In Focus. Contents
include: Parade; Fife and
Drum; March; Tuba Tune;
Paint the Town Red,
White, and Blue; Holiday
Fanfare; Walking on
Stilts; Riding a Float;
Clowns; Big Brass Band;
Cloud Nine; The Jaunty
Jalopy. Traditional scale
and chord patterns make
these piec. Book. The FJH
Music Company Inc
#98-FJH1415. Published by
The FJH Music Company Inc
(FJ.FJH1415).
ISBN
9781569393529. UPC:
674398213962.
English.
The sights
and sounds of a festive
parade come alive in this
collection: Fife and
Drum, Tuba Tune, Holiday
Fanfare, Walking on
Stilts, Riding a Float,
Clowns and much more.
Traditional scale and
chord patterns make these
pieces easy to learn
(keys of C, F, and G),
and provide a good
supplement to any piano
method.
About FJH
Composers in
Focus
Comp
osers in Focus is a
series of original piano
collections celebrating
the creative artistry of
contemporary composers.
It is through the work of
these composers that the
piano teaching repertoire
is enlarged and
enhanced.
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
SSATTB chorus and piano - Medium SKU: JK.01959 Composed by A.C. Smyth. Ar...(+)
SSATTB chorus and piano -
Medium
SKU:
JK.01959
Composed by
A.C. Smyth. Arranged by
A. Laurence Lyon. Choral
SATB, Difficulty Medium,
Faith, God the Father,
Prayer, Restoration.
Christian, Inspirational.
Jackman Music Corporation
#01959. Published by
Jackman Music Corporation
(JK.01959).
This is a
flowing setting of the
long-loved Joseph Smith's
First Prayer.
Hand-in-hand with the
accompaniment, the choral
parts paint the picture
of that tranquil morning
when Joseph Smith saw the
living God. It is set for
SSATTB and piano or
organ, and will be most
effective when equal
attention is given to
both choir and
accompaniment in
preparation. Arranger:
A. Laurence Lyon Text:
George
Manwaring Music: A.C.
Smyth Difficulty:
Medium
Piano/Vocal/Guitar. Composed by various artists and composers. This edition: Pia...(+)
Piano/Vocal/Guitar.
Composed by various
artists and composers.
This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords;
Worship Resources.
Contemporary Christian;
Sacred. 256 pages.
Published by Alfred Music
Composed by Jacques Offenbach (1819-1880). Arranged by Richard Meyer. Orchestra....(+)
Composed by Jacques
Offenbach (1819-1880).
Arranged by Richard
Meyer. Orchestra.
Masterworks; Part(s);
Score; String Orchestra.
Highland� String
Explorer. Form:
Transcription. Masterwork
Arrangement; Romantic.
Grade 1. 140 pages.
Published by
Highland/Etling
Orchestra SKU: HL.141935 Composed by Yevhen Stankovych. LKM Music. Ballet...(+)
Orchestra
SKU:
HL.141935
Composed by
Yevhen Stankovych. LKM
Music. Ballet, Classical,
Concert. Softcover. 122
pages. Lauren Keiser
Music Publishing
#X077583. Published by
Lauren Keiser Music
Publishing (HL.141935).
ISBN 9781495010873.
UPC: 888680046750.
9.0x14.0x0.535
inches.
Prior to
1991 Ukrainian master
composer Yevhen
Stankovych's works were
regularly censored or
banned by Soviet
authorities. The ballet
“The Agony: Rasputin”
(originally titled
“Prometheus”) was one
such work. This suite
from the ballet
highlights Stankovych's
uniquely pronounced
affinity with the
vernacular, blending folk
motifs with orchestral
colors in multilayered
polyphony. “Rasputin”
was first performed with
its original music and
libretto in 1989 in
Skopje, Macedonia.
(Scores from the Original Parts) Performed by Miles Davis. For alto saxophone, b...(+)
(Scores from the Original
Parts) Performed by Miles
Davis. For alto
saxophone, baritone
saxophone, trumpet, horn,
trombone, tuba, piano,
bass and drum set.
Format: full score
(multiple copies needed
for performance). With
full score notation and
introductory text. Jazz.
Series: Hal Leonard
Transcribed Scores. 168
pages. 9x12 inches.
Published by Hal Leonard.
The Real Christmas Book Play-Along, Vol. N-Y by Various. For Piano/Vocal/Guitar,...(+)
The Real Christmas Book
Play-Along, Vol. N-Y by
Various. For
Piano/Vocal/Guitar, C
Instruments, BC
Instruments, Bb
Instruments, Eb
Instruments. Real Book
Play-Along. CD only. 4
pages. Published by Hal
Leonard