Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Songs and Themes from the Latest Movies and Television Shows (Violin). Arran...(+)
Songs and Themes from the
Latest Movies and
Television
Shows (Violin). Arranged
by
Various. Book; CD; Play-
Along; SmartMusic; String
Series. Alfred's
Instrumental Play-Along.
Movie; Pop; TV. 28 pages.
Published by Alfred Music
Songs and Themes from the Latest Movies and Television Shows (Cello). Arrang...(+)
Songs and Themes from the
Latest Movies and
Television
Shows (Cello). Arranged
by
Various. Book; CD; Play-
Along; SmartMusic; String
Series. Alfred's
Instrumental Play-Along.
Movie; Pop; TV. 28 pages.
Published by Alfred Music
Songs and Themes from the Latest Movies and Television Shows (Viola). Arrang...(+)
Songs and Themes from the
Latest Movies and
Television
Shows (Viola). Arranged
by
Various. Book; CD; Play-
Along; SmartMusic; String
Series. Alfred's
Instrumental Play-Along.
Movie; Pop; TV. 28 pages.
Published by Alfred Music
Monotone of the Rain Chorale SATB SATB, Cordes [Octavo] Santa Barbara Music Publishing
By Robert Sieving. For SATB choir, with violin and piano. Matthew and Michael Cu...(+)
By Robert Sieving. For
SATB choir, with violin
and piano. Matthew and
Michael Culloton Choral
Series. Choral octavo
only. Instrumental
accompaniment/score sold
separately (SBMP-893.1).
Concert, General. Medium.
Octavo. Published by
Santa Barbara Music
Publishing
The Haunted Carousel Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
By Soon Hee Newbold. For orchestra. FJH Developing Strings. Full set (score and ...(+)
By Soon Hee Newbold. For
orchestra. FJH Developing
Strings. Full set (score
and parts). Score only
also available: ST6199S.
Halloween. Grade 2.5.
Score and set of parts.
Composed 2009. Published
by The FJH Music Company
Inc
By Soon Hee Newbold. For orchestra. FJH Developing Strings. Score only. Full set...(+)
By Soon Hee Newbold. For
orchestra. FJH Developing
Strings. Score only. Full
set (score and parts)
also available: ST6199.
Halloween. Grade 2.5.
Score. Composed 2009.
Published by The FJH
Music Company Inc
On Jordan's Stormy Banks I Stand / In the Sweet By and By. Arranged by Patti Dr...(+)
On Jordan's Stormy Banks
I Stand / In the Sweet
By and By. Arranged by
Patti Drennan. For SATB
choir and violin. Choral.
Octavo. Published by
Shawnee Press.
Violin SKU: HL.48024637 Handbook for Teachers and Parents. Compose...(+)
Violin
SKU:
HL.48024637
Handbook for Teachers
and Parents. Composed
by Geza Szilvay. Boosey &
Hawkes Chamber Music.
Classical. Softcover. 303
pages. Fennica Gehrman
#M550112490. Published by
Fennica Gehrman
(HL.48024637).
ISBN
9781540055583. UPC:
888680946166.
Accor
ding to Geza Szilvay, the
Colourstrings (r) method
can make a violin player
of almost anyone with
motivation. The key to
maintaining musical
culture lies with the
teacher. The
Colourstrings (r) is a
teaching method developed
by Geza and Csaba
Szilvay. Themethod is
ideal for preschool
beginners and can be used
effectively in
instrumental teaching
throughout the school
years. It createsan
environment in which
singing, playing games
and instrument live side
by side, for the
happiness of the child.
The Handbook for Teachers
and Parents brings
together the entire
Colourstrings(r) series
for the violin. The
Handbook guides the
teachers and parents
through books A-F and
Yellow Pages I-III,
offering expert advice
and methodological
support to teaching in
Colourstrings(r) method.
The method makes use of
colourful teaching
materials and supports
learning by appealing to
many senses. Founded on
the principles ofZoltan
Kodaly, Colourstrings (r)
develops the capacity for
internal listening so
that the child learns to
visualize the notes heard
and to aurilize the notes
on the page. The method
has been fostered by
ESTA, ASTA, AUSTA, ISME,
NMPU and IKS. The
Colourstrings(r) approach
developed by the Szilvay
brothers has gained an
international reputation
and is now taught all
over the world. A number
of special
Colourstrings(r)
institutions - schools,
centres and societies -
have been established in
several European
countries in order to
implement and further
this child-centred
teaching concept.
By Ola Gjeilo. For Cello, Choral, Viola, Violin 1, Violin 2 (SCORE/PARTS FOR STR...(+)
By Ola Gjeilo. For Cello,
Choral, Viola, Violin 1,
Violin 2 (SCORE/PARTS FOR
STRINGS). Walton Choral.
38 pages. Walton Music
#WW1490A. Published by
Walton Music
Chamber Music for Mixed Ensemble SKU: HL.50485776 (Hommage a Pierre Bo...(+)
Chamber Music for Mixed
Ensemble
SKU:
HL.50485776
(Hommage a Pierre
Boulez) for two clarinets
and five strings.
Composed by Zsolt Serei.
Contemporary Music. EMB.
Contemporary Hungarian
Works. Score. Editio
Musica Budapest #Z14394.
Published by Editio
Musica Budapest
(HL.50485776).
ISBN
9780634091674. UPC:
073999457360. Bach (23 x
30,2 cm) inches. Zsolt
Serei.
The piece
was written in honour of
Pierre Boulez's 75th
birthday. Besides the
title, put together like
a mosaic from three
Pierre Boulez pieces
entitled Dialogue de
l'ombre double,
Structures, and Pli selon
pli, the homage-character
of the piece is also
indicated by the Reihe
used as a base,
originating from the
composition entitled
Structures. The
passage-titles of the
form made up of seven
sections and the
character of the musical
material of the
individual sections all
point to pieces by Boulez
though they do not
contain a single actual
quotation from them. The
piece is a one-movement
chamber concert in which
two emphatically
polyphonous clarinet
parts play a leading role
alongside a string
quintet. During concert
performances, it is an
essential element of the
piece that the musicians
playing the clarinet
parts constantly change
their position. While the
strings remain at the
centre of the stage
throughout, the two
clarinet players,
starting out from the
left and right side of
the stage, finally meet
behind them (in the
fourth section), then
slowly begin to move off
stage, one to the left,
one to the right. (Tunde
Szitha) The performance
material can be hired
under the catalogue
number S-99BMC CD
073Klenyan Csaba, Szabo
Balint, Componensemble,
cond. Serei Zsolt.
Rock Strings Guitare - Facile De Haske Publications
Guitar - early intermediate SKU: BT.DHP-1043559-401 18 rock songs for ...(+)
Guitar - early
intermediate
SKU:
BT.DHP-1043559-401
18 rock songs for
acoustic guitar.
Composed by JNM van den
Langenberg. Educational
Tool. Book Only. Composed
2004. 44 pages. De Haske
Publications #DHP
1043559-401. Published by
De Haske Publications
(BT.DHP-1043559-401).
ISBN 9789043120005.
International.
A
range of styles based on
rock ‘n’
roll are to be found in
this book, from high
school ballads and pop
rock to country rock and
hard rock. Thanks to this
diversity of styles
there’s bound to
be something that
everyone will enjoy -
including those who
can’t read music.
They can start rocking
with the tablature
version, which depicts
the strings in visual
form so would-be rock
stars can see immediately
where to put their
fingers.
Rock
Strings bevat nummers
waarin authentieke
rockmotieven op een
toegankelijke manier zijn
verwerkt - voor de
akoestische gitaar met
nylon of stalen snaren.
De nummers lopen op in
moeilijkheidsgraad en van
elk stuk is steedseen
tabulatuurversie gegeven.
Afwisseling en
stijlzuiverheid zijn de
belangrijkste factoren in
dit boek. Met Rock
Strings kunnen
akoestisch spelende
gitaristen aan de slag
met rockmuziek in diverse
stijlen. De
akkoordsymbolenmaken ook
samenspel met anderen
mogelijk.
Rock
Strings enthält
Stücke, die
authentische Rockstile in
einer leicht
zugänglichen Weise
vorstellen - für
akustische Gitarren mit
Nylonsaiten oder
Stahlsaiten. Die
Stücke sind in
ansteigendem
Schwierigkeitsgrad
geordnet. Daneben gibt es
auch jeweils eine
Tabulatur-Version. Dank
der Akkordsymbole
können die Stücke
auch in Gruppen gespielt
werden. Vielfältigkeit
und Stilreinheit sind die
wichtigsten Aspekte
dieses Buchs. Mit Rock
Strings kann nun
jeder alle Arten von
Rockmusik
spielen!
Rock
Strings propone brani
scritti in autentico
stile rock, presentati in
modo facile ed
accessibile. Adattati
alla chitarra acustica
con corde di nylon e di
metallo, i brani sono
proposti in ordine di
difficolt . Troverete
anche una tavola con gli
accordi. Con Rock
Strings, il rock e gli
stili affini sono alla
portata di tutti i
chitarristi acustici. E
con la tavola degli
accordi potrete suonare
in ensemble.
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for double bass. Series:
New Directions for
Strings. 56 pages.
Published by The FJH
Music Company Inc.
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for viola. Series: New
Directions for Strings.
56 pages. Published by
The FJH Music Company
Inc.
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for violin. Series: New
Directions for Strings.
56 pages. Published by
The FJH Music Company
Inc.
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for cello. Series: New
Directions for Strings.
56 pages. Published by
The FJH Music Company
Inc.
Theresienmesse in B Soli, choeur mixte et accompagnement [Set de Parties séparées] Carus Verlag
(Missa in B). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. F...(+)
(Missa in B). By Franz
Joseph Haydn (1732-1809).
Edited by Wolfgang
Hochstein. For SATB Soli,
SATB Choir, 2 clarinets,
2 Clarino/Trumpet,
Timpani, 2 Violin, Viola,
Basso Continuo,
[Bassoon]. B-Dur (B-flat
major). Stuttgart Urtext
Edition. Score available
separately - see item
CA.4061000. Masses,
Latin. Set of
instrumental parts
(except strings).
Language: Latin. Hob.
XXII:12. 52 pages.
Duration 40 minutes.
Published by Carus Verlag
9th Grade and Higher Edition. By William Bay and Mike Christiansen. For Guitar (...(+)
9th Grade and Higher
Edition. By William Bay
and Mike Christiansen.
For Guitar (All).
Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 8.75x11.75. 136
pages. Published by Mel
Bay Publications, Inc.
by Bret Willmott. For all guitars. Complete. All styles. Level: Intermediate-Adv...(+)
by Bret Willmott. For all
guitars. Complete. All
styles. Level:
Intermediate-Advanced.
Book. Theory and harmony.
Size 8.75x11.75. 248
pages. Published by Mel
Bay Pub., Inc.
By Gerald E. Anderson. Edited by Robert Frost. Orchestra Method/Study. All for S...(+)
By Gerald E. Anderson.
Edited by Robert Frost.
Orchestra Method/Study.
All for Strings Method.
Level: Elementary. Music
Book. Published by Neil
A. Kjos Music Company.
Composed
by Adolphus Hailstork.
Full score. Duration 8
minutes. Theodore Presser
Company #116-40110S.
Published by Theodore
Presser Company
(PR.11640110S).
UPC:
680160682744.
The
Essay for Strings was
written in 1986 in memory
of Glenn Hull, a
colleague and the choir
director at Norfolk State
University during my
early years there. His
sudden passing was a
shock, and I expressed my
sadness in this work. It
was premiered that year
by the NSU orchestra at
their Winter concert. In
w000, after
conductor-composer
Coleridge Taylor
Perkinson gave the work
its second performance in
Chicago (with the
ensemble of the Center
For Black Music
Reasearch), I decided to
add it to my catalog of
orchestra works. The
designation Essay refers
to the fact that the
piece is based on one
idea (like a literary
essay). In this case the
musical idea (or motive)
is made from the initials
of my deceased friend,
Glenn Hull (G and H in
music are represented by
the pitches G and
B-natural). These two
notes are sounded
throughout the work in
tribute to him.