| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wisdom Of The Hand Piano seul Sher Music Company
A Guide to the Jazz Pentatonic Scales. Jazz, Jazz Instruction. Softcover Book....(+)
A Guide to the Jazz
Pentatonic
Scales. Jazz, Jazz
Instruction. Softcover
Book.
219 pages. Sher Music
Company
#9781883217846. Published
by
Sher Music Company
$48.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Easy Christian Fake Book Instruments en Do [Fake Book] Hal Leonard
| | |
| God of Grace and God of Glory Chorale SATB SATB, Piano [Octavo] Hope Publishing Company
Arranged by Joel Raney. (SATB). Scripture References: Matthew 3:2 -- Matthew 4:...(+)
Arranged by Joel Raney.
(SATB). Scripture
References: Matthew 3:2
-- Matthew 4:17 --
Matthew 7:21 -- James
1:5. Celebration,
Commemoration,
Commitment, Dedication,
Discipleship, Guidance,
Hymntune, Kingdom,
Wisdom, Hymntune and
Sacred. Print Music
Single (SATB). 12 pages.
Published by Hope
Publishing Company.
$3.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Lyric Library: Contemporary Christian Paroles Seulement Hal Leonard
Complete Lyrics for 200 Songs. Lyric Library. Size 6x9 inches. 228 pages. Publis...(+)
Complete Lyrics for 200
Songs. Lyric Library.
Size 6x9 inches. 228
pages. Published by Hal
Leonard.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| English Church Music, Volume 1: Anthems and Motets Chorale SATB SATB, Piano [Vocal Score] Oxford University Press
By Robert King. Arranged by John Rutter. For SATB choir with keyboard/unaccompan...(+)
By Robert King. Arranged
by John Rutter. For SATB
choir with
keyboard/unaccompanied/ba
sso continuo. Mixed
Voices. Oxford Choral
Classics Collections.
Sacred, Choral
Collection. Vocal score.
384 pages. Published by
Oxford University Press
$25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Caritas Abundat Carl Fischer
Choral Hand Clap, Hand Drum, Violin, alto 1, alto 2, soprano 1, soprano 2 SKU...(+)
Choral Hand Clap, Hand
Drum, Violin, alto 1,
alto 2, soprano 1,
soprano 2 SKU:
CF.CM9563 Great
and Fiery Force.
Composed by Michael John
Trotta. Hidegard Von
Bingen transcribed by
Michael John Trotta.
Mjts. With Standard
notation. 24 pages.
Duration 4 minutes, 41
seconds. Carl Fischer
Music #CM9563. Published
by Carl Fischer Music
(CF.CM9563). ISBN
9781491153635. UPC:
680160911134. 6.75 x 10.5
inches. Key: G minor.
Latin, English. Hidegard
Von Bingen transcribed by
Michael John
Trotta. Trotta's
composition is an
energetic reimagining of
timeless text and tune
from the 12th century
poet, composer, and
philosopher Hildegard of
Bingen. The marriage of
the chant Caritas Abundat
with a text taken from
Liber Divinorum Operum
(The Book of Divine
Works) creates an
entirely new work that
expresses themes of
empowerment. There is a
reflective sense of the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than
oneself. This
commissioned work for
womens choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
womenas choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
womenas choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
women's choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas
Abundat with a text
taken from Liber
Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
women's choir is an
energetic reimagining of
a timeless text and tune
from the twelfth-century
poet, composer and
philosopher Hildegard of
Bingen. The text was
selected as a reflection
of the students' desire
to express the
empowerment that comes
from singing in a choir,
especially the power of
belonging to a group
united for a purpose
greater than oneself.
This piece marries the
chant Caritas Abundat
with a text taken from
Liber Divinorum Operum
(The Book of Divine
Works), creating an
entirely new work that
expresses themes of
empowerment. An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish. I am
the great and fiery
force, That breathes life
into all things: I am
what awakens and supports
life And enkindles all
living things I am the
great and fiery force,
That breathes life into
all things: Everything in
the cosmos Is encircled
with my wisdom. I am the
beauty in the fields, The
force, that moves like a
graceful wind I shine in
the waters, and burn in
the sun, Glimmering in
the stars. Caritas
abundat in omnia (Grace
abounds for everyone)
[Liber Divinorum Operum
(The Book of Divine
Works), I.I.2]. This
commissioned work for
women’s choir is
an energetic reimagining
of a timeless text and
tune from the
twelfth-century poet,
composer and philosopher
Hildegard of Bingen. The
text was selected as a
reflection of the
students' desire to
express the empowerment
that comes from singing
in a choir, especially
the power of belonging to
a group united for a
purpose greater than
oneself.This piece
marries the chant Caritas
Abundat with a text taken
from Liber Divinorum
Operum (The Book of
Divine Works), creating
an entirely new work that
expresses themes of
empowerment.An adapted
quotation of the tune is
introduced in the violin,
then taken up by the
choir, treated to a
five-part canon in the
more reflective middle
section, and finally
changes meter for an
energetic finish.I am the
great and fiery
force,That breathes life
into all things:I am what
awakens and supports
lifeAnd enkindles all
living thingsI am the
great and fiery
force,That breathes life
into all
things:Everything in the
cosmosIs encircled with
my wisdom.I am the beauty
in the fields,The force,
that moves like a
graceful windI shine in
the waters, and burn in
the sun,Glimmering in the
stars.Caritas abundat in
omnia (Grace abounds for
everyone)[Liber Divinorum
Operum (The Book of
Divine Works),
I.I.2]. $3.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Binding of the Wolf Ensemble de cuivres [Conducteur] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000149-130 Composed by Torstein Aagaard-...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000149-130
Composed by Torstein
Aagaard-Nilsen. Score
Only. 34 pages. Gobelin
Music Publications #GOB
000149-130. Published by
Gobelin Music
Publications
(BT.GOB-000149-130).
This piece was
commissioned by
Nordhordland Brass
Seminar in 1990 and
written for a youth
band.
The title
referes to a story from
norse mythology.
“The Binding of the
Wolf” is not a
programmatic piece of
music, but I felt that
there was a kind of
coherence between the
music and the dramatic
story:
“...The
wolf Fenrir was one of
the demonic offspring of
Loki, and as he grew up
in Asgard among the gods,
he became so huge and
fierce that only Tyr was
willing to feed him. It
was decided that he must
be bound, and Odin in his
wisdom caused the cunning
dwarfs to forge a chain
which could not be
broken. It was made
from the invisible and
yet potent powers ofthe
world, such as the roots
of a mountain, the noise
of a moving cat, the
breath of a fish.
When completed, this
chain seemed to be no
more than a silken cord,
but the wolf refused to
let it be laid upon him
unless one of the gods
would put a hand between
his jaws as a pledge that
it was harmless. Only
Tyr was prepared to do
this, and when the wolf
found that the chain was
unbreakable, the gods
rejoiced, but Tyr lost
his hand. The binding
of the wolf may be seen
as a means of protecting
the world of men, as well
as that of the gods, from
destruction. The
story of the god losing
his hand appears to be
one of the fundamental
myths of nothern
Europe...”. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Binding of the Wolf Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000149-030 Composed by Torstein Aagaard-...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000149-030
Composed by Torstein
Aagaard-Nilsen. Set
(Score & Parts). 58
pages. Gobelin Music
Publications #GOB
000149-030. Published by
Gobelin Music
Publications
(BT.GOB-000149-030).
This piece was
commissioned by
Nordhordland Brass
Seminar in 1990 and
written for a youth
band.
The title
referes to a story from
norse mythology.
“The Binding of the
Wolf” is not a
programmatic piece of
music, but I felt that
there was a kind of
coherence between the
music and the dramatic
story:
“...The
wolf Fenrir was one of
the demonic offspring of
Loki, and as he grew up
in Asgard among the gods,
he became so huge and
fierce that only Tyr was
willing to feed him. It
was decided that he must
be bound, and Odin in his
wisdom caused the cunning
dwarfs to forge a chain
which could not be
broken. It was made
from the invisible and
yet potent powers ofthe
world, such as the roots
of a mountain, the noise
of a moving cat, the
breath of a fish.
When completed, this
chain seemed to be no
more than a silken cord,
but the wolf refused to
let it be laid upon him
unless one of the gods
would put a hand between
his jaws as a pledge that
it was harmless. Only
Tyr was prepared to do
this, and when the wolf
found that the chain was
unbreakable, the gods
rejoiced, but Tyr lost
his hand. The binding
of the wolf may be seen
as a means of protecting
the world of men, as well
as that of the gods, from
destruction. The
story of the god losing
his hand appears to be
one of the fundamental
myths of nothern
Europe...”. $157.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wisdom of the Hand: A Guide to the Jazz Pentatonic Scales Piano seul [Livre] Sher Music Company
Composed by Marius Nordal. For piano. Jazz. Book. 219 pages. Published by Sher M...(+)
Composed by Marius
Nordal. For piano. Jazz.
Book. 219 pages.
Published by Sher Music
Company
$30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymns for Instruments - Viola edition [Hymn Extender] Jackman Music Corporation
By Many. Text: Many. For Hymnal Extender. Hymns; Sacred. Published by Jackman Mu...(+)
By Many. Text: Many. For
Hymnal Extender. Hymns;
Sacred. Published by
Jackman Music
Corporation. Level:
Medium Easy.
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymns for Instruments - Bass Clef Chorale [Hymn Extender] Jackman Music Corporation
By Various. Text: Many. For Hymnal Extender. Hymns; Sacred. Level: Medium Easy. ...(+)
By Various. Text: Many.
For Hymnal Extender.
Hymns; Sacred. Level:
Medium Easy. Published by
Jackman Music
Corporation.
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prelude Chains - Book 3 Piano seul [Partition] Jackman Music Corporation
By Various. Arranged by Brent Jorgensen. For Piano Book. Level: Varied. Publishe...(+)
By Various. Arranged by
Brent Jorgensen. For
Piano Book. Level:
Varied. Published by
Jackman Music
Corporation.
$13.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God of Grace and God of Glory CD Chorale Hope Publishing Company
Choir SKU: HP.C5537C Arranged by Joel Raney. Piano with Optional B-Flat I...(+)
Choir SKU:
HP.C5537C Arranged by
Joel Raney. Piano with
Optional B-Flat
Instrument, Handbells,
Organ, Percussion,
Timpani, Trumpet,
Windchimes. Hope's Recent
Best Sellers Series.
Hymntune, Celebration,
Commemoration,
Dedication, General
Worship, Commitment,
Discipleship, Guidance,
Kingdom, Wisdom, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C5537C.
Published by Hope
Publishing Company
(HP.C5537C). UPC:
763628955373. Matthew
3:2, Matthew 4:17,
Matthew 7:21, James 1:5,
1 Chronicles 22:13, 1
Chronicles 28:20, 2
Chronicles 32:7, Acts
4:13, Acts 4:29,
Deuteronomy 31:6-7,
Deuteronomy 31:23,
Ephesians 2:8-9, Esther
4:14, Hebrews 3:6, James
1:5,
Joshua. Classic
hymn Joel Raney pairs
the text of this profound
hymn with his own
original melody and
additional words to
capture the power and
glory of God's grace. The
essential elements of
this stately anthem call
for SATB choir and piano
accompaniment, but the
addition of organ,
handbells, 3 trumpets and
percussion makes this an
ideal selection for any
festive service of
praise. The appearance of
the hymn tune, CWM
RHONDDA, pulls everything
together along with the
deeply felt refrain:
Grant us hearts and hands
for service, Lord. On
your people pour your
holy power! The
Instrumental Parts
contain a Conductor's
Score and parts for
Organ, 3-5 octave
Handbells, 3 Trumpets in
B-flat, and Percussion
(Timpani, Suspended
Cymbal & Windchimes). $29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Contemporary Christian Book Guitare [Partition] - Facile Hal Leonard
By Various. Easy Guitar (Simplified arrangements for guitar). Softcover. 210 pag...(+)
By Various. Easy Guitar
(Simplified arrangements
for guitar). Softcover.
210 pages. Published by
Hal Leonard.
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
Page suivante 1 31 |