Par COLERIDGE-TAYLOR SAMUEL. Danse Nègre, from the African Suite by Samuel Coleridge-Taylor, arranged for flute choir by Paige Dashner Long. Coleridge spent his childhood in Croydon, Surrey, England, where he studied violin with his grandfather and also sang in the church choir. At 15, he was accepted to the Royal College of Music, where during his second year, he changed his major from violin to composition. At the age of 20, he met the African-American poet Paul Laurence Dunbar, who encouraged him to focus on his African heritage. As a result, Coleridge composed his African Suite for piano in 1898, each of the four movements depicting different African experiences. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par DASHNER LONG PAIGE. Bach to the Fluture for Flute Choir by Paige Dashner Long. In three movements: Sebastian Sheep, Big Eoin Kisses the Blarney Stone, and Johnny B. Bach. Can also be performed with a low flute choir, substituting Alto Flute for each of the C Flute parts using the parts provided. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par BUTTERWORTH HELEN. This is an anthology of tried and tested, fun enrichment repertoire for group classes, concerts, institutes, and workshops. The ensembles are designed for use in either a reading-based or Suzuki context. Players of different skill levels can combine for performances as many pieces contain graded parts and work well in different combinations. The CD includes performance and piano backing tracks. Includes reproducible flute parts. / Ensemble Music / Recueil / Flûte Traversière

Par BRUZZESE ANGELO. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par GERMAN EDWARD. Three Dances from Henry VIII for Flute Choir, by Edward German, arranged for flute choir by Paige Dashner Long. Edward German composed Three Dances from Henry VIII as incidental music to be performed during Henry Irving?s version of Henry VIII at the Lyceum Theater in London. These are very British and great fun! Each dance can stand on its own or the three dances can be performed together. German incorporates three different types of olde English dances: Morris Dance; Shepherds? Dance; Torch Dance. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

La partition Das Klingt so herrlich ( 1 piccolo,4 flûtes,1 alto, 1 basse ) de Seys E. a été composée pour Flûte Traversière et plus particulièrement pour Ensemble De Flûtes. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Fertile Plaine. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Ensemble De Flûtes / Partition

La Musique d'Ensemble... ou La meilleure façon de communiquer avec et par son instrument Le vif intérêt porté à la musique d'ensemble ne se dément pas au fil du temps car sa pratique permet d'apprendre avec les autres, par les autres, dans un temps de plaisir partagé au service de la musique. La Musique d'ensemble participe au développement de qualités humaines. Elle construit la force d'un groupe dont les participants deviennent des 'compagnons d'art' et met en jeu: - la motivation, aiguisée par la naissance d'affinités qui évoluent en réelles amitiés, - la tolérance et le respect des vitesses d'apprentissage et de compréhension de chacun, - l'entraide, la socialisation et l'adaptation, - la responsabilité et la recherche de la confiance des partenaires: c'est un honneur d'assurer sa partie au mieux, afin de ne pas compromettre le tout, - le vécu d'expériences communes enrichissantes et variées à plusieurs: répétitions puis restitution devant un public par le biais des concerts, des spectacles. La Musique d'ensemble développe des qualités sensorielles et artistiques: - l'écoute attentive conduit à prendre du recul avec ce que l'on joue pour mieux s'entendre parmi les autres - et avec les autres. Une écoute 'pointilleuse' entraîne de réels et appréciables progrès instrumentaux: jouer en place: effort structurant au niveau de la précision (par exemple pulsation intérieure commune dans un tempo stable ou un rubato...), jouer plus juste: effort de correction dans lequel chacun doit faire une partie du chemin vers l'autre, ressentir les mêmes intentions musicales de style, de phrasé, de timbre, de qualité du son - soit se fondre pour accompagner, soit au contraire, s'opposer et se détacher. - En plus de ce travail complet de l'oreille, les yeux ne sont pas en reste. En effet, le regard doit circuler entre les musiciens et / ou le chef d'orchestre - 'l'oeil écoute', lui aussi. L'indépendance et les coordinations du schéma corporel se trouvent donc très sollicitées et améliorées puisque le geste musical nécessite le souffle, la langue, la bouche, l'oreille, le buste, les jambes, les pieds... et bien sûr, l'esprit et le coeur. L'ensemble de ce travail permet d'acquérir des réflexes d'adaptabilité aux autres, de communication et de communion avec les autres, au-delà même d'un objectif musical. Les raisons du choix de ce répertoire Toutes ces pièces sont en correspondance étroite avec l'enchaînement des acquisitions se trouvant dans le Volume 2 (réf.: VV 076) de la méthode La Flûte traversière. C'est un complément de répertoire à suivre en parallèle de la méthode, tout comme le sont les deux volumes de Tout en Do, se référant au Volume 1. Isabelle Ory / Divers / 3 x 24 pages / niveau : 3 / Partition

Par DVORAK ANTONIN. Antonin Dvorak?s symphonic poem Vodnik (The Water Goblin) was inspired by a poem penned by 19th century Czech poet Karel Jaromir Erben and consists of seven themes, representing characters in the poem. This flute choir arrangement by Linda Kirkpatrick includes four of the themes, opening with the theme of the title character, the water goblin, and closing with the theme representing the misery of the underworld. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giuseppe Verdi, premiered in February 1887. As was customary at the time, a short ballet sequence was composed for the opera, to be inserted into Act III, just prior to the entrace of Lodovico, ambassador to the Venetian Republic. When Verdi sent the original manuscript to his publisher Ricordi, he included this detailed description of the scenario: 'Looking at the splendid, colonnaded scene of the Third Act, I decided to make the music go as follows: At the very beginning, to the sound of horns, a group of Turkish slave-girls dance with reluctance and ill-humor because of the very fact they are slaves. Then, hearing the strains of the Arab Song, they grow livelier and at the end dance quite wildly... At the Invocation to Allah, they all fall to the ground... Just then a group of beautiful Greek girls appears among the columns, and four measures later another similar group; at the thirteenth measure these two groups join in a quiet, aristocratic, classical dance. The next motif is that of La Muranese, which heralds the appearance of a 'group' (!) of Venetians... Eight measures later, another group of Venetians enters and at the eighteenth measure (fortissimo) these two groups meet and dance at the front of the stage. After the fortissimo there is a passage of very light music in F-sharp, which should be danced by couples. This motif is repeated, louder, and then all the Venetians dance together. The 6/8 motif reappears, and here I should like to see another group of Venetians come forward. The War Song should be danced by men alone. At the recurrence of the first motif, all the Venetians dance again, then at the più mosso, Venetians, Turks, Greeks, and the rest all dance together... Amen.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par MENDELSSOHN-BARTHOLDY FELIX. Some of Felix Mendelssohn's earliest compositions include a set of 12 string symphonies which he composed between the ages of 12 and 14. Coming from a wealthy family, a private orchestra often premiered his works at chamber concerts held in his home. The Sinfonia No. 4, arranged for flute orchestra by Shaul Ben-Meir, is originally in the key of C minor but has been transposed up a whole step for this arrangement. In three movements: Grave-Allegro, Andante, and Allegro vivace. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par . Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 6 includes: Stella coeli extirpavit (Anonymous), Si el Amor se quedare dormido (Juan de Araujo), Tota pulchra (Anonymous), Pastoreta Ychepe Flauta (Anonymous), Sonata Chiquitana XVIII (Anonymous), Aqui ta naqui: Ut reque and Chapie, Iyai Jesu Christo: Venu, sponsa, dulcis amor (Anonymous), and Sonata IX (Ignazio Balbi). / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par . This album contains 12 pieces arranged for six C flutes by Cathi Marro: The Cloud-cap't Towers, Nun liebe Seel, nun ist es Zeit, Maria wallt zum Heiligtum, Frisch auf, ihr Menschenkinder, Quodlibet, If Beauty be a Treasure, Un tempo sospirava, Der Heilig Geist vom Himmel kam, Es springen und singen, Io morirò d'Amore, Ich klag den Tag und alle Stund, and Viva la Musica. / Date parution : 2022-11-29/ Recueil / Ensemble de Flûtes

Arrangeur: Gudrun Hinze. Par BRANDTS-BUYS JAN. Originally composed for flute and string quartet, the Quintett in D Major, Op. 21 is a work by Dutch composer Jan Brandts-Buys. Each movement, bearing a quotation from the Biblical Christmas story at the top, quickly leads us out of the colorful, vividly painted initial feeling of the respective 'motto” and into an agitated reworking of the motive. It has been adapted by Gudrun Hinze for three C Flutes, Alto Flute and Bass Flute. Originally composed for flute and string quartet, the Quintett in D Major, Op. 21 is a work by Dutch composer Jan Brandts-Buys. Each movement, bearing a quotation from the Biblical Christmas story at the top, quickly leads us out of the colorful, vividly painted initial feeling of the respective 'motto” and into an agitated reworking of the motive. It has been adapted by Gudrun Hinze for three C Flutes, Alto Flute and Bass Flute./ Répertoire / 5 Flûtes Traversières

Score + Parties. Par PROUST PASCAL. Le terme de capriccio désigne des compositions qui ne sont pas strictement liées à des conventions « classiques » et suivent leur propre inspiration. Le compositeur Pascal Proust se joue ici avec humour des attentes habituelles de l'auditeur : tantôt il confronte le lent groove swing du piano au rythme de barcarole des vents, tantôt il écrit une musique à la croisée du tango et du rock pur. Une pièce de concert efficace et variée pour quatre musiciens ambitieux ! / Niveau : Moyen à Difficile / Répertoire / 3 Flûtes Traversières et Piano

Par MAGALIF EUGENE. Ave Maria for Flute Choir by Eugene Magalif. From the composer: 'The creation of a new Ave Maria requires a certain amount of courage from composers. There are many versions of Ave Maria in the world and it is very risky to compete with Schubert, Bach or Caccini (Vavilov). I did not begin to compose another aria, but composed a polyphonic version, in which the intertwining voices, harmony, unusual rhythm changes and a wide palette of shades play the main role. My Ave Maria turned out to be very unusual, but if you follow my instructions of tempo, dynamic shades, perform it very gently and without forcing the sound, then the piece will show its beauty.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes