For Guitar. This newly engraved, authoritative printed music score features the ...(+)
For Guitar. This newly
engraved, authoritative
printed music score
features the solo guitar
part plus orchestral
reduction for ease of
learning and study,
historical notes and
performance suggestions,
printed on high-quality,
acid-free ivory paper.
Also includes a compact
disc containing a
complete version with
soloist, in digitally
recorded stereo; then a
digital stereo version of
the orchestral
accompaniment, minus the
soloist; and a second
compact disc containing
the complete version of
the concerto, followed by
a -20% slow-tempo version
of the accompaniments for
practice purposes.
Published by Music Minus
One.
Guitar and Orchestra SKU: IS.GOR14017AEM Composed by Karl Kohaut. Arrange...(+)
Guitar and Orchestra
SKU:
IS.GOR14017AEM
Composed by Karl Kohaut.
Arranged by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14017AEM.
Published by Metropolis
Music Publishers
(IS.GOR14017AEM).
ISBN
9790365000630.
Karl
Kohaut (1726 - 1784) was
an Austrian lutenist and
composer of Czech
descent, considered to be
one of the last important
composers of music for
Baroque lute. Although
also a violinist active
in the Viennese music
scene, he was most
well-known as a lutenist.
He composed a total of
seven lute concertos
during his lifetime,
including this Concerto
in F Major, No. 2 (not to
be confused with his
Concerto in F Major, No.
1, which is considered
the most popular) in
three movements: Allegro
moderato, Andante molto,
and Tempo di Minuetto.
This edition includes the
full orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14022AEM Composed by Karl Kohaut. Arrange...(+)
Guitar and Orchestra
SKU:
IS.GOR14022AEM
Composed by Karl Kohaut.
Arranged by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14022AEM.
Published by Metropolis
Music Publishers
(IS.GOR14022AEM).
ISBN
9790365003464.
Karl
Kohaut (1726 - 1784) was
an Austrian lutenist and
composer of Czech
descent, considered to be
one of the last important
composers of music for
Baroque lute. Although
also a violinist active
in the Viennese music
scene, he was most
well-known as a lutenist.
He composed a total of
seven lute concertos
during his lifetime. This
Concerto in D Major is in
three movements: Allegro,
Andante molto, and Tempo
di Minuetto. This edition
includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14018AEM Composed by Karl Kohaut. Arrange...(+)
Guitar and Orchestra
SKU:
IS.GOR14018AEM
Composed by Karl Kohaut.
Arranged by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14018AEM.
Published by Metropolis
Music Publishers
(IS.GOR14018AEM).
ISBN
9790365000593.
Karl
Kohaut (1726 - 1784) was
an Austrian lutenist and
composer of Czech
descent, considered to be
one of the last important
composers of music for
Baroque lute. Although
also a violinist active
in the Viennese music
scene, he was most
well-known as a lutenist.
He composed a total of
seven lute concertos
during his lifetime. This
Concerto in B-flat Major
is in three movements:
Allegretto, Largo, and
Tempo di Minuetto. This
edition includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14011AEM Composed by Antonio Vivaldi. Arr...(+)
Guitar and Orchestra
SKU:
IS.GOR14011AEM
Composed by Antonio
Vivaldi. Arranged by
Victor Van Puijenbroeck.
Plucked - Guitar.
Metropolis Music
Publishers #GOR14011AEM.
Published by Metropolis
Music Publishers
(IS.GOR14011AEM).
ISBN
9790365000753.
Ital
ian composer Antonio
Vivaldi (1678 - 1741) is
considered one of the
most prolific composers
in all of classical
music. During his
lifetime, he composed
more than 500 concertos,
of which approximately
350 of them were for
violin. Four works by
Vivaldi were known to
have been composed for
solo lute, including this
Concerto in D Major,
F.XII n.15 in three
movements: Allegro
giusto, Largo, and
Allegro. This edition
includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14008AEM Composed by Johann Ludwig Krebs....(+)
Guitar and Orchestra
SKU:
IS.GOR14008AEM
Composed by Johann Ludwig
Krebs. Arranged by Victor
Van Puijenbroeck. Plucked
- Guitar. Metropolis
Music Publishers
#GOR14008AEM. Published
by Metropolis Music
Publishers
(IS.GOR14008AEM).
ISBN
9790365000654.
Germ
an Baroque composer
Johann Ludwig Krebs (1713
- 1780) was born in
Buttelstedt and was sent
to Leipzig to study with
Johann Sebastian Bach.
Considered one of Bach's
finest students, many
compositions of Krebs
have been erroneously
attributed to Bach. Krebs
composed two concertos
for lute and orchestra,
including this Concerto
in F Major in three
movements: Allegro,
Larghetto, and Allegro
assai. This edition
includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Additionally, the solo
parts feature two
versions/interpretations.
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Viola,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14015AEM Composed by Johann Friedrich Fas...(+)
Guitar and Orchestra
SKU:
IS.GOR14015AEM
Composed by Johann
Friedrich Fasch. Arranged
by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14015AEM.
Published by Metropolis
Music Publishers
(IS.GOR14015AEM).
ISBN
9790365001545.
Joha
nn Friedrich Fasch (1688
- 1758) was a prolific
composer who composed a
variety of cantatas,
concertos, symphonies and
other chamber music.
Although none of the
music was published
during his lifetime, much
of his instrumental music
was later published and
is still frequently
performed today. The only
known composition of his
for lute is this Concerto
in D Minor in three
movements: Allegro
moderato, Andante, and Un
poco allegro. This
edition includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Viola,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14009AEM Composed by Karl Kohaut. Arrange...(+)
Guitar and Orchestra
SKU:
IS.GOR14009AEM
Composed by Karl Kohaut.
Arranged by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14009AEM.
Published by Metropolis
Music Publishers
(IS.GOR14009AEM).
ISBN
9790365000616.
Karl
Kohaut (1726 - 1784) was
an Austrian lutenist and
composer of Czech
descent, considered to be
one of the last important
composers of music for
Baroque lute. Although
also a violinist active
in the Viennese music
scene, he was most
well-known as a lutenist.
Composing a total of
seven lute concertos
during his lifetime, this
Concerto in F Major, No.
1 is the most popular. It
is in three movements:
Allegro, Adagio, and
Tempo di Minuetto. This
edition includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: HL.14028042 Composed by Poul Ruders. Music Sale...(+)
Guitar and Orchestra
SKU: HL.14028042
Composed by Poul Ruders.
Music Sales America.
Classical. Score.
Composed 2002. 87 pages.
Edition Wilhelm Hansen
#WH30481. Published by
Edition Wilhelm Hansen
(HL.14028042).
ISBN
9788759810668.
Rude
rs writes: There's a
solid tradition in the
history of Western music
of turning the theme of
Nicolo Paganini's 24th
Caprice for soloviolin
into a set of variations
endemic to the time and
style of each individual
composer; Liszt, Brahms,
Rachmaninov and
Lutoslawsky being the
most prominent names.
When asked by David
Starobin to write a
concerto for him, I
though well, why not have
a go at it? - bearing in
mind, that not only is
Paganini the most
celebrated violin-wizard
of all times, but he was
also a more than
accomplished guitarist.
There are 22 variations
in all, numbers 1 to 16
all adhering strictly to
the 16-bar pattern, laid
down by Paganini himself.
From variation 17 though,
the writing becomes more
symphonic and the rigid
16-bar regime is being
lossendes up a bit.
However, the last
variation 'Finale
Prestisimo' is a 6 x 16
bars white-knuckle ride,
in which the hitherto
soloistic role of the
guitar gives way to that
of 'primus interpares',
i.e. 'first among
equals'. As with another
set of variations of mine
'Concerto on Pieces'
(based on a tune by
Purcell), the nature and
shape of the
'Pagannini-Variations'
may be compared to a
stroll through a hall of
mirrors: the portrait -
the theme is gradually
being distorted out of
all recognition - but
it's still the same
original walking by.
Guitar and Orchestra SKU: IS.GOR14019AEM Composed by Johann Pfeiffer. Arr...(+)
Guitar and Orchestra
SKU:
IS.GOR14019AEM
Composed by Johann
Pfeiffer. Arranged by
Victor Van Puijenbroeck.
Plucked - Guitar.
Metropolis Music
Publishers #GOR14019AEM.
Published by Metropolis
Music Publishers
(IS.GOR14019AEM).
ISBN
9790365000289.
Germ
an composer and violinist
Johann Pfeiffer (1697 -
1761) was born in
Nuremberg and made a
career as concertmaster
in various orchestras
throughout southern
Germany. Much of his life
was spent in Bayreuth,
working for the court of
Wilhelmine of Prussia,
Margravine of Bayreuth,
teaching her composition
and violin. During his
lifetime, he composed a
variety of orchestra and
chamber music, including
this Concerto in B-flat
Major in three movements:
Allegro ma non troppo,
Andante, and Allegretto.
This edition includes the
full orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Viola,
Cembalo/Cello/Contrabass.
Guitar and Orchestra SKU: IS.GOR14016AEM Composed by Adam Falckenhagen. A...(+)
Guitar and Orchestra
SKU:
IS.GOR14016AEM
Composed by Adam
Falckenhagen. Arranged by
Victor Van Puijenbroeck.
Plucked - Guitar.
Metropolis Music
Publishers #GOR14016AEM.
Published by Metropolis
Music Publishers
(IS.GOR14016AEM).
ISBN
9790365000258.
Adam
Falckenhagen (1697 -
1754) was a German
lutenist and composer of
the late Baroque period,
travelling from court to
court throughout his
life, eventually settling
in Bayreuth. It was there
that he won the favour of
Wilhelmine of Prussia,
Margravine of Bayreuth, a
lutenist herself, and the
sister of Frederick the
Great. He composed a
variety of music for
lute, including this
Concerto in F Major in
three movements: Allegro,
Andante, and Vivace. This
edition includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Viola,
Cembalo/Cello/Contrabass.
Guitar and orchestra SKU: BO.B.3105 Composed by Jordi Cervello. Plucked I...(+)
Guitar and orchestra
SKU: BO.B.3105
Composed by Jordi
Cervello. Plucked
Instruments. Duration
21:00. Published by
Editorial de Musica
Boileau (BO.B.3105).
ISBN
9788480202350.
Engl
ish comments: With
reference to the melody
used to write the
Fanstasia-Concerto, the
composer Jordi Cervello
says: A few years ago, a
friend of mine, Jorge
Wagensberg sang me a
beautiful old Jewish
melody inspired by the
hymn Leja Dodi (Come, my
beloved) by the Sefardie
cabbalist Solomon Alkabez
(1505-1576), who is
buried in Israel. I was
immediately entranced by
its two extensive
thematic ideas which
complement each other
perfectly. Its melodic
and folk qualities seemed
to me to make it an ideal
theme for a work for
guitar and orchestra. The
orchestration is a fine
thread of metallic
timbres, which are
present both in the very
delicate subtleties of
the pianissimi passages
and the brilliant tutti.
Moreover, the cler tonal
definition of the melody
contrasts with audacious
harmonic contrapunctual
textures, characteristic
of the most advanced
musical styles of our
times. The solo guitar
part is a model piece of
compositon for the
guitar, both for its
melody and harmony. It
puts forward extremely
original formulas which
are very effective from
an instrumental point of
view. Its abundant use of
arpeggios, chords,
harmonic pedals and other
instrumental resources
ensure that the dialogue
with the orchestra is
based completely on
guitar-playing
techniques, putting the
guitarist's expressive
skill and mastery to the
test. This work was first
performed on December 3
1997 in Sabadell's La
Farandula Theatre
performed by the Valles
Symphonic Orchestra
conducted by its
permanent conductor
Salvador Brotons. The
guitar solo part was
played by Jaume Torrent,
to whom the work is
dedicated.
Comen
tarios del
Espanol: En relacion
al origen de la melodia
utilizada en este
Concierto-Fantasia, el
compositor Jordi Cervello
comenta: Hace ya algunos
anos, mi amigo Jorge
Wagensberg me canto una
antigua y deliciosa
melodia judia compuesta
sobre el himno Leja Dodi
(Ven mi bien amada) del
cabalista sefardi Solomon
Alkabez (1505-1576), cuya
tumba se encuentra en
Israel. En seguida me
cautivo por las dos
amplias ideas tematicas
que contiene, las cuales
se complementan muy
armoniosamente. Por sus
caracteristicas melodicas
y por su caracter popular
me parecio un tema ideal
para una obra de guitarra
y orquesta. La
orquestacion de este
concierto es una
filigrana de sugerencias
timbricas, presentes
tanto en las mas
delicadas sutilezas de
los pianissimi como en
los efusivos tutti.
Asimismo, la clara
definicion tonal de la
melodia contrasta con
audaces texturas
armonicas y
contrapuntisticas propias
de la estetica musical de
nuestros dias. La parte
del instrumento solista
en un modelo de escritura
guitarristica, tanto
desde el punto de vista
melodico como del
armonico y propone
formulas que resultan de
una gran originalidad y
eficacia instrumental. La
prodigalidad de arpegios,
acordes, pedales
armonicos y otros
recursos instrumentales,
garantizan un dialogo con
la orquesta desde un
lenguaje plenamente
guitarristico, a traves
del cual, el interprete
pone a prueba tanto su
capacidad expresiva como
la vituosistica. El
estreno de esta obra tuvo
lugar el dia 3 de octubre
de 1997 en el Teatro La
Farandula de Sabadell,
interpretada por la
Orquesta Sinfonica del
Valles bajo la direccion
de su director titular
Salvador Brotons, y
actuando como solista el
guitarrista Jaume Torrent
a quien esta dedicada la
obra.
Concerto No. 1 in D. (Full Score). By Mario Castelnuovo Tedesco (1895-1968). For...(+)
Concerto No. 1 in D.
(Full Score). By Mario
Castelnuovo Tedesco
(1895-1968). For Guitar,
Orchestra (Score).
Schott. Score. 44 pages.
Schott Music #ED153.
Published by Schott Music
Concerto Guitare, Orchestre [Conducteur] Libreria Musicale Italiana
Guitar and Orchestra SKU: BT.GZ-00587300 Para Guitarra Y Orquesta....(+)
Guitar and Orchestra
SKU:
BT.GZ-00587300
Para Guitarra Y
Orquesta. Composed by
Antonio Lauro. Solo &
Concerto. Score Only.
Composed 2004. Libreria
Musicale G. Zanibon #GZ
00587300. Published by
Libreria Musicale G.
Zanibon (BT.GZ-00587300).
Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published ...(+)
Guitar and orchestra
SKU: BO.B.3610
Composed by Jaume
Torrent. Published by
Editorial de Musica
Boileau (BO.B.3610).
The concerto
establishes a dialogue
which alternates
constantly between the
guitar and the symphony
orchestra, with the two
sound worlds being
maintained in perfect
balance while also
exploring the unique
possibilities presented
by each: the guitar
develops a surprising
array of resources which
enhance its expressive
capacity to the utmost,
while the orchestra
envelops it in an
extensive range of
textures which at times
give rise to subtle
tones, and at others, all
the tonal vigour of the
tutti.
The
language I employ is
intended as a means of
achieving an efficient
symbiosis between
modernity and tradition,
continuing in the line of
my previous works as a
composer. It contains no
references to popular
music and at all times
veers away from the
expectations created by
the language of folklore
exploited in concertos of
this kind by the majority
of recognised composers.
In Concerto de Rialp,
modernity is reflected
through a search for
unique expressive forms,
experimentation with new
means of thematic
development and a unique
presentation of formal
solutions, all the while,
however, respecting
expressiveness and
lyricism as the
foundations of
communicating with the
audience.
The
concerto also explores
the guitar's new
technical resources.
Thanks to specific work
on left hand extensions,
mechanical formulas have
been developed which
allow certain scales to
be played at
unprecedented speeds. In
the cadenza of the first
movement, the guitar
develops the main theme
in the form of an
instrumental motif that
has never been used
before in guitar scores,
producing a polyphonic
effect of new
dimensions.
I have
worked to exploit the
distinctive sound
differences existing
between the guitar and
the orchestra -both from
the dynamic and the tonal
points of view- in order
to really develop the
dramatic effect that
their being brought
together affords. In the
second movement -calmo
assai- this dramatic
quality is expressed in a
way that is particularly
powerful by means of a
tension never before
achieved in a concerto
for guitar and
orchestra.