Orchestra SKU: PE.EP11114B Concert Edition. Composed by Earle Brow...(+)
Orchestra
SKU:
PE.EP11114B
Concert Edition.
Composed by Earle Brown.
Chamber Orchestra. Peters
Contemporary Library.
20th Century. Score and
Part(s). 112 pages.
Edition Peters
#98-EP11114B. Published
by Edition Peters
(PE.EP11114B).
ISBN
9790014123192.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Orchestra SKU: PE.EP14096 Composed by DanÃel Bjarnason. Full Score. Pe...(+)
Orchestra
SKU:
PE.EP14096
Composed
by DanÃel Bjarnason.
Full Score. Peters
Contemporary Library.
Living Composer. Score.
48 pages. Edition Peters
#98-EP14096. Published by
Edition Peters
(PE.EP14096).
ISBN
9790014122768.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Orchestra SKU: PE.EP71041 For Orchestra. Composed by James Dillon....(+)
Orchestra
SKU:
PE.EP71041
For
Orchestra. Composed
by James Dillon. Score.
Peters Contemporary
Library. Living Composer.
Score. 76 pages. Edition
Peters #98-EP71041.
Published by Edition
Peters (PE.EP71041).
ISBN
9790577009483.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Orchestra SKU: PE.EP72293A Composed by James Dillon. Score. Peters Contem...(+)
Orchestra
SKU:
PE.EP72293A
Composed
by James Dillon. Score.
Peters Contemporary
Library. Living Composer.
Score. 94 pages. Edition
Peters #98-EP72293A.
Published by Edition
Peters (PE.EP72293A).
ISBN
9790577003856.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
About Peters
Contemporary
Library
Ma
rk Andre Milton
Babbitt Daniel
Bjarnason Earle
Brown John
Cage Henry
Cowell James
Dillon Jonathan
Dove Brian
Ferneyhough Roxanna
Panufnik Rebecca
Saunders Erkki-Sven
Tuur Charles
Wuorinen
These
are just a few of the
composers whose most
adventurous scores are
now available to purchase
through the Peters
Contemporary Library. A
new global initiative of
the Edition Peters Group,
the Peters Contemporary
Library is a project
designed to put these
bold 20th- and
21st-century works, once
available only for
rental, into the
collections of libraries,
performers, scholars, and
conductors alike.
Kicked off in 2016,
the Peters Contemporary
Library already contains
many cutting-edge works
and is constantly
expanding. We are proud
to offer these bold new
scores for sale, for the
first time ever, to
modern musicians and
students of music all
around the world.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra (Soprano) SKU: PE.EP72932 For Soprano and Chamber Orchestra<...(+)
Orchestra (Soprano)
SKU: PE.EP72932
For Soprano and
Chamber Orchestra.
Composed by Sally
Beamish. Chamber
Orchestra. Peters
Contemporary Library.
Contemporary. Score. 56
pages. Edition Peters
#98-EP72932. Published by
Edition Peters
(PE.EP72932).
ISBN
9790577017945.
F
lodden by Sally Beamish
is a 28-minute work for
soprano and chamber
orchestra with texts by
R.S. Craig, Jean Elliot
and J.B. Selkirk, with
two interludes in
between. It was written
in 2013 for the 500th
anniversary of the
tragedy at Flodden Field,
a battle which led to
casualties and losses of
historic proportions.
Sally Beamish decided to
set the texts and to
write for soprano to
express the grief of
those left behind --
particularly the women
and children. The
orchestration throughout
the work is spare and
angular; characterized by
stark exposed solo lines,
nervy ornamentation, and
blurred string
textures.
Flodden
was commissioned by the
Scottish Chamber
Orchestra, supported with
funds from the PRS for
Music Foundation, RVW
Trust, Cruden Foundation
and Hope Scott Trust. It
was first performed in
September 2013 at
Hamilton Town House by
the Scottish Chamber
Orchestra, conducted by
Joseph Swensen, with
soprano soloist Shuna
Scott Sendall, and was
shortlisted for both a
Royal Philharmonic
Society and a British
Composer Award.
The
full score (EP 72932) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
Orchestra SKU: LO.30-2894L Composed by Phill McHugh. Arranged by Greg Nel...(+)
Orchestra
SKU:
LO.30-2894L
Composed
by Phill McHugh. Arranged
by Greg Nelson. Choral.
Sacred Anthem, General,
Holy Week, Lent,
Palm/Palm-Passion Sunday.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/2894L. Published by
Lorenz Publishing Company
(LO.30-2894L).
UPC:
000308132915.
This
contemporary Christian
classic, made popular in
the 1980s by singer Steve
Green, receives a
brilliant setting by This
contemporary Christian
classic, made popular in
the 1980s by singer Steve
Green, receives a
brilliant setting by Mary
McDonald. We are reminded
by the lyrics that the
love shown by Christ on
the cross still reaches
out to those in need
today. Orchestration by
Michael Lawrence for 2
Fl, Ob, 2 Cl, Bsn, 2 Hn,
3 Tpt, 2 Tbn, Tuba, Harp,
Pno, Perc, Timp, 2 Vln,
Vla, Cello, Bass.
Orchestra String Orchestra SKU: PE.EP14581 For String Orchestra. C...(+)
Orchestra String
Orchestra
SKU:
PE.EP14581
For
String Orchestra.
Composed by Clara
Iannotta. String
Orchestra. Peters
Contemporary Library.
Classical; Contemporary.
Book. 36 pages. Edition
Peters #98-EP14581.
Published by Edition
Peters (PE.EP14581).
ISBN
9790014137175.
<
em>Memory jolts. Flashes
of pink in the
brain. by Clara
Iannotta is a 17-minute
work for string
orchestra. Written for
the non bthvn project of
the Cologne Philharmonic,
the work reflects
Beethoven's hearing loss
and the unbearable
condition when his ears
began to buzz and roar.
The title describes the
memory jolts that take
place in the inner
ear.
Memory
jolts. Flashes of pink in
the brain. was
premiered by Ensemble
Resonanz on 31 October
2021 at the Philharmonic
Hall Cologne.
The
full score (EP 14581) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
Orchestra (Score) SKU: HL.50600624 For Orchestra (Score only). By ...(+)
Orchestra (Score)
SKU:
HL.50600624
For
Orchestra (Score
only). By Gyorgy
Kurtag. By Gyorgy Kurtag.
Contemporary Music. EMB.
Contemporary Hungarian
Works. Softcover.
Composed 2016. 16 pages.
Duration 7'30''. Editio
Musica Budapest #Z14966.
Published by Editio
Musica Budapest
(HL.50600624).
ISBN
9790080149669.
9.0x12.0x0.075 inches.
Gyorgy
Kurtag.
Kurtag-s
newest orchestral work
was commissioned by the
Lucerne Festival on the
occasion of Pierre
Boulez-s 90th birthday.
It was first performed on
23 August 2015 by the
Lucerne Festival Academy
Orchestra under the
direction of Matthias
.
By Donald Martino. For Orchestra. This edition: Full Score. Contemporary Classic...(+)
By Donald Martino. For
Orchestra. This edition:
Full Score. Contemporary
Classical. Contemporary
Classical. Level:
Conservatory. Sheet
Music. Published by
Dantalian, Inc.
Chamber Symphony Orchestre [Conducteur et Parties séparées] Peters
Composed by Sebastian Fagerlund. Orchestra; Single Titles. Peters Contempora...(+)
Composed by Sebastian
Fagerlund. Orchestra;
Single
Titles. Peters
Contemporary
Library. Form: Symphony.
Classical; Contemporary.
Score. 100 pages. Edition
Peters #98-EP14583.
Published
by Edition Peters
By Louise Farrenc (1804-1875). Edited by Heitmann. Contemporary Large Ensemble/O...(+)
By Louise Farrenc
(1804-1875). Edited by
Heitmann. Contemporary
Large Ensemble/Orchestra.
For [2.2.2.2-2.0.0.1],
Timpani, Strings.
Contemporary. Conductor's
score. Composed 1847.
Published by
Heinrichshofen Verlag
For 2
Natural Trumpets,
Percussion (2 players)
and String Orchestra.
Composed by Bernhard
Gander. Chamber
Orchestra. Form: March.
Contemporary; Funeral.
Score. 24 pages. Edition
Peters #98-EP14361.
Published by Edition
Peters (PE.EP14361).
ISBN 9790014133177.
German.
Maximal
Funeral by Bernhard
Gander is a 13-minute
work for two natural
trumpets, percussion (two
players) and string
orchestra. The piece is a
long funeral march and
was inspired by the fact
that years before his
death Emperor Maximilian
always took a coffin with
him on his travels to be
prepared for
it.
Maximal Funeral
was made possible by the
Hilde Zach Scholarship
2017 by the City of
Innsbruck. The premiere
performance by the
Tiroler Kammerorchester
InnStrumenti conducted by
Gerhard Sammer took place
on 9 March 2019 at the
Canisianum, Innsbruck
(Austria).
The full
score (EP 14361) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
By Jack Curtis Dubowsky. For Chamber Orchestra (2221/2211/timpani/percus sion/st...(+)
By Jack Curtis Dubowsky.
For Chamber Orchestra
(2221/2211/timpani/percus
sion/strings/orator).
Orchestra. Contemporary.
Full score. Composed
2008. Duration 30:00.
Published by De Stijl
Music . full score.
contemporary.
Orchestra (Study Score) SKU: HL.49044525 Opera in One Act - Study Scor...(+)
Orchestra (Study Score)
SKU: HL.49044525
Opera in One Act -
Study Score. Composed
by Huw Watkins. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Wenn wir den
Ausgangspunkt von Thomas
Hardy Geschichte
betrachten, fuhlen wir
uns in die Gegenwart, zu
einem heutigen Blick auf
die Novelle
transportiert. Diese
Sicht verdeutlicht,
welche Macht der
menschliche Geist uber
die Handlungen einer
Person hat. E. Classical,
Contemporary, Opera.
Softcover. Composed
2011-2012. 156 pages.
Duration 45'. Schott
Music #ED13780. Published
by Schott Music
(HL.49044525).
ISBN
9790220135569. UPC:
888680080495.
8.25x11.75x0.388 inches.
English.
Taking
Thomas Hardy's short
story as its starting
point, we are transported
to the present for a
contemporary take on the
novella which explores
the power the mind can
have over that person's
actions. A closed door
sparks an obsession so
strong that the
boundaries between
reality and fantasy begin
to blur.Ella and her
high-finance husband
Stephen rent a room in a
holiday home on the
coast, owned by Susan.
Ella discovers that a
locked room in the house
is rented by a poet - Ben
Pascoe - whose work holds
a deep fascination for
her. The room is held for
Pascoe, though he visits
rarely.Ella's obsession
with Pascoe grows in
parallel with the
progress of Stephen's
biggest City deal. She
begins by imagining the
poet's voice as she reads
his work, but this
quickly grows to
fantasised encounters
with Pascoe in his locked
room. Stephen returns
from the City and makes
love to Ella, but it is
not him she wishes for.
We see the real Pascoe
only once, with Susan.As
Stephen's financial
dreams are realised and
Ella's fantasy consumes
her, she learns of
Pascoe's death. Despite
her changed
circumstances, Ella
chooses to stay in her
new world.
Chamber Ensemble Chamber Orchestra SKU: PE.EP73669 For Ensemble. C...(+)
Chamber Ensemble Chamber
Orchestra
SKU:
PE.EP73669
For
Ensemble. Composed by
Emily Howard. Performance
Music Ensemble; Single
Titles. Book. 56 pages.
Edition Peters
#98-EP73669. Published by
Edition Peters
(PE.EP73669).
ISBN
9790577023298.
Dual
ities by Emily Howard is
a contemporary work for
an ensemble of 14
players. The work is an
expression of the
fascination with the
juxtaposition of extremes
and explores
relationships between
emotion and reason,
constructivism and
spontaneity, complexity
and simplicity. The
resultant musical
structure is an
accumulation of
transitions between
contrasting soundworlds.
Dualities was
commissioned by Ensemble
10/10, the Contemporary
Music Group of the Royal
Liverpool Philharmonic
who gave the first
performance on 5 October
2005 at the Eleanor
Rathbone Theatre,
University of Liverpool.
This product is printed
on demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
For Orchestra. Composed by Gloria Coates. Full Orchestra; Performance Music ...(+)
For Orchestra. Composed
by
Gloria Coates. Full
Orchestra;
Performance Music
Ensemble;
Single Titles. Peters
Contemporary Library.
Contemporary. Score. 68
pages.
Edition Peters
#98-EP14590.
Published by Edition
Peters
By Jack Curtis Dubowsky. For Chamber Orchestra (2221/2211/timpani/percus sion/st...(+)
By Jack Curtis Dubowsky.
For Chamber Orchestra
(2221/2211/timpani/percus
sion/strings/orator).
Orchestra. Contemporary.
Set of parts. Composed
2008. Duration 30:00.
Published by De Stijl
Music . Set of Parts.
contemporary.
Orchestra (Full Score) SKU: HL.14048342 Full Score. Composed by Ke...(+)
Orchestra (Full Score)
SKU: HL.14048342
Full Score.
Composed by Kevin Volans.
Music Sales America.
Classical. Softcover.
Composed 2016. 180 pages.
Chester Music #CH85624.
Published by Chester
Music (HL.14048342).
12.0x14.25 inches.
English.
Kevin
Volans' Piano Concerto
No. 4 was commissioned by
Birmingham Contemporary
Music Group, with
financial assistance from
Arts for All and many
individuals through
BCMG's Sound Investment
Scheme. The world premier
took place on 11th
November 2016, performed
by Barry Douglas (Piano)
with Birmingham
Contemporary Music Group,
conducted by Geoffrey
Paterson. Spiral
bound.
Orchestra SKU: HL.50499087 Pour Grand Orchestre - Partitura. Compo...(+)
Orchestra
SKU:
HL.50499087
Pour
Grand Orchestre -
Partitura. Composed
by Malec I. MGB.
Contemporary Music. Score
Only. Composed 2008.
Ricordi #NR138028.
Published by Ricordi
(HL.50499087).
Orchestra SKU: HL.50499085 Pour Grand Orchestre - Partitura. Compo...(+)
Orchestra
SKU:
HL.50499085
Pour
Grand Orchestre -
Partitura. Composed
by Malec I. MGB.
Contemporary Music. Score
Only. Composed 2008.
Ricordi #NR136760.
Published by Ricordi
(HL.50499085).
Orchestra SKU: LM.28043 Composed by Bruno Mantovani. Classical: 20th Cent...(+)
Orchestra
SKU:
LM.28043
Composed by
Bruno Mantovani.
Classical: 20th Century
(Contemporary). Score.
101 pages. Editions Henry
Lemoine #28043. Published
by Editions Henry Lemoine
(LM.28043).