Orchestra Piano Solo: 2.2.2.2: Saxes(AAT, opt): 4.3.3.0: Bells: Str (9-8-7-6-5 in set)

SKU: AP.36-A604290

Composed by Leroy Anderson. Arranged by Walter Damrosch. Full Orchestra. Edwin F. Kalmus. Score and Part(s). LudwigMasters Publications #36-A604290. Published by LudwigMasters Publications (AP.36-A604290).

UPC: 654690665539. English.

First published and recorded in 1954 (only included at the time on the album "A Leroy Anderson Pops' Concert"), this lovely piano instrumental was released as a UK single in 1957 and hit the charts in early summer.  Decca then issued the track on 45 in the U.S. which enjoyed a moderate success.  Anderson later recorded stereo version of Forgotten Dreams in 1959. The composition features a haunting, romantic melody and its performance is within the reach of most late-intermediate pianists. Written in D major, it contains expressive tempo variations, an animated B section, and arpeggiated chords which require a bit of stretching. Instrumentation: Piano Solo: 2.2.2.2: Saxes(AAT, opt): 4.3.3.0: Bells: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

By Elliot A. Del Borgo. Edited by George Megaw. Arranged by Elliot A. Del Borgo. Orchestra (Full orchestra). 282 pages. Published by Alfred Publishing.

Composed by Camille Saint-Saens (1835-1921), arranged by Merle J. Isaac, edited by George Megaw. Full score for full orchestra. With full score notation. 44 pages. Published by Alfred Publishing.

Composed by Camille Saint-Saens (1835-1921), arranged by Merle J. Isaac, edited by George Megaw. Full score and set of performance parts for full orchestra. Medium. With full score notation and standard notation. 176 pages. Published by Alfred Publishing.

Composed by Richard Wagner (1813-1883). Edited by Ulrich Konrad. This edition: facsimile. Half-leather binding. Documenta musicologica II/56 / Barenreiter Facsimile. Facsimile. Baerenreiter Verlag #BVK02418. Published by Baerenreiter Verlag

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5559-07

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Study Score. 208 pages. Duration 44'. Breitkopf and Haertel #PB 5559-07. Published by Breitkopf and Haertel (BR.PB-5559-07).

ISBN 9790004213698. 6.5 x 9 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str)

SKU: BR.PB-5558

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Tchaikovsky's Hamburg Symphony in the Urtext

Symphony; Romantic. Full score. 212 pages. Duration 44'. Breitkopf and Haertel #PB 5558. Published by Breitkopf and Haertel (BR.PB-5558).

ISBN 9790004213681. 10 x 12.5 inches.

Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.

Tch aikovsky's Hamburg Symphony in the Urtext.

(Featuring According to Plan, Remains of the Day and The Wedding Song) Composed by Danny Elfman, arranged by Douglas E. Wagner. Conductor's score and set of performance parts for string or full orchestra (2 - flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - bass clarinet, 2 - bassoon, 4 - horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 3 - trombone, 1 - tuba, 2 - mallet percussion, 3 - percuss

Concert Suite from Dances with Wolves by John Barry. Arranged by Steven L. Rosenhaus. For Orchestra. HL Full Orchestra. Published by Hal Leonard

Orchestra - intermediate

SKU: HL.49001811

Full Score. Composed by Georg Philipp Telemann. Edited by Guenter Kehr. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. TWV 55:C6. 46 pages. Duration 23'. Schott Music #CON 154. Published by Schott Music (HL.49001811).

ISBN 9790001024136. UPC: 073999276060. 9.0x12.0x0.129 inches.

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'harlequinade' often appearing in Telemann's overture suites obtains its attraction not least from syncopes and from a permanent change of tone colour. The 'Espagniol' whose title prom-ises a bit of urbanity turns out to be a saraband, the 'Bourree en Trompette' justifies its name by the tone repetitions typical of trumpet music.In the context of the whole, the 'Sommeille', a harmonically unusual movement in C minor, is almost a piece across the border. Even in this gently rocking piece, Telemann is not at a loss for unobtrusive wit when he lets the upper parts die down shortly before the end, only a single bass tone represents the last chord.

Orchestra

SKU: SU.94010400

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400).

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

Arranged by Sandra Dackow. Conductor's score and set of performance parts for string orchestra (8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treble clef), 5 - viola, 5 - cello, 5 - string bass, 1 - piano accompaniment). Series: Orchestra Expressions Series. Published by Alfred Publishing.

Orchestra

SKU: BA.BA08891

Composed by Jean-Philippe Rameau. Edited by Sylvie Bouissou and Érik Kocevar. This edition: urtext edition. Paperback. Symphonies from Daphnis et Eglé RCT 34 / Les Sibarites RCT 57. Score, anthology. Composed 1753. Baerenreiter Verlag #BA08891_00. Published by Baerenreiter Verlag (BA.BA08891).

ISBN 9790006564149. 33 x 24 cm inches. Preface: Sylvie Bouissou.

Christoph Willibald Gluck's opera in four acts about the Curse of the House of Atreus is based on a tragedy by the classical Greek dramatist Euripides. The mythological plot about the siblings Iphigenia and Orestes is characterized by hatred, ritual sacrifice, and murder and was especially popular during the 18th century. The premiere of Gluck's opera in 1779 was immensely successful.

Barenr eiter now presents a carefully edited and corrected piano reduction that was newly set to meet Barenreiter's current quality standards. An informative preface (Ger/En/Fr) supplements the edition, which also includes all appendices of the score volume the edition is based on, as contained in the Gluck Complete Edition (GGA).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Guitar; Orchestra (Study Score)

SKU: HL.14003155

Study Score. Composed by Simon Bainbridge. Music Sales America. Classical. Softcover. 64 pages. Music Sales #NOV090657. Published by Music Sales (HL.14003155).

ISBN 9780711989207. 9.75x13.75x0.19 inches.

Study Score. Simon Bainbridge's Guitar Concerto received its premiere on 15th November 1998 at the CBSO Centre in Birmingham, the soloist David Starobin with the Birmingham Contemporary Music Group. Orchestral material (full score and parts) is available on hire. Duration 15 minutes.

Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score and Parts. Composed by Johan De Meij. Amstel Music. Concert. Softcover. Duration 2580 seconds. Amstel Music #AM200- 010. Published by Amstel Music

Eulenburg Audio Score Series, Vol. 83 Study Score/CD Pack. Composed by Edvard Grieg (1843-1907). Edited by John Horton and Richard Clarke. Eulenberg Audio plus Score. Softcover with CD. 76 pages. Eulenburg Edition #EAS183. Published by Eulenburg Edition (HL.49019782).

(study score). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Ralf Wehner. For orchestra. Breitkopf Full Scores. Parts, Urtext. 92 pages

Composed by Hugh Martin and Ralph Blane. Arranged by Bob Cerulli. Full Orchestra; Performance Music Ensemble; Single Titles. Pop Intermediate String/Full Orchestra. Christmas; Secular; Winter. Part(s); Score. 96 pages. Duration 2:21. Alfred Music #00-T1720HB7. Published by Alfred Music

Version of 1851 - Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Symphony. Orchester-Bibliothek (Orchestral Library). The 5 study scores of the symphonies (incl. early version of the 4 th symphony) in slipcase are temporarily out of print. The single editions are, however, still available. Romantic. Double bass part. Breitkopf and Haertel #OB 5264-27. Published by Breitkopf and Haertel (BR.OB-5264-27). 0.48

Orchestra (3(picc).2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc - hp - str)

SKU: BR.PB-5394

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The Russian musicologist Polina Vajdman has consulted all relevant sources.

Romantic period. Full score. 120 pages. Duration 15'. Breitkopf and Haertel #PB 5394. Published by Breitkopf and Haertel (BR.PB-5394).

ISBN 9790004211304. 10 x 12.5 inches.

The present edition is based on all relevant sources. The preface sketches the work's genesis from the moment of its conception in Rome in late December 1879 (Yesterday, out in the streets, I heard a wonderful folksong that I will most certainly make use of.) to the first reviews, in which Tchaikovsky was accused of triviality and of having made an extremely unfortunate choice of themes. Yet this did nothing to hamper the worldwide success of the work, and Tchaikovsky's composer colleagues also culled ideas from it: a few years later, Tchaikovsky himself was the dedicatee of Nikolay Rimsky-Korsakov's Capriccio espagnol.Mit seinen Urtext-Studienpartituren setzt Breitkopf nicht nur auf eine bewahrte Tradition, sondern blickt offenbar auch guten Mutes in die Zukunft. (Michael Kube, Schweizer Musikzeitung)Mit bemerkenswerter Konsequenz wird die Neuherausgabe von Studienpartituren fortgesetzt. Fast unnotig, zu erwahnen, dass die uberdurchschnittliche Seitenaufteilung, der vorbildlich klarer Druck das Studium auch eines so bekannten Werkes zu einer genussreichen Freude machen. (Das Liebhaberorchester)
The Russian musicologist Polina Vajdman has consulted all relevant sources.

Orchestra

SKU: SU.29130170

For Orchestra. Composed by Christopher Fulkerson. Orchestra. Study Score. Subito Music Corporation #29130170. Published by Subito Music Corporation (SU.29130170).

Concerto for Orchestra After LovecraftOrchestra [2(2) 2 eb,2,1 2(1); 4321; 2perc, 2hp, pno, man, cel; stgs Duration: 14' Composed: 1985/2013 Published by: Christopher Fulkerson Performance materials available on rental:.

Composed by John Williams. For flute I,II, piccolo (flute III), oboe I,II, Bb clarinet I,II, Bb bass clarinet, bassoon I,II, F horn, Bb trumpet I-III, trombone I,II, bass trombone, tuba, timpani, percussion I,II, harp, piano/celeste, violin I,II, viola, cello and contrabass. From the motion picture "Star Wars". Format: full score (spiral bound). Movies. Series: Hal Leonard John Williams Signature Edition. 131 pages. 10.5x14 inches. Published by Hal Leonard.

(study score). By Robert Schumann. Edited by Joachim Draheim. Breitkopf Full Scores. Parts, Urtext. 172 pages

Orchestra - Grade 2-3

SKU: AP.49070S

Composed by Bob Daisley, Ozzy Osbourne, and Randy Rhoads. Arranged by Mark Wood. Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Pop/Rock; Rock. Score. Duration 5:30. Alfred Music #00-49070S. Published by Alfred Music (AP.49070S).

ISBN 9781470647933. UPC: 038081567150. English.

This multi-level piece includes a full set of parts for grade 2 as well as a full set for grade 3 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles!

Crazy Train was co-written by one of Mark Wood's main influences and favorite guitar players, Randy Rhoads, a neo-classical rock guitar player. When Wood discovered him, Rhoads was fully entrenched in the standard rock/blues style, yet had wonderful control of the flourish and esthetic of classical music in his playing. The influence was perfect for Mark Wood, who was an up-and-coming rock violinist at the time. For string orchestra with optional rock rhythm section parts. (5:30)

Download Play-Along Track

Orchestra - Grade 2-3

SKU: AP.49070

Composed by Bob Daisley, Ozzy Osbourne, and Randy Rhoads. Arranged by Mark Wood. Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Pop; Pop/Rock; Radio; Rock. Score and Part(s). Duration 5:30. Alfred Music #00-49070. Published by Alfred Music (AP.49070).

ISBN 9781470647926. UPC: 038081567143. English.

This multi-level piece includes a full set of parts for grade 2 as well as a full set for grade 3 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles!

Crazy Train was co-written by one of Mark Wood's main influences and favorite guitar players, Randy Rhoads, a neo-classical rock guitar player. When Wood discovered him, Rhoads was fully entrenched in the standard rock/blues style, yet had wonderful control of the flourish and esthetic of classical music in his playing. The influence was perfect for Mark Wood, who was an up-and-coming rock violinist at the time. For string orchestra with optional rock rhythm section parts. (5:30)

Download Play-Along Track

Orchestra

SKU: BT.PL3273

Composed by Andre Telman. Set (Score & Parts). Pierre Lafitan Editions #PL3273. Published by Pierre Lafitan Editions (BT.PL3273).