Fatto per la notte di Natale. Composed by Arcangelo Corelli (1653-1713). ...(+)
Fatto per la notte di
Natale. Composed by
Arcangelo Corelli
(1653-1713). Arranged by
Todd Parrish.
Masterworks; Score;
SmartMusic; String
Orchestra.
Highland/Etling String
Orchestra. Form:
Concerto. Baroque;
Christmas; Masterwork
Arrangement; Sacred;
Winter. 20 pages.
Published by
Highland/Etling
(AP.44844S).
Concerto for Three Orchestre à Cordes [Conducteur et Parties séparées] Hal Leonard
(Mvt. 1 of Concerto Grosso, Op.3, No.3). By Antonio Vivaldi. Arranged by Lloyd C...(+)
(Mvt. 1 of Concerto
Grosso, Op.3, No.3). By
Antonio Vivaldi. Arranged
by Lloyd Conley. (Score
and Parts). Music for
String Orchestra.
Published by Hal Leonard.
(from Concerto for Two Violins and Piano). By Johann Sebastian Bach. Arranged by...(+)
(from Concerto for Two
Violins and Piano). By
Johann Sebastian Bach.
Arranged by Larry Moore.
(Score and Parts). Music
for String Orchestra.
Published by Hal Leonard.
String Orchestra SKU: BT.PWM4901 Composed by Grazyna Bacewicz. Classical....(+)
String Orchestra
SKU:
BT.PWM4901
Composed
by Grazyna Bacewicz.
Classical. Score Only.
Composed 2000. 68 pages.
Polskie Wydawnictwo
Muzyczne #PWM4901.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM4901).
Concerto for
String Orchestra - the
magnum opus of Grayna
Bacewicz (1909-1969), the
outstanding composer and
violinist - was composed
in 1948 and at once
became one of the most
frequently performed
works of this Polish
artist. This
masterpieceof
neoclassicism fascinates
as much by its invention
and virtuosic briliance
as its harmonious
combination of formal
elements of a traditional
nature with new tonal
ideas. The form of the
three-movement Concerto
oscillates between that
of the baroqueconcerto
grosso and the early
classical sonata cycle.
The neoclassical tendency
is evident, above all, in
the articulation of the
musical structure in
keeping with the rigours
of periodicity and the
manner of developing
thematic threads derived
fromthem, while the
concertato character of
particular movements and
the generally linear
texture indicate baroque
connections. The first
movement (Allegro) - in
the form of an early
classical sonata allegro
- begins with a subject
with
energeticfigurations,
emblematic for the whole
piece and based on a
constant, pendulum-like
semiquaver movement
anchored securely on D.
It is precisely because
of the nature of this
subject that Bacewiczs
work has been compared to
the Brandenburg
Concertosby Jan Sebastian
Bach The second movement
(Andante), while
retaining its concertato
charakter, is, at the
same time, an example of
the composers ability to
create emotionally serene
lyrical moods, and her
sense of cantilena
derived from the spiritof
romantic song (a
motto-subject presented
at the beginning by cello
solo). In this movement
it is both the process of
evolution and the
instrumental colouring
which constitute the
constructional agents
forming here a
self-containedvalue. In
thethird movement (Vivo)
the composer returns to
her favourite type of
music, understood as an
expression of pure motion
in the form of figural
motives with infinite
transformational
possibilities. The
spontaneity of the music,
the constant mutabilityof
the tonal situations, and
the sophisticated,
acerbic harmonies - as
Witold Lutosawski
described them - form a
colourful mosaic built in
the structural skeleton
of a sonata rondo.
Concerto for String
Orchestra is not only
proof of thestylizing
tendency of the composer
but also of an unerring
intuition concerning the
technical and expressive
possibilities inherent in
a string instruments
ensemble. [Magorzata
Gsiorowska, translated by
Ewa Cholewka].
(For String Orchestra or String Quartet). Edited by Paul Paradise. For String Ba...(+)
(For String Orchestra or
String Quartet). Edited
by Paul Paradise. For
String Bass. String
Orchestra Collection. The
Best of.. Level:
Medium-Advanced. Book. 24
pages. Published by
Alfred Publishing.
Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score SKU...(+)
Orchestra Str (4 Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score
SKU:
AP.36-A793402
Arranged by Unico Wilhelm
Van wassenaer and
ed./arr. by Fritz Rikko.
String Orchestra. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A793402.
Published by
LudwigMasters
Publications
(AP.36-A793402).
UPC:
659359748073.
English.
The six
CONCERTI ARMONICI was
long thought to be the
work of the
violinist-impresario
Carlo Ricciotti or
composer Giovanni
Battista Pergolesi, but
more recent research has
revealed the composer to
be Unico Wilhelm van
Wassenauer (1692-1766).
Born into a wealthy Dutch
family, the diplomat and
composer founded a
Collegium musicum in The
Hague under the oversight
of Ricciotti. Composed
between 1725 and 1740,
the six concertos have
been falsely attributed
to a variety of
contemporaries, Ricciotti
and Pergolesi amongst
them, since its anonymous
publication. Wassenauer's
aristocratic background
was the reason for his
secretiveness. The
sentiment of the time
ordained that musicians
belong to the lower
classes. This edition of
CONCERTINO No. 2 (also
CONCERTO ARMONICO in G
Major, CONCERTO IV, or
just CONCERTINO in G),
drawing from the CONCERTO
ARMONICO in G Major, IUW
3, was edited by 20th
century Baroque expert
Fritz Rikko. Rikko
spuriously attributes the
work to Pergolesi.
Despite Wassenauer's
authorship having since
been confirmed, Rikko's
original editorial notes
have been retained.
Instrumentation: Str (4
Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score SKU...(+)
Orchestra Str (4 Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score
SKU:
AP.36-A793401
Arranged by Unico Wilhelm
Van wassenaer and
ed./arr. by Fritz Rikko.
String Orchestra. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A793401.
Published by
LudwigMasters
Publications
(AP.36-A793401).
ISBN
9798892704922. UPC:
659359746130.
English.
The six
CONCERTI ARMONICI was
long thought to be the
work of the
violinist-impresario
Carlo Ricciotti or
composer Giovanni
Battista Pergolesi, but
more recent research has
revealed the composer to
be Unico Wilhelm van
Wassenauer (1692-1766).
Born into a wealthy Dutch
family, the diplomat and
composer founded a
Collegium musicum in The
Hague under the oversight
of Ricciotti. Composed
between 1725 and 1740,
the six concertos have
been falsely attributed
to a variety of
contemporaries, Ricciotti
and Pergolesi amongst
them, since its anonymous
publication. Wassenauer's
aristocratic background
was the reason for his
secretiveness. The
sentiment of the time
ordained that musicians
belong to the lower
classes. This edition of
CONCERTINO No. 2 (also
CONCERTO ARMONICO in G
Major, CONCERTO IV, or
just CONCERTINO in G),
drawing from the CONCERTO
ARMONICO in G Major, IUW
3, was edited by 20th
century Baroque expert
Fritz Rikko. Rikko
spuriously attributes the
work to Pergolesi.
Despite Wassenauer's
authorship having since
been confirmed, Rikko's
original editorial notes
have been retained.
Instrumentation: Str (4
Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
String orchestra SKU: BR.LCE-1 Score and Study Scores for the Concerti...(+)
String orchestra
SKU:
BR.LCE-1
Score and
Study Scores for the
Concerti grossi No. 1 -
12. Composed by
Pietro Antonio Locatelli.
Edited by Agnese
Pavanello. Orchestra;
Softbound. Please check
the respective concertos
to find the orchestral
parts. Concerto grosso;
Baroque. Full score. 372
pages. Breitkopf and
Haertel #LCE 1. Published
by Breitkopf and Haertel
(BR.LCE-1).
ISBN
9790220118500. 9.5 x 12
inches.
Please
check the respective
concertos to find the
orchestral parts.
Symphonieorcheste
r des Bayerischen
Rundfunks Ltg. Mariss
Jansons
(Kompositionsauftrag des
BR)
,,Nirai
beschreibt ein
imaginiertes Land ein
Paradies. Zu Beginn
meiner Arbeit hatte ich
diese beiden
Vorstellungen: von einer
Fuge und von den Wurzeln
auf Okinawa einer
tropischen Insel im Suden
Japans. Dort haben viele
Baume ganz unglaubliche
Formen besonders die
Wurzeln haben mich
fasziniert. Sie ergeben
ausserst komplizierte und
organische Gebilde die
mich an eine Frage
erinnerten. ,,Nirai
heisst wortlich ,,aus den
Wurzeln kommend oder ,,in
Richtung der Wurzeln oder
auch ,,Land der Wurzeln.
Man verwendet dieses Wort
um etwas zu beschreiben
das aus der Vergangenheit
kommt und das noch heute
also in der Gegenwart
sinnvoll ist. Genau wie
es in Platons ,,Phaidon
heisst: Alle alten Dinge
kommen aus den neuen und
alle neuen Dinge kommen
aus den alten. Ich wollte
diese Dualitat oder
Interaktion zwischen zwei
verschiedenen Epochen
darstellen. Als Beethoven
seine Symphonien schrieb
benutzte er die
kompositorischen
Moglichkeiten die ihm zu
jener Zeit zur Verfugung
standen. Ich wollte das
auch. Wir haben
heutzutage ein riesigen
Archiv an Techniken und
Asthetiken auf die wir
zuruckgreifen konnen. Wir
konnen aus ihnen die
passenden auswahlen oder
sie auch kombinieren. In
gewisser Weise kann man
auch zu diesem Archiv
,,Nirai sagen denn es
stellt das Erbe eines
Volkes dar. Also wollte
ich gerne eine alte
Satzweise verwenden die
heutzutage nicht so oft
zum Einsatz kommt.
Ursprunglich wollte ich
das ganze Intermezzo in
Fugentechnik schreiben.
Aber das hat sich als zu
schwierig herausgestellt.
Ein Rest dieser
ursprunglich geplanten
Fuge ist am Anfang noch
erkennbar. Die Faktur
insgesamt ist eher
einfach gehalten. Im
Stuck ist ein stetes
Accelerando angelegt fur
den Horer gut wahrnehmbar
obwohl mehrere Melodien
gleichzeitig in
unterschiedlichen
Geschwindigkeiten
erklingen. Was den
Beethoven-Bezug betrifft
so nahm ich eine kurze
Phrase aus dem Schluss
des letzten Satzes der
Zweiten Symphonie funf
kurze Wechselnoten.
Daraus entwickelte ich
das Stuck. Bei Beethoven
steht diese Phrase in
D-Dur naturlich ubernahm
ich die Tonart nicht. Was
mich reizte war die
Tatsache dass es sich um
eine kleine Sekunde
handelt - das Intervall
das in der
zeitgenossischen Musik
bevorzugt verwendet wird.
Die kleine Sekunde ist
sehr flexibel sie
ermoglicht einem viele
Formen der Verwendung.
Beethoven war seinen
Zeitgenossen vor allem
als genialer Improvisator
bekannt also nahm ich
diese kleine Phrase als
Thema einer Improvisation
und behandelte es auf
sehr freie Art. Von der
Sechsten Symphonie
entnahm ich keine
musikalischen Zitate;
stattdessen entwickle ich
dieses kurze Intermezzo
in ,,pastoraler
Form.
(Misato
Mochizuki) UA der
zweisatzigen Fassung:
21.10.2011 NULL World
premiere version with two
sets: Oct. 21 2011
NULL.
By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman. Instrument(s) a...(+)
By Jean-Marie Leclair
(1697-1764). Edited by
Jean Saint-Arroman.
Instrument(s) and string
orchestra - (Violin and
string orchestra - Flute
and string orchestra -
Hautbois and string
orchestra). For Violin,
Flute (concerto III),
Oboe (concerto III).
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 124
pages. Published by Anne
Fuzeau Productions -
France
Composed by Antonio Vivaldi (1678-1741). Arranged by J. Cameron Law. For 4 s...(+)
Composed by Antonio
Vivaldi
(1678-1741). Arranged by
J.
Cameron Law. For 4 solo
cellos
and string orchestra.
Grade 4
(section), Grade 5
(solo).
Score and set of parts.
Duration 3 minutes, 30
seconds. Published by
Grand
Mesa Music
(Movement 2, Concerto
For Trumpet, Two Oboes
And Continuo).
Composed by Georg Philipp
Telemann. Arranged by
Steve Frackenpohl. Solo
or Ensemble. Apex String
Orchestra. Score and
parts. Kendor Music Inc
#9986. Published by
Kendor Music Inc
(KN.9986).
UPC:
822795099867.
This
arrangement of the second
movement of the Concerto
in D (43:D7) for Trumpet,
Two Oboes and Continuo is
arranged here for grade 3
groups. This exciting and
cheerful Baroque gem
keeps all the sections
engaged and features the
creativeness
inventiveness of Georg
Philipp Telemann.
Encompassing the typical
energetic Baroque style,
several inventive
contrasting sections are
included that clearly
point towards the early
Classical era. Duration
2:55. Available in
SmartMusic.
Concerto in D Orchestre à Cordes [Conducteur] - Intermédiaire Belwin
(Transcription of Concerto for Four Violins No. 2 TWV 40:202). Composed b...(+)
(Transcription of
Concerto for Four
Violins No. 2 TWV
40:202). Composed by
Georg Philipp Telemann
(1681-1767). Arranged by
Katie O'Hara LaBrie.
Orchestra. Masterworks;
Score; String Orchestra.
Belwin Concert String
Orchestra. Form:
Concerto; Transcription.
Baroque; Masterwork
Arrangement. Grade 3.5.
20 pages. Published by
Belwin Music
Composed by Gerald E.
Anderson. Score. Neil A.
Kjos Music Company
#SO166F. Published by
Neil A. Kjos Music
Company (KJ.SO166F).
From the
Concerto Grosso Op. 3,
No. 5 in D Minor, this
arrangement features the
first two movements of
Handel's Fifth Concerto
Grosso. This arrangement
also includes an optional
harpsichord part.
Concerto in D Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Belwin
(Transcription of Concerto for Four Violins No. 2 TWV 40:202). Composed b...(+)
(Transcription of
Concerto for Four
Violins No. 2 TWV
40:202). Composed by
Georg Philipp Telemann
(1681-1767). Arranged by
Katie O'Hara LaBrie.
Orchestra. Masterworks;
Part(s); Score; String
Orchestra. Belwin Concert
String Orchestra. Form:
Concerto; Transcription.
Baroque; Masterwork
Arrangement. Grade 3.5.
124 pages. Published by
Belwin Music
By Georg Philipp Telemann (1681-1767). Arranged by Tim McCarrick. Orchestra. Str...(+)
By Georg Philipp Telemann
(1681-1767). Arranged by
Tim McCarrick. Orchestra.
String Orchestra. Belwin
Intermediate String
Orchestra. Form:
Concerto. Baroque. Grade
2.5. Conductor Score and
Parts. 67 pages
(Violin Solo or Section Feature). By Antonio Vivaldi (1678-1741). Arranged by Th...(+)
(Violin Solo or Section
Feature). By Antonio
Vivaldi (1678-1741).
Arranged by Thomas P.
LaJoie III. Orchestra.
For string w/ vln3.
Masterworks; Part(s);
Score; String Orchestra.
Highland String
Orchestra. Form:
Concerto; Transcription.
Baroque; Masterwork
Arrangement. Grade 3. 136
pages. Published by
Alfred Music Publishing
By Antonio Vivaldi (1678-1741). Arranged by Thomas P. LaJoie III. Orchestra. Mas...(+)
By Antonio Vivaldi
(1678-1741). Arranged by
Thomas P. LaJoie III.
Orchestra. Masterworks;
Score; String Orchestra.
Highland String
Orchestra. Form:
Concerto; Transcription.
Baroque; Masterwork
Arrangement. Grade 3. 16
pages. Published by
Alfred Music Publishing
Score and Parts. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged b...(+)
Score and Parts. Composed
by
Wolfgang Amadeus Mozart
(1756-1791). Arranged by
Lauren Keiser. Southern
Music. Classical.
Softcover.
Southern Music Company
#SO118C. Published by
Southern Music Company
Concerto Miniatures Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Wingert-Jones Publications
(for Piano and String Orchestra). Composed by Various. Arranged by Bud Cap...(+)
(for Piano and String
Orchestra). Composed by
Various. Arranged by Bud
Caputo. For piano and
string
orchestra. Concert Work.
Grade
3. Score and set of
parts.
Duration 8:46. Published
by
Wingert-Jones
Publications
(for Piano and String Orchestra). Composed by Various. Arranged by Bud Cap...(+)
(for Piano and String
Orchestra). Composed by
Various. Arranged by Bud
Caputo. For piano and
string
orchestra. Concert Work.
Grade
3. Conductor score.
Duration
8:46. Published by
Wingert-
Jones Publications
(Christmas Concerto) Composed by Arcangelo Corelli (1653-1713), edited by Waldem...(+)
(Christmas Concerto)
Composed by Arcangelo
Corelli (1653-1713),
edited by Waldemar Woehl.
Opus 6, #8. For violin
concertato I, II, cello
solo, violin di ripieno
I, II, viola, contra bass
and keyboard. Urtext.
Format: full score (parts
not included). With
introductory text.
Baroque. G Minor. 19
pages. 9x12 inches.
Published by C.F. Peters.
Concerto in G Major Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Antonio Vivaldi. Arranged by Thomas Lajoie. Music by Antonio Vivaldi / arr. T...(+)
By Antonio Vivaldi.
Arranged by Thomas
Lajoie. Music by Antonio
Vivaldi / arr. Thomas
LaJoie. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3.5
(grade 3.5). Conductor
Score and Parts.
Published by Alfred
Publishing.