Organ - intermediate/advanced SKU: JK.01979 Composed by Various. Arranged...(+)
Organ -
intermediate/advanced
SKU: JK.01979
Composed by Various.
Arranged by Clay
Christiansen. Organ
Postludes, Organ
Preludes, Organ Solos.
An Invitation to
Worship by Tabernacle
Organist Clay
Christiansen is a book of
organ preludes intended
to help prepare the
hearts of listeners to
receive the peace of the
gospel. These renditions
are a refreshing new take
on familiar hymn...
Christian, Contemporary
Christian, Gospel,
Inspirational. Score.
Jackman Music Corporation
#01979. Published by
Jackman Music Corporation
(JK.01979).
UPC:
093285019799.
A
n Invitation to Worship
by Tabernacle Organist
Clay Christiansen is a
book of organ preludes
intended to help prepare
the hearts of listeners
to receive the peace of
the gospel. These
renditions are a
refreshing new take on
familiar hymn favorites.
The majority of
arrangements in this book
are intermediate in
difficulty, leaving just
a couple of pieces at a
more advanced level. Use
these beautiful
renditions for prelude,
postlude, and solo
performance. Click here
to view all Jackman Music
titles including the
great work of Clay
Christiansen.
Piec
es included in this
volume: Come, Listen
to a Prophet's
Voice High on the
Mountain Top I Feel My
Savior's Love I Know
That My Redeemer
Lives Jesus, Once of
Humble Birth On This
Day of Joy and
Gladness Sweet Is the
Work We Thank Thee, O
God, for a
Prophet We'll Sing All
Hail to Jesus'
Name Composers:
Various Arranger: Clay
Christiansen Difficult
y: Intermediate to
Advanced.
Organ SKU: BR.EB-8628 Chorale Preludes of the Romantic to Songs of the...(+)
Organ
SKU:
BR.EB-8628
Chorale
Preludes of the Romantic
to Songs of the Ev.
Gesangbuches.
Composed by Klaus Uwe
Ludwig. Edited by Klaus
Uwe Ludwig. Solo
instruments; Softbound.
Edition Breitkopf.
hier preisen auf der
Erd offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era.
Romantic period.
Score. 104 pages.
Breitkopf and Haertel #EB
8628. Published by
Breitkopf and Haertel
(BR.EB-8628).
ISBN
9790004180433. 9 x 12
inches.
The
spotlight is not on
Brahms, Reger and
Karg-Elert, but on the
romantic organ composers
Otto Dienel, Theophil
Forchhammer, Max Gulbins,
Otto Heinermann, Karl
Hoyer, Wilhelm Kienzl,
Emil Magnus, Karl Piutti
and many others whose
works have recently begun
to attract greater
attention. The idea of
romanticism is extended
into the 20th century by
the inclusion of certain
other composers as well.
hier preisen auf der Erd
illustrates a
particularly fruitful
period in the history of
organ music while also
expanding the four-volume
collection in Ewigkeit
dich loben, which was
unable to take certain
interesting rediscoveries
into account at the time
of
compilation.
hier
preisen auf der Erd
offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era. Awarded the German
Music Edition Prize
1998.
Organ SKU: BR.EB-8629 Chorale Preludes of the Romantic to Songs of the...(+)
Organ
SKU:
BR.EB-8629
Chorale
Preludes of the Romantic
to Songs of the Ev.
Gesangbuches.
Composed by Klaus Uwe
Ludwig. Edited by Klaus
Uwe Ludwig. Solo
instruments; Softbound.
Edition Breitkopf.
hier preisen auf der
Erd offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era.
Romantic period.
Score. 96 pages.
Breitkopf and Haertel #EB
8629. Published by
Breitkopf and Haertel
(BR.EB-8629).
ISBN
9790004180518. 9 x 12
inches.
The
spotlight is not on
Brahms, Reger and
Karg-Elert, but on the
romantic organ composers
Otto Dienel, Theophil
Forchhammer, Max Gulbins,
Otto Heinermann, Karl
Hoyer, Wilhelm Kienzl,
Emil Magnus, Karl Piutti
and many others whose
works have recently begun
to attract greater
attention. The idea of
romanticism is extended
into the 20th century by
the inclusion of certain
other composers as well.
hier preisen auf der Erd
illustrates a
particularly fruitful
period in the history of
organ music while also
expanding the four-volume
collection in Ewigkeit
dich loben, which was
unable to take certain
interesting rediscoveries
into account at the time
of
compilation.
hier
preisen auf der Erd
offers a selection of
some of the multi-faceted
and highly original forms
found among the chorale
prelude of the romantic
era. Awarded the German
Music Edition Prize
1998.
Organ SKU: BT.ALHE32650 Composed by Nicolas de Grigny. Le Pupitre - Heuge...(+)
Organ
SKU:
BT.ALHE32650
Composed
by Nicolas de Grigny. Le
Pupitre - Heugel.
Classical. Score Only.
Heugel & Cie #ALHE32650.
Published by Heugel & Cie
(BT.ALHE32650).
French.
This
edition of the
Organ
Book by
Nicolas de
Grigny was edited by
C. L.
Koehlhoeffer.
Featuring 43 pieces, this
book uses pedals and
other techniques that
would be known by
advanced
players.
The
scores of the
Organ
Book were first
published in 1699 under
another name before being
republished under this
name in 1711. J. S. Bach
corrected these initial
editions, and his
corrections arestill
taken into account in
this book.
Organ Book
is a good
representation of the
Organ music of the Louis
XIV period.
Nicolas de
Grigny was a French
organist living in
theareaof Rheims, where
he was the main Cathedral
organist.
Organ - Medium SKU: JK.01589 Composed by Various. Arranged by Brent Jorge...(+)
Organ - Medium
SKU:
JK.01589
Composed by
Various. Arranged by
Brent Jorgensen.
Difficulty Medium, Organ
Chains, Organ Postludes,
God the Father, Jesus
Christ - Savior, Joy,
Love, Peace, Prayer,
Sacrament, Supplication.
Christian, Inspirational.
Jackman Music Corporation
#01589. Published by
Jackman Music Corporation
(JK.01589).
Fifteen
favorite closing hymns
arranged for organ
prelude in a continuous
medley, allowing you to
begin anywhere and end
anywhere. Titles
included in this
volume: God Be With
You Lord We Ask Thee
Ere We Part Sing We
Now at Parting Thy
Spirit Lord Hath
Stirred Before Thee
Lord I Bow My Head As
Shadows Falls Lord
Dismiss Us Come Let
Us Sing an Evening
Hymn Abide With
Me Father This Hour
Has Been One of Joy
We Have Partaken of Thy
Love Great God to
Thee The Lord Be with
Us Now the Day is
Over Composer:
Various Arranger:
Brent Jorgensen
Difficulty: Medium.
Organ SKU: HL.49045845 10 Organ Works from 4 Centuries Organ. Comp...(+)
Organ
SKU:
HL.49045845
10
Organ Works from 4
Centuries Organ.
Composed by Various.
Edited by Gerhard Gnann.
Organ Collection.
Classical. Softcover. 76
pages. Schott Music
#ED22915. Published by
Schott Music
(HL.49045845).
UPC:
841886033801.
New
music on old instruments
and new organ literature
in dialogue with
historical Iberian works.
The present edition
contains a collection of
works, composed for an
authentically rebuilt
historical Spanish organ
and covering a wide range
of styles, which adds new
sounds to the purely
Baroque repertoire. With
works by Jose Blasco de
Nebra, Francisco Correa
de Arauxo, Antonio de
Cabezon, Pedro de Araujo,
Antonio de Cabezon and
new compositions by Guy
Bovet, Michael Kapsner,
Pavel Klimashevsky,
Zsigmond Szathmary and
Alfred Muller-Kranich.
The new Spanish organ of
the Hochschule fur Musik
Mainz as an authentically
rebuilt historical
instrument from the
workshop of the organ
builder Joaquin Lois from
Tordesillas in Castile
shall both adequately
reproduce early music and
be a source of
inspiration for
contemporary music. For
this reason, the
Hochschule fur Musik
Mainz commissioned five
composers to write modern
compositions according to
the motto 'Early music in
dialogue with New Music'
which are a valuable
addition to the
repertoire of historical
instruments of the 'Siglo
de Oro'. Certain
specifications had to be
taken into account: e. g.
a limited pitch range,
half stops for treble and
bass registers, the short
octave as well as a
mean-tone temperament. In
addition, each
composition is based on a
work of the Iberian organ
literature; sometimes,
the work found its way
into the new composition,
sometimes, it only served
as an inspiration. The
pieces can also be played
on a modern organ,
although there is a
special charm in playing
and hearing them played
on an appropriate
historical instrument.
Encompassing a broad
range of styles, the
resulting collection adds
new sounds to the purely
Baroque repertoire.
(Hymns Blended with Praise Songs). Arranged by Anna Laura Page. For Organ. B...(+)
(Hymns Blended with
Praise
Songs). Arranged by Anna
Laura Page. For Organ.
Book;
Organ - Method or
Collection; Worship
Resources. Jubilate.
Form:
Medley. Hymn; Sacred.
Published by Alfred Music
Organ SKU: CA.1817900 Composed by Charles Marie Widor. Edited by Georg Ko...(+)
Organ
SKU:
CA.1817900
Composed
by Charles Marie Widor.
Edited by Georg Koch.
Free organ music. Full
score. Op. 42,1. 80
pages. Duration 35
minutes. Carus Verlag #CV
18.179/00. Published by
Carus Verlag
(CA.1817900).
ISBN
9790007188979. Language:
all languages.
It
is no coincidence that
the Toccata from Widor's
Vth Organ Symphony is his
best-known composition.
Who can resist its
thrilling verve? Not only
this, but also the other
movements of this unique
work of the organ
repertoire win you over
immediately - the first
with its march-like,
majestic, much-varied
theme; the second with
its wonderfully elegiac
oboe melody, flowing
along over staccato
sixteenth notes; and the
two slow movements, of
which the melancholy,
almost static Adagio
forms the greatest
contrast imaginable to
the following triumphal
Toccata. The Carus Urtext
edition is based on the
Paris edition of 1928/29,
the last one to be
published during Widor's
lifetime. The corrections
which the composer made
after the publication of
this edition have also
been taken into
consideration. As well as
this, earlier editions
have been consulted for
comparison to clarify
individual variant
readings. Editorial
suggestions on the
performance of individual
passages complete the new
edition. Great organ
works: Series A: -
Symphony II op. 13 no. 2
- Symphony IV op. 13 no.
4 - Symphony V op. 42 no.
1 - Symphony VI op. 42
no. 2 - Symphony Romane
op. 73 in preparation
Subscription offer for
Series A: 20% discount
off the retail price.
Soprano voice solo (choir) and organ - Level 2 SKU: CA.5006205 Missa p...(+)
Soprano voice solo
(choir) and organ - Level
2
SKU: CA.5006205
Missa puerorum
(Kleiner und leichter
Messgesang). Composed
by Josef Gabriel
Rheinberger. Missa
Puerorum. Sacred vocal
music, Masses, Latin.
Choral Score. Composed
1871-72. Op. 62. 8 pages.
Duration 11 minutes.
Carus Verlag #CV
50.062/05. Published by
Carus Verlag
(CA.5006205).
ISBN
9790007079307. Key: F
minor. Language:
Latin.
Of Josef
Rheinberger's eighteen
masses, five are for
unaccompanied voices,
four with accompaniment
by a small instrumental
ensemble and nine with
organ. Among the last
group the leicht
ausfuhrbare (easy to
perform) works take a
special place: Considered
by their composer as
purely utility music,
they achieved great
popularity during his
lifetime and soon became
part of the standard
repertory of small church
choirs. Score available
separately - see item
CA.5006200.
Solo voices, SATB double chorus, piano or organ - Grade 3 SKU: CA.2331150 ...(+)
Solo voices, SATB double
chorus, piano or organ -
Grade 3
SKU:
CA.2331150
The
Seven Words of Christ on
the Cross. Composed
by Charles Francois
Gounod. Edited by Hazel
Rowland. Carus digital:
Extra digital products.
Full Score. Composed
1855. CG 147. 24 pages.
Duration 15 minutes.
Carus Verlag #2331150.
Published by Carus Verlag
(CA.2331150).
ISBN
9790007301712.
Latin.
Spoken
during his final hours,
the “seven
words†have been
taken as a profound
insight into
Jesus‘s final
suffering on the cross.
These words, or rather
statements, have been set
by numerous composers in
different languages.
Charles Gounod’s
setting of The Seven
Words of Christ on the
Cross returns to the
Latin text and explicitly
recalls the music of
Palestrina, but with an
added nineteenth-century
harmonic twist. The
edition of this a
cappella work comes with
a piano reduction for
rehearsal purposes. Score
available separately -
see item CA.2331100.
Primary Colours Orgue - Intermédiaire Jackman Music Corporation
Organ - Intermediate SKU: JK.02065 Ten Organ Settings of Beloved Child...(+)
Organ - Intermediate
SKU: JK.02065
Ten Organ Settings of
Beloved Children's
Songs. Composed by
Various. Arranged by Clay
Christiansen. Christian,
Children, Children's
Musicals, Contemporary
Christian, Gospel,
Inspirational. Score.
Jackman Music Corporation
#02065. Published by
Jackman Music Corporation
(JK.02065).
UPC:
093285020658.
These
ten colourful organ
settings of beloved
primary songs combine
the bright joy
of primary
children with the
refined dignity of Clay
Christiansen's
compositions.
The acclaimed
tabernacle organist
brings you a volume
of accessible arran
gements that will
be beautifully suit
ed for prelude,
postlude, and special
musical numbers. This
volume may be considered
for ward/stake meet
ings, baptisms, and
primary
programs.
Contents
: Families Can Be
Together Forever He
Sent His Son I Think
When I Read That Sweet
Story I Will Follow
God’s
Plan Jesus Once Was a
Little Child Keep the
Commandments My
Heavenly Father Loves
Me Teach Me to Walk in
the Light Tell Me the
Stories of Jesus When
We’re Helping.
Cantata for the Sunday
after New Year.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: Paperbound.
Sacred vocal music,
Cantatas, New year. Study
score. Composed
1733/1734. BWV 58. 56
pages. Duration 17
minutes. Carus Verlag #CV
31.058/07. Published by
Carus Verlag
(CA.3105807).
ISBN
9790007043216. Key: C
major. Language:
German/English.
The
cantata O God, what glut
of care and pain BWV 58,
which Bach subtitled
Dialogus and wrote for
the Sunday after New
Year, limits itself
accordingly to the dialog
couple consisting of
soprano and bass; further
soloists or a choir are
not required. In the
framing movements, the
dialog takes on the form
of a chorale arrangement:
the soprano presents a
cantus firmus whose words
are consolingly commented
on by the bass. Both the
expansive chorale
arrangements leave room
for an aria which is
framed by two
recitatives. The cantata
was composed for the
Sunday after New Year
1727, but the received
form is from a subsequent
performance that took
place six or seven years
later. For this
performance, Bach not
only expanded the
instrumentation but also
replaced an entire aria.
Later, he assigned the
cantata to his annual
cycle of chorale
cantatas, probably due to
its high proportion of
chorales; this Sunday was
missing in that annual
cycle as there was no
Sunday between New Year
and Epiphany in 1725.
Score available
separately - see item
CA.3105800.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Double Bass. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/15. Published
by Carus Verlag
(CA.2731515).
ISBN
9790007201739. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509).
ISBN
9790007201685. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Viola. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/13. Published
by Carus Verlag
(CA.2731513).
ISBN
9790007201715. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Set of Orchestra
Parts. CG op. Posth.
Duration 35 minutes.
Carus Verlag #CV
27.315/19. Published by
Carus Verlag
(CA.2731519).
ISBN
9790007137366. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin 2. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/12. Published
by Carus Verlag
(CA.2731512).
ISBN
9790007201708. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Violin. CG op.
Posth. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/11. Published
by Carus Verlag
(CA.2731511).
ISBN
9790007201692. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Full score. CG op.
Posth. 136 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/00. Published by
Carus Verlag
(CA.2731500).
ISBN
9790007095604. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Cello. CG op.
Posth. 8 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/14. Published
by Carus Verlag
(CA.2731514).
ISBN
9790007201722. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Single
Part, Organ. CG op.
Posth. 4 pages. Duration
35 minutes. Carus Verlag
#CV 27.315/49. Published
by Carus Verlag
(CA.2731549).
ISBN
9790007201746. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and part available
separately - see item
CA.2731500.
From Three Short
Pieces for Organ.
Composed by Samuel
Coleridge-Taylor.
Arranged by Robert
Debbaut. Cas. Full score.
Duration 3 minutes. Carl
Fischer Music #CAS160F.
Published by Carl Fischer
Music (CF.CAS160F).
ISBN 9781491165454.
UPC: 680160924363. Key: C
major.
The story of
Samuel Coleridge-Taylor
is of a rising star
composer, one with a
significant gift for
melody and a simple
lyricism, who embraced
the previously unexplored
song and dance forms from
his father’s
native west Africa and
incorporated them into
his own very European art
music. Coleridge-Taylor
began playing the violin
at age five and by age
fifteen wasadmitted to
London’s Royal
College of Music, where
he studied both violin
and composition and
composed his first works.
The simply-titled Melody
is taken from Three Short
Pieces for Organ - a set
of pieces originally
published in
Novello’s Album
for the Organ, No. 3
(1898). While certainly
typical of the late 19th
century, many of
Coleridge-Taylor's
creations display
inspiration by African
musical elements much
like spirituals inspired
Dvořák’s
“New Worldâ€
Symphony.