31 Arrangements of Christmas Praise Songs. Arranged by Victor Labenske. Book; ...(+)
31 Arrangements of
Christmas
Praise Songs. Arranged by
Victor Labenske. Book;
Piano
Collection; Piano
Supplemental. Sacred
Performer Collections.
Christmas; Contemporary
Christian; Sacred;
Winter.
128 pages. Published by
Alfred Music
Piano Solo Piano Solo; Piano/Keyboard SKU: HL.244643 Over 60 Popular P...(+)
Piano Solo Piano Solo;
Piano/Keyboard
SKU:
HL.244643
Over 60
Popular Pieces &
Songs. By Naomi Cook.
By Various. Piano Solo
Songbook. Classical, Pop,
Standards. Softcover.
Composed 2017. 276 pages.
Duration 116 seconds. Hal
Leonard #AM1012836.
Published by Hal Leonard
(HL.244643).
ISBN
9781785585005. UPC:
888680747336.
9.0x12.0x0.61 inches.
English.
This
comprehensive collection
contains the most
well-known, best-loved
pieces of music that
every pianist should have
in their repertoire.
You'll find classical
favorites, famous film
themes, laid-back jazz,
chart hits, wedding
music, Christmas classics
and handy must-haves like
“Auld Lang
Syne†and
“Happy Birthday to
You,†all organized
into themed sections for
navigation. With
everything from Mozart to
Mariah Carey, Einaudi to
Elton John and John
Williams to Justin
Bieber, this is the
ultimate dip-in resource
for pianists!
Let's Play Jazz and More * Book 2 composed by Jay Latulippe and Sonny Doss. For ...(+)
Let's Play Jazz and More
* Book 2 composed by Jay
Latulippe and Sonny Doss.
For easy piano. This
edition: Paperback.
Instructional. Jazz
Method. Book and CD. Text
Language: English. 48
pages. Published by
Santorella Publications
Piano SKU: M7.DUX-638 Arranged by Susi Weiss. This edition: Ring/Spiral b...(+)
Piano
SKU:
M7.DUX-638
Arranged
by Susi Weiss. This
edition: Ring/Spiral
binding. Sheet music.
Performance book. 118
pages. Edition Dux Verlag
#DUX 638. Published by
Edition Dux Verlag
(M7.DUX-638).
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.
By Moira Hayward. Songbooks and Methods. Tune a Day. Book and CD (97 tracks), In...(+)
By Moira Hayward.
Songbooks and Methods.
Tune a Day. Book and CD
(97 tracks), Instrumental
Tutor. Text language:
English. 64 pages.
Published by Boston Music
For Piano Acc. Instrumental Series. Rolling Stone Magazine's 500 Greatest Songs ...(+)
For Piano Acc.
Instrumental Series.
Rolling Stone Magazine's
500 Greatest Songs of All
Time. Play Along. Level:
Level 2-3. Book and CD.
60 pages. Published by
Alfred Publishing.
Piano SKU: HL.14030676 Ten Short Pieces for Piano. Composed by Rue...(+)
Piano
SKU:
HL.14030676
Ten
Short Pieces for
Piano. Composed by
Rued Langgaard. Music
Sales America. Classical.
Score. Composed 2020.
Duration 1200 seconds.
Edition Wilhelm Hansen
#KP00666. Published by
Edition Wilhelm Hansen
(HL.14030676).
ISBN
9788759863879.
Danish.
The 'Ten
short piano pieces' with
the title Sommerferie i
Blekinge (Summer Holiday
in Blekinge) (1916) have
not been preserved in
their complete form. The
only existing source is a
manuscript in Rued
Langgaard's hand that
lacks the first and last
pages with sections of
the music. This means
that the entire first
piano piece with the
title Paa rejse
(Travelling) is missing
as well as most of Piece
II, Mode (Meeting) (only
the conclusion of this
piece has been
preserved). A large
fragment exists of Piece
X, Aften med Dans
(Evening with Dancing),
but the conclusion is
missing. The manuscript
is to be found at the
Royal Danish Library in
Copenhagen (RLS 83,2). On
the first page,Langgaard
has merely written 'Piano
Pieces 1916': the real
title and titles of the
movements in the first
two pieces derives from
other sources. In 2008,
the Rued Langgaard
Society asked the Danish
composer Niels Marthinsen
(b. 1963) to add to the
work, the aim being to
create a 'performance
version'. Marthinsen
composed a complete new
first piece - Paa rejse
(Travelling) - and
allowed it to merge with
the preserved concluding
fragment of Langgaard's
second piece, Mode
(Meeting). Niels
Marthinsen further
composed a conclusion to
the incomplete Piece X,
Aften med Dans (Evening
with Dancing), and in it
incorporated a reference
to the first piece, so
that his additions came
to form a frame round
what hasbeen preserved of
Langgaard's work. This
supplemented version was
given its first
performance by Berit
Johansen Tange in 2008.
The overall title and
titles of the individual
pieces refer to a summer
stay in 1913, i.e. three
years before the work was
composed, when the then
20-year-old composed was
on holiday in Kyrkhult in
Blekinge (Sweden).
Promises Weding Classics for Piano with CD composed by Various. Arranged by Jona...(+)
Promises Weding Classics
for Piano with CD
composed by Various.
Arranged by Jonathon
Robbins. For piano. This
edition: Paperback.
Collection. Wedding. Book
and CD. Text Language:
English. 112 pages.
Published by Santorella
Publications
(50 Short Late Elementary Piano Solos with Optional Duet Accompaniments (Five Fi...(+)
(50 Short Late Elementary
Piano Solos with Optional
Duet Accompaniments (Five
Finger Piano)). Arranged
by Tom Gerou. For Piano.
This edition: Five Finger
Piano. Book; Piano
Collection; Piano
Supplemental. A to Z.
Sacred; Secular;
Traditional. Five Finger;
Late Elementary. 104
pages. Published by
Alfred Music Publishing
(Piano Play-Along Volume 71). By George Gershwin (1898-1937). For Piano/Keyboard...(+)
(Piano Play-Along Volume
71). By George Gershwin
(1898-1937). For
Piano/Keyboard. Piano
Play-Along. Softcover
with CD. 88 pages.
Published by Hal Leonard
Piano seul [Partition] - Intermédiaire/avancé Schirmer
(Piano Solo). By Robert Schumann. For solo piano. This edition: LB1993. Piano Co...(+)
(Piano Solo). By Robert
Schumann. For solo piano.
This edition: LB1993.
Piano Collection.
Classical Period. SMP
Level 6 (Late
Intermediate).
Collection. Introductory
text (does not include
words to the songs). 75
pages. Published by G.
Schirmer
(Beginning Piano Solo Play-Along Volume 3). By Oscar Hammerstein and Richard Rod...(+)
(Beginning Piano Solo
Play-Along Volume 3). By
Oscar Hammerstein and
Richard Rodgers.
Beginning Piano Solo
Play-Along. Softcover
with CD. 24 pages.
Published by Hal Leonard
Piano SKU: M7.ART-42184 20 sehr leichte bis leichte, gefühlvolle Kl...(+)
Piano
SKU:
M7.ART-42184
20
sehr leichte bis leichte,
gefühlvolle
Klavierstücke.
Composed by Theresia
Prelog. Score with online
audio files. Performance
book. 52 pages. MDS
(Music Distribution
Services) #ART 42184.
Published by MDS (Music
Distribution Services)
(M7.ART-42184).
ISBN
9783866421844.
Der
Band 'Easy Romantic Piano
Songs' enthält 20 sehr
leichte bis leichte
gefühlvolle
Klavierstücke für
Spieler jeder Altersstufe
ab dem 2. Lernjahr sowie
für Wiedereinsteiger
in progressiver
Reihenfolge angeordnet.
Alle Stücke stehen in
leicht lesbaren Tonarten
und sind auch geeignet
für junge Schüler
mit kleinen Händen
ohne Oktavspannung. Diese
romantischen
Kompositionen bieten
einen optimalen Einstieg
in den Gebrauch des
Pedals, was für jeden
Klavierspieler ein
besonderes Klangerlebnis
bedeutet. Zudem werden
vielfältige technische
und musikalische Aspekte
weiter entwickelt und
verfeinert, wie
beispielsweise
Terzenspiel, Synkopen,
Punktierung, Ablösen
und Ãœbergreifen der
Hände, erste
Verzierungen, dynamische
Gestaltung und
Geläufigkeit in
kurzen, schnellen
Spielfiguren. Eine
überschaubare Länge
und zahlreiche
Fingersätze
erleichtern das
Einüben der Stücke.
Die 'Easy Romantic Piano
Songs' eignen sich als
Ergänzung zu jeder
klassischen Klavierschule
und sind schön
klingende
Vortragsstücke für
Schülerkonzerte oder
im Familien- und
Freundeskreis. Unter
www.artist-ahead-download
.de stehen die
enthaltenen
Klavierstücke als
Audio- und MP3-Dateien
zum Download zur
Verfügung.