By Nicola LeFanu (1947-). For SSA choir a cappella. Women's Choir (commissioned ...(+)
By Nicola LeFanu (1947-).
For SSA choir a cappella.
Women's Choir
(commissioned by MUSE,
Cincinnati's Women's
Choir, artistic director
Catherine Roma, for first
performance in
Cincinnati, November
22nd, 2008). Modern.
Vocal score
Vol. 1.
Critical Edition.
Composed by Nicola
Fiorenza. Edited by
Giovanni Borrelli.
Hardback (Cloth Hard
Cover). Napoli e
l’Europa (Naples
and Europe). Classical.
Critical commentary. Ut
Orpheus #NAP 4. Published
by Ut Orpheus (UT.NAP-4).
ISBN 9790215318373. 9
x 12
inches.
Concerto
in Mi bem. magg. per
Violino principale, 2
Violini, Viola e Basso;
Concerto in Re min. per 2
Violini e Basso (1728);
Concerto in La magg. per
3 Violini e Basso
(1728)_x0008_; Concerto
in La min. per 3 Violini
e Basso (1727)_x0008_;
Concerto in La min. per 3
Violini e Basso; Sinfonia
in Fa min. a 2 Violini e
Basso; Sinfonia in Sol
magg. a 3 Violini e
Basso; Sinfonia fugata in
Fa min. a 3 Violini e
Basso; Sinfonia in Do
min. a 4 Violini e Basso;
Trio in Si min. per 2
Violini e
Cembalo
Nicola
Fiorenza (1700?-1764),
composer and virtuoso
Neapolitan violinist,
lived during the first
half of the 1700s. His
musical production, whose
manuscripts are preserved
for the big part in the
Library of the
Conservatorio di Musica
S. Pietro a Majella in
Naples, is composed of 15
concerts with different
instrumental organics, 9
symphonies whose
principal instrument is
the violin – that
sometimes proposes pieces
with a lot of
virtuosities typical of
the solo concert
–, some pieces for
one or two instruments
with continuo and two
cantatas. Skilled
virtuoso, Fiorenza had
assimilated both the
style of the elegant
Baroque of French school,
and the a terrazze style,
the improvised language
typical of the Venetian
composers. He knew the
style of the Concerto
Grosso of Corelli very
well, to which he joined
a dressy counterpoint
maybe too much present
for the style of that
time. Fiorenza elaborated
different styles,
filtering them through
his sensitive
predilection towards the
Neapolitan party music
and the popular melody,
developing a personal
composite language that
doesn’t consider
him belonging to one of
the schools of his time.
From a formal point of
view and for the choice
of the instrumental
organic, his compositions
have not a strong
stylistic individuality
in comparison with the
composite canons of the
first part of the XVIII
century, but the
production of Fiorenza
seems to reflect the
schemes and the composite
forms typical of the late
Baroque. His choice of
the incisive brevity of
the thematic figures is
typical of the XVII
century, that almost
never overcomes the
breath and the circle of
one or few beats.
Fiorenza’s solo
compositions show his
research of virtuosities,
but he never lapses into
a rash virtuosity, on the
contrary he maintains a
gallant taste.
Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052).
ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym.
Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Nicola Vaccai (1790-1848), edited by Elio Battaglia. Instructional b...(+)
Composed by Nicola Vaccai
(1790-1848), edited by
Elio Battaglia.
Instructional book and
accompaniment CD for
soprano voice, tenor
voice and piano
accompaniment. With
introductory text,
instructional text, vocal
melody, piano
accompaniment and lyrics.
Text language Italian,
English. 68 pages.
Published by Ricordi.
Clarinet and Piano SKU: HL.14018819 Composed by Nicola LeFanu. Music Sale...(+)
Clarinet and Piano
SKU: HL.14018819
Composed by Nicola
LeFanu. Music Sales
America. Classical. Book
[Softcover]. Music Sales
#NOV361053. Published by
Music Sales
(HL.14018819).
ISBN
9780853609827.
Comm
issioned by The Muhlfeld
Trio in 1988, Lullaby is
one of a pair of pieces
by Lefanu based around
twilight and night. The
piece features six
miniatures, illustrating
a mother's experiences
watching her child
drifting into slumber.
The miniatures are
performed without breaks,
as one continuous piece,
with fluctuations,
surprises and long
stretches of blissful
chords and undulating
textures. The clarinet
part is also included on
a separate insert. The
second piece of the pair,
Nocturne for Cello and
Piano, is available: item
code NOV361054.
Opera SKU: HL.14013308 Composed by Nicola LeFanu. Music Sales America. Op...(+)
Opera
SKU:
HL.14013308
Composed
by Nicola LeFanu. Music
Sales America. Opera or
Operetta. Book
[Softcover]. Music Sales
#NOV072475. Published by
Music Sales
(HL.14013308).
ISBN
9780853608349.
A
major dramatic work for
children, published for
the first time. This is
an exciting opera for
schools, community groups
and professional
companies to perform,
exploring universal
issues of tolerance, love
and friendship,
communication and
language.
Edited by Heidi Pegler, Nicola-Jane Kemp. Collection and accompaniment CD for lo...(+)
Edited by Heidi Pegler,
Nicola-Jane Kemp.
Collection and
accompaniment CD for low
voice and piano
accompaniment. Text
language Italian, German,
French, and Spanish. 80
pages. Published by Faber
Music.
Edited by Heidi Pegler, Nicola-Jane Kemp. Collection and accompaniment CD for hi...(+)
Edited by Heidi Pegler,
Nicola-Jane Kemp.
Collection and
accompaniment CD for high
voice and piano
accompaniment. Text
language Italian, German,
French, and Spanish. 80
pages. Published by Faber
Music.
(CME In High Voice). By Nicola Porpora (1686-1768). Edited by Joan Whittemore. F...(+)
(CME In High Voice). By
Nicola Porpora
(1686-1768). Edited by
Joan Whittemore. For
Choral (SSAA). In High
Voice. Boosey and Hawkes
#M051475698. Published by
Boosey and Hawkes
25 Easy Pieces for Recorder. Arranged by Nico Dezaire. De Haske Play-Along Book....(+)
25 Easy Pieces for
Recorder. Arranged by
Nico Dezaire. De Haske
Play-Along Book. Book and
CD Package. Size 9x12
inches. 20 pages.
Published by De Haske
Publications.
Alto (Mezzo-Soprano) and Piano Alto; Mezzo-Soprano - intermediate For Alto (Mezz...(+)
Alto (Mezzo-Soprano) and
Piano Alto; Mezzo-Soprano
- intermediate
For Alto (Mezzo-Soprano)
and Piano. Composed by
Various. Edited by
Claudia Eder. Arranged by
Wolfgang Birtel. This
edition: Paperback/Soft
Cover. Sheet music. Vocal
Collection. Classical.
Softcover. 100 pages.
Schott Music #ED20897.
Published by Schott Music